…DRIVEN BY COST AND CHILDREN — Open Culture has seen fit to remind us all that the classic novel had humble beginnings. Typed on a rental typewriter for $9.80 at a dime per half an hour, the book began as a 25,000-word novella called The Fireman. Over the course of nine days, Bradbury spent 49 hours on this first draft.
His speed was largely driven by the sheer cost (we’re talking mid-century dimes here) and the ticking clock of being a present father. Surely, as more parents have had to attempt working from home while their children are being adorable, you can understand why Bradbury could no longer write from his garage. Unable to afford an office, he turned to rental typewriters in the basement of UCLA’s Powell Library.
THE SKELETONS IN Ray Bradbury’s closet are out in Killer, Come Back to Me, a career-spanning collection of the science fictioneer’s crime stories. These 300 pages present a new side to readers who only know Bradbury from such classics as The Martian Chronicles (1950) and Fahrenheit 451 (1953). Published by Hard Case Crime on the occasion of the author’s centennial, the selections were picked by Hard Case head honcho Charles Ardai, Michael Congdon (Bradbury’s longtime agent), and Jonathan R. Eller (director of the Center for Ray Bradbury Studies at Indiana University and author of, among other titles, Becoming Ray Bradbury, Ray Bradbury Unbound, and Bradbury Beyond Apollo). Encompassing everything from the early pulp work on which he cut his teeth to a story published two years before his death in 2012, Killer, Come Back to Me offers the full spectrum of Bradbury’s criminal imagination.
… Bradbury’s life of crime spanned seven decades. Unlike Elmore Leonard and Brian Garfield, who started with Westerns, then moved to mysteries and didn’t look back, Bradbury never left the mystery genre for good. His commitment to both crime and SF recalls the career of Fredric Brown, who, while 14 years older, only entered the pulps shortly before Bradbury did and divided his output between the two genres until his death in 1972. Like Brown, Bradbury’s work displays the influence of Weird Tales and Dime Detective (where both authors published), embedding elements of the bizarre and supernatural in murder mysteries. Among Bradbury’s weirdest stories is a Dime yarn called “Corpse Carnival” (July 1945), which begins with one of two conjoined twins witnessing the murder of the other.
…He is half-consciously creating what Paul Farley and Michael Symmons Roberts, in their celebration of the edgelands that characterize the uncertain border between cities and the surrounding countryside, have classified as “desire paths.” These are “lines of footfall worn into the ground” that transform the ordered, centralized spaces of the city into secret pockets; and that, in so doing, offer a “subtle resistance to the dead hand of the planner.”
Once he has decided on a direction, Mead strides off along his desire path, then, at once purposeful and purposeless. “Sometimes he would walk for hours and miles and return only at midnight to his house.” Mead has never encountered another living creature on these nighttime walks. Nor has he so much as glimpsed another pedestrian in the daytime, because people travel exclusively by car. “In ten years of walking by night or day, for thousands of miles, he had never met another person walking, not once in all that time” (569).
The proximate reason for the eerie solitude of the city at night is that everyone else has carefully secluded themselves in their living rooms in order to stare blankly and obediently at television screens. The silence of the city is an effect of what Theodor Adorno once called “the unpeaceful spiritual silence of integral administration.” If there is no political curfew in place in Bradbury’s dystopian society, this is because a kind of cultural or moral curfew renders it superfluous.
Crossing and re-crossing the city at night on foot, aimlessly reclaiming the freedom of its streets from automobiles, Bradbury’s Pedestrian is identifiable as the scion of a distinct tradition of urban rebellion or resistance, the dissident tradition of the nightwalker….
…With the seminal dark fantasy masterpiece Something Wicked This Way Comes (1962) and the latter career work A Graveyard for Lunatics: Another Tale of Two Cities (1990) on either side, The Halloween Tree is the middle installment in a loose Halloween trilogy by the author. Though he had written several other pieces dealing with childhood and growing up in a small town, this is his only novel that is aimed directly at children as its primary audience. Be that as it may, it is enchanting for readers of all ages. It is also well worth mentioning that the illustrations by Joseph Mugnaini, a frequent collaborator of Bradbury’s, are astounding.
In 1993, the Hanna-Barbera company produced an animated special based on the novel for the ABC network written and narrated by Bradbury himself with Leonard Nimoy voicing the mysterious Mr. Moundshroud. So often when it comes to books and the movies based on them, one is clearly superior. In this case, both are so wonderful for different reasons that neither feels extraneous. The basics of the plot remain more or less the same in both, but the details and execution in each make both vital. Because they share most of the same plot points, let us explore both at the same time, reveling in the magic of each.
(5) PAST THE APEX. In “Bradbury in the Afternoon” at the Russell Kirk Center website, James E. Person, Jr. does a lengthy review of Jonathan R. Eller’s bio Bradbury: Beyond Apollo.
…By that time Bradbury was a legend: he was hailed and feted by his writing peers and admiring readers of all ages, his name mentioned in the same breath with H. G. Wells and Jules Verne as a writer of astonishingly imaginative science fiction and fantasy. Within the world of literature he knew everybody that was anybody, and his works were well on their way to becoming staples of middle-school and high-school literature courses. So what did the man do for the remaining fifty years of his life? The answer is hinted at in the title of the third and final volume of Jonathan Eller’s masterful Bradbury biography, by the words “Beyond Apollo.”
Why those words? Their significance lies in that from Bradbury’s perspective, the Apollo moon landings—particularly the initial landing in July, 1969—marked the apex of much that the author had dreamed of, the first step in mankind’s outward journey to Mars and beyond. When Neil Armstrong and Edwin (“Buzz”) Aldrin first set foot on the moon at Tranquility Base, it marked the pinnacle of the U.S. space program’s endeavors at that time. Everything that followed—the subsequent handful of successful moon landings, the space-shuttle initiative, the probes to Mars and beyond, the international space station—were wonderful but somehow a step down. As with Bradbury’s career, there was a sense that there was nothing left to prove. Beyond Apollo, there was a transitional phase of reset and refocus in America’s approach to space exploration and in Bradbury’s career….
(6) HEY, I KNOW THAT GUY. Phil Nichols’s seventeenth episode of his series “Bradbury 100” spotlight’s some events celebrating the milestone birthday. John King Tarpinian restrained his enthusiasm when he sent the link: “Darn it, I am included in this podcast at about 7 minutes in.”
This week’s Bradbury 100 is a bit different: instead of a featured guest interview, I present highlights from two Bradbury Centenary events from recent times, as well as summing up some of the key centenary events of the year so far.
The first of the highlights is a selection from the discussion in the first (and so far, only) Bradbury 100 LIVE episode. This was an event I ran on Facebook Live back in September. In this recording, I talk to John King Tarpinian – a friend of Ray Bradbury’s who often accompanied him to public events – and educator George Jack.
The second is the audio from a public lecture I gave earlier this week, celebrating seventy years of Bradbury’s book The Martian Chronicles.
(7) COVID-19 PUSHES 451 OUT OF THE SYLLABUS. In the Washington Post, Ashley Fetters interviewed teachers about the changes they’ve made as a result of the pandemic. She interviewed Morgan Jackson, a high school English teacher in Philadelphia: “Distance learning is straining parent-teacher relationships”.
…Jackson has made changes to how she teaches. She skipped, for example, a lesson she planned about an overdose scene in Fahrenheit 451. ‘Typically, because Philadelphia is so rife with overdoses and drug issues, I would have had an in-depth discussion and read an article about that. But because it’s such a controversial topic and some parents don’t want their kids knowing about that side of Philly, I kind of cut that out,’ she said. ‘I feel more monitored now than I did when we were in class.’
(8) THAT’S SHAT. [Item by Martin Morse Wooster.] This is from an article by David Cheal in the November 21 Financial Times about Elton John’s 1972 song “Rocket Man.”
Decades before the opening scenes of Ridley Scott’s film Alien (1979) showed astronauts smoking, chatting, and drinking, before John Carpenter’s 1974 sci-fi classic Dark Star depicted a spaceship’s crew bored and listless, science-fiction writer Ray Bradbury had the prescience to realise that one day going ino space would be just a job. His short story ‘The Rocket Man,’ part of his 1951 collection The Illustrated Man, tells of a man who works in space for three months at a time, coming home to an anxious wife and a curious teenage son. Sniffing his father’s space uniform, the son finds it smells of ‘fire and time.”…
…In 1972 Bernie Taupin, Elton John’s lyric-writing partner, was heading home to see his parents. He had read Bradbury’s story and was musing on it when a lyric popped into his head, about a man preparing to head off to his job in space: ‘She packed my bags last night pre-flight, zero hour 9am… Taupin normally used a notebook to jot down ideas but as he was driving he had to spend the day anxiously memorizing the lines before he could finally commit them to paper. He sent the finished lyric to John (they mostly work separately), who set them to music,'”
Cheal notes that when William Shatner sang his version of “Rocket Man” at the Science Fiction Film Awards ceremony, Ray Bradbury was in the audience as he later gave the prize for best film of the year to Star Wars.
I was in seventh grade the first time that I read Ray Bradbury’s Fahrenheit 451. I wasn’t a particular fan of science fiction, nor was I a fan of dystopian fiction. That being said, Fahrenheit 451 didn’t even register as belonging to a genre as I read it.
Bradbury’s language was so rich and real and immediate that I remember being as convinced of the world he built as I was of any “real” setting. I wanted to sink into every sentence. I wanted to wrap myself up in unexpected metaphors and lush allusions. I wanted to be a writer just like Bradbury.
After school the day that I finished reading Fahrenheit 451, I sat down to write Bradbury a letter. In this letter, I tried to express how much his book meant to me. I don’t remember now exactly what I wrote; I’m sure it was clumsy. What I do remember is including a small postscript informing him that I had enclosed an original short story, and would he please respond with any comments he might have.
Then I decorated the envelope with red and orange flames and stuck three stamps in the corner because it was so heavy. (It might have been generous to call my short story short.)
The next day, Ray Bradbury passed away. He was 91 years old, and my letter never got to him. I was devastated. Now, at 21 years old, I often wonder where that letter ended up.
[Thanks to John King Tarpinian, Martin Morse Wooster, and Michael J. Walsh for these stories.]
(1) EXCELSIOR! Cass R. Sunstein reviews Liel Liebovitz’s biography Stan Lee: A Life in Comics at the LA Review of Books: “Marvelous Belief”.
…DC was Dwight Eisenhower; Marvel was John F. Kennedy. DC was Bing Crosby; Marvel was the Rolling Stones. DC was Apollo; Marvel was Dionysus.
Marvel’s guiding spirit, and its most important writer, was Stan Lee, who died in 2018 at the age of 95. Lee helped create many of the company’s iconic figures — not only Spider-Man, the Fantastic Four, the Hulk, and the X-Men, but also the Black Panther, the Avengers, Thor, Daredevil (Daredevil!), Doctor Strange, the Silver Surfer, and Ant-Man. There were many others. Lee defined the Marvel brand. He gave readers a sense that they were in the cool kids’ club — knowing, winking, rebellious, with their own private language: “Face Forward!” “Excelsior!” “’Nuff said!”
Aside from their superpowers, Lee’s characters were vulnerable. One of them was blind; another was confined to a wheelchair. By creating superheroes who faced real-world problems (romantic and otherwise), Lee channeled the insecurities of his young readers. As he put it: “The idea I had, the underlying theme, was that just because somebody is different doesn’t make them better.” He gave that theme a political twist: “That seems to be the worst thing in human nature: We tend to dislike people who are different than we are.” DC felt like the past, and Marvel felt like the future, above all because of Marvel’s exuberance, sense of fun, and subversive energy….
(2) BALONEY! [Item by Martin Morse Wooster.] In the Washington Post, Abraham Riesman, author of a forthcoming biography of Stan Lee, offers five myths about him, including that “Lee created the Marvel Universe” (“there is actually zero evidence that Lee had any of the initial ideas” for the classic Marvel characters) and “Lee loved comics and superheroes” (he repeatedly pitched non-superhero ideas to publishers, and they were all rejected): “Five myths about Stan Lee”.
…There is actually zero evidence that Lee had the initial ideas for any of these characters, other than his own claims. In his 2002 memoir, for instance, he said of Ditko: “I really think I’m being very generous in giving him ‘co-creator’ credit, because I’m the guy who dreamed up the title, the concept, and the characters.” The world has generally accepted that Lee had the initial notions for the characters, only then passing them off to Kirby or Ditko. But over the course of legalcases, painstaking historical debate and my own archival research, nothing has ever been turned up that proves — or even suggests — that Lee was the driving creative force. No presentation boards, no contemporary notes, no diary entries, no supporting accounts from anyone other than his wife. Nothing.
Meanwhile, Kirby and his defenders have asserted that Kirby was the characters’ sole creator, accurately pointing out that he had a far longer history of creating successful characters on his own. Same goes for Ditko. Because of the fly-by-night record-keeping practices of the mid-century comic-book industry, it’s unlikely that we’ll ever have a firm answer. But companies, journalists and historians can’t say with any certainty that Lee created (or even co-created) Marvel’s dramatis personae.
The company has acquired Ken Liu’s sci-fi short story “The Hidden Girl,” with the intention of adapting it into a series. Liu is attached to executive produce the project, which sources say is already in discussions with potential directors and showrunners.
News of the acquisition comes less than a month after Liu was announced as a consulting producer on David Benioff, D.B. Weiss, and Alexander Woo’s buzzy Netflix adaptation of “The Three-Body Problem.”
“The Hidden Girl” blends sci-fi and historical reality into a story set in a never-before-seen fantasy world derived from the cosmopolitan realities of Tang Dynasty China. In the story, a diverse group of women assassins travel through the fourth-dimension traversing space and time to kill their opponents, honor their professional code, and face down ethical dilemmas only too relevant for our conflict- and doubt-driven modern world.
To be a good illustrator, said Mervyn Peake, it is necessary to do two things. The first is to subordinate yourself entirely to the book. The second is ‘to slide into another man’s soul’.
In 1933, at the age of 22, Peake did precisely that. Relinquishing his studies at the Royal Academy Schools to move to Sark, in the Channel Islands, he co-founded an artists’ colony and took to sketching fishermen and romantic, ripple-lapped coves. He put a gold hoop in his right ear, a red-lined cape over his shoulders, and grew his hair long, like Israel Hands or Long John Silver.
The incredible thing was that he had yet to receive his commission to illustrate Treasure Island. By the time the job came through, in the late 1940s, he had been sliding into more piratical souls for more than 20 years.
Peake, by all accounts a gentle man, is probably best known today as the creator of Titus Groan and the dastardly Steerpike in his brilliant Gormenghast trilogy. He was also, however, an adroit and often unsettling draughtsman, producing the most brooding and memorable illustrations for Treasure Island and Lewis Carroll’s Alice books of the 20th century.
(5) MEDIA BIRTHDAY.
September 27, 2002 — Joss Whedon’s Firefly premiered on Fox. Starring a cast of Nathan Fillion, Summer Glau, Gina Torres, Jewel Staite, Alan Tudyk, Morena Baccarin, Adam Baldwin, Sean Maher and Ron Glass, it would last but a single season of fourteen episodes (shown out of order the first time and with three episodes unaired as well ) and a film, Serenity. The pilot, “Serenity”, would be nominated for a Hugo for Best Dramatic Presentation, Short Firm at Torcon 3 but would lose out decisively to Buffy the Vampire Slayer’s “Conversations with Dead People”. Both comic books and original novels have been released since the series ended.
Born September 27, 1927 — Martin Caidin. His best-known novel is Cyborg which was the basis for The Six Million Dollar Man franchise. He wrote two novels in the Indiana Jones franchise and one in the Buck Rogers one as well. He wrote myriad other sf novels as well. The Six Million Dollar Man film was a finalist for Best Dramatic Presentation at DisCon II which Woody Allen’s Sleeper won. (Died 1997.) (CE)
Born September 27, 1932 — Roger Charles Carmel. The original Harcourt Fenton “Harry” Mudd as he appeared in two episodes of the original Star Trek, “Mudd’s Women” and “I, Mudd”” and one episode of the animated series as well, “Mudd’s Passion”. I say original because Discovery has decided that they have a Harry Mudd too. He also had one-offs on I-Spy, Munsters, The Man from U.N.C.L.E., Voyage to the Bottom of the Sea and Batman. It is rumored but cannot be confirmed that he was going to reprise his role as Harry Mudd in a first-season episode of Next Gen but died before filming could start. (Died 1986.) (CE)
Born September 27, 1947 — Meat Loaf, 73. He has a tasty role as Eddie in The Rocky Horror Picture Show. He also has film roles in Wishcraft (horror), Stage Fright (horror) and Urban Decay (yes, more horror). He’s also in BloodRayne which is yes, horror. He’s had one-offs on Tales from the Crypt, The Outer Limits, Monsters, Masters of Horror and was Doug Rennie, a main cast member of Ghost Wars. I think one of his songs, particularly the video version, “I’d Do Anything for Love (But I Won’t Do That)” qualifies as genre. (CE)
Born September 27, 1948 – Pauline Fisk. Half a dozen novels. I sometimes wonder who shall guard The Guardian (you may know Quis custodiet ipsos custodes? from this book), but here’s what The Guardian said of her. (Died 2015) [JH]
Born September 27, 1950 – Maggie Secara. In the Queen’s Court with me at the original Renaissance Pleasure Faire, she was superb. Five novels for us, as many shorter stories. Her Website is still here. (Died 2019) [JH]
Born September 27, 1952 – Steven Schindler, 68. Illustrator; children’s books, many ours either explicitly or by treatment. First book, The First Tulips in Holland. Here is his cover for The Tower at the End of the World. Here is Catwings. Here is Spike and Ike Take a Hike. Here is his Website. [JH]
Born September 27, 1956 — Sheila Williams, 64. Editor, Asimov’s Science Fiction for the past fifteen years. She won the Hugo Award for Best Short Form Editor in 2011 and 2012. With the late Gardner Dozois, she co-edited a bonnie bunch of anthologies such as Isaac Asimov’s Robots, Isaac Asimov’s Christmas and Isaac Asimov’s Cyberdreams. She was also responsible for the Isaac Asimov Award for Undergraduate Excellence in Science Fiction and Fantasy writing being renamed the Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing. (CE)
Born September 27, 1959 – Mark Richards, 61. Active fan and occasional Filer. Diligent in Empiricons, Lunacons, HELIOspheres; Corflu 7; also Balticons, Boskones, Philcons, Worldcons. Having known and worked with various Bowens, Hellingers, Richardses, I wish them all well here and hereafter. [JH]
Born September 27, 1966 — David Bishop, 54. In the Nineties, he edited the UK Judge DreddMegazine (1991–2002) and 2000 AD (1995–2000). He wrote a number of Dredd, Warhammer and Who novels including the Who novel Who Killed Kennedy which is a popular Third Doctor story. He’s written Big Finish stories in the Dredd, Sarah Jane and Who lines. Dredd audio dramas. (CE)
Born September 27, 1969 – Tanja Kinkel, Ph.D., 51. Dissertation on Lion Feuchtwanger; while in Los Angeles, founding member of the Int’l Feuchtwanger Society. Founded “Bread and Books” toward educating children in Africa, India – and Germany. Known for historical fiction e.g. Madness That Eats Up the Heart (1990; Byron), Manduchai (2014). For us e.g. The King of Fools (Ende’s Neverending Story), Grimms’ Murders, The Problem Child(Perry Rhodan), in German. [JH]
Born September 27, 1970 — Tamara Taylor, 50. Best remembered I’d say as Camille Saroyan in Bones. Genre wise, she was in season seven of Marvel’s Agents of S.H.I.E.L.D. as the primary antagonist, Sibyl. She also appeared in Lost, as the former girlfriend of Michael and mother of Walt, Susan Lloyd. And she has a brief appearance in the Serenity film just listed as Teacher. (CE)
I can’t resist the chance to resurface this awesome revival of Dune, which was also named in our Best Tabletop Games of 2019. The original game was one of the early classics in the thematic strategy board game scene when it released in 1979. The new version features lovely new art and some rule changes, but largely maintains the cutthroat and sometimes painfully crushing turnarounds that the original was known for. Not for the faint of heart, Dune’s unfolding gameplay can see a single decision that completely changes the course of the game, echoing some of the same life-and-death dynamics present in the celebrated novel. With the Villeneuve-helmed movie adaptation about to arrive, it’s fair to expect a surge in enthusiasm around this game. It can make for a brutal game night, but it’s also a great time. Don’t be scared away; fear is the mind-killer.
(10) RUBE GOLDBERG CONTEST. CBS urges, “Rube Goldberg contraptions: Do try this at home!”
This year the annual Rube Goldberg Machine Contest offered families under coronavirus lockdown a way to make good use of their time, by building contraptions that are utterly useless, except to accomplish mundane tasks in the time-honored fashion of the legendary cartoonist. Correspondent Mo Rocca witnesses some of the craziest devices.
Classic Star Trek stars William Shatner, Leonard Nimoy, and DeForest Kelley join the reboot movies in a new deepfake fan trailer. Fans have used deepfake technology to pull off some impressiveStar Trekswaps in the past, but this trailer from Futuring Machine may be the most impressive yet. Presented as the trailer for a film titled Star Trek: The First Generation, it uses footage from the Star Trek: The Original Series movies to show James T. Kirk retelling a story from his youth. The video then deepfakes Shatner’s Kirk onto Chris Pine’s and Nimoy’s Spock onto Zachary Quinto‘s to show the characters’ younger years with scenes from Star Trek, Star Trek Into Darkness, and Star Trek Beyond. You can watch the fan trailer above.
[Thanks to John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, JJ, John Hertz, Michael Toman, Nancy Sauer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]
(1) DC “TRANSFORMS” ITS DIGITAL COMIC PLATFORM/OFFERING. [Item by Daniel Dern.]“DC UNIVERSE Transforms Into DC UNIVERSE INFINITE!” I’ve been a happy-enough subscriber to DC Universe since its launch a year or so ago. My main motivation was the live action Doom Patrol (which I’ve loved) and to a lesser extent, l-a Titans (medium well done, though often fuzzy which plotlines were in motion, and canon-quirky, but they got Krypto, even), and for streamed comics, though not as satisfying a selection or as well organized as Marvel’s offering. But definitely worth the modest price. “New release comics are now available 6 months after they hit stores” — that’s sooner, for DC, although Marvel has already been doing this (for some issues/titles).
It looks like the price is staying the same for now, $7.99 a month or $74.99 a year.
Today DC Entertainment announced that as of January 21, 2021 DC Universe will “evolve” into DC Universe Infinite, a comics only service. It’s a shame, because DC Universe has lowkey been one of the best streaming services you could drop cash on every month—if you’re a giant nerd like myself.
The combination of old superhero TV shows, endless reams of comics, and solid original monthly programming like Doom Patrol and Harley Quinn made it a good deal…
Fast-forward 12 years, and Audible has accomplished remarkable things. The company has helped grow the audiobook market to the point where it is a vital revenue stream for publishers. And Audible commands a huge share of the digital audiobook market—as much 90% of the market in some verticals.
But, they never removed the DRM.
…Last week, I launched a Kickstarter for presales of the audiobook. Because I am set up to act as an e-book retailer for my publishers (including both Tor and Attack Surface UK publisher, Head of Zeus) I was able to list both the series backlist and the Attack Surface audiobook on the crowdfunding campaign. As of this writing, we have raised more than $207,000.
Look, $207,000 is a lot of money. And my family’s finances have taken a severe beating since the Covid-19 crisis hit—I’m sure you can sympathize. We need this. Thank you.
My belief is that once more authors and publishers find they can succeed outside of the Audible funnel, Amazon will have to give Audible customers and the authors and publishers who supply the content the technical means and legal right to take their business elsewhere if they choose. And once that happens, publishers and authors will finally regain some of the leverage needed to negotiate fair deals from Audible.
I recognize that not every author can do what I’ve done with Attack Surface. That said, there are plenty of writers with platforms who can—I mean, if I can do it they can do it too….
(3) CELEBRATE AVRAM DAVIDSON. In the premiere episode of the “The Avram Davidson Universe” podcast, which debuted September 16, Seth Davis sits down with Ethan Davidson, to discuss growing up with Avram Davidson as his father and to listen to a reading of “Or All The Seas With Oysters.”
In each episode of the podcast and video series, they will perform a reading, and discuss Davidson’s works with a special guest. Podcast is also available on Apple Podcasts, Stitcher, and Spotify.
… Writers JD Payne and Patrick McKay are developing the series and serving as showrunner, with Bryan Cogman (Game of Thrones) serving as a consultant. Juan Antonio (J.A.) Bayona (Jurassic World: Fallen Kingdom) is set to direct the first two episodes. Amazon Studios produces, in conjunction with the Tolkien Estate and Trust, HarperCollins, and New Line Cinema. The prequel series stars Robert Aramayo, Owain Arthur, Nazanin Boniadi, Tom Budge, Morfydd Clark, Ismael Cruz Córdova, Ema Horvath, Markella Kavenagh, Joseph Mawle, Tyroe Muhafidin, Sophia Nomvete, Megan Richards, Dylan Smith, Charlie Vickers, Daniel Weyman, and Maxim Baldry.
The new stories will take place prior to J.R.R. Tolkien’s “The Fellowship of the Ring” and look to focus on the “Second Age” – a time when the Rings of Power were first revealed. “J.R.R. Tolkien created one of the most extraordinary and inspiring stories of all time, and as a lifelong fan it is an honor and a joy to join this amazing team. I can’t wait to take audiences around the world to Middle-earth and have them discover the wonders of the Second Age, with a never-before-seen story,” explained Bayona at the time the news was announced.
Following the success of SpaceX’s Crew Dragon mission, which marked the return of the U.S.’ capability for manned flights and the first private company to get people into orbit, a reality series wants to send a civilian into space.
Space Hero Inc., a U.S.-based production company founded by Thomas Reemer and Deborah Sass and led by former News Corp Europe chief Marty Pompadur, has secured a seat on a 2023 mission to the International Space Station. It will go to a contestant chosen through an unscripted show titled Space Hero. Produced by Ben Silverman and Howard Owens’ Propagate, the series will launch a global search for everyday people from any background who share a deep love for space exploration. They will be vying for the biggest prize ever awarded on TV.
The selected group of contestants will undergo extensive training and face challenges testing their physical, mental and emotional strength, qualities that are essential for an astronaut in space. I hear the idea is for the culmination of the competition to be in a an episode broadcast live around the world where viewers from different countries can vote for the contestant they want to see going to space.
(6) DUNE PREQUEL? ScreenRant’s “Dune Will Be Different Than Any Other Book Adaptation” on YouTube suggests that the indications are that the new movie will be faithful to Frank Herbert’s novel and reveals that a prequel series, with Denis Villeneuve directing the first episode, is in development at HBO Max.
(7) MEDIA ANNIVERSARY.
September 2005 — Snake Agent, the first of Liz Williams’ Detective Inspector Chen novels, was published on the now defunct Night Shade Books. Set in the near future city of Singapore Three where Heaven and Hell were very real and far too close, the series would reach six novels and two short stories before concluding for now according to the author with Morningstar. Jon Foster provided the cover art for the first four which are all on Night Shade. The first five novels are available from the usual digital suspects. Do read them in order as they do have a story that develops with each novel.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 18, 1824 – Richard Doyle. His cover for Punch 6 was used for the P masthead nearly a hundred years. Master illustrator of elves and fairies as Victorians imagined them; see here, here (“The Elf-King Asleep”), here, here, here. Here is his cover for Jack and the Giants. (Died 1883) [JH]
Born September 18, 1937 – Ed Cagle. Fanwriter until his early death (age 43). His fanzines were Kwalhioqua and (with Dave Locke) Shambles. Eric Mayer said, “Kwalhioqua was such an amazing zine I even remember how to spell it. No one before or since has written like Ed. His humor was outrageous, warped, rude, but never cruel. He found weird perspectives on things.” (Died 1981) [JH]
Born September 18, 1948 – Joan Johnston, 72. Lawyer with a master’s degree in theater; became a best-selling author, forty contemporary and historical romances. Five Romantic Times awards. Well into her Hawk’s Way series of Westerns she wrote a prequel with a Texas Ranger pulling a 19th Century woman into the 20th Century (A Little Time in Texas), expectable (by us) issues for the author, reactions from readers – some applauding, I hasten to add. Success resumed; 15 million books in print; no blame from me. [JH]
Born September 18, 1948 — Lynn Abbey, 72. She’s best known for co-creating and co-editing with Robert Lynn Asprin (whom she was married to for awhile) the quite superb Thieves’ World series of shared-setting anthologies. (Now complete in twelve volumes.) Her Sanctuary novel set in the Thieves’ World universe is quite excellent. I’ve not kept up with her latter work, so y’all will need to tell me how it is. Most of the Thieves’ World Series is available from the usual digital suspects. (CE)
Born September 18, 1952 — Dee Dee Ramone. Yes, the Ramones drummer. He penned Chelsea Horror Hotel, a novel in which he and his wife move into New York City’s Hotel Chelsea where the story goes that they are staying in the same room where Sid Vicious allegedly killed his girlfriend, Nancy Spungen. Many predictable ghosts visit them. (Died 2001.) (CE)
Born September 18, 1953 – Michael Nelson, 67. Local club, WSFA (Washington, DC, SF Ass’n). Chaired Disclave 41, Capclave 2002 (successor to Disclaves). Helpful and reliable at other tasks too, e.g. Hugo co-administrator (with K. Bloom) at Torcon 3 the 61st Worldcon. Currently Publications Division head for DisCon III the 79th Worldcon scheduled for August 2021. [JH]
Born September 18, 1961 – Chris O’Halloran, 59. Fan Guest of Honor (with husband John) at Baycon 2013. Often found working in the Masquerade (onstage costume competition at SF cons); e.g. at the 77th Worldcon (Dublin) chief of the running crew we for some reason call ninja (instead of the existing Kabukiterm kuroko); sometimes competes, e.g. speaking of Torcon 3 she was part of the Best in Show “Trumps of Amber” from Zelazny’s books. She helped an outreach program bring six thousand free books to the 18th WonderCon. Master’s degree in Library Science. [JH]
Born September 18, 1980 – Kristine Ong Muslim, 40. Fifty short stories, two hundred twenty poems; recent collection, The Drone Outside; recent introduction, The Immeasurable Corpse of Nature. Co-editor Lontar 1-10 (journal of SE Asian SF; 2013-2018); Lightspeed special issue “People of Colo(u)r Destroy SF”. Translator, particularly of Mesándel Virtusio Arguelles. Website here. [JH]
Born September 18, 1984 — Caitlin Kittredge, 36. Wiki say she’s best known for her Nocturne City series of adult novels which I’d not heard of before this, and for The Iron Codex, a series of YA novels, but I think her best work is by far the Black London series. She’s also writing the current Witchblade series at Image Comics, and she wrote the excellent Coffin Hill series for Vertigo. (CE)
“Tenet” was supposed to mark the return of the movie theater business in the United States. Instead, it has shown just how much trouble the industry is in.
After five months of pandemic-forced closure, the big movie theater chains reopened in roughly 68 percent of the United States by Labor Day weekend, in large part so they could show the $200 million film, which Warner Bros. promoted as “a global tent pole of jaw-dropping size, scope and scale.” But “Tenet,” directed by the box office heavyweight Christopher Nolan, instead arrived with a whimper: It collected $9.4 million in its first weekend in North America and just $29.5 million over its first two weeks.
Theaters remain closed in New York and Los Angeles, the two biggest markets in the United States and the center of Mr. Nolan’s fan base. In the areas where “Tenet” did play, audience concern about safety — even with theater capacity limited to 50 percent or less in most locations — likely hurt ticket sales. Box office analysts also noted that “Tenet” is a complicated, cerebral movie with little star power; a frothier, more escapist offering may have had an easier time coaxing people back to cinemas….
.. “Of course crime writers will survive. You may think it’s because we have done the exhaustive research on anti-zombie weapons in addition to mastering techniques for martial arts and amazing feats of self-defense in the face of a rising zombie population. Alas, the true reason for our survival will stem from our keen ability to avoid public places and hide in dark corners for months at a time.” —Danielle Girard, USA Today and Amazon bestselling author of White Out
Carl Corey wakes in Greenwood, an unfamiliar hospital. He has no idea how he got there. Indeed, thanks to his amnesia, he has only the staff’s word that he is “Carl Corey” and not, to pick a name entirely at random, Corwin of Amber. Some applied violence later and the curiously untrusting Carl Corey learns the name of the benefactor paying for his stay at the hospital: his sister, Evelyn Flaumel.
Escaping the hospital, he confronts the woman in question, who turns out to be no more Evelyn Flaumel than he is Carl Corey. She is, however, his sister. In fact, Corwin has a number of siblings, a Machiavellian litter imbued with powers unknown on the Earth on which Corwin woke, many of whom are rivals for the otherworldly Crown of Amber and some of whom might, if they knew he had escaped Greenwood’s comfortable oubliette, simply kill him.
William Shatner autograph essay signed ”William Shatner / Capt. Kirk Proud Jew”, with Shatner describing his happy memories of growing up Jewish. Composed on his personal embossed stationery, Shatner writes about ”Some Hanukkah Memories”, in full, ”First of all I’d like to say I recently released a Holiday album – I was going to call it ‘Dreidel Dreidel’ but then I thought better of it. Maybe I should have – maybe.
I was born in the Notre Dame de Grace neighborhood of Montreal Quebec Canada to a Conservative Jewish family – my Paternal Grandfather ‘Wolfe Schattner’ anglicized his family name to Shatner. All four of my grandparents were immigrants – they came from the Austria-Hungary and Russian Empires – location of present day Ukraine and Lithuania.
Third – during my childhood – the menorah stood somewhere on the mantelpiece – it was silver and black from use no matter how often it was polished – it stood there until used and then it was used with great reverence.
Fourth, my mother standing over the frying pan, pouring in a mixture of potatoes – ground-up potatoes into the sizzling fat – the oil – and frying up potato pancakes. The memory of those potato pancakes with applesauce and the family crowding around eating the pancakes is a memory that is indelible. / Happy Chanukah William Shatner / Capt. Kirk Proud Jew”. Single page measures 7.25” x 10.5”. Near fine condition.
Hubble’s sharp view is giving researchers an updated weather report on the monster planet’s turbulent atmosphere, including a remarkable new storm brewing, and a cousin of the famous Great Red Spot region gearing up to change color – again.
Legos are more than a toy. They’re an investment. The company that makes those little plastic building blocks pulled in more than $5.5 billion in sales last year. They often sell Legos in special kits, sometimes depicting famous movie scenes. And they retire those kits after a while, making them collector’s items for fans and upping their value. But where there’s money to be made, there are also scams. Let’s go into the world of counterfeit Lego sets with Stacey Vanek Smith and Sally Herships from the podcast The Indicator at Planet Money.
SALLY HERSHIPS, BYLINE: Tom Glascoe (ph) lives in Dayton, Ohio. He has three kids, and they all love Lego, which is how he got into trouble. He’d been looking for a Lego X-Wing Resistance Fighter for his son.
TOM GLASCOE: And so perusing Facebook one day, I saw an ad for it for what seemed to be a low but maybe not too low of a price.
HERSHIPS: The X-Wing was half price – just 30 bucks.
GLASCOE: The pieces weren’t the same quality, and they didn’t go together quite as nicely as regular Legos.
…Peeps, as it turns out, can’t seem to catch a break. The brand’s production is under fire again this week, albeit for an entirely different reason. Actor James Cromwell sent a letter to the CEO of Just Born demanding that the recipe for Peeps go vegan, because “the world is in turmoil.” ICYMI: One key ingredient in peeps is gelatin, which can be obtained from pork skin and bones.
“We use pork derived gelatin in our Peeps marshmallow to achieve a light, soft texture,” Peeps explains on its website: “Gelatin allows us to incorporate small finely divided bubbles allowing you to bite through the marshmallow cleanly with a creamy mouth feel.”
The demand is oddly-timed because the manufacturer has already said their will be no Halloween or holiday Peeps at all due to the pandemic.
(17) BUTTERFLY EFFECT. In the alternate timeline I now occupy, an author called Chuck Tingle plugs his Hugo nominations on the cover of his recent novel.
In this thrilling tale of The Tingleverse, you decide which path to take. With multiple endings to discover and several consequences to face, the reader is the star of the show as you fight to see your name in lights!
Will you and a punk rock unicorn take over the fine art scene after a battle with giant rats in Venna Beach?
Will you encounter The Valley Girls, a roving band of desert-dwelling barbarians in diesel-powered war machines, and live to tell the tale?
Will you find yourself house-sitting for dinosaur superstar Bob Downer, Jr. in the Tinglewood Hills, only to discover things are not exactly as they seem?
Adidas has teamed up with Star Wars once again, this time paying tribute to one of the series’ most iconic characters with an eye-catching sneaker collaboration.
The duo revealed their Rivalry Hi Chewbacca, a fur-covered high-top inspired by the beloved wookiee warrior, earlier this week. It features a neutral-toned color palette to represent the sci-fi desert landscape and hardware embossed with the words “STAR” and “WARS” on each shoelace.
Adidas and Star Wars also gave a nod to the belt Chewbacca wore during Star Wars: The Empire Strikes Back by adding a strap on the tongue of the show, and an image of the of the big-hearted wookie covers the soles.
(19) VIDEO OF THE DAY. In “Jurassic Park for 8 Cellos” on YouTube, Samara Ginsberg accompanies herself seven times playing the theme from Jurassic Park while cosplaying in a furry green dino costume!
[Thanks to Cat Eldridge, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, James Davis Nicoll, JJ, John Hertz, Michael Toman, Darrah Chavey, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
Smartly, the Dune trailer saves the giant Sandworms of the planet Arrakis for the very end. In the reality of Dune, the Sandworms are responsible for the creation of the substance known as “the Spice,” which is basically why anyone wants to be on Arrakis at all. The Spice is created by the Sandworms, and dealing with the worms, and making peace with them is a huge part of what Dune is all about.
It’s unclear which Sandworm scene this is from the book, but the look and scope of the worm feel correct. These are mysterious creatures in the world of Dune, but they are not monsters. In some ways, the Sandworms are the most important characters in Dune, and this Sandworm looks exactly as it should. The Maw of the Sandworms seems a little more refined, but overall, these are the worms we’re looking for.
What’s an ocean doing in a movie called Dune? The footage of Paul on the shore of a vast sea with starships hovering in the sky takes place on his original home world of Caladan. Their move to Arrakis at the behest of the Emperor is like moving from Scandinavia to the Sahara.
“He thinks he’s going to be sort of a young general studying his father and his leadership of a fighting force before he comes of age, hopefully a decade later, or something like that.” Chalamet said.
Events are moving faster than he expects.
(3) OSCARS ADDING INCLUSION AND DIVERSITY REQUIREMENTS. The Academy of Motion Picture Arts and Sciences on Tuesday published detailed inclusion and diversity guidelines that filmmakers will have to meet in order for their work to be eligible for a best picture Oscar, starting in 2024. Variety has a breakdown of the new rules: “Oscars Announce New Inclusion Requirements for Best Picture Eligibility”.
For the 94th and 95th Oscars ceremonies, scheduled for 2022 and 2023, a film will submit a confidential Academy Inclusion Standards form to be considered for best picture. Beginning in 2024, for the 96th Oscars, a film submitting for best picture will need to meet the inclusion thresholds by meeting two of the four standards.
All other Academy categories will keep their current eligibility requirements. For categories such as animated feature, documentary feature and international feature, that submit for best picture consideration, they will be addressed separately….
Adweek’s summary says:
The body that hands out the Academy Awards on Tuesday published detailed inclusion and diversity guidelines that filmmakers will have to meet in order for their work to be eligible for a best picture Oscar, starting in 2024. (Reuters)
To meet the onscreen representation standard, at least one of the lead actors or a significant supporting actor must be from an underrepresented racial or ethnic group, whether that means Asian, Hispanic, Black, Indigenous, Native American, Middle Eastern, North African, native Hawaiian or other Pacific Islander. (NYT)
Alternatively, a film can meet the standard if at least 30 percent of all actors in secondary and more minor roles are women, from a racial or ethnic group, LGBTQ+, or people with cognitive or physical disabilities or if the film’s main storyline, theme or narrative focuses on one of these groups. (Variety)
Additionally, films seeking consideration must hire diverse creative leadership and department heads, maintain at least 30 percent of crew from the previously mentioned groups, offer paid internships to underrepresented groups, and ensure representation in marketing and distribution. (THR / The Race)
(4) NOT EVEN WITH A MASK. LA County has not entirely cancelled Halloween, only a lot of the activities traditionally associated with it. (Complete guideline here.)
Not Permitted (gatherings and events are not currently allowed under the Health Officer Order)
• Halloween gatherings, events or parties with non-household members are not permitted even if they are conducted outdoors.
• Carnivals, festivals, live entertainment, and haunted house attractions are not allowed.
• Door to door trick or treating is not recommended because it can be very difficult to maintain proper social distancing on porches and at front doors, ensure that everyone answering or coming to the door is appropriately masked to prevent disease spread, and because sharing food is risky.
• “Trunk or treating” where children go from car to car instead of door to door to receive treats is also not recommended, particularly when part of Halloween events, since it is difficult to avoid crowding and sharing food.
(5) HAUNTED DRIVE-THRU. That explains why, here in the land of the drive-in, folks will be able to pay to drive through Haunt ‘O Ween LA.
The experience will last between 25-35 minutes. We recommend guests arrive 10 – 15 minutes prior to their scheduled time slot during peak hours.
Pumpkin “Picking” (1 pumpkin per vehicle. Additional pumpkins available for purchase)
“Door to Door” Trick or Treating (enough candy for everyone!)
What John David Washington’s secret agent in Tenet wouldn’t give for such trivial problems. He not only needs to save the world from a supervillain armed with nuclear warheads and a time machine, but also get his head around the news that his nemesis can invert an object’s temporal properties at will, thus sending it hurtling backwards through a space-time continuum that is not as linear as he thought. Worse still, so do we….
Oops, we lied! Actually, there’s going to be a spinoff.
The Walking Dead is officially ending after its 11th season. Season 11 will be a super sized season, offering the show a 24-episode farewell tour, with its airing beginning in the fall of 2021. The 24-episode run will span the fall of 2021 and the beginning of 2022. It is unclear whether it will be broken into three 8-part segments to two 12-part halves. The AMC zombie show began in 2010 with its premiere episode Days Gone Bye airing on Halloween. In the years which followed, The Walking Dead became a global hit, claiming the #1 spot on cable and spawning several spinoff shows, including two more new series which will follow its conclusion.
… Following the conclusion of the flagship Walking Dead series, a spinoff centered around Norman Reedus as Daryl Dixon and Melissa McBride as Carol Peletier will go into production. The Walking Dead showrunner Angela Kang will run the Daryl/Carol spinoff show. There will also be a Tales From The Walking Dead anthology series which will follow different characters in each episode, exploring pockets of the TWD universe which have been left undiscovered.
(8) SCOOBY ORIGINS. [Item by Martin Morse Wooster.] I thought these paragraphs from Harrison Smith’s obituary for “Scooby-Doo” co-creator Joe Ruby in the Washington Post, “Joe Ruby, TV writer and producer who co-created Scooby-Doo, dies at 87”, would be of interest to Filers. “Silverman” is a reference to NBC president Fred Silverman. “Spears” is Ruby’s writing partner Ken Spears, Scooby-Doo’s other co-creator. “Takamoto” is Iwao Takamoto, a Japanese American animator who drew the original sketches for the main characters.
Mr. Ruby said he considered a small, feisty sheepdog character before settling on an oversized, cowardly Great Dane inspired by actor and comedian Bob Hope. The dog was originally called Too Much–the show was originally called ‘Mysteries Five’–before Silverman said he pushed for raising the character’s profile and renaming him Scooby-Doo, after hearing Frank Sinatra scatting ‘doo-be-doo-be-doo’ on a recording of ‘Strangers in the Night.’…
…Most persistently came questions about Shaggy. Why did he have the munchies all the time? Was he, as many viewers speculated, actually a stoner, a marijuana-loving emblem of the drug-infused 1960s?
By all accounts, the answer was no. Shaggy and Scooby’s constant hunger was simply an attempt by Mr. Ruby and Spears ‘to insert certain idiosyncrasies into their characters,’ the animator Takamoto wrote in a memoir, My Life With A Thousand Characters.
‘And for the record,’ he added, ‘drugs of any kind were anathema to Joe Ruby; he hated them.’
I also learned that the idea for “Scooby-Doo” came from Fred Silverman, who wanted a cartoon like the 1940s radio show “I Love A Mystery” but with kids.
(9) MEDIA BIRTHDAY.
September 2013 — Seven years ago this month, Kamala Khan made her first appearance in Captain Marvel #14 before going on to star in the her own series Ms. Marvel, which debuted in February 2014.This Pakistani American Muslim teenager was created by G. Willow Wilson along with editors Sana Amanat and Stephen Wacker, and artists Adrian Alphona and Jamie McKelvie. The first volume of Ms. Marvel would win the Hugo Award for Best Graphic Story at Sasquan in 2015.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 9, 1900 — James Hilton. Author of the novel Lost Horizon which was turned into a film, also called Lost Horizon by director Frank Capra. It is best remembered as the origin of Shangri-La. Many claim Lost Horizon is the first American book printed as a paperback but it’s actually Peal S. Buck’s The Good Earth. (Died 1954.) (CE)
Born September 9, 1906 – Aileen Fisher. A hundred children’s books, some ours. Nat’l Council of Teachers of English Award for Excellence in Poetry for Children. Natural history, fiction, poetry, plays; nonfiction including lives of Louisa Alcott, Jeanne D’Arc, Emily Dickinson. “Poetry is a rhythmical piece of writing that leaves the reader feeling a little richer than before”. (Died 2002) [JH]
Born September 9, 1915 — Richard Webb. Captain Midnight on the Captain Midnight series when it began and which ran for two years in the Fifties on CBS. It was called Jet Jackson, Flying Commando when it was syndicated. He played Lieutenant Commander Ben Finney in the “Court Martial” episode of Star Trek. And in the Fifties, he was Lane Carson, the lead investigator in The Invisible Monster. (Died 1993.) (CE)
Born September 9, 1922 – Pauline Baynes. Seventy covers, a hundred eighty interiors, for us; many others. First to illustrate “Farmer Giles of Ham”; also The Adventures of Tom Bombadil, “Smith of Wootton Major”, other Tolkien including The Lord of the Rings; Narnia; Richard Adams, Hans Andersen, the Grimms, Kipling; outside our field, Uden’s Dictionary of Chivalry, winning the Greenaway Medal; religious books e.g. King Wenceslaus, the Nicene Creed; magazines e.g. The Illustrated London News. (Died 2008) [JH]
Born September 9, 1929 — Joseph Wrzos, 91. He edited Amazing Stories and Fantastic under the name Joseph Ross from August 1965 through early 1967. He was responsible for their move to mostly reprints and a bimonthly schedule while the publisher refused to pay authors for the reprints saying he held the rights to them without needing pay additional renumeration and leading to severe conflict with SFWA. With Hannes Bok, he edited in 2012, Hannes Bok: A Life in Illustration. (CE)
Born September 9, 1943 — Tom Shippey, 77. Largely known as a Tolkien expert, though I see he wrote a scholarly 21-page introduction to Flights of Eagles, a collection of James Blish work, and under the pseudonym of John Holm, he is also the co-author, with Harry Harrison, of The Hammer and the Cross trilogy of alternate history novels. And early on, he did a lot of SF related non-fiction tomes such as Fiction 2000: Cyberpunk and the Future of Narrative (edited with George Slusser). (CE)
Born September 9, 1946 – Anna Lee Walters, 74. Pawnee (her mother) / Otoe-Misouria (her father). Goddard alumna. American Book Award, Virginia McCormick Scully Award. Ghost Singer is ours; half a dozen nonfiction books; she is in many anthologies and journals. [JH]
Born September 9, 1952 – Michael Dobson, 68. Chaired Corflu 36 (fanziners’ con; corflu = mimeograph correction fluid, once indispensable). Fanzine, Random Jottings (note, “FIAWOL” = Fandom Is A Way Of Life”).Three alternative-history novels (with Douglas Niles). Nonfiction books may show SF color, e.g. Watergate Considered as an Organization Chart of Semi-Precious Stones. Timespinner Press has a booklet for each day of the year. [JH]
Born September 9, 1952 — Angela Cartwright, 68. Fondly remembered as Penny Robinson on the original Lost in Space. She, like several of her fellow cast members, made an appearance in the Lost in Space film. She appeared in the Logan’s Run series in “The Collectors” episode as Karen, and in Airwolf as Mrs. Cranovich in the “Eruption” episode. (CE)
Born September 9, 1955 — Janet Fielding, 65. Tegan Jovanka, companion to the Fifth Doctor. The actress had a rather short performing career starting with the Hammer House of Horror series in 1980 where she was Secretary Mandy on the “Charlie Boy” episode” before landing the the Doctor Who gig through 1984. Her career ended in the early Nineties. She was part of the 2013 50th Anniversary The Five(ish) Doctors Reboot. (CE)
Born September 9, 1958 – Frank Catalano, 62. Book reviews in Amazing with Buck Coulson. Half a dozen short stories. Toastmaster at the first Baycon (i.e. the regional, not the Westercon or Worldcon, with that name) and at Dreamcon 10. Fan Guest of Honor, Rustycon 4. Fanzine, Syntactics. [JH]
Born September 9, 1977 – Viktor Martinovich, Ph.D., 43. (Various romanizations of this Belarusian name.) Teaches at European Humanist Univ., Vilnius. Bogdanovich Prize. Paranoia is ours, I mean his novel by that title (see NY Rev Bkshere), also Mova; several others. [JH]
The injunction brief says that more than 116 million gamers have played Fortnite on iOS, making it the game’s biggest platform, larger than its player base on Nintendo Switch, Xbox, PlayStation, PC or Android.
Filed in the US District Court for the Northern District of California, the motion says, “all Epic seeks is for the Court to stop Apple from retaliating against Epic for daring to challenge Apple’s misconduct.”
In a Saturday statement to CNN Business, Epic said, “today we ask the Court to stop Apple from retaliating against Epic for daring to challenge Apple’s misconduct while our antitrust case proceeds.”
Fortnite has been blocked on iOS since August, when Epic introduced a new way for players to buy in-game currency directly without paying Apple or Google their customary 30% cut of revenue. This move violated both Apple and Google’s app store policies, the tech giants said, and Fortnite was pulled from both iOS and Android devices. Epic then sued both Apple and Google, accusing them of monopolistic practices.
(15) FROM SOMEBODY’S GOLDEN AGE. The Bristol Board has a flock of excellent black & white illustrations by famed sff artist Edd Cartier.
In July 2019, I had the unique opportunity to revisit the astronaut walkout doors at the Neil Armstrong Operations & Checkout Building (O&C) at the Kennedy Space Center for the 50th anniversary of Apollo 11. Fifty years ago, I was one of more than 3,500 journalists trying to get the “money shot” of the Apollo 11 astronaut walkout.
As I balanced on top of my camera case, I took as many pictures of the astronauts as possible as they walked purposely through those double doors before disappearing like magic into the transfer van on the way to the launch pad. I was 17 years old and was covering this historic event for a small Illinois newspaper. It was an experience that will change my life and soul forever. I covered Apollo 15 as well, and that mission was equally as exciting.
For the Apollo 50th reunion at KSC, I also took many photos of the famous astronaut walkout doorway and surrounding area as part of the NASA tour granted to a select group of “old space journalists.” There were no astronauts this time, just memories of the excitement and anticipation of seeing them walking through those iconic doorways. Those brave men and women were heading on the adventures of their lives, and they were taking us all with them.
This article is about investigating the O&C shuttle mission stickers that have been placed on the historic doorway, as noted in the photographs I took of the O&C walkout area. While many stickers seemed easy to identify, I noticed several immediately that could not be easily identified due to weathering and other issues.
(18) HERE THEY COME TO SAVE THE DAY. [Item by Mike Kennedy.] A group of mice genetically engineered to have greater muscle mass have retained that muscle during a trip to the International Space Station. Their regular, unmodified cousins who also went for the trip lost muscle and bone mass—just as happens for astronauts during their stay in weightlessness. Some of this mouse control group were treated with the “mighty mice” drug upon returning and rebuilt their muscle mass faster than untreated mice. “‘Mighty mice’ stay musclebound in space, boon for astronauts”.
…While encouraged by their findings, the couple said much more work needs to be done before testing the drug on people to build up muscle and bone, without serious side effects.
“We’re years away. But that’s how everything is when you go from mouse to human studies,” Germain-Lee said.
Lee said the experiment pointed out other molecules and signaling pathways worth investigating — “an embarrassment of riches … so many things we’d like to pursue.” His next step: possibly sending more “mighty mice” to the space station for an even longer stay.
(19) SHAT’S BACK. “William Shatner ‘The Thrill Is Gone’ feat. Ritchie Blackmore and Candice Night” on YouTube is a track from Shat’s new album The Blues, which Cleopatra Records will release In October.
[Thanks to JJ, Cat Eldridge, N., Mike Kennedy, Martin Morse Wooster, Michael Toman, John Hertz, John King Tarpinian, Contrarius, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Ellen Datlow has been editing horror, fantasy, and science fiction short stories and novellas for over forty years. She’s won numerous awards and accolades for her work and has edited numerous best of anthologies along with short stories for magazine and book publishers. Subterranean Press is releasing a book on some of the best stories she’s edited. I spoke to Ellen about her work as an editor, about genre fiction, and about the business in general.
0:32: Ellen talks about how she got into editing and editing anthologies….
For the last couple of years, I’ve been visiting Steve Saling in Chelsea, Massachusetts, where he lives in a residence he designed for himself and a couple dozen other people, a mix of stunning “smart home” technology and human care that he created to arrive in time for his body’s big changes. Steve got a diagnosis of amyotrophic lateral sclerosis (ALS) in his late 30s. He’s 51 now. More than a dozen years into his condition, he has said repeatedly that his life is worth living—and that technology, in the absence of medicine, is “the cure.” Maybe that sounds like one more instance of overhyped claims for Silicon Valley—I would have thought so upon first hearing—but, over time, I came to understand what he meant.
In the architecture of the life that Steve created, I saw a kind of “anticipatory design”—to repurpose a term of Buckminster Fuller’s. At Saling House, the residence that bears Steve’s name, there are impressive digital devices that act, in one sense, as treatment: a whole array of ingenious software and hardware made to maximize his independence even as his body gradually changes. The sheer novelty of the engineering is impressive. But more impressive by far are the ideas packed into all his designed gear and services for life with little mobility—ideas about help, about needfulness. About assistance itself in every life. On my afternoons with him, my perspective and my vocabulary about giving and receiving help changed. Steve taught me to think differently about the plain fact of human needfulness and its role in a desirable life….
I enjoyed Bill & Ted Face the Music quite a bit, which is utterly unsurprising as I am both Gen-X, i.e., the generation of Bill and/or Ted, and also I used to live in San Dimas, home of Bill and Ted and the town in which almost all of this film takes place (fictionally; it doesn’t look like they did a whole lot of filming in actual San Dimas this time around). Also I am the fan of the first two films, particularly Bill & Ted’s Bogus Journey, the first film in history to successfully reference both Ingmar Bergman and the glam band Poison. What was surprising to me was that I teared up a bit at the end of this one. I know why, and I’ll tell you in a bit.
…In Dungeons & Dragons,everything pretty much goes as planned.
In the real world, the pressing themes—pandemic, climate change, state-sanctioned brutality, the government’s emphatic disinterest in functioning properly—lend themselves to a darker, more surreal plot. It is serious. We’re holed up in our homes. The absence of bars, physical workspaces, and cheap baseball tickets from our lives creates a sense of confused inertia. Are we a tenth of the way through the pandemic or halfway? Are we actually getting anywhere, or are we stuck in the last season of Lost? There is endless horizon in every direction—we’re measuring our time in hair growth, if at all.
D&D, on the other hand, is full of clear lines and brighter absurdities. I’m on my 18th session; I live in a tower on the outskirts of a village called Goosetown. Like real life, much of what goes on isn’t scripted. But, unlike reality, it’s safely self-contained. In a session of D&D, the cocktail of youth nostalgia and fantasy otherworldliness could give rise to almost anything—as long as it abides by the game’s few rules. It isn’t the leap into unbounded fantasy that appeals; it’s the lines, the structure, the finitude (with a sort of community working within them).
(5) DON’T FIRE THE RETROS. Cora Buhlert takes up the challenge of explaining “Why the Retro Hugos Have Value” – of which this excerpt is just part of the introduction.
…Now no one is obliged to care about the Retro Hugos. However, if you didn’t nominate and vote, you don’t get complain about the results. I also understand the frustration that Retro Hugo voters keep voting for familiar names like John W. Campbell and weak early stories by future stars of the genre over better works, because I share it. However, unlike many other folks, I didn’t complain, but decided to do something about it, so I started the Retro Hugo Recommendation Spreadsheet and Retro Science Fiction Reviews to help potential Retro Hugo nominators and voters make more informed choices. Because I believe that it’s better to try and fix something than destroy or abolish something that some people enjoy.
And while I understand why Worldcons are reluctant to give out Retro Hugos due to the work and expense involved, I really don’t understand the intense hatred they engender in some fans. There are a lot of things going on at Worldcons that I personally don’t care about, but that doesn’t mean I want to take those things away from the people who do enjoy them. I simply focus on the things that give me joy and ignore the rest.
However, the current campaign against the Retro Hugos is part of a larger trend to dismiss the past of our genre as racist, sexist and irrelevant. Also witness the recent debate about the SFF canon, what it is and whether it is relevant with contributions by John Scalzi (here and here), Nina Allan, Camestros Felapton (here and here), the Hugo Book Club, Font Folly, Steve Davidson,Doris V. Sutherland, Aidan Moher and others. The canon discussion is mostly civil (and the only uncivil are the usual idiots I haven’t linked here) and also makes a lot of good points, such as that there is no one fixed SFF canon, but that individual people have different works which are important to them, that canons can be abused as a form of gatekeeping, that it’s not necessary to read classic SFF works, unless you enjoy them or want to write an academic work about SFF. However, pretty much everybody who is interested in older SFF has experienced hostility about this interest, even if we don’t go around and tell people that they’re not “real fans” (TM), unless they have read the entire output of Heinlein, Asimov, Lovecraft, etc… (and in that case, I wouldn’t be a “real fan” (TM) either). Witness Jason Sanford saying that the Retro Hugo voters are “a small group of people stuck in the past giving today’s genre the middle finger”, never mind that most Retro Hugo voters are Hugo voters as well. Or the person who called me a Nazi on Twitter for tweeting about the Retro Hugo winners, until I blocked them.
As I said before, no one has to care about older SFF and no one has to read it, if they don’t want to. But attacking people for being interested in older SFF and enjoying the Retro Hugos is not okay. Nor is everybody who’s interested in older SFF a reactionary fascist, even if received wisdom claims that the SFF of the golden age was all racist and sexist stories about straight white American men in space, lorded over by the twin spectres of Campbell and Lovecraft.
… It appears that we are now entering into a new phase of celebrity signature products, one that combines the scarcity of a limited-edition booze or sneaker, with the massive scale of something everybody loves.
Welcome to celebrity ice cream.
This week two very different arbiters of cool dropped their very own frozen treat collaborations. First up was pop star Selena Gomez, who managed a double dip collaboration, first on a song called . . . yep . . . “Ice Cream” made with K-pop stars Blackpink, and spinning that into her very own flavor for specialty ice-cream brand and chain Serendipity. It’s called Cookies & Cream Remix, and it’s pink vanilla ice cream with crunchy cookie bites and fudge bits.
(7) GARCIAGATE GOFUNDME. The “GarciaGatePenguins Fire Relief” GoFundMe has raised $11,115 (the original goal was $10K) and is still taking donations. Chris Garcia, Vanessa Applegate and the boys had to evacuate from their Northern California home because of the fires. So far their house has survived, but there’s no telling when they will be able to return. Til then, they’re in hotels.
(8) BOSEMAN OBIT. Actor Chadwick Boseman died August 28 reports Yahoo! News.
Chadwick Boseman, who played Black American icons Jackie Robinson and James Brown with searing intensity before inspiring audiences worldwide as the regal Black Panther in Marvel’s blockbuster movie franchise, died Friday of cancer. He was 43.
…Boseman was diagnosed with colon cancer four years ago, his family said in a statement.
“A true fighter, Chadwick persevered through it all, and brought you many of the films you have come to love so much,” his family said. “From Marshall to Da 5 Bloods, August Wilson’s Ma Rainey’s Black Bottom and several more – all were filmed during and between countless surgeries and chemotherapy. It was the honor of his career to bring King T’Challa to life in Black Panther.”
Boseman had not spoken publicly about his diagnosis. He is survived by his wife and a parent and had no children, Fioravante said.
(9) TODAY’S DAY.
John Hertz celebrates it.
The sun’s risen on Independent Bookstores Day. May they earn still more.
August 29, 1957 — X Minus One’s “Volpla” was first broadcast. Based on a story by Wyman Guin who first gained noticed with his “Beyond Bedlam” novella in Galaxy Science Fiction in August 1951. (In 2013, he would receive the Cordwainer Smith Rediscovery Award.) His story in “Volpla” is that an individual creates small creatures and teaches them to say they are aliens. Ernest Kinoy as usual wrote the radio script. Nelson Olmstead, Adele Newton and Sarah Fussell were the cast. You can listen to it here.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 29, 1905 – Don Wilcox. Five novels for us, ninety shorter stories; detective and Western stories; plays; paintings. Some Captain Video for television. For a while with Amazing and Fantastic under Palmer, averaged 40,000 words a month. Best of DW vol. 1 appeared 2016; vol. 2, 2017. (Died 2000) [JH]
Born August 29, 1926 – Thomas N. Scortia. Chemist. Worked in aerospace. Six novels for us (some with Frank Robinson), fifty shorter stories. The Glass Inferno (with FR) became The Towering Inferno (I. Allen dir. 1974). With Dalton Trumbo, The Endangered Species. Collection Caution! Inflammable! has an introduction by Theodore Sturgeon. (Died 1986) [JH]
Born August 29, 1942 – Dian Crayne. Three novels, eight shorter stories (one with Larry Niven), a few interiors; The Game of Fandom. Married to Bruce Pelz 1964-1970 (their divorce party inspired LN’s “What Can You Say About Chocolate-Covered Manhole Covers?”; a chocolate-covered manhole cover has been part of the L.A. Science Fantasy Soc, Gift Exchange every December since), to Chuck Crayne 1972-2009 (he and BP co-chaired L.A.Con the 30th Worldcon, co-founded the North America SF Con held when the Worldcon is overseas). Here she is at Pacificon II (22nd Worldcon) as Thuvia, Maid of Mars, BP at her left. (Died 2017) [JH]
August 29, 1942 — Gottfried John. He’s likely best-known as General Arkady Orumov on GoldenEye but I actually best remember him as Colonel Erich Weiss on the extremely short-lived Space Rangers. He was Josef Heim in the “The Hand of Saint Sebastian” episode of the Millennium series, and played König Gustav in the German version of Rumpelstilzchen as written by the Brothers Grimm. (Died 2014.) (CE)
Born August 29, 1946 – Robert Weinberg. A dozen novels, fifty shorter stories; five dozen anthologies; Biographical Dictionary of Science Fiction & Fantasy Artists; The Art of the Pulps (with D. Ellis, H. Hulse), The Collectors’ Book of Virgil Finlay (with D. Ellis, R. Garcia). Letters, essays, editorials in Collecting Fantasy, The Diversifier, ERB-dom (E.R. Burroughs), Fantasy Newsletter, Horrorstruck, The “Weird Tales” Collector, Windy City Pulp Stories. Co-chaired Chicago Comiccon 1976-1996; 9th and 16th World Fantasy Cons. Sam Moskowitz Archive Award (excellence in collecting). Chicon 7 (70th Worldcon) Special Award for service. (Died 2016). [JH]
August 29, 1951 — Janeen Webb, 69. Dreaming Down-Under which she co-edited with Jack Dann is an amazing anthology of Australian genre fiction which won a World Fantasy Award. If you’ve not read it, go do so. The Silken Road to Samarkand by her is a wonderful novel that I also wholeheartedly recommend. Death at the Blue Elephant, the first collection of her ever so excellent short stories, is available at iBooks and Kindle though Dreaming Down-Under is alas not. (CE)
August 29, 1953 — Nancy Holder, 67. She’s an impressive four-time winner of the Bram Stoker Award. I’m not much of a horror fan so I can’t judge her horror novels for you but I’ve read a number of her Buffyverse novels and I must say that she’s captured the feel of the series quite well. If you are to read but one, make it Halloween Rain. (CE)
August 29, 1954 — Michael P. Kube-McDowell, 66. A filker which gets major points in my book (filker link: “Back in Black” .) And yes, I’m stalling while I try to remember what of his I’ve read. I’m reasonably sure I’ve read both of his Isaac Asimov’s Robot City novels, and now I can recall reading Alternities as well. God, it’s been twenty years since I read him. I’m getting old. (CE)
August 29, 1959 — Rebecca de Mornay, 61. May I note she made a deliciously evil Milady de Winter in The Three Musketeers? She’s Clair Dupin in The Murders in the Rue Morgue, Wendy Torrance in The Shining miniseries (no, I never heard of it) and Penelope Decker in several episodes of Lucifer. Oh, and she was Dorothy Walker in Marvel’s Jessica Jones series. (CE)
Born August 29, 1970 – Jenn Reese, 50. Five novels; Tales of the Chinese Zodiac, twelve shorter stories 2005 adding in 2006 a carp, a mantis, an owl; Alphabet Quartet perhaps inevitably became 26 flash-fiction stories “Arthur” – “Zoom” (with G. van Eekhout, T. Pratt, H. Shaw); two dozen other short stories; nine covers. Here is Mitigated Futures. Here is Do Better. Currently a graphic designer in Portland where she can revel in the rain. [JH]
Born August 29, 1977 – Renée Carter Hall, 43. One novel, thirty shorter stories. Limestone Circle (poetry) 1999-2002. Cóyotl Award. Co-authored a story in 8th Grade with two friends which reached Steven Spielberg and was used in Tiny Toon Adventures with all three friends as cartoon characters. Website here. [JH]
August 29, 1989 — Charlotte Ritchie, 31. Like so many British performers, she’s had a role on Doctor Who playing Lin in the Thirteenth Doctor story, “Resolution “. Her first genre role was an uncredited one in Harry Potter and the Goblet of Fire, and I see she was Alison in the first season of Dead Pixels, and another Alison in Ghosts, a truly haunting series. (CE)
… Kalima Desuze, owner of Cafe con Libros in Brooklyn, New York, describes recent business as both “lucrative” and “bittersweet.”
“Many folks are buying books, but may not have a home to dialogue about it,” she says. “This work cannot be done in isolation; we all need community. I’m tired of solidarity with Black folks only coming after death when some of us have spent our lives talking about and organizing against systemic racism… So, while I definitely appreciate the support, it’s been hard to profit off the bodies of fictive kin.”
“The stories have always been there, and the experiences have always been there, but not everybody was comfortable talking about them,” says La’Nae Robinson, who co-owns Bliss Books & Wine in Kansas City with her sister, La’Nesha Frazier. “So I think now that it’s more in the spotlight, it’s creating more conversations, and people are open to having conversations—and they’re actually holding them in their hands and educating themselves on topics that they just didn’t think about.”
Joining us on the 5th of September will be those who plan and execute the marketing of legends. – Dave Farland will join us to discuss his plan with Scholastic for making Harry Potter big. – Ed Elbert will discuss the advertising of Star Wars. – Craig Miller will share the stories of fandom and community outreach for Star Wars. – Brian Meeks will bring us to 2020 with a discussion of self-publishing.
One pen to rule them all. Our tribute to J.R.R. Tolkien’s beloved trilogy is made with a level of craftsmanship to rival the great Elven-smiths of Eregion. The Lord of the Rings Limited Edition is a magical creation of lostwax casting that celebrates imagination, creativity and heroic journeys at their finest.
…Armaments and regalia belonging to the Fellowship of the Ring make up the elements of the barrel. Gandalf’s staff, Aragorn’s sword and Gimli’s axe are just some of the icons contained within a structure crowned by a cubic zirconia set in the emblem of the White Tree of Gondor.
The cap’s major features are a hand-enamelled Eye of Sauron suspended in the Tower of Barad-dûr, and a clip resembling Frodo’s Elvish blade, Sting. In place of a conventional capband sits a removable replica of the One Ring, inscribed with Tengwar script and plated in gold.
A sci-fi legend is making the case for the new U.S. Space Force to use naval ranks. In an Military Times op-ed, Star Trek‘s William Shatner argues—with prodigious use of emoji—the long history of naval ranks in science fiction makes it appropriate for the burgeoning Space Force to follow suit.
Although Shatner’s argument is tongue in cheek, there’s actually a more practical reason why the Space Force might emulate the U.S. Navy—not the U.S. Air Force.
“Star Trek” has borrowed so much of its iconic rank symbols from the U.S. military and NASA. When you unveiled the Space Force logo, many immediately saw it as an homage to “Star Trek” (even though our Delta was an homage to the previous military space insignias). Why not borrow back from “Star Trek” and adopt our ranks as well? We took them from the Navy for good reason, even though Gene Roddenberry was a veteran of the U.S. Army Air Corps. They made better sense when talking about a (space) ship.
In a practical sense, there is some rationale for using naval ranks. Spaceships are a lot like submarines: enclosed vessels traveling through a void-like medium on long treks. Like subs, spaceships handle hull pressures, though they must deal with pressure on the inside and outside.
Naval forces have deep experience with planning and conducting voyages that could take weeks or months, while most Air Force missions last several hours at the most. When the Space Force finally operates spaceships, it might find itself more culturally aligned with the Navy than the Air Force….
…Sure, we know as well as you do that the transition to online events has been 50 shades of awkward for most organizations. But if any group should be prepared for a transition to the digital plane, it’s fans of speculative fiction, who have been immersed in synthetic lifeforms, alien worlds, next-wave tech, and cyber-realms for years. No need to be skeptical about ArmadilloCon 42’s virtual nature; these folks are hardwired for it.
More importantly, the ArmadilloCon team is still inspired by the same spirit of community and love of the genre that was shared by the 300 or so fans who gathered at the Villa Capri Hotel in May of 1979 for the first con. That means not just celebrating the futures of the past – those imagined by Asimov, Bradbury, Clarke, Dick, and their peers – but also the futures of the future: those being conjured by writers breaking into the field. The con’s 42-year mission, to borrow a phrase, has always been to explore strange new worlds, to seek out new writers and new speculative fiction, to boldly go with them where no fan has gone before. You can count on ArmadilloCon to continue that mission online in the same way it always has IRL.
[Thanks to Andrew Porter, Bill, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, JJ, John Hertz, Gadi Evron, Cat Eldridge, and Michael Toman for some of these stories. Title credit goes to contributing editor of the day Peer.]
(1) GARCIAGATE GOFUNDME. Chris Garcia, Vanessa and the boys had to evacuate from their Northern California home because of the fires. So far their house has survived, but there’s no telling when they will be able to return. Til then, they’re in hotels. A GoFundMe appeal launched yesterday: “GarciaGatePenguins Fire Relief” People have donated $5,780 of the $10,000 goal in less than 24 hours.
…Initially they believed their home is lost, but are holding out hope that their home and belongings aren’t destroyed. It may still be a long voyage in the clean up process, assuming the house is still standing. What may have been destroyed by smoke damage is also still an unknown. It has been an incredibly hard time and they are incurring many added expenses for temporary lodging and having to eat out.
(2) EATING THE FANTASTIC. Scott Edelman continues having the conversations he would have had in New Zealand had there been a flesh-and-blood CoNZealand. It’s time for tea and scones with Farah Mendlesohn on Episode 126 of Eating the Fantastic.
I’d previously made plans to chat and chew with three guests on the ground in Wellington, but since that proved impossible, I decided to go virtual, too, urged on by my Patreon supporters. And so, during my previous two episodes, you were able to eavesdrop as I dined with Lee Murray in New Zealand and Stephen Dedman in Australia. This time around, we’re off to Stoke-on-Trent in Staffordshire, England for tea and scones with Farah Mendlesohn.
Farah was a Hugo Award finalist this year in the category of Best Related Work for her book The Pleasant Profession of Robert A. Heinlein, and had previously been nominated in that category for The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction, and On Joanna Russ. She won a Hugo (with Edward James) in 2005 for The Cambridge Companion to Science Fiction, as well as a World Fantasy Award in 2017 for Children’s Fantasy Literature: An Introduction, which she wrote with Michael M. Levy.
She’s also edited anthologies, including Glorifying Terrorism, Manufacturing Contempt: An Anthology of Original Science Fiction, which she created to protest laws introduced by the British Government she saw as restricting free speech. She was the chair of the Science Fiction Foundation from 2004-2007, served as President of the International Association of the Fantastic in the Arts from 2008-2011, and is currently an Associate Fellow of The Anglia Ruskin Centre for Science Fiction and Fantasy.
We discussed the reasons Robert A. Heinlein resonated with her, how her early and current readings of Heinlein differ, why the science fiction of the ’30s was far more politically radical than that of the ’40s and ’50s, her deliberately controversial comment about Ursula K. Le Guin, the circumstances under which she’s more interested in the typical rather than the groundbreaking, that period during the ’20s when everyone was fascinated by glands, the one Heinlein book she wishes we’d go all back and reread, our joint distaste for fan policing, and much more.
We’re getting the first look at the upcoming second season of His Dark Materials, HBO/BBC’s big-budget adaptation of Philip Pullman’s fantasy epic.
The second season begins after Lord Asriel has opened a bridge to a new world, and, distraught over the death of her best friend, Lyra follows Asriel into the unknown. In a strange and mysterious abandoned city she meets Will, a boy from our world who is also running from a troubled past. Lyra and Will learn their destinies are tied to reuniting Will with his father but find their path is constantly thwarted as a war begins to brew around them. Meanwhile, Mrs. Coulter searches for Lyra, determined to bring her home by any means necessary.
“Harry Potter” author J.K. Rowling has emerged into a fresh controversy after she returned the Ripple of Hope Award bestowed upon her by the Robert F. Kennedy Human Rights organization in December 2019, following criticism from Kerry Kennedy. Kerry is the daughter of Robert F. Kennedy, and the president of the organization.
“Over the course of June 2020 — LGBTQ Pride Month — and much to my dismay, J.K. Rowling posted deeply troubling transphobic tweets and statements,” Kennedy posted on the organization’s website on Aug. 3. “On June 6, she tweeted an article headlined “Opinion: Creating a more equal post-COVID-19 world for people who menstruate.” She wrote glibly and dismissively about transgender identity: ‘People who menstruate.’ I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud?”
Kennedy said she had spoken with Rowling “to express my profound disappointment that she has chosen to use her remarkable gifts to create a narrative that diminishes the identity of trans and nonbinary people, undermining the validity and integrity of the entire transgender community — one that disproportionately suffers from violence, discrimination, harassment, and exclusion and, as a result, experiences high rates of suicide, suicide attempts, homelessness, and mental and bodily harm. Black trans women and trans youth in particular are targeted.”
“Because of the very serious conflict of views between myself and RFKHR, I feel I have no option but to return the Ripple of Hope Award bestowed upon me last year,” said the author. “I am deeply saddened that RFKHR has felt compelled to adopt this stance, but no award or honor, no matter my admiration for the person for whom it was named, means so much to me that I would forfeit the right to follow the dictates of my own conscience.”
Rowling said Kennedy’s statement “incorrectly implied that I was transphobic, and that I am responsible for harm to trans people.”
While appearing on David Tennant’s celebrity interview podcast, David Tennant Does a Podcast With…, Sulu actor Takei alleged that the cast of the original Star Trek TV series all got along apart from Shatner, with Takei confirming that it often felt like “William Shatner versus the rest of the world”.
“It got more and more intense,” Takei recalled. “How do I put it? It began from the TV series. There was one character whose charisma and whose mystery was like a magnet.
“It was Spock, the strange alien with pointy ears. That intrigued the audience and women thought ‘I’m the one who can arouse him.’ His fan letters were this many, and Leonard’s were that many, and that created an insecurity [in Shatner].”
He continued: “Movie-making, TV-making, theatre-making is all about collaborative teamwork. A good actor knows that the scene works when there’s that dynamic going on with the cast. Some actors seem to feel that it’s a one-man show. That’s the source of some tensions.”
Shatner saw the article and lashed out —
Then, in an unrelated exchange on Twitter, Shatner downplayed Trek’s immediate benefits to his career.
(6) THE MARTIAN CANTICLES. [Item by Martin Morse Wooster.] In the August 24 Financial Times, Ludovic Hunter-Tilney talks to progressive rocker Rick Wakeman about his new album, The Red Planet, He says he got the idea for the album about Mars by attending the Starmus International Festival of astronomy and music in Tenerife, Spain.
“Next year’s Starmus, due to be held in Armenia, marks the 50th anniversary of the first orbit of Mars by a space probe. Wakeman will be among the musicians appearing. He describes how the event’s founder, the astrophysicist Garek Israelian, updated him about the latest Martian findings.
‘He told me that it’s beginning to look like 20bn years ago Mars was a blue planet with oceans and rivers. ‘Your good friend David Bowie may have been right,’ Wakeman recalls. The rock musician–who played the piano part on Bowie’s celebrated ‘Life on Mars’ in 1971–went very quiet as the scientist spoke. Inside, a light went on. ‘Bingo!’ he said to himself/”
(7) THE TOON IS OUT THERE. [Item by Olav Rokne.] Lower Decks must look like a success, since now X-Files seems to be jumping onto the animated spin-off bandwagon. But since this show is being done by the creators of Movie 43 (which currently earns a generous 5% on Rotten Tomatoes) I wouldn’t hold out much hope for the series being watchable. From Variety: “‘X-Files’ Animated Comedy Series in Development at Fox”.
An animated “X-Files” comedy series spinoff is in the works at Fox, Variety has confirmed.
The project is currently titled “The X-Files: Albuquerque.” It has received a script and presentation commitment at the broadcaster. The show would revolve around an office full of misfit agents who investigate X-Files cases too wacky, ridiculous or downright dopey for Mulder and Scully to bother with. They’re basically the X-Files’ B-team.
“X-Files” creator Chris Carter is attached to executive produce the project, with Rocky Russo and Jeremy Sosenko attached to write and executive produce. Gabe Rotter, who worked on the “X-Files” revival at Fox, will also executive produce. 20th Television and Fox Entertainment will produce. Bento Box will provide animation. Neither Gillian Anderson or David Duchovny is involved with the project at this time.
(8) UP THE AMAZON. Publishers Lunch reports:
…In advance of Independent Bookstore Day on August 29, Powell’s Books announced that it will no longer sell rare and collectible books through Amazon Marketplace. Owner Emily Powell wrote in a message to customers, “For too long, we have watched the detrimental impact of Amazon’s business on our communities and the independent bookselling world…. The vitality of our neighbors and neighborhoods depends on the ability of local businesses to thrive. We will not participate in undermining that vitality.”
We’ve all read about it: after decades of construction, a shiny new generation ship is loaded with a crew of bright-eyed optimists. Once the sun is just another bright star in the sky, mutiny and civil war reduce the crew to ignorant peasants…unless something worse happens. This is a narrative pattern set as early as Murray Leinster’s 1935 “Proxima Centauri,” solidified by Heinlein’s 1941 “Universe,” and embraced by authors ever since: human foibles in the confined space of a generation ship ensure calamity. Ideally not of the sort that leave everyone too dead to be interesting.
But it does not have to go that way! Here are five examples of generation ships that managed to avoid mutiny, civil war, barbarism, and mass cannibalism.
(10) THE MAGIC OF LONDON BOOKSHOPS. Publishers Weekly conducted a “Q & A with Garth Nix” whose new book is The Left-Handed Booksellers of London.
Why did you choose to set the tale in 1983 London?
In part I chose to set the story in 1983 London because that was when I first saw it in person, visiting from Australia. I was there for about six months, off and on—even though I have returned to the U.K. many times since—so I have particularly concrete memories of that time. But I also wanted to make it a slightly alternate 1983, so the world of the book could be more diverse and have greater gender equality, and I could enjoy myself including and transforming various cultural references of the time.
The magic users in your book are booksellers rather than being specifically wizards, witches, magicians, etc. What’s the connection for you, between selling books and casting spells?
I think bookshops have always been rather magical, so by extension, the people who work in them are too! There is also something magical about making the connection between a book and a reader. I always had tremendous satisfaction in match-making a customer with a book they didn’t know they wanted, but would later come back in to rave about and buy everything the author had written.
In Merlin and the booksellers generally, you’ve created a group of characters who are magically gender-fluid. Why was it important for you to include this facet of the characters?
I think this is similar to my writing about places I wish really existed, that I could visit. While it isn’t easy for the booksellers to physically become the gender they feel they are, it is far easier than it is in this world. I think it would be good to be, as Merlin says, “somewhat shape-shiftery.”
(11) MEDIA BIRTHDAY.
August 28, 1956 — X Minus One’s “Surface Tension.” Based off the short story of the same name by the Hugo Award winning James Blish that was first published in the August 1952 edition of Galaxy Science Fiction, it first aired on this date in 1956. A Cold War tale in which The East and The West knowing the sun will soon explode meet to decide how to save the human race. Can this end well? The story was adapted as usual by George Lefferts. The rather extensive radio cast was Luis Van Rooten, Danny Auchal, Lawson Zerbe, Larry Haines, Mason Adams, Jim Stevens and Bob Hastings. You can listen to it here.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 28, 1749 – Johann von Goethe. Two-part play Faust big in the history of fantasy; four shorter stories, a dozen poems, also ours; other plays, poems, novels; criticism; science, particularly anatomy, botany, color; three thousand drawings. Inspired Mozart, Beethoven, Schubert, Mendelssohn, Berlioz, Gounod. On the cusp leaving the balance of Classicism for the passion of Romanticism. (Died 1832) [JH]
Born August 28, 1833 – Sir Edward Burne-Jones, Bt. Painter, illustrator, designer. “I mean by a picture a beautiful, romantic dream of something that never was, never will be – in a light better than any light that ever shone – in a land no one can define or remember, only desire – and the forms divinely beautiful”. Here is The Beguiling of Merlin. Here is Angeli laudantes (Latin, “Angels praising”; tapestry). Here is The Golden Stairs. Here is The Wheel of Fortune. Here is a study for The Masque of Cupid (Desiderium is Latin, “desire”). His accepting a baronetcy disgusted his socialist wife and friends. (Died 1898) [JH]
Born August 28, 1896 — Morris Ankrum. Numerous appearances in the Fifties — in Rocketship X-M as Dr. Ralph Fleming, as a Martian leader in Flight to Mars, in Red Planet Mars playing the United States Secretary of Defense, in Invaders From Mars playing a United States Army general, and as yet another Army general in Earth vs. the Flying Saucers. (Died 1964.) (CE)
Born August 28, 1916 – Jack Vance. Forty novels – these are round numbers; I think The Dying Earth is a novel, and I think it’s science fiction. Sixty shorter stories. Memoir This Is Me, Jack Vance (or more properly “This is I”). Interviewed in Aberrations, Lighthouse, Locus, Orbit (Dutch, hello Kees van Toorn), SF Review, StarShipSofa. Mystery novels too (Edgar for The Man in the Cage), unless they all are. Three Hugos, a Nebula; Prix Utopia; Forry (for service to SF; Los Angeles Science Fantasy Soc.); Jupiter; Emperor Norton Award (for extraordinary invention and creativity); Seiun; World Fantasy Award for Life Achievement; SFWA (Science Fiction & Fantasy Writers of America) Grand Master; SF Hall of Fame. (Died 2013) [JH]
Born August 28, 1917 — Jack Kirby. Responsible for a goodly part of modern comics from Captain America and the X-Men to Challengers of the Unknown and the New Gods. I’m very much looking forward to the New Gods film being worked on, now delayed by the Pandemic. (Died 1994.) (CE)
Born August 28, 1925 – Arkady Strugatsky. A score of novels, fifty shorter stories, with his brother Boris; also translated English (with B) and Japanese. Roadside Picnic is much applauded; I recommend Hard to Be a God. Interviewed in Fiction (French), Foundation, Locus, Polaris (German), Urania (Italian), Yellow Submarine (French). Together Guests of Honour at Conspiracy ’87 (45th Worldcon). (Died 1991) [JH]
Born August 28, 1948 — Vonda McIntyre. I’ve read a number of her works including Dreamsnake and The Moon and the Sun which are all phenomenal. The latter was based on a short stor of hers done as a faux encyclopaedia article “The Natural History and Extinction of the People of the Sea”, that was illustrated by Le Guin. Way cool. (Died 2019.) (CE)
Born August 28, 1951 – Barbara Hambly, 69. Forty novels, two dozen shorter stories. Interviewed in Andromeda Spaceways, Locus. Forry Award. Two Lord Ruthven Awards. Children of the Jedi a NY Times Best Seller. Served a term as SFWA President. Black Belt in karate (shôtôkan). Outside our field, notably historical fiction (free man of color Benjamin January, nineteen detective novels in antebellum New Orleans; The Emancipator’s Wife; Search the Seven Hills; several others). Peter Nicholls calls her writing vigorous, interesting, and alert. [JH]
Born August 28, 1954 – Diane Turnshek, 66. Astronomer; teaches at Carnegie Mellon Univ. and Univ. Pittsburgh. Four short stories and a Probability Zero. SFWA Speakers’ Bureau. Dark Sky Defender Award from Int’l Dark Sky Ass’n. Ranks Flatland about the same as The Taming of the Shrew. [JH]
Born August 28, 1964 – Traci Harding, 56. A score of novels, half a dozen shorter stories. Her publisher (HarperCollins/Voyager Australia) says she blends fantasy, fact, esoteric theory, time travel, and quantum physics; sold half a million books in Australia alone. Worked in film studio management before starting to write novels. Website here. [JH]
Born August 28, 1965 — Amanda Tapping, 55. She’s best known for portraying Samantha Carter on Stargate SG-1 and Stargate Atlantis. She also starred as Helen Magnus on Sanctuary which I never managed to see. Anyone seen it? She was in The Void which also starred Adrian Paul and Malcolm McDowell. (CE)
Born August 28, 1978 — Rachel Kimsey, 42. She voices Wonder Woman on Justice League Action, yet another series that proves animation, not live, is the DC film strong point. Here’s a clip of her voice work from that show. She was Zoe, the old imaginary friend of Frances, on Don’t Look Under The Bed, a supposedly horror that ran on Disney. Disney, horror? And she was a zombie in the “Don’t Let Her Pull You Down” musical video by New Found Glory. (CE)
Born August 28, 1978 — Kelly Overton, 42. She has the lead role of Vanessa Van Helsing in Van Helsing, a Syfy series based off of Zenescope Entertainment’s Helsing graphic novel series. She‘s been on True Blood as the werewolf Rikki Naylor, and then there’s The Collective, a horror film written, directed, and produced by her and her husband, Judson Pearce Morgan. (CE)
Each week on NewberyTart, Jennie and Marcy, two book-loving mamas (and a librarian and a bookseller, respectively), read and drink their way through the entire catalogue of Newbery books, and interview authors and illustrators along the way.
On today’s episode, Jennie and Marcy talk about the finalist of the 1971 Newbery Medal for excellence in American children’s literature, Enchantress from the Stars by Sylvia Engdahl.
Marcy: Since I started reading what I consider to be better science fiction, the tone of the book leaves me thinking it could be a little better, even if it might not necessarily be true, but it just falls in that category. Does it make sense the association?
Jennie: I think that we’re both talking about prejudices we have when it comes to books as we approach them and what we enjoy versus what we have been exposed to in the past. I think that makes total sense. I’m just like, Elana should be with a knife in her teeth and she should be hanging from the rafters.
Marcy: You want her to be Zoe from Firefly.
Jennie: I was thinking more Ripley.
This is a really great discussion about what we’ve come to expect from heroines in sci-fi!
Marcy: Which is ironic because this is probably one of the building blocks that got us to where we are to the ones that we wanted.
Jennie: I think it’s really good that we take some time and look at this and hopefully bring it to some new new readers.
Marcy: I have nothing but gratitude for the innovators who gave us any main characters, much less ones who rebelled in even any small ways and accomplished things and were characters who had agency. In this case, literally, even if they make bad choices sometimes, which people do. It’s still totally necessary to get us to where we are now, where we have so many choices and so many great female characters. We wouldn’t be here without those.
Libraries have long been home to feline residents who keep patrons company, promote activities and programs, and assist with pest control. We checked in on four library cats (and their humans) to see how their lifestyles have changed during the pandemic.
Browser from Texas’s White Settlement Public Library may be one of the nation’s most famous library cats. In a viral story from 2016, a city council member tried to oust Browser from his position at the library; after a public outcry, Browser was reinstated for life while his political opponent lost his reelection campaign.
Browser has stuck around the library during the pandemic closure but seems to be missing the crowds.
“He is generally quite independent, but since the closure he always wants to be near people. We can usually find him in the lap of a staff member, or lying helpfully on their keyboard,” library staffer Kathryn King told I Love Libraries. “Now that we are offering curbside service, he posts himself at the window during curbside hours to watch the patrons come and go.”…
…What is true is that Heinlein is probably less generally relevant to newer science fiction readers and writers than he was to new SF readers and writers in earlier eras. I have essayed this at length before and therefore won’t go into it again now. I will say, however, that Heinlein’s work and the work of many of his contemporaries are at an awkward age: enough decades after publication that the underlying cultural assumptions of the work and the author are no longer consonant with contemporary times, but not enough decades out that the work can be comfortably be considered a “period piece,” which means that consonance is no longer expected.
In other words: a lot of “Golden Age of Science Fiction” work currently lies in a sort of cultural uncanny valley, existing in a simultaneous state of being too distant from contemporary readers, and also not nearly distant enough. That’s not Heinlein’s fault, precisely; it’s a matter of time and culture. It’s going to happen to most creative work — well, most work that’s remembered at all.
(17) BRADBURY’S CRIME. Time travelers…dark carnivals…living automata…and detectives? Hard Case Crime is celebrating Ray Bradbury’s centennial, with a deluxe illustrated commemorative collection of his finest crime stories: Killer, Come Back To Me.
Honoring the 100th birthday of Ray Bradbury, renowned author of Fahrenheit 451, this new, definitive collection of the master’s less well-known crime fiction, published in a high-grade premium collectible edition, features classic stories and rare gems, a number of which became episodes of Alfred Hitchcock Presents and The Ray Bradbury Theater, including the tale Bradbury called “one of the best stories in any field that I have ever written.”
Is it murder to destroy a robot if it looks and speaks and thinks and feels like a human being? Can a ventriloquist be incriminated by the testimony of his own dummy? Can a time traveler prevent his younger self from killing the woman they both loved? And can the survivor of a pair of Siamese twins investigate his own brother’s murder? No other writer has ever rivaled the imagination and narrative gifts of Ray Bradbury, and the 20 unforgettable stories in this collection demonstrate this singular writer’s extraordinary range, influence and emotional power.
(18) HOLE NEW IDEA. [Item by Mike Kennedy.] Universe Today brings to our attention a new theory that would allow human-transmissible wormholes. There are, however, just a feeeew caveats. For instance, though the trip would be almost instantaneous for the passengers, an outside perspective would see the trip take longer than light would take to travel the same distance. Oh, and there’s the bit where the engineering would be many, many orders of magnitude greater than anything humans are currently capable of. And the thing where the effect depends on whether a particular 5-dimensional model of the universe correctly describes it or not. “One Theory Beyond the Standard Model Could Allow Wormholes that You Could Actually Fly Through”.
The study, titled “Humanly traversable wormholes,” was conducted by Juan Maldacena (the Carl P. Feinberg Professor of theoretical physics from the Institute of Advanced Study) and Alexey Milekhin, a graduate of astrophysics student at Princeton University. The pair have written extensively on the subject of wormholes in the past and how they could be a means for traveling safely through space.
…The fireworks underlined the light in the darkness, the path forward, the bombs bursting in air, and made me reflect on our journey here for our movement to push this great American culture in a healthy and wondrous direction through science fiction and comics.
God’s blessed me with talents beyond most of the field in science fiction, fantasy, and comics, and on top of it, a clear vision of what needs to be done with the work not only to produce greatness for my own edification, but to do glory to His name and bring a return to hope, heroism, and the exceptionalism of mankind to fiction and culture.
It’s been missing for a long time, and the trials and tribulations, the struggles, the blacklisting, the bannings, they all were trials given to me to push me to outwork and out-innovate the competition, which is the true American way of winning.
(20) SONG DYNASTY CAT TWEETS. You wouldn’t want to miss this. Thread starts here.
[Thanks to John King Tarpinian, John Hertz, JJ, Martin Morse Wooster, Cat Eldridge, Lise Andreasen, Michael Toman, James Davis Nicoll, Mike Kennedy, Chris Barkley, Olav Rokne, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Olav Rokne.]
Readers young and old from across the nation will gather by their TV sets, computers, tablets, and phones to watch a historic reading of Ray Bradbury’s classic novel Fahrenheit 451 streamed over YouTube, Facebook, and Instagram. The Library of Congress, the Los Angeles Public Library, and the Alliance for Young Artists & Writers, along with other public and university libraries nationwide have joined together to bring Bradbury’s classic novel to today’s audiences.
Carla Hayden, the Librarian of Congress, will introduce each of the three parts of Bradbury’s book, while John Szabo (Los Angeles Public Library), Rachel Bloom (actress), Charles F. Bolden Jr. (12th NASA Administrator), and Ann Druyan (writer/producer/director) will offer additional introductions.
Readers from across the United States will join William Shatner (actor), Neil Gaiman (author), Marlon James (author), Marjorie Liu (author), P. Djèlí Clark (author), Dr. Brenda Greene (author), Alley Mills Bean (actress), James Reynolds (actor), Tananarive Due (author), and Steven Barnes (author) to bring this relevant work to social media. Susan Orlean (author) provides an afterword.
The American Writers Museum (AWM) welcomed visitors back one month ago with new safety measures including providing gloves and styluses to promote safe interaction with museum exhibits. On Saturday, August 22, the AWM will open its doors for free to mark the Centennial of Ray Bradbury’s birth, giving visitors a chance to get an up-close look at Bradbury’s typewriter that is on display in the Tools of the Trade exhibit and learn more about the upcoming exhibit Ray Bradbury: Inextinguishable, set to open in early 2021.
…Bradbury was trying to get the second volume of stories published in 1949, but every publisher he approached told him they were looking for novels. He met at Doubleday with editor Walter Bradbury (no relation), who asked if his existing stories about the first human colony on Mars could be tied together into a novel; Walter even suggested a name: The Martian Chronicles. Ray wrote an outline for the connective material overnight, and Walter bought what was now a novel the next day.
The novel was a great success, in part because of another lucky accident. Bradbury happened to meet Christopher Isherwood in a bookstore shortly after the book was published. He gave Isherwood a copy, and Isherwood’s glowing review of The Martian Chronicles helped bring the book to the attention of readers who might otherwise have ignored it. The book was so popular that Broadway composers Alan Jay Lerner and Frederick Loewe wanted to turn it into a musical. Bradbury declined, but did approve an operatic version several decades later.
(5) WAUKEGAN ACQUIRES CARNEGIE LIBRARY. And the officials of the City of Waukegan have a few things lined up: “Ray Bradbury Centennial”. For example, they announced on August 13 –
In partnership with the Waukegan Historical Society, the Waukegan Park District is excited to announce that it has officially acquired the historic Carnegie Library from the City of Waukegan. The Carnegie Library, located at 1 N. Sheridan Road, was made famous by Ray Bradbury in a variety of stories, possibly most especially in Something Wicked This Way Comes. Designated as a Waukegan Historic Landmark and listed on the National Register of Historic Places, the Carnegie Library will become the new site for the Waukegan Historical Society’s expanded history programming, archives, collections, exhibits, and research library. The building will also be used by the Waukegan Park District for programs, classes, events, and registrations.
That I am a Martian is thanks in no small part to Ray Bradbury. As a child growing up in northern NY, I spent many nights reading and rereading his books. From Fahrenheit 451 to Something Wicked This Way Comes to The Illustrated Man and everything in between. But it was the Martian Chronicles that really captured my attention. After reading it multiple times, I’d play outside and imagine ancient Martian civilizations living on a drying Red Planet long before humans appeared on the Earth.
This all happened at about the same time I was eagerly waiting for first the Mariner 9 and then Viking missions to reach Mars. Although prior missions had flown by the planet, these missions were the first to go into orbit and, in the case of Viking, successfully land on the surface of Mars. When Mariner 9 arrived at Mars, a global dust storm was largely obscuring the surface from view. As the dust slowly cleared and Mars was unveiled, a diverse landscape was revealed that included not only impact craters, but also giant volcanoes, ice caps, and even ancient water-carved channels. The Viking orbiters followed this up with even better and broader resolution images of surface features and the Viking landers revealed a landscape that to me looked somewhat similar to deserts on the Earth, sans vegetation of course.
(7) RAY’S OLD HOME BY THE BEACH. The Friends of Venice (CA) Library are “Celebrating Bradbury’s 100th Birthday” online – register at the link. This year’s annual meeting will honor Ray Bradbury’s Centennial with a showing of the classic Twilight Zone episode “I Sing the Body Electric,” written by Bradbury. In addition, a visit by the LA Book Bike, and a joint display with the Venice Heritage Foundation will focus on Bradbury’s life in Venice.
…Many may not be aware that Bradbury’s life as a writer began in Venice. In 1942, he moved to a small house at 670 Venice Boulevard where he sat in a one-car garage and wrote short stories like “The Lake” and “The Wind” as well as the famed “Martian Chronicles.” From “The Fog Horn” inspired by the shattered remains of the Venice Pier roller coaster to the decaying Venice Canals that set the scene for “Death Is a Lonely Business,” Venice had a large influence on the stories he told.
(8) RAY’S FAMILY TREE. An article in Spanish at El Universal’s Confablario – “Ray Bradbury, el hijo de Julio Verne” – “hijo” means “son” so you can figure out that part easily enough. It starts out quoting Ray’s whole family tree —
En su prólogo a S is for Space Ray Douglas Bradbury escribió lo siguiente: “Julio Verne fue mi padre. H. G.Wells fue mi tío sabio. Edgar Allan Poe era el primo con alas de murciélago que guardábamos en lo alto del desván. Flash Gordon y Buck Rogers fueron mis hermanos y amigos. Ahí tienen mi linaje. Añadiendo, por supuesto, el hecho de que muy probablemente, Mary Wollstonecraft Shelley, la autora de Frankenstein, era mi madre”.
(2) FINDING WOMEN HORROR WRITERS. “Weird Women: The Forgotten Female Horror Writers of the 19th Century And Beyond” on CrimeReads is an excerpt from the introduction to a new anthology by Leslie S. Klinger and Lisa Morton (also called Weird Women, but with a different subtitle) of women who wrote supernatural fiction in the nineteenth century who the editors think are neglected and should be better known today.
…Yet there were women writing early terror tales—in fact, there were a lot of them. During the second half of the nineteenth century, when printing technologies enabled the mass production of cheap newspapers and magazines that needed a steady supply of material, many of the writers supplying that work were women. The middle classes were demanding reading material, and the plethora of magazines, newspapers, and cheap books meant a robust marketplace for authors. Women had limited career opportunities, and writing was probably more appealing than some of the other avenues open to them. Though the publishing world was male-dominated, writing anonymously or using masculine-sounding names (such as “M.E. Braddon”) gave women a chance to break into the market. It was also still a time when writers were freer than today’s writers to write work in a variety of both styles and what we now call genres. A prolific writer might pen adventure stories, romantic tales, domestic stories, mystery or detective fiction, stories of the supernatural—there were really no limits.
Today, a coalition of eleven book industry associations, including Science Fiction and Fantasy Writers of America (SFWA), launched the official Book Industry Health Insurance Partnership (BIHIP), an alliance with Lighthouse Insurance Group (LIG) Solutions designed to provide members from across the associations with a choice of health insurance options.
As of August 2020, official BIHIP coalition members include American Booksellers Association, American Society for Indexing, Authors Guild, Book Industry Study Group, Graphic Artists Guild, Horror Writers Association, Independent Book Publishers Association, Novelists Inc., Romance Writers of America, Science Fiction and Fantasy Writers of America Inc., and Western Writers of America Inc….
So, your book comes out. At that time, what did you know about the Dragon Awards? Had you heard of them, and if so, how and what had you heard? How did you react when you found you were nominated?
Brian Niemeier: Oh, yes. I was well aware of the Dragon Awards from the day they were announced. The industry was in desperate need of a true readers’ choice award open to anyone, and I applauded the Dragons for meeting that need. Learning that Souldancer had been nominated confirmed that my writing efforts were worthwhile. It was like receiving the mandate of greater science fiction fandom.
Kevin Anderson: I’ve been aware of the Dragon Awards since the beginning, and I was thrilled as a fan and professional to know there was one award big enough to truly exemplify the feelings of a large pool of readers and voters. I had been soured on other awards because of politics and in-fighting, but the Dragon Awards really reflective of what readers like. Sarah and I were very thrilled to find out Uncharted had landed on the ballot.
SM Stirling: I’d heard of them and thought they were a good idea; the other major awards had become dominated by small cliques of the like-minded, and we needed a broad-based fan award. I’ve been going to Dragon Con for many years now — it’s my favorite con, full of youthful energy and like sticking your finger into a light socket, but in a -good- way. I was delighted to be nominated; you’re always in good company at the Dragons. Didn’t expect to win, though.
.. Tim Maughan: I talk about surveillance to people who don’t think about surveillance all the time like I do and you do…And you walk in the house and they’ve got an Alexa. And you say, “I don’t like the Alexa because it’s a surveillance machine.” And they say to you, “Well, I haven’t got anything to hide. I haven’t done anything wrong. It’s not a problem to me. It doesn’t matter if they’re listening to me. I’ve got nothing to hide.”
And it’s like, actually, the reason I dislike it isn’t the fact that I’m worried they might be listening to me now — it’s monitoring my behavior, and that’s what I’m worried about. I don’t care if it overhears what I say, or an algorithm is listening to it or even someone in an offshore call center. Even if they’re listening to it, that privacy thing isn’t what worries me. The issue that worries me is that they’re modeling my behavior, and they’re making judgments based on that, which might not be the right judgments for everybody. And they’re using that model to make decisions about people who aren’t even their users, too, or they’re using it to make decisions about their users.
It becomes a thing about like, well, okay, what information can we collect from Alexas about a neighborhood or just their Amazon use? What decisions can Amazon make geographically in physical spaces? This neighborhood in South Brooklyn, I used to live in, East Flatbush, it’s gentrified. And I’m sure Amazon can pull up a map of where all the Alexas are, where all their Amazon Prime accounts are and go, “Well, this is a neighborhood which is increasingly likely to be gentrified” — aka, more whites.
Tech workers are moving into the neighborhood. What can we do in that neighborhood for them? And suddenly you’re changing the nature of the neighborhood. …
Since 1948, several different studies have been made of the demographic characteristics of science-fiction readers, most by the editors of the commercial science-fiction magazines seeking to determine the characteristics of their own readerships. The results of these, along with data collected at two recent science-fiction conventions, have been admirably collected and summarized by Charles Waugh, Carol-Lynn Waugh, and Edwin F. Libby of the University of Maine at Augusta, whose work this paper used throughout for purposes of comparison.2 This study, conducted at the 31st World Science Fiction Convention in Toronto, September, 1973, is offered against the historical perspective of these earlier studies. As the Waughs and Libby discovered, there are difficulties in applying the findings of this survey to the entire science-fiction audience, since it is impossible to know exactly in what ways, if any, people at a convention differ from those who did not attend. Certainly science-fiction fans themselves are divided into groups, with some, notably those primarily interested in film and television SF, and members of the cult following of the series Star Trek, under-represented at this convention (see tables 20 and 21 below). However, the numbers of people responding to the questionnaire, and the diversity of their involvement in science fiction beyond attendance at the convention, suggests that the picture of fans is relativelyreliable forreadersof science fiction as a whole and, if qualified for the greater affluence of those who could afford to travel to Toronto, is at least as reliable as such commonly accepted-with-qualifications measurements as the Gallup polls….
… Nitpickers by profession, we ran into a problem right away. The instructions for Stet! suggest that you “play with three or more players” (is that redundant?), and we had been unable, during the pandemic, to scare up a third nerd. The game of Stet! comprises two packs of cards with sentences on them, fifty of them Grammar cards with indisputable errors (dangling modifiers, stinking apostrophes, and homonyms, like horde/hoard and reign/rein) and fifty of them Style cards, on which the sentences are correct but pedestrian, and the object is to improve the sentence without rewriting it. There are trick cards with no mistakes on them. You might suspect that there is something wrong with (spoiler alert) “Jackson Pollock” or “asafetida” or “farmers market,” but these are red herrings. If you believe that the sentence is perfect just as it is, you shout “Stet!,” the proofreading term for “leave it alone” (from the Latin for “let it stand”), which is used by copy editors to protect an author’s prose and by authors to protect their prose from copy editors.
In the pandemic, board games are back. And as NPR’s Rob Schmitz reports, many people are turning to a classic one from Germany.
(SOUNDBITE OF DICE ROLLING)
UNIDENTIFIED PERSON: Eight.
ROB SCHMITZ, BYLINE: Eight again. More brick.
Family game night – we’ve done this a lot this year, thanks to the pandemic. And my family has dusted off Monopoly, Scrabble, but we usually settle on “Settlers Of Catan.”
UNIDENTIFIED CHILD: Two bricks for anything.
SCHMITZ: It’s a game of trade and development. Players compete for resources on an island and trade with each other in order to build settlements, cities and roads. The most successful developer wins.
UNIDENTIFIED CHILD: Why in the world would I need brick?
SCHMITZ: Entrepreneurs love the game. Facebook founder Mark Zuckerberg is a fan, as is LinkedIn founder Reid Hoffman, who plays the game in job interviews as a way to size up an applicant. In its 25th year, “Catan” has sold more than 32 million units. It’s one of the bestselling board games of all time.
…SCHMITZ: [Klaus] Teuber spoke with me over an old computer, and his voice sounded distant, so we asked one of our colleagues to read for him. He’s 68 now, and he’s just released his autobiography “My Way To Catan” to commemorate the 25th anniversary of the game. Teuber was a dental technician, bored out of his mind by his job when he began creating games in his basement in the 1980s.
…SCHMITZ: And as families shelter in place, sales of “Catan” continue to climb. As the pandemic sent the global economy into a downward spiral, “Catan’s” sales skyrocketed by 144% for the first five months of this year. Teuber, whose two sons work for his company Catan Inc., says he still plays the game with his family, but he admits he’s not very good at it and that he rarely wins. He says what he enjoys most is playing it and being there with his family, something millions of other families are enjoying, too.
(11) MEDIA BIRTHDAY.
August 4, 1992 — In the United Kingdom, The Lost World premiered. This is the third film made off the Doyle novel, the first being made in 1925. Another film would be made between these two in 1960, and four radio dramas would be as well. The 1944 one would have John Dickson Carr narrating and playing all parts, and the 1966 one would have Basil Rathbone as Professor Challenger. This film was directed by Timothy Bond and produced by Harry Alan Towers from a screenplay by Marion Fairfax. The primary cast was John Rhys-Davies, Eric McCormack, David Warner and Tamara Gorski whole character replaced that of Lord Roxton. Audience reviewers at Rotten Tomatoes currently give it a twelve percent rating.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 4, 1792 – Percy Shelley. This great poet wrote in our sphere, e.g. Adonais, Prometheus Unbound, The Triumph of Life, the novel St. Irvyne. What about “Ozymandias”? David Bratman, what’s this I hear about “The Marriage of King Elessar and Arwen Undómiel” appearing over his name in a Sep 82 issue of The New Tolkien Review? I can’t get at it or I’d look instead of asking you. (Died 1822) [JH]
Born August 4, 1869 – Evelyn Sharp. For us a score of short stories, mostly collected in All the Way to Fairyland and The Other Side of the Sun; one novel (a dozen more of those). At that time there were both suffragettes and suffragists; she was vital. (Died 1955) [JH]
Born August 4, 1924 – Gumarcindo Rocha Dorea, 96. Brazilian writer, editor, publisher. His GRD Edições alternated translations with work by local writers, beginning in 1958 with Lewis’ Out of the Silent Planet and in 1960 Eles herdarão a Terra (Portuguese, “They shall inherit the Earth”) by Dinah Silveira de Queiroz. Edited Antologia brasileira de ficção cientifica (1961), first local anthology of only Brazilian authors. His enterprise continued despite Brazilian politics and what Roberto de Sousa Causo calls a terminal inability to make money. [JH]
Born August 4, 1933 – Thé Tjong-Khing, 87. There are nine and sixty ways of transliterating Chinese these days, and every single one of them is right. He’s an Indonesian Chinese from Java living in the Netherlands. Illustrator. Likes Alex Raymond’s Flash Gordon, Stan Drake’s Heart of Juliet Jones, Milton Caniff’s Terry and the Pirates. He’s worked in that style, but see here, here, here – a thumbnailsworth of a long productive career. Three Golden Brush prizes, Woutertje Pieterse prize, Max Velthuijs prize. Website here (in Dutch). [JH]
Born August 4, 1937 — David Bedford. Composer who worked with Ursula K Le Guin to produce and score her Rigel 9 album which the Encyclopedia of Science Fiction says is ‘a work that is musically pleasant although narratively underpowered.’ I’ve not heard it, so cannot say how accurate this opinion is.) (Died 2011.) (CE)
Born August 4, 1941 — Martin Jarvis, 79. He makes three appearances on Doctor Who over twenty years. Hilio, captain of Menoptra, in “The Web Planet”, a First Doctor story. He later is the scientist Dr. Butler in “Invasion of the Dinosaurs”, a Third Doctor story, and as the governor of the planet Varos in “Vengeance on Varos”, a Sixth Doctor story. He also voiced Alfred Pennyworth in the animated Batman: Assault on Arkham Adylum which is the real Suicide Squad film. (CE)
Born August 4, 1950 — Steve Senn, 70. Here because of his Spacebread duology, Spacebread and Born of Flame. Spacebread being a large white cat known throughout the galaxy as an adventuress and a rogue. He’s also written the comic novels, Ralph Fozbek and the Amazing Black Hole Patrol and Loonie Louie Meets the Space Fungus. (CE)
Born August 4 – Taras Wolansky. Persevering contributor to Aboriginal, Alexiad, FOSFAX, The MT Void, NY Review of SF, SF Chronicle, Science Fiction & Fantasy Book Review, SF Review. Good at asking questions, like “If he had been, would he have done anything differently?” Never mind that I’d leave off the last two letters. We’ve met in person, which is more than I can say for some people I know. [JH]
Born August 4, 1961 — Lauren Tom, 59. Voice actress for our purposes. She shows up on Superman: The Animated Series voicing Angela Chen. From there on, she was Dana Tan in Batman Beyond and several minor roles on Pinky and the Brain. Futurama is her biggest series to date where she voices Amy and Inez Wong. (CE)
Born August 4, 1969 — Fenella Woolgar, 51. Agatha Christie in “The Unicorn and The Wasp” episode of Doctor Who where she more than capably played off against David Tennant’s Tenth Doctor. Her only other genre was as Helena in A Midsummer Night’s Dream at the Royal Exchange Theatre, Manchester. (CE)
Born August 4, 1961 – Andreas Findig. It’s possible to be a Perry Rhodan author and an absurdist; he was. Six PR novels; two short stories and a novella Gödel geht tr. as “Gödel’s Exit” which may be impossible. (Died 2018) [JH]
Born August 4, 1981 — Meghan, the former Duchess of Sussex, 39. Yes, she’s done a genre performance or so. To be precise, she showed up on Fringe in the first two episodes of the second season (“A New Day in the Old Town” and “Night of Desirable Objects” as Junior FBI Agent Amy Jessup. She was also in the “First Knight” episode of Knight Rider as Annie Ortiz, and Natasha in “A Mind is a Terrible Thing to Lose” on Century City, a series you likely never heard of. (CE)
(14) OH MY GOD, YOU’RE FROM THE SIXTIES. In the new episode of Two Chairs Talking, “Translations, transforms and traumas”, David Grigg and Perry Middlemiss discuss ConNZealand and the 2020 Hugo Awards, then take the Hugo Time Machine back to the very interesting year of 1963, when The Man in the High Castle by Philip K. Dick won Best Novel, and “The Dragon Masters” by Jack Vance won Best Short Fiction.
…Elfman’s Pee-wee score, with its goofy oompah riffs, Looney Tunes references, and frenetic pacing, was a wild and whimsical ride; created with Oingo Boingo guitarist Steve Bartek, it became one of the most instantly recognizable scores in ‘80s cinema. Elfman acknowledges that he quickly became the movie and TV industry’s go-to “quirky comedy guy” — for instance, Matt Groening later enlisted him to compose the Simpsons theme song. It was a label that was tough for Elfman to shed when he was hired by skeptical producers to compose an uncharacteristically darker-sounding score for Burton’s Batman, four years after Pee-wee. But it turns out the most skeptical person in Hollywood was Elfman himself.
Unless you’re a historian or map buff, interpreting a map of the Roman Empire can be a daunting exercise. Place names are unfamiliar and roads meander across the landscape making it difficult to see the connections between specific cities and towns.
Today’s visualization, by Sasha Trubetskoy, has mashed-up two enduring obsessions – transit maps and Ancient Rome – to help us understand the connection between Rome and its sprawling empire.
At the height of the Roman Empire, there were approximately 250,000 miles (400,000 km) of roads, stretching from Northern England to Egypt and beyond. This impressive network is what allowed Rome to exercise control and communicate effectively over such a large territory….
A $250,000 donation from Science Applications International Corporation has pushed the U.S. Space & Rocket Center’s “Save Space Camp” campaign over its initial goal just one week after the effort launched.
The campaign began July 28 with the hope of raising a minimum of $1.5 million to sustain museum operations and to be able to reopen Space Camp in April 2021.
…The COVID-19 pandemic has had a devastating effect on the Rocket Center, which closed March 13, 2020, in keeping with state health orders intended to combat the surge in coronavirus cases. The museum reopened in late May, but with far fewer than normal visitors. Space Camp did not reopen until June 28, and then with only 20 percent of its usual attendance. With limited admission from international students and school groups this fall and winter, Space Camp will again close for weeklong camp programs in September.
The Space & Rocket Center is continuing to ask for support for the campaign. For more information and to make a donation, visit savespacecamp.com.
(21) EVERYBODY FIGHTS, NOBODY QUIPS! [Item by Martin Morse Wooster.] In “Starship Troopers (ft. Casper Van Dien)” on YouTube, the Screen Junkies take on the 1997 film “not at all based in the classic sci-fi novel” featuring soldiers whose bodies pulse “with the repulsive green goo they use to make Monster Energy” drinks.
[Thanks to Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, Chip Hitchcock, John Hertz, Mike Kennedy, Michael Toman, Darrah Chavey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
(1) CLARION ZOOMS THROUGH THE SUMMER. Join the Clarion Conversations, a series of Zoom-based conversations about writing speculative fiction “with a just tiny fraction of the amazingly talented Clarion alumni, instructor, and broader community.” RSVP each conversation via the links below:
Editing Speculative Fiction and Poetry – July 22, 5pm PT / 8pm ET (register here)
This week, our guests are John Joseph Adams, Ruoxi Chen, and Brandon O’Brien, moderated by Theodore McCombs. We’ll be discussing the state of publishing speculative fiction and poetry and how these three editors approach their work.
Holly Black and Kelly Link in Conversation – July 29, 5pm PT / 8pm ET (register here)
For our final week, we’re thrilled to have the incredible Holly Black and Kelly Link in conversation about craft, community, surviving as a writer, and what Clarion has meant to them.
…”In my early teens, I assumed science fiction was about the future,” Gibson says of his days reading writers like Robert Heinlein. “But it was about how the future looked to Robert Heinlein in 1942, which was very different to how the future looked to him in 1960. By the time I began to write science fiction, I took it for granted that what I was doing was writing about the present.”
…The Baby Yoda dispenser comes in a set along with a Mandalorian dispenser and grape, lemon, and strawberry PEZ candy. The new Harry Potter dispensers are already available on the PEZ site, but the Mandalorian candy set is not, so it’s unclear when exactly these will be available online or if they’ll be available in stores as well.
In the past few years, Muslim women have quietly taken the speculative fiction publishing industry by storm, earning rave reviews with fantasy and science fiction narratives that upend both the genre’s historic lack of diversity and popular depictions of women and Islam.
Last year alone, mainstream publishing houses released at least 13 fantasy and sci-fi books written by Muslim women in English, from Farah Naz Rishi’s debut “I Hope You Get This Message” to Karuna Riazi’s middle-grade novel “The Gauntlet.”
At least another dozen, including sequels to Hafsah Faizal’s instant New York Times bestseller “We Hunt the Flame” and Somaiya Daud’s award-winning “Mirage,” are in the works….
(6) LEWIS OBIT. Civil Rights legend Rep. John Lewis died died July 17 of cancer.
…His passion for equal rights was backed by a long record of action that included dozens of arrests during protests against racial and social injustice.
A follower and colleague of Martin Luther King Jr., he participated in lunch counter sit-ins, joined the Freedom Riders in challenging segregated buses and — at the age of 23 — was a keynote speaker at the historic 1963 March on Washington.
When Rep. John Lewis and Andrew Aydin wrote a graphic novel trilogy March about the Civil Rights Movement, Lewis went to Comic-Con to promote it.
All three March books were Eisner Award nominees — the second and third volumes won the award (2016, 2017). Lewis received San Diego Comic-Con’s Inkpot Award in 2017.
Founder of the Type Archive dedicated to rescuing the remains of the letterpress printing industry
In 1970 the price of lead went through the roof, and the art, craft and industry of letterpress printing, essentially unchanged for five centuries, became suddenly vulnerable. Property speculators, rival technologies and alternative media all threatened a world dependent on precision engineering and subtle manual skill. To Susan Shaw, who has died aged 87, this was a challenge to which she devoted the rest of her life, and in 1992 she founded the Type Museum (now the Type Archive) in Stockwell, south London, to rescue the remains of the dying industry.
In that year, the Monotype Corporation, pioneers of the leading type-composition system, went into liquidation. Susan went to Salfords, near Redhill, Surrey, where the Monotype factory was, saw the size of the plant, and planned to take it over. She chatted up the owners of a 1900 industrial complex near her home in Stockwell, and persuaded them to sell it to a trust set up for the purpose, borrowing the money.
The main building had been a veterinary hospital, with floors solid enough to support circus elephants, and now heavier stuff. She next organised the transport of plant, keyboards, casting machines and associated equipment, together with all the records of the corporation worldwide, altogether several hundred tons. She called its transport and reinstallation Operation Hannibal, and an elephant became her trademark.
(8) MEDIA BIRTHDAY.
July 18, 2006 — Eureka premiered on the Sci-Fi Channel. In syndication, it was renamed A Town Called Eureka. It was created by Andrew Cosby who was responsible for the rebooted Hellboy film and Jaime Paglia who’s executive producer of the current Flash series. No, it doesn’t tie into the CW continuity but it did tie-in to the Warehouse 13 reality. It would last six seasons and seventy episodes with an additional eight web episodes forming the “Hide and Seek” story as well. The large ensemble cast included Colin Ferguson, Salli Richardson-Whitfield, Joe Morton, Debrah Farentino, Jordan Hinson, Ed Quinn, Erica Cerra, Neil Grayston, Niall Matter, Matt Frewer, Tembi Locke and James Callis.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 18, 1896 – Otto Gail (rhymes with “pile”). Science journalist and author; among the most popular German 1920s SF authors. Member of the German Interplanetary Society, knew Oberth and Valier. Five technologically realistic novels for us including juveniles, five nonfiction including a 20-booklet series. (Died 1956) [JH]
Born July 18, 1913 — Red Skelton. Comedian of the first order. The Red Skelton Hour ran for three hundred and thirty-eight episodes. He’s here because ISFDB says he wrote A Red Skelton in Your Closet which was also called Red Skelton’s Favorite Ghost Stories. He also has cameos in Around the World in Eighty Days and Those Magnificent Men in their Flying Machines, both of which I consider genre adjacent. (Died 1997.) (CE)
Born July 18, 1913 — Marvin Miller. He is remembered for being the voice of Robby the Robot in Forbidden Planet. He would reprise that role myriad times in the next few decades in such films and series as The Invisible Boy, the Lost in Space series and Gremlins. (Died 1985.) (CE)
Born July 18, 1921 – John Glenn. In fact he never liked science fiction, or what he knew of it, perhaps thinking, in a reverse of James Bond, “It lives better than it reads”. First-rate US Marines pilot (6 Distinguished Flying Crosses, 18 Air Medals); first supersonic flight across the US; only person to fly in both the Mercury and Space Shuttle programs; six terms as US Senator (Democrat – Ohio); flew on the Discovery at age 77 to help study Space and human age. NASA Distinguished Service Medal, US Astronaut Hall of Fame, Congressional Gold Medal, Presidential Medal of Freedom. Memoir, John Glenn. (Died 2016) [JH]
Born July 18, 1938 — Paul Verhoeven, 82. Responsible for Starship Troopers, Total Recall, Hollow Man and Robocop. He’s made the short list for the Hugo for Best Dramatic Presentation three times (Starship Troopers, Total Recall and Robocop) but was not won it. (CE)
Born July 18, 1943 — Charles G. Waugh, 77. Anthologist who is amazingly prolific. I count over two hundred anthologies, most done with co-anthologists, and many done with Martin Greenberg. Oft times a third anthologist would be listed, i.e. Poul Anderson for Terrorists of Tomorrow, or Isaac Asimov for Isaac Asimov’s Wonderful Worlds of Science Fiction series. (CE)
Born July 18, 1950 – Jay Kinney, 70. Bijou Funnies with R. Crumb, Jay Lynch, Skip Williamson. Hasn’t published his fanzine in a while, but here is a cover for Chunga (L to R, Hooper, Byers, juarez); here is a wise comment; here is his Clinic of Cultural Collison (noting Vaughan Bodé, who died on this day, 1975; name shared by Tex Jarman’s Uncle Bodie); here is “Welcome to the Late Show” for the Eagles. Letters in Banana Wings, Raucous Caucus (Relapse has, alas, relapsed). [JH]
Born July 18, 1963 – Sue Mason, 57. Standing for TAFF (Trans-Atlantic Fan Fund) she called herself “gamer, filker, costumer, dealer, apahack” modestly omitting she’s among our best fanartists. She won; we must’ve forgiven her. Ten covers, two hundred interiors, for Attitude, Banana Wings, Bento, Challenger, Idea, QuasiQuote, Twink. Eight Nova Awards as Best Fanartist, two Hugos. Part of the PLOKTA Cabal (PLOKTA = Press Lots Of Keys To Abort, the Journal of Superfluous Technology). Guest of Honor at Eastercon 55 (British nat’l convention), Minicon 38. MC’d the Masquerade costume competition at Intersection the 53rd Worldcon. Artwork for Aussiecon 4 the 68th Worldcon. Doc Weir service award. Rotsler Award, later judge. [JH]
Born July 18, 1966 — Paul Cornell, 54. Author of both the Shadow Police series and the Witches of Lychford novella series which are quite excellent as well as writing a lot of television scripts for Doctor Who, Primevaland Robin Hood. He was part of the regular panel of the SF Squeecast podcast which won two Hugo Awards for Best Fancast. And he scripted quite a bit of the Captain Britain and MI: 13 comic series as well — very good stuff indeed. (CE)
Born July 18, 1972 – Eve Marie Mont, 48. Time-travel tales send highschooler Emma Townsend into worlds she met in fiction, A Breath of Eyre, A Touch of Scarlet, A Phantom Enchantment. “I shouldn’t love Rochester [in Jane Eyre]… dark, arrogant, moody, mistakes in his life that are seriously hard to overlook…. I teach high school, and the teens I know are a far cry from the ones portrayed in the media…. It’s that sense of wonder and possibility in YA literature that really excites me.” Sponsors her school’s literary magazine. [JH]
Born July 18, 1982 — Priyanka Chopra, 38. As Alex Parrish in Quantico, she became the first South Asian to headline an American network drama series. Is it genre? Maybe, maybe not, though it could fit into a Strossian Dark State. Some of her work in her native India such as The Legend of Drona and Love Story 2050 is genre as Krrish 3, an Indian SF film she was in. She’s got a major role in the forthcoming Matrix 4 film. (CE)
Born July 18, 1990 – Kyle Muntz, 30. Five novels, poetry (is poetry fiction?), two shorter stories, dark-fantasy game The Pale City (also the name of his Website). Sparks Prize. Interviewed in Lightspeed. Has read two translations of Tu Fu (or, if you prefer, Du Fu), ranks them well above Zen and the Art of Motorcycle Maintenance. By turns impish and sinister. [JH]
(11) SUMMERTIME. Six critics lavish affection on “My Favorite Summer Blockbuster” in the New York Times. Lots of genre – you’re not surprised, are you? And it’s not all Marvel – though I was less impressed to see someone reach back in time for this film once I saw the call-out for its availability on the new Disney+ service.
Monica Castillo: ‘Who Framed Roger Rabbit’
Little was conventional about Robert Zemeckis’s 1988 film, “Who Framed Roger Rabbit,” which helped make it the highest-grossing film that summer and the year’s second top box office draw (behind “Rain Man”). This seedy drawing of Tinseltown took inspiration from film noir, and its story was set in the golden age of Hollywood studios, many of which were then in decline….
The British Board of Film Classification (BBFC) has confirmed Todd Phillips’ R-rated comic book drama “Joker” was the most complained about movie in the United Kingdom last year. The BBFC’s annual report has “Joker” topping the list of most complained about films with 20 complaints filed in regards to the movie’s age 15 classification.
The majority of complaints against “Joker” argued the film should’ve received an age 18 rating due to “violence and tone,” while a select few said the BBFC should’ve banned the movie altogether. The BBFC defended the age 15 rating for “Joker” because the film “doesn’t dwell on the infliction of pain or injury in a manner that requires an 18.”…
It’s often said in Canada that living next to the United States is like sleeping with an elephant: affected by every twitch and grunt. It’s a phrase that came to mind when reading Arkady Martine’s debut A Memory Called Empire, a sprawling and richly imagined novel about hegemony and loss of culture.
Set in the capital city of the vast Teixcalaanli interstellar empire, A Memory Called Empire follows Mahit Dzmare the new ambassador from the much smaller Lsel Stationer Republic as she investigates the murder of her predecessor and navigates a political crisis that could spell disaster for both nations.
Martine has delivered one of the most Asimovian science fiction novels we’ve read in recent memory, while making the narrative uniquely her own.
(14) VIRTUAL STAGE PLAY. Otherworld Theatre, Chicago’s premier science fiction and fantasy theatre will present Of Dice And Men – A Play about Dungeons and Dragons on their YouTube page on July 31 and will remain available for free until August 14, at which point it will move to Otherworld’s Patreon page. Tickets are FREE and can be obtained from Eventbrite or by subscribing to Otherworld’s YouTube page here.
(15) VIDEO OF THE DAY. “Let’s Work Together” on YouTube is a new collaboration between William Shatner and Canned Heat, which will be one track on a new blues album Shatner will release this fall.
[Thanks to JJ, Mike Kennedy, Chip Hitchcock, Olav Rokne, Michael Toman, John Hertz, Cat Eldridge, John King Tarpinian, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Patrick Morris Miller.]
(1) ONE WEEK LEFT TO VOTE FOR HUGOS. CoNZealand today reminded members the deadline is nearing – voting closes Wednesday, July 22 at 23:59 PDT (UTC-7), which in New Zeland is Thursday, July 23 at 18:59 NZST (UTC+12).
(2) PEAKE ARCHIVE PRESERVED. The British Library has acquired the Visual Archive of writer, artist and illustrator Mervyn Peake, best known for his series Gormenghast.
.. Mervyn Peake’s Visual Archive comprises over 300 original illustrations, including drawings from his critically acclaimed Gormenghast series, together with original illustrations for his own books for children Captain Slaughterboard Drops Anchor and Letters From a Lost Uncle and other classic works of English literature, such as Treasure Island, The Hunting of the Snark, Household Tales by the Brothers Grimm,and Dr Jekyll and Mr Hyde. Also included are unpublished early works, preliminary sketches, and drawings of famous literary, theatrical and artistic figures such as Laurence Olivier and W.H. Auden. This acquisition brings Peake’s archive together in one place, making it fully accessible to the public for the first time.
Mervyn Peake was an English writer, artist and illustrator, best known for creating the fantasy trilogy Gormenghast. A Royal Academy trained artist of great versatility and inventiveness, he has been seen as arguably the finest children’s illustrator of the mid-20th century. Combining technical mastery with an innate ability to evoke fear, delight and wonderment in young readers, he redefined the cosy nature of children’s book illustrations.
Despite his originality, Peake’s fondness and respect for the work of other artists is evident in the archive, from the influence of Hogarth, Doré and Blake to Dickens’ illustrator Phiz and Boys’ Own artist Stanley L. Wood.
The archive is notable for Peake’s exquisite Treasure Island illustrations from 1949, which remain some of his finest work, described by critics as ‘tense, eerie and dramatic’ and ‘one of the few editions which have come near to meeting the demands of the author’s text’. Treasure Island was Peake’s favourite book and his love for the story is evident in the archive from the watercolour illustrations he painted aged 15, to the large number of preliminary sketches and annotated proofs which show his commitment to perfecting the 1949 edition.
I think I speak for all of us when I say that 2020 has not gone exactly how I expected it to, and this StoryBundle has been no exception. I originally conceived of it as a hopepunk centered bundle, but as I sorted through possibilities, I found less punk than plenty of hopeful stories that reminded me that hope comes in all sorts of forms, not all of them as in your face as hopepunk.
Hope can find its origin in friendship, whether on an alien planet or a New York street corner. It can come from writing, in a myriad shades as multi-colored as the ink in which it’s inscribed. It glitters at the bottom of Pandora’s box, waiting to escape. Waiting to provide comfort and lightand renewed vigor for the fight….
… For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in any ebook format—WORLDWIDE.
Diamondsong – Escape 01 by E.D.E. Bell
The Burglar of Sliceharbor by Jason A. Holt
Modern Surprises by Joan Marie Verba
The Traveling Triple-C Incorporeal Circus by Alanna McFall
If you pay at least the bonus price of just $15, you get all four of the regular books, plus seven more more books, for a total of eleven.
Diamondsong – Capture 02 by E.D.E. Bell
Tales of the Captain Duke – Vol. 1-4 by Rebecca Diem
The Voyage of the White Cloud by M. Darusha Wehm
Community of Magic Pens by Atthis Arts Anthology
Carpe Glitter by Cat Rambo
Missing Signal by Seb Doubinsky
The Legacy Human – Singularity 1 by Susan Kaye Quinn
(4) SCIENCE FICTION IS NEVER ABOUT THE FUTURE. (William Gibson and Margaret Atwood have both said so; the name of the person who actually said it first escapes me at the moment.) Abigail Nussbaum’s “The Political Hugo” discusses “the nominees on this year’s Hugo ballot that feel most relevant to our crazy, confusing political moment, and why I’d like them to win.” She advocates that the Hugo should be appropriated as an award for topical fiction.
….We’re coming off a decade in which the Hugo struggled with its own definition, and with a troupe of interlopers who claimed to want to save it from those who would “politicize” it. It’s a decade in which the award’s diversity has advanced considerably, with more women, POC, and LGBT people being recognized than ever before. And yet at the same time, the Hugo can be inward-looking (some might say that this is inevitable, given its nature and voting system). Its politics are often internal politics–as much as it reflected trends in the broader political discourse, the Puppy debacle was the ultimate in inside baseball. I would like this year’s winners to be more outward-looking, to reflect the upheaval in the world and the simple fact that we are all participating in that upheaval, whether we want to or not. What I want to write about in this post are the works on this year’s Hugo ballot that, besides being excellent examples of their type, speak to some of the issues we’ve been seeing in the real world.
…But, I know: horror? Don’t kids need “safe” programming, not nightmare fuel? My take is . . . no. Childhood already has a lot of the hallmarks of a horror movie, I think. Kids are small in a big place, they have no real power, they don’t know how even the simplest parts of the world work. Doors stretch dauntingly high, shadows can hold anything. Parents say one thing, mean another, and then take it all back anyway, change the rules for no reason other than that they “say so.” And everyone is always telling kids that the minute they’re alone, without tether to a trustworthy adult, that’s when the predators of the world will pounce, spirit them away to a place they never come back from.
Pretty terrifying, right?
My take is that when kids engage horror stories, they kind of . . . recognize that feeling, that terror, that uncertainty, that unfairness, and they maybe even understand that they’re not alone in feeling it. They’re not “weird,” they’re just human. Fear is our default setting. It’s what happens when you evolve on a savanna where everything wants to eat you.
… Some sponsors have publicly denounced Beatts on Twitter, including several who have reached out privately to PW to confirm that they will not renew their sponsorships.
One of the authors expressing such sentiments was children’s book author Maggie Tokuda-Hall, who has cohosted several “lovely” literary events there, including a May fundraiser with Rebecca Roanhorse and N.K. Jemisin that netted $6,000 for the store. In an email to PW, Tokuda-Hall wrote that it is her “dearest hope that Alan will divest from the store, and allow the staff and community to reclaim the space. The staff does not deserve to be associated with these allegations.”…
…Mary Robinette Kowal, who is the president of the Science Fiction Writers of America, told PW last week that a Tor representative called her and asked if she wished to cancel a scheduled July 23 virtual event for her new release, Relentless Moon.
“If your publisher comes to you and asks if you still want to do an event…maybe not,” Kowal said, adding that she was not “100% convinced” that she had made the right decision. “I don’t like the ripple effects,” she explained: canceling the event also “punishes” the store’s general manager, Jude Feldman, and its four other employees. “The decision an author has to make is a lot messier than the decision an individual customer has to make,” Kowal added. “It’s the thing we’re doing because it’s the only tool we have.”
Kowal disclosed that she sent an email to Beatts before Tor canceled the event, writing that “I needed him to step back from the store and to address his drinking.” Most of the other sources PW spoke to also referred to Beatts’ drinking habits; a former employee described the store to PW as having a “heavy drinking culture.”
In her capacity as SFWA president, Kowal said that it would be “inappropriate” for the organization to address these specific allegations, but that it has been discussing “the larger problem” of how to report unethical or abusive behavior within the science fiction and fantasy community. SFWA has recently implemented a diversity, equity, and inclusion committee, which will, among other tasks, explore ways to deal with such situations in ways that are “sustainable and safe.”
… Beatts dismissed the suggestion that he divest himself from the store by transferring ownership to [Jude] Feldman. “I cannot see any way in which Borderlands can possibly operate without me,” he wrote. “I’ve discussed this with Jude and she agrees. That is not an option.” Feldman, in addition to being the store’s general manager for 19 years, has been Beatts’s significant other for about 20 years….
(7) MEDIA ANNIVERSARY.
July 1997 — Christopher Golden’s The Lost Army was released by Dark Horse Comics. The first of seven Hellboy novels that Golden would write for Dark Horse over the next decade, it bore a cover done by Mike Mignola who also provided interior illustrations. It would have French and Spanish editions as well. It was the very first of the twelve original Hellboy novels done by Dark Horse over a twenty year period. If you’re interested all of them are available from the usual digital suspects.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 15, 1606 – Rembrandt van Rijn. Draftsman, painter, printer. Among the greatest visual artists. Master of light, texture, portraiture. We can claim his mythological pictures; perhaps also his Biblicals, at least when like The Evangelist Matthew and the Angel showing, besides what believers would deem historical, some element that could only be imagined. Here is The Sacrifice of Isaac. Here is Pallas Athena. Here is The Abduction of Persephone. See what he could do with a few lines. (Died 1669) [JH]
Born July 15, 1779 – Clement Moore. He was a Professor of Biblical Learning. “A Visit from St. Nicholas” was published anonymously; for twenty years he did not acknowledge it; some scholarship indicates he was not the author; and it must be said he owned slaves and opposed Abolition. But consider the poem as an achievement of fantasy – particularly since St. Nicholas was a 4th Century bishop in what is now Turkey. (Died 1863) [JH]
Born July 15, 1917 – Robert Conquest, Ph.D. For us, a novel, a few shorter stories, a few poems; five Spectrum anthologies with Kingsley Amis. Many other writings. Politically a conservative, and a brilliant one, which is a pain or a joy depending on your point of view (note that I put pain on the left and joy on the right). He might not like being remembered most for this, but we do: “SF’s no good, they bellow till we’re deaf. But this looks good.Well then, it’s not SF.” (Died 2015) [JH]
Born July 15, 1918 — Dennis Feltham Jones. His first novel Colossus was made into Colossus: The Forbin Project. He went on to write two more novels in the series, The Fall of Colossus and Colossus and the Crab, which in my opinion became increasingly weird. iBooks and Kindle have the Colossus trilogy plus a smattering of his other works available. ((Died 1981.) CE)
Born July 15, 1931 — Clive Cussler. Pulp author. If I had to pick his best novels, I’d say that would be Night Probe and Raise the Titanic, possibly also Vixen 03. His real-life National Underwater and Marine Agency, a private maritime archaeological group found several important wrecks including the Manassas, the first ironclad of the civil war. (Died 2020.) (CE)
Born July 15, 1944 — Jan-Michael Vincent. First Lieutenant Jake Tanner in the film version of Roger Zelazny’s Damnation Alley which somehow I’ve avoided seeing so far. Is it worth seeing? Commander in Alienator and Dr. Ron Shepherd in, and yes this is the name, Xtro II: The Second Encounter. Not to mention Zepp in Jurassic Women. (Don’t ask.) As Airwolf counts as genre, he was helicopter pilot and aviator Stringfellow Hawke in it. (Died 2019.) (CE)
Born July 15, 1957 — Forest Whitaker, 63. His best-known genre roles are Rogue One: A Star Wars Story as Saw Gerrera and in The Black Panther as Zuri. He’s had other genre appearances including Major Collins in Body Snatchers, Nate Pope in Phenomenon, Ker in Battlefield Earth for which he was nominated for a Golden Raspberry Award for Worst Supporting Actor, Ira in Where the Wild Things Are, Jake Freivald In Repo Men (anyone see this?) and he was, and Host of Twilight Zone. (CE)
Born July 15, 1958 – Pat Molloy, 62. Chaired ConCave 1980-1982, Con*Stellation IV & VII, DeepSouthCon 25 (some use Roman numerals, some don’t); Fan Guest of Honor at DSC 27, 52. After twenty years of the Rebel Award, co-founded and named the Rubble Award; punished by being given the Rebel Award. DUFF (Down Under Fan Fund) delegate (with Naomi Fisher), attended the 2001 Australian nat’l convention. [JH]
Born July 15, 1963 — Brigitte Nielsen, 57. Red Sonja! What a way to launch your film career. Mind you her next genre were 976-Evil II and Galaxis… She starred as the Black Witch in the Nineties Italian film series Fantaghiro, and played the Amazon Queen in the Danish Ronal the Barbarian. (CE)
Born July 15, 1964 – Elspeth Kovar, 56. Wrote the Joe Mayhew memorial for the Chicon 6 Souvenir Book (58th Worldcon); see her con report in File 770 137, p. 28 (PDF). Chaired Capclave 2006. Active in WSFA (Washington, D.C., SF Ass’n). Not true that one of her cats was in an iron lung and on dialysis. [JH]
Born July 15, 1967 — Christopher Golden, 53. Where to start? The Veil trilogy was most excellent as was The Hidden Cities series co-authored with Tim Lebbon. The Menagerie series co-authored with Thomas E. Sniegoski annoyed me because it never got concluded. Straight On ‘Til Morning is one damn scary novel. (CE)
Born July 15, 1983 – Tristan Tarwater, 37. Author of fantasy, comics, and RPG (role-playing games) bits. Six novels, recently The Marauders’ Island, laced with coconut wine, salt, and magic; a few shorter stories. Among her books read are the Vinland Saga (i.e. Makoto Yumimura’s), The Fifth Season, Blake’s Complete Illuminated Books, and The Glass Bead Game. Website here. [JH]
Shatner recently appeared as a guest via virtual chatroom at this year’s Galaxy Con, and given the prolific career he’s enjoyed in his 89 years, the idea of bringing his story to the big screen was sure to be on the minds of the collective Star Trek fandom.
“I want to play myself. I don’t want to die!,” Shatner said when asked who he’d like to have star in such a feature. “I don’t know. Chris Pine? Why doesn’t he play me? A good looking, talented guy,”
…Scarcely anyone had been prepared for what frame seven revealed, much less what they saw in the next dozen images. “My God, it’s the moon,” thought Norm Haynes, one of the systems engineers. There were craters in the image, all perfectly preserved, which meant the planet was in bleak stasis. The crust hadn’t been swallowed by the churn of plate tectonics, but, more important, the surface hadn’t been worn down by the ebb and flow of water. Preserved craters meant there had been no resurfacing, no aqueous weathering of any kind resembling that of the Earth. As with the moon, it appeared there had never been any significant quantity of liquid water on the surface—no rainfall, no oceans, no streams, no ponds.
Stunned, the Mariner 4 team didn’t publicly release the images for days as they tried to understand the implications of what they were seeing.
(13) GREEN CHEESE. [Item by Martin Morse Wooster.] I think the cheesy commercial for this is news
Second only to seeing @TheGreenKnight in theaters: playing The Green Knight RPG at home.
[Thanks to John Hertz, JJ, Mike Kennedy, Andrew Porter, Cat Eldridge, Chip Hitchcock, Michael Toman, John King Tarpinian, and Martin Morse Wooster for some of these stories. Title cedit goes to File 770 contributing editor of the day Peer.]