Tag Archives: George R. R. Martin

Pixel Scroll 8/31/22 A Lapozás Tele Van Pixelekkel

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(1) A CRITIQUE OF NEAL STEPHENSON. In The New Atlantis: “The Supergenius at the End of the World”.

… And yet for all of sci-fi’s close attentiveness to arcane scientific ideas — say, the equivalence principle or the physics of traversable wormholes — the portrayals we see of how political actors might face such crises are rarely realistic. What we typically find instead are political arrangements in which knowledgeable technocrats are already comfortably ensconced in positions of authority, or narratives that leave politics offstage altogether.

In this sense, the renowned science fiction writer Neal Stephenson’s oeuvre may serve as a stand-in for the genre. For while his work draws heavily upon the tradition of political philosophy, and his plots make frequent dramatic use of catastrophic scenarios, he seems unable to present a serious account of politics as a venue for decision-making of the most consequential sort. And though he is attentive to the social and political tensions modern science often generates, particularly in democratic societies, his protagonists usually end up circumventing politics when faced with the kinds of disasters that set his plots in motion.

This is altogether a great loss. The genre of science fiction as we think of it today originally arose as part of a cultural response to the rise of scientific and technical mastery. But before it was ever a genre, it was part of a broader tradition of speculative philosophical and political thought. That today’s sci-fi — and a writer of Neal Stephenson’s caliber in particular — is unserious about crisis politics is a shame….

(2) CENSORS LOSE ROUND ONE. [Item by Martin Morse Wooster.] In the Washington Post, Hannah Natanson says District Court Judge Pamela Baskervill (spelled that way) dismissed a lawsuit by two Virginia legislators that the graphic novel Gender Queer and the fantasy novel A Court Of Mist And Fury are obscene and can be banned from Barnes and Noble, but the legislators could sill appeal to the Virginia Supreme Court. “Virginia judge dismisses lawsuit challenging sale of two ‘obscene’ books”.

A Virginia judge on Tuesday dismissed a lawsuit brought by two Republicans that sought to limit how bookstores and public school libraries could distribute two books to minors, closing — at least temporarily — an unusual commercial strategy in what conservatives say is a campaign to protect students from age-inappropriate literature….

(3) ANDY DUNCAN ADVICE. Long-time Clarion West instructor Andy Duncan recorded six videos for their Flash Fiction Workshop as part of the 2022 Write-a-thon, and they’re now available to watch on the Clarion West YouTube channel. Dig into the first video here.

(4) CLARION WEST SCHOLARSHIP WINNERS. The 2022 Octavia E. Butler and Worldbuilder Scholars were profiled by Clarion West.

Two Octavia E. Butler Memorial Scholarships donated by the Carl Brandon Society went to Clarion West students. Naomi Day and Wen-yi Lee. Naomi was initially selected as a Butler Scholar in 2020, and Wen-yi was selected this year upon her acceptance.

Since 2007, the Carl Brandon Society has donated this scholarship in Octavia’s name to writers of color attending Clarion and Clarion West. Octavia attended the Clarion Writers Workshop in Pennsylvania in 1970 and taught at the Clarions for many years; this scholarship offers BIPOC writers a similar opportunity to emerge into the speculative fiction scene.

Naomi Day is a queer Black American writer who spends their time thinking about liminal experiences, mothers, and broken and found families. Her work has appeared in Black Warrior Review and The Seventh Wave, and she is an MFA candidate at The New School.

Wen-yi Lee is from Singapore and likes writing about girls with bite, feral nature, and ghosts. Her fiction has appeared in Uncanny and Strange Horizons, among others, and her non-fiction can be found on Tordotcom. She is currently working on a Singaporean historical fantasy.

George R. R. Martin awarded two Worldbuilder Scholarships this year. Tania Fordwalker, of Tasmania, was selected to receive a Worldbuilder Scholarship in 2020, and Yvette Lisa Ndlovu, of Zimbabwe, was selected this year upon her acceptance.

The Worldbuilder is a full scholarship funded by George R. R. Martin and anonymously judged by Martin’s team. The scholarship is awarded to a student with strong worldbuilding skills. Martin says: “Every great story requires interesting characters, an engrossing plot, evocative prose, an important theme… but epic fantasy also requires a memorable setting. A ‘secondary universe,’ as J.R.R. Tolkien termed it, a world both like and unlike our own, with its own rich history and geography and customs, its own beauties and terrors.”

Tania Fordwalker is an Australian living between chilly Tasmania and tropical Queensland with her spouse and cloud-shaped dog. She travels whenever she can, and writes because she’s incapable of holding down a real job. Her work has appeared in Lightspeed, Beneath Ceaseless Skies, PodCastle and more. Her first novel — the story of an escapee from a post-apocalyptic cult — is currently out on submission. She is very short and, in the way of all small things, will absolutely fight you. Find Tania at Fordwalker.com or on Twitter at @TaniaWalker. 

Yvette Lisa Ndlovu is the Zimbabwean author of Drinking from Graveyard Wells (University Press of Kentucky, March 2023). She earned her BA at Cornell University and is an MFA candidate at UMass Amherst. Her work has been supported by fellowships from Tin House, Bread Loaf Writers Workshop, and the New York State Summer Writers Institute. She is the co-founder of the Voodoonauts Summer Fellowship for Black writers. 

(5) RON LOGAN OBIT. Disney Legend Ron Logan, who as EVP and executive producer for Walt Disney Entertainment transformed live entertainment in its parks and helped bring Beauty and the Beast to Broadway, died August 30 at the age of 84.

… In his last role at Disney, Logan was EVP, executive producer, for Walt Disney Entertainment. He was responsible for creating, casting and producing all live entertainment products for the Walt Disney Company, including its resorts, The Disney Institute, Disney Business Productions, Disney Cruise Line, Disney Entertainment Productions and Walt Disney Entertainment Worldwide. He also was EVP of the Walt Disney Special Events Group, and EVP of Disney Special Programs Inc. He produced all live entertainment shows for the Disney Parks worldwide, as well as five Super Bowl halftime shows.

(6) MEMORY LANE.  

1965 – [By Cat Eldridge.] Susan Cooper’s The Dark Is Rising sequence.

Fire on the mountain shall find the harp of gold

Played to wake the Sleepers, oldest of the old;

Power from the green witch, lost beneath the sea;

All shall find the light at last, silver on the tree.

I suspect that most of you know something about this series, and further more that a lot of you have read this splendid undertaking. These five novels were intended for older children and young adults, published from 1965 to 1977, were written by the British author Susan Cooper, born May 1935.

Over Sea, Under Stone, the first was meant to be a solo novel but four followed. The series takes its name from the second novel The Dark is Rising. The final three were Green Witch, The Grey King and Silver on the Tree.

Cooper’s summation of the series is: “When young Will Stanton discovers he has come of age as the lastborn of the Old Ones, the immortal keepers of the force of the Light, he is swept up in the age-old struggle between the powers of Light and Dark. The battles against the last dreadful rising of the Dark are waged across time in the most ancient myth-haunted places of England and Wales. Will, his ageless master Merriman, and their allies and adversaries—human and mythic alike—seek the objects of power that will tip the uncertain balance of good and evil that exists throughout the world and within the mind of man.” 

Cooper did a most splendid crafting of stitching together of Arthurian mythology, Celtic mythology, English folklore and Norse mythology. And I can say that they quite wonderful books indeed!

The American Library Association’s Margaret A. Edwards Award, which recognizes one writer and a particular body of work for significant and lasting contribution to YA literature, went to the full series. Solo books have been have honored as well — The Grey King picked up a Newbery Medal and Tir na n-Og while Silver on The Tree garnered a Tir na n-Og.

An adaptation was done, not at all successfully I’d say was a kind way to put it. Cooper didn’t like the film and has made that clear in interviews. It was called The Seeker: The Dark Is Rising and critics and the box office alike were hostile to it. 

I swear there was a series made as well but I can’t find anything about it. I’ve got a Radio Times story from 2016 “Sky is developing a drama based on The Dark is Rising fantasy books” but nothing after that. 

The audiobooks are read by Alex Jennings who does a most excellent job. He’s a British actor of the stage and screen who has worked mainly with the National Theatre and Royal Shakespeare Company. For his work with the London stage, he received three Olivier Awards given for My Fair Lady, Peer Gynt and Too Clever by Half. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 31, 1914 — Richard Basehart. He’s best remembered as Admiral Harriman Nelson in Voyage to the Bottom of the Sea. He also portrayed Wilton Knight in the later Knight Rider series. And he appeared in “Probe 7, Over and Out”, an episode of The Twilight Zone. (Died 1984.)
  • Born August 31, 1949 — Richard Gere, 73. Lancelot in First Knight starring Sean Connery as King Arthur. And was Joe Klein in The Mothman Prophecies. That’s it. First Knight for me is more than enough to get Birthday Honours!  And there’s Chicago which though not genre is absolutely stellar. 
  • Born August 31, 1958 — Julie Brown, 64. Starred with Geena Davis in the cult SF comedy, Earth Girls Are Easy. She’s also been in genre films such as The Incredible Shrinking Woman, Bloody Birthday (a slasher film), Timebomb and Wakko’s Wish. She’s had one-offs in TV’s Quantum Leap and The Addams Family. She’s voiced a lot of animated characters included a memorable run doing the ever so sexy Minerva Mink on The Animaniacs. She reprised that role on Pinky and The Brain under the odd character name of Danette Spoonabello Minerva Mink. 
  • Born August 31, 1969 — Jonathan LaPaglia, 53. The lead in Seven Days which I’ve noted before is one of my favorite SF series. Other than playing Prince Seth of Delphi in a really bad film called Gryphon which aired on the Sci-fi channel, that’s his entire genre history.
  • Born August 31, 1971 — Chris Tucker, 51. The way-over-the-top Ruby Rhod in Luc Besson’s The Fifth Element, a film I really, really like. His only other genre credit is as a MC in the Hall in The Meteor Man.
  • Born August 31, 1982 — G. Willow Wilson, 40. A true genius. There’s her amazing work on the WorldCon 75 Hugo Award winning Ms. Marvel series starring Kamala Khan which I recommend strongly, and that’s not to say that her superb Air series shouldn’t be on your reading list. Oh, and the Cairo graphic novel with its duplicitous djinn is quite excellent as well. I’ve not yet read her Wonder Women story but will soon. She also got a nomination at Discon III for Invisible Kingdom, vol 2: Edge of Everything. Am I missing anything I should be reading? 
  • Born August 31, 1992 — Holly Earl, 30. She’s been in a number of British genre shows, playing Kela in Beowulf: Return to the Shieldlands, Agnes in Humans, and yes, Doctor Who in the “The Doctor, the Widow and the Wardrobe”, an Eleventh Doctor story in she was Lily Arwell.

(8) COMICS SECTION.

  • Eek! has a shocking aquatic “morning after” moment.

(9) A SECRET IDENTITY THAT WAS EVEN SECRET FROM ITS OWNER. “Did DC Once Produce a Superman Issue Hidden From the Editor of the Comic?” CBR.com says, of course, the answer is yes.

…Schwartz recalled the incident in his auto-biography:

“So comes the day [of his 70th birthday], and all of a sudden publisher Jenette Kahn’s administrative assistant Carol Fein comes in and says we’re having a special meeting in the conference room. I probably fretted as I walked down the hall wondering what the latest crisis was—and walked into the conference room to discover champagne on ice and Jenette handing me the first copy of SUPERMAN #411, and I see that I am depicted on the cover.”

The original art for the cover was then signed by LOTS of people, and Schwartz kept having people sign it over the years…

(10) MALTIN ON MOVIES. [Item by Martin Morse Wooster.] I listed to this podcast Leonard and Jessie Maltin did with animator Andreas Deja, who saw The Jungle Book when he was 10 or 11 in West Germany and decided he wanted to be an animator.  He wrote to Disney asking what he had to do and they told him in a form letter to study anatomy and learn to draw animals in real life.  He did this, went to Disney, and worked his way up to being a master animator in charge of a particular character.  He stayed at Disney for 30 years and is now a Disney Legend, but left around 2010 when Disney decided to switch to CGI.  Since then, Deja lectures on animation history with the aid of Disney’s unusually extensive archives and has worked on his own animated film, the 25-minute Mouschka which will feature 80 percent hand-drawn animation by him.  This is a pretty deep dive into Disney animation but this is a subject Maltin knows very well so I thought it informative. “Maltin on Movies: Andreas Deja”.

(11) THE RADIANT AFTERGLOW. “The Atomic Café: The Cult Classic Documentary Made Entirely Out of Nuclear Weapons Propaganda from the Cold War (1982)” – discussed at Open Culture.

…It came out in 1982, when the public’s assumptions of American military benevolence — and its patience with the country’s seemingly permanent arms race against the Soviet Union — were running low. These decades-old clips of strenuously pious politicians, drawling bomber pilots, rambling Babbitts, and civil defense-ready nuclear (in both senses) families could hardly have met with more intense cynicism.

“I was an exact contemporary of those kids in this old documentary footage,” writes Roger Ebert in his review The Atomic Café. “Life magazine ran blueprints for fallout shelters, and Estes Kefauver barnstormed the nation with warnings about strontium 90 in the milk supply.” In one scene “girls in home ec classes display their canned goods designed for nuclear survival, and it is clear from their faces that they have no clue of how they would survive nuclear war, and little hope of doing so.” The film as a whole evokes a time when the United States “spent a good deal of its resources on addressing the possibility of nuclear war, however uselessly.” We no longer hear much about that possibility, perhaps because it has genuinely diminished, or perhaps because — as viewers of The Atomic Café will suspect even today — the propagandists are busy convincing us of something else entirely.,,,

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Anthony.]

Pixel Scroll 8/17/22 Tell Me Of Your Homescroll, Pixel

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(1) SECRETS OF PKD’S SUCCESS. David Samuels bids you “Welcome to Philip K. Dick’s dystopia” at UnHerd.

…What made Dick a literary genius, then, was not any special talent for predicting hand-held personal devices or atom bombs the size of a shoe which might have led him to a job in Apple’s marketing department. His gift was for what might be called predictive psychology — how the altered worlds he imagined, whether futuristic or merely divergent from existing historical continuums, would feel to the people who inhabited them. Dick’s answer was, very often: “Not good.”

Dick’s dystopian-psychological approach marks him less as a conventional science fiction writer than as a member of the California anti-utopian school of the Sixties, whose best-known members include Robert Stone, Thomas Pynchon, Ken Kesey, Joan Didion and Hunter Thompson. Seen from this angle, Dick was perhaps the most powerfully and sweepingly paranoid of a group of writers whose stock-in-trade was conspiracy and paranoia, the hallmarks of a society marked — at that moment, and this one — by violent street crime, drug-induced psychosis, and visionary promises gone terribly wrong. Of his anti-utopian peers, Dick’s sci-fi genre background made him the only one who had any particular feel for the proposition that technology was inseparable from, and would therefore inevitably alter, our idea of the human….

(2) BUILDING WITH WORDS. “Author R.F. Kuang Talks Magic and What’s Lost in Translation” in a Goodreads interview.

…GR: The magic system is always a critical part of world-building in fantasy, and I thought yours was so fascinating—magic that is powered by the tension and friction in the act of translating from one language to the other.

RFK: There are a lot of fantasy novels that deal with the power of words and language and naming. I think Ursula Le Guin has done this a lot. I know Samantha Shannon is very interested in etymology and wordplay in her novels as well. I think my innovation is coming at it from the translation angle instead.
 
There were two things I wanted to convey about translation that were at the forefront of my mind. First, it was very important to me that the magic system felt like a real historical facet of the world. I wanted the characters to talk about it and use it the way that they would have used any number of Victorian implements.
 
The second thing is that translation can function as a metaphor for difference. It’s my way of talking about difference at large. Translation is just trying to make yourself understood by other people. We’re all translating ourselves to the world. Even if we’re not bilingual, we’re all trying to put our thoughts and feelings and experiences into words, and hoping that somebody else gets it.
 
And there are so many things that can interfere with that—obviously racism, colonialism, malicious intent. So in that sense, translation becomes a way to talk about prejudice and the avarice of the British Empire in the 1830s. But even unintentionally, there are all these things that cause us to refuse to listen to each other. It’s just the intersection of how different people engage with one another….

(3) VIDEO GAME UPDATE PROVIDES RELIEF. In the Washington Post, Gene Park looks at how playing Cyberpunk 2077 has provided comfort for him as he battles his cancer. “As a cancer patient, ‘Cyberpunk 2077’ frees me from my mental prison”.

I was diagnosed with cancer in early June. For some reason, since then, I haven’t been able to stop playing CD Projekt Red’s “Cyberpunk 2077,” a story about how you must navigate or defy terminal illness.

The terminal illness facing V, the game’s protagonist, is the all-but-certain erasure of their soul. Their personality, memories and cognitive functions are being overwritten by an artificial intelligence, Johnny Silverhand, a rocker and branded terrorist brought to virtual life by Keanu Reeves. They can only deny or accept their fate; either grasp at some way to sever their connection as Silverhand takes over, or leave this world on their own terms.

…It wasn’t always this easy to be carefree in Night City. The game’s infamous release in December 2020 redefined the term “cyberpunk” to mean “unfinished, buggy and unplayable video game.” As I wrote in my final review of the game in 2021, “Cyberpunk 2077” used to barrage the player with phone calls and notifications about new activities, with the resulting information overload destroying any sense of spatial immersion, and strangling the pace of the game’s otherwise compelling narrative arc.

This older, more unpleasant version of “Cyberpunk 2077” reminds me of my current situation. My phone is constantly buzzing with concerned texts and phone calls from friends, family, ex-girlfriends, former co-workers and long lost acquaintances. Everyone talks about the myriad challenges of cancer, but one of the least discussed is the emotional burden placed on the patient as they navigate, soothe and buckle under the overwhelming grief projected by their loved ones. I value and often need the support and concern from my family and friends, but there’s the lingering sense that none of this would need to be said if not for my cancer. Words meant to soothe me often just remind me that I’m fighting for my life.

Five months ago, developer CD Projekt Red released its 1.5 update, which brought along a host of stabilization fixes, new features, and most importantly to me, the ability to ignore those carping in-game texts and phone calls….

(4) HWA CONDEMNS ATTACK ON RUSHDIE. The Horror Writers Association Board of Trustees issued a “Statement on Salman Rushdie attack”.

The Horror Writers Association is outraged and saddened by the reprehensible attack on author Salman Rushdie. The assault on Mr. Rushdie is an assault on all writers. The HWA strongly condemns the attack and supports writers’ freedom of expression without fear of reprisal or violence. We look forward to his speedy recovery and his continued work as a voice for freedom.

(5) AS DOES GRRM. George R.R. Martin discusses the attack and the underlying issues in “Let His Voice Be Heard” at Not a Blog.

…Along with the rest of the world, I read of the turmoil around THE SATANIC VERSES and the fatwa declared against him by the ayatollahs of Iran.     For the “crime” of writing a book that some people did not like, he was forced to spend a decade in hiding, surrounded by guards, wearing disguises when he dared leave his house.  Through it all, he displayed courage, compassion, and grace under fire, while holding firm to his principles and yielding not an inch to the haters.    In more recent years, the danger finally seemed to have ebbed, and Rushdie was once again able to speak and travel and appear in public.

He emerged as one of the world’s leading defenders of free speech, which only deepened my admiration for him.   Freedom of speech is a central pillar of our democracy, and every other democracy in the world.   There is nothing, but nothing, that I believe in more strongly.

And these days freedom of speech needs defenders, for when I look around, I find it under attack everywhere.   Blacklisting, cancel culture, libraries being closed or defunded, classic works of literature being banned or bowdlerized or removed from classrooms,  an ever growing list of “toxic” words the mere utterance of which is now forbidden no matter the context or intent, the erosion of civility in discourse.   Both the Rabid Right and the Woke Left seem more intent on silencing those whose views they disagree with, rather than besting them in debate.    And the consequences for those who dare to say things deemed offensive have been growing ever more dire; jobs lost, careers ended, books cancelled, “deplatforming.”

And now, it seems, attempted murder….

(6) SPACE COWBOY BOOKS PRESENTS. Swarms of nanobots! A pregnant male Supreme Court Justice! The stories featured in this episode of the Simultaneous Times podcast are:

“Reaction Shot” – by Todd Sullivan – https://www.samjokomagazine.com/
Music by Phog Masheeen – https://phogmasheeen.com/
Read by Jean-Paul Garnier

“The Two-Faced Miracle of Justice Father Win” – by Susan Rukeyser http://susanrukeyser.com/
Music by RedBlueBlackSilver – https://redblueblacksilver.bandcamp.com/
Read by the Author & Jean-Paul Garnier

(7) RIDE ‘EM. Ursula Vernon has been crowdsourcing some research about saddles. I never realized how much there is to know about the topic. Thread starts here.

(8) THE URGE TO MERGE. Amanda S. Green makes the trial a little more entertaining in “DOJ vs Randy Penguin Soap Opera Continues” at Mad Genius Club.

It’s going to be a while before we hear the final verdict–and probable appeals–in the tale of Penguin Random House’s desire to “merge” with Simon & Schuster. What we’re getting in the meantime is a ringside seat to the lengths those folks at Randy Penguin and their hand-picked editors and agents (yes, agents) will go to make traditional publishing even smaller. Frankly, there’s not enough popcorn to get through the trial and I know my IQ drops every time I read some of the so-called justifications for the merger.

One of Randy Penguin’s so-called justifications for the merger centers on Amazon and on self-publishing. Now, the Amazon part shouldn’t come as a surprise to any of us. After all, Amazon is the big evil in the minds of so many in traditional publishing, even though much of publishing’s problems can and should be laid directly at the feet of the publishing houses. As for self-publishing, Randy Penguin doesn’t like the fact authors like Brandon Sanderson–who still traditionally publishes–can go to Kickstarter and finance the publication of books that for whatever reason didn’t go to the publisher.

Boo-freaking–hoo….

(9) AUTHOR GROUP SUPPORTS MENTAL HEALTH. The Horror Writers Association recently launched the HWA Mental Health Initiative, “a coordinated roll-out of events, resources, and activities intended to promote positive mental health, foster the concept of hope, and challenge the stigma of mental illness in the horror genre.” The initiative, run by the organization’s Wellness Committee, debuted in June 2022 and will form part of an ongoing program.

…Activities planned for 2022 include establishing a dedicated webpage for resources on the HWA website, publication of Of Horror and Hope, a downloadable anthology of poems, flash fiction, and personal reflections on mental health by HWA members, “Holistic Horrors” a monthly column in the organization’s newsletter, several panel sessions, as well as articles and blogs published in the wider genre community.

“The HWA should be commended for being bold in its approach to tackling the stigma of mental illness in the genre,” says Wellness Committee Co-chair, Dave Jeffery, who spent 35 years as a mental healthcare professional in the UK’s National Health Service. “To my mind, it is the first time such an initiative, with a specific focus on hope and recovery, has been developed for the horror community, and there are currently discussions as to how the Wellness Committee can develop further resources over the coming years.”

Jeffery’s co-chair, New Zealander Lee Murray, agrees: “Our intent is to promote positive images of mental health in horror and to create an environment of understanding and compassion. For me, as a sufferer of anxiety and depression, inclusion is extremely important—that notion of lifting something up to the light, so we realize that many of us experience the same things and that we’re not alone.”…

(10) THE DISADVANTAGE OF BEING EARNEST. Namwali Serpell has a critical review of Mohsin Hamid’s The Last White Man in the September Atlantic: “A World Without White People”.

…Even if you’re unfamiliar with this tradition of stories about race transformation, you’ll suspect what’s coming. Distinguishing between those born dark and the newly transformed will become fraught. Violence will erupt. Some will come to believe that a genocidal conspiracy is to blame; some will kill themselves; some will kill others. “Militants” will take over, emitting fear and hate like a musk. Love will blossom. Heightened scenes of interracial sex and awkward perusals of genitals will follow. In the end, skin color will be shown to be meaningless for identity, a mere construct. Yet it will prove almost atavistically fascinating as an aesthetic surface and a conductor of feeling.

Tone above all distinguishes Hamid from these precursors. Whereas most of these writers bend race transformation toward satire, offering us topsy-turvy and hysterical tales, Hamid is deeply earnest about his conceit. The novel is that wan 21st-century banality, a “meditation,” and it meditates on how losing whiteness is going to make white people feel. Mostly sad, as it turns out….

…If Hamid’s novel were a self-aware satire of this ideology of whiteness and its violent effects, it would be pitch-perfect. But The Last White Man’s structure affords us no way to know if this is what Hamid intends: It includes no higher judgment, no specific history, no novelistic frame against which to measure the reliability of the narration, no backdrop across which irony can dance….

(11) MEMORY LANE.  

2006 – [By Cat Eldridge.] Almost everyone I know who is a Hellboy fan thinks that there are but two films, Hellboy and Hellboy II: The Golden Army. Well there’s actually four, (well five if you could count the bonus animated short in the Hellboy: Blood and Iron DVD), as there were two most excellent animated films, Sword of Storms (2006) and Blood and Iron (2007).

Ron Perlman reprises his role here. Selma Blair and John Hurt also reprise their roles here. Doug Jones did not provide the voice of Abe for the first film which was done by an uncredited David Hyde Pierce who was psychiatrist Dr. Niles Crane on Frasier. Jones returned for the second film. The only meaningful new character is Kate Corrigan who is voiced by Peri Gilpin.

The first film, Hellboy: Sword of Storms, has them in Japan on a mission to face down demons who want a sword that will free them and allow them to destroy the world. Meanwhile Hellboy has ended up in another dimension with a fox as his guide. (It’s a great character.) Both stories are very well done, and I’ll say nought else about them. (Both are available on iTunes for a mere ten bucks.)  Eventually the stories will merge into a single story.  Of the two films, this is my favorite by far.

The second, Hellboy: Blood and Iron concerns Professor Trevor Bruttenholm’s experience with a vampiress in the Balkans 1934 and the present day in upstate New York as a movie mogul has recreated her estate in the Balkans by purchasing the ghoulish artefacts from there. Hellboy also faces off against Hecate and Her Sisters. The story, and again I’ll not say much about it in case someone haven’t seen it, struck me as much weaker as a script than the first. It just felt flat. 

The critics like it both films. Common Sense Media said of the first that “Dark, fun ghost story for older kids and adults” and the second got this comment from DVD Clinic: “Fans of the Hellboy property, particularly younger ones, should find enough to enjoy here.” 

Audience reviewers at Rotten Tomatoes gave the first a fifty-six percent rating and gave the second a sixty-eight percent rating. 

Oh, as for the short, I think five or so minutes animated film called “Iron Shoes” set in Ireland where Hellboy chased a demon immune to iron. It’s quite cute actually. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 17, 1917 — Oliver Crawford. Screenwriter who overcame the Hollywood blacklist during the McCarthy Era of the 1950s. He wrote three scripts for Trek, “The Cloud Minders”, “Let That Be Your Last Battlefield” and “The Galileo Seven”.  He also wrote for The Outer Limits (“The Special One”), Voyage to the Bottom of the Sea (“The Lost Bomb”) and The Wild Wild West (“The Night of the Cossacks” and “The Night of Sudden Death”). (Died 2008.)
  • Born August 17, 1930 — Harve Bennett. The individual who gave us Star Trek II: The Wrath of Khan. Really he did. He would then serve as producer on the next three Trek films, The Search for Spock, The Voyage Home and The Final Frontier. In the latter he made his only on-screen appearance in the series, as Starfleet Chief of Staff. No, that’s not everything Harve Bennett. He produced or wrote (or both) for TV’s The Invisible Man, Gemini Man, The Bionic Woman, The Powers of Matthew Star, Time Trax, Salvage 1, and Invasion America.  (Died 2015.)
  • Born August 17, 1945 — Rachel Pollack, 77. She’s well known for her run of issues 64–87 (mid-nineties) on DC’s Doom Patrol which took it to its cancellation. She also had a run on the New Gods, the Jack Kirby created mythos. Two of her novels won major Awards — Unquenchable Fire won the Arthur C. Clarke Award; Godmother Night won the World Fantasy Award. 
  • Born August 17, 1956 — John Romita Jr., 66. If you’ve read Spider-Man since the Sixties, it’s very likely that you’ve seen his artwork as he had six stints on it between 1980 and 2009. He worked on a number of other titles on Marvel and DC including Superman, Ghost Rider, Hulk, All-Star Batman, Eternals, Captain America and Daredevil to name but a few he illustrated. He also worked with Mark Miller at Image Comics on Kick-Ass, and did the one-shot Punisher/Batman: Deadly Knights. 
  • Born August 17, 1962 — Laura Resnick, 60. Daughter of Mike Resnick. She is a winner of the John W. Campbell Award for Best New Writer in Science Fiction. She’s written an amazing of amount of short fiction — I think it is over seventy pieces. She’s the author of the Esther Diamond series, and I’ve not read her Manhattan Magic series so I’m interested to know what y’all think of it. She’s readily available on the usual suspects. 
  • Born August 17, 1966 — Neil Clarke, 56. Editor in Chief of Clarkesworld Magazine which won a impressive number of Best Semiprozine Hugos and a World Fantasy Award before crossing the threshold to become a prozine. He’s a nine-time Best Editor – Short Form nominee. SFWA also gave him a Kate Wilhelm Solstice Award. He edits The Best Science Fiction of the Year series for Night Shade Books.  
  • Born August 17, 1973 — Rae Carson, 49. She’s done ten novels including one in the Star Wars universe. (I’m tempted to say who hasn’t?) Quite impressively, her debut novel, The Girl of Fire and Thorns, was a finalist for the William C. Morris YA Award and the Andre Norton Award. And she is married to Charles Coleman Finlay.

(13) COMICS SECTION.

  • The Argyle Sweater posits a bit of Transformers sibling rivalry. But Rich Horton comments, “I will say, Amazon Prime may not have saved the world, but he gives us The Boys and Westworld in addition to free shipping, so that’s something!”

(14) FOUND AND FOUND. “The Oakland Public Library Puts Online a Collection of Items Forgotten in Library Books: Love Notes, Doodles & More” – Open Culture shares the links to this collection and others.

…Sharon McKellar, the Teen Services Department Head at the Oakland Public Library, collects ephemera she and other staffers find in books returned to the OPL’s 18 locations.

It’s an impulse many share. 

Eventually, she began scanning them to share on her employer’s website, inspired by Found Magazine, a crowdsourced collection of found letters, birthday cards, kids’ homework, to-do lists, handwritten poems, doodles, dirty pictures, etc….

(15) YOU’VE BEEN WARNED. VentureBeat claims to show “How being a science fiction fan can get you a job at a metaverse company”  in its interview with Jamil Moledina. But guess what? It doesn’t! 

GamesBeat: The title of this interview can be “How being a science fiction fan can get you a job at a metaverse company.”

Moledina: It very well could be. To me that’s the framing that I simply can’t shy away from. I suppose that if I were more of a suit and tie guy, I’d come up with another way to frame it. But for me, this is it. This is stepping into the next frontier. This is the next opportunity in front of us. Not only is it an opportunity for the platform itself, but it’s an opportunity for anyone that loves entertainment, that loves commerce.

There are so many incredible ways to open up to participate. A lot of the ways that we interact with each other in the real world are increasingly challenging, especially in wave after wave of pandemics. And yet if you set that aside, there are so many new ways that people can come together in a virtual world that are really impractical from a real-world standpoint. A big part of Neal’s vision is altruism. How do we provide ways for human beings to come together to improve the world? With Neal and Peter, both of them have this interest in making sure that the application of blockchain to the metaverse is one that results in real impact, real value, and a net improvement on what came before.

(16) TRUE CONFESSION. It’s not always easy to apply the wisdom gained from experience, as Jim C. Hines observes in this example.

(17) ARCHERY. Ross MacDonald explains his theory about “The Writer As Detective Hero” in a 1965 reprint at The Stacks Reader.

A producer who last year was toying with the idea of making a television series featuring my private detective Lew Archer asked me over lunch at Perino’s if Archer was based on any actual person. “Yes,” I said. “Myself.” He gave me a semi-pitying Hollywood look. I tried to explain that while I had known some excellent detectives and watched them work, Archer was created from the inside out. I wasn’t Archer, exactly, but Archer was me.

The conversation went downhill from there, as if I had made a damaging admission. But I believe most detective-story writers would give the same answer. A close paternal or fraternal relationship between writer and detective is a marked peculiarity of the form. Throughout its history, from Poe to Chandler and beyond, the detective hero has represented his creator and carried his values into action in society.

Poe, who invented the modern detective story, and his detective Dupin, are good examples. Poe’s was a first-rate but guilt-haunted mind painfully at odds with the realities of pre-Civil-War America. Dupin is a declassed aristocrat, as Poe’s heroes tend to be, an obvious equivalent for the artist-intellectual who has lost his place in society and his foothold in tradition. Dupin has no social life, only one friend. He is set apart from other people by his superiority of mind….

(18) TO THE MAX. Comicbook.com says these DC TV shows have survived the massacre: “The Fates of DC’s HBO Max Shows Reportedly Revealed”.

The DC TV universe still has a future on HBO Max after Warner Bros. Discovery’s cost-cutting measures axed Max movies Batgirl and Wonder Twins. Post-merger CEO David Zaslav announced a DC course correction during Warner Bros. Discovery’s Q2 earnings report earlier in August, confirming Batgirl was scrapped despite Warner Bros. sinking some $90 million into the straight-to-streaming movie. As the merged company focuses on producing big-budget, “high-quality” DC Comics adaptations for theaters — including the upcoming Black Adam and The Flash — a new report reveals the DC shows still moving forward as Zaslav looks to shave off $3 billion in cuts.

According to Deadline, the DC series “moving along” include Season 2 of Peacemaker, the hit Suicide Squad spinoff created by director James Gunn; the Penguin spinoff series starring Colin Farrell that is set within the world of Matt Reeves’ The Batman movie; and Green Lantern Corps, the new series from Greg Berlanti, the prolific producer who oversaw The CW’s Arrowverse. 

(19) WEDNESDAY ON WEDNESDAY. What other day of the week would the Wednesday Addams official teaser trailer drop?

WEDNESDAY, an upcoming Netflix series from the imagination of Tim Burton. WEDNESDAY — starring Jenna Ortega in the title role, alongside Catherine Zeta-Jones, Luis Guzman, Gwendoline Christie, Christina Ricci and more — is a sleuthing, supernaturally infused mystery charting Wednesday Addams’ years as a student at Nevermore Academy. Snap snap.

(20) STOP, IN THE NAME OF LOVE. [Item by Martin Morse Wooster.] In “Honest Trailers:  Jurassic World: Dominion,” the Screen Junkies say the sixth Jurassic Park movie has the “Obligatory really big T-Rex,” the “obligatory evil science company” that is so dumb “that it built an Apple Store in Dinosaur Canyon,” and the “obligatory moment where you can stop any dinosaur from attacking you by making the stop sign with your hand.”  But new this time, “Locusts”.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Todd Mason, Rich Horton, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Brown Robin.]

Pixel Scroll 8/14/22 I Am A Little Scroll Made Cunningly, Of Pixels, And An Angelic Sprite

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(1) AURORA AWARD STATS. The 2022 Aurora Award Results and Hall of Fame Inductees were announced last night, and the CSFFA website now has the voting statistics and nomination totals available here.

It’s notable that in the Best Fan Writing and Publication category it was R. Graeme Cameron competing against himself, winning for Polar Borealis, while his Canadian SF&F book and magazine reviews in Amazing Stories (online) finished second.

(2) CONFUSION IS STILL WITH US. [Item by John Winkelman.] Con Chair Cylithria Dubois has posted an update about ConFusion 2022 and 2023. To sum up: Despite hardships and obstacles, COVID-related and otherwise, ConFusion 2022 ended in the black, financially, and there will be a ConFusion 2023, about which details will be announced soon. “2022 Rising ConFusion Final Report & Handoff to The Legend of ConFusion”.

Rising ConFusion 2022 took place January 21st – 23rd of 2022.  December & January were peak times for the  DELTA variant of the COVID-19 pandemic. As DELTA took hold, times looked very grim due to the pandemic, and on January 7th, 2022, I made a public plea to our community, alerting you of the dire financial straits ConFusion Convention faced due to lower attendance, higher costs, and lack of income from the postponed 2021 event. 

The day I made that plea, I was also packing to travel via car from my home in Kansas City, MO., to my Home in Bay City, MI. I posted that, went to bed, got up and drove the 14 hour journey. By the time I arrived in Michigan, I was gob-smacked at the community outpouring of support. Y’all have no idea how utterly stunned silent I truly was. (Lithie, Silent? Whoa)… 

In Quick Summary Form:

-The amount of income made by Rising ConFusion 2022 was $17,848.48. 
-The amount of Donation Income made from your generosity was $13,705.09. 
-Combined those total: $31,553.57! 
-Our total expenses (see note below) came to -$19,234.81.  
-The amount of money leftover was: +$12,318.76

In Short; Yes, you saved Rising ConFusion and there will be another ConFusion in 2023!…

(3) HEINLEIN BLOOD DRIVE. “The Heinlein Society Sponsors Chicago Blood Drive” for those wanting to donate blood while the Worldcon is happening. The Society says:

Worldcon chose not to sponsor a blood drive this year. For the convenience of those expecting to Pay It Forward by donating blood The Heinlein Society and Virgin Hotels, a block away from the Hyatt, will have a blood drive on Sunday. Schedule your appointment early as the drive is open to the public before Worldcon starts. More information will be available as well as a free book with a cool bookmark at The Heinlein Society Fan Table at Worldcon.

(4) WHERE IT BEGAN. Robert Charles Wilson told Facebook readers about a personal artifact he rediscovered.

I’ve spent the last few days putting my book collection in order, and yesterday I came across this, the first sf magazine I ever purchased: the March 1964 issue of F&SF, from a little shop in the town of Port Credit, Ontario.

J.G. Ballard, Kit Reed, Oscar Wilde, Avram Davidson’s haunting little story “Sacheverell”—pretty heady stuff for a precocious ten-year-old. But what had the greatest impact, looking backward from 2022, was Robert Bloch’s article “The Conventional Approach”—a pocket history of science fiction fandom. I was already nursing an ambition to write, specifically to write sf, and here was what looked like an invitation to a subculture of like-minded enthusiasts and maybe even a roadmap to a career.

A few more years would pass before I attended a convention or sold a piece of fiction to a professional market, but that little digest-magazine article had pretty profound consequences for me. What I eventually found by way of that subculture was, yes, a career, including a Hugo Award for my novel Spin, but also enduring friendships, two marriages and one long-term relationship, visits to Europe and Asia I would probably not otherwise have undertaken, and a more colourful and varied life than my 10-year-old self could have reasonably imagined.

All that, bought for 40 cents on a wintry Saturday in rural Ontario. Your money went further in those days, I guess.

(5) RUSHDIE UPDATE. “Salman Rushdie off ventilator and ‘road to recovery has begun,’ agent says” reports Reuters, quoting an email.

Salman Rushdie, the acclaimed author who was stabbed repeatedly at a public appearance in New York state on Friday, 33 years after Iran’s then-supreme leader called for him to be killed, is off a ventilator and his health is improving, his agent and a son said on Sunday.

“He’s off the ventilator, so the road to recovery has begun,” his agent, Andrew Wylie, wrote in an email to Reuters. “It will be long; the injuries are severe, but his condition is headed in the right direction.”…

Meanwhile, the Guardian reports that author J.K. Rowling, after tweeting sympathy for Rushdie. received a death threat: “Police investigate threat to JK Rowling over Salman Rushdie tweet”.

Police are investigating a threat against JK Rowling that was made after she posted her reaction on social media to the attack on Salman Rushdie.

Rowling tweeted on Friday: “Horrifying news. Feeling very sick right now. Let him be OK.”

A Twitter user under the name Meer Asif Asiz replied: “Don’t worry you are next.”

Rowling shared screenshots of the threat and thanked everyone who had sent supportive messages. “Police are involved (were already involved on other threats),” she wrote.

(6) HE KNOWS HORROR WHEN HE SEES IT. In MSN.com’s extract of The Sunday Times interview, “Stephen King talks politics: ‘Trump was a horrible president and is a horrible person’”.

…King, who is himself active on Twitter, also spoke to the Sunday Times about the role social media has played amid the current political and cultural climate. 

“It’s a poison pill. I mean, I think it’s wonderful, for instance, that in the wake of George Floyd’s death, his murder by police, that you could muster via social media protests in cities across America and around the world,” he noted. “But on the other hand, it’s social media that has magnified the idea that the election was stolen from Donald Trump. And there’s millions of people who believe that, and there are millions of people who believe that the COVID vaccinations are terrible things. Some of the things are good, some are not so good, and some are downright evil.”…

(7) THE BOOKEND. Rich Horton’s last 50’s Hugo post is “Hugo Nomination Recommendations, 1960”. (I don’t have to explain why 1960 is the last year in this series about the 50’s, I’m sure.)

… This was the height of the Cold War, and the height of fears of Nuclear War, and that is emphasized by the popular success of out and out “End of the World due to Nuclear War” books like Level 7; Alas, Babylon; A Canticle for Leibowitz; and On The Beach, all published in this time frame. For that matter, Providence Island is about a lost race resisting the use of their island for nuclear tests, and The Manchurian Candidate is surely a Cold War novel to the max!…

(8) FAN MAIL. Connie Willis writes in praise of “Favorite Author – Mary Stewart” on Facebook.

I just finished re-reading AIRS ABOVE THE GROUND and was reminded all over again what a wonderful writer Mary Stewart was. Many science-fiction fans will be familiar with her because of her trilogy about Merlin and King Arthur–THE CRYSTAL CAVE, THE HOLLOW HILLS, and THE LAST ENCHANTMENT–but when those books came out, I was already a long time admirer who’d discovered her through, of all things, Hayley Mills.

I was a huge Hayley Mills fan in high school and college and saw all her movies. I also was an inveterate reader of movie credits (this was how I found new books to read–and still do) and thus discovered Eleanor Porter’s POLLYANNA, Jules Verne’s IN SEARCH OF THE CASTAWAYS–and Mary Stewart’s THE MOONSPINNERS. I promptly ran to the library to check out the book.

…I said her novels had been the foundation for the modern romantic mystery genre, but that’s not really true. Even though they’ve been compared to Daphne DuMaurier’s and Jane Austen’s books, nobody else before or since has been able to do the sort of thing she did. What is true is that she “built the bridge between classic literature and modern popular fiction. She did it first, and she did it best.” And if you’ve never read her, you’re in for a treat….

(9) SUMMER HELL IS HERE. This sounds fascinating. At Black Gate, Joe Bonadonna introduces an anthology: “In Hell, Everyone’s Pants are on Fire: A preview of Liars in Hell”.

Seven Degrees of Lying

The opening story in Liars in Hell is by Janet and Chris Morris, and it’s called Seven Degrees of Lying. Under Lord Byron’s protection for a night, Percy Shelley is abducted and drowned. Honor bound, Byron sets out to find and rescue him, dragging Christopher Marlowe, Shakespeare, the Inklings, Satan, Lord Walsingham, and J, the mysterious Bible writer, into the first skirmish of the Liars War. Even Byron’s dog, Boatswain, gets in on the act.

…So come visit Hell and enjoy the company of our heroes and villains. There’s plenty of action, drama and gallows humor to go around. But bring your own pitchfork. It’s better to have it and not need it, than it is to need it and not have it. You never know when it might come in handy.

(10) MEMORY LANE.  

2009 – [By Cat Eldridge.] I like pulp films and the Sherlock Holmes films that Robert Downey Jr. did, Sherlock Holmes and Sherlock Holmes: A Game of Shadows, certainly are pulp. Expensively produced ones as I will note in a bit. 

Both films were directed by Guy Ritchie and were produced by Joel Silver, Lionel Wigram, Susan Downey, and Dan Lin. Susan is the wife of Robert. They have their own production company, Team Downey. 

The story for the first one was by Lionel Wigram and Michael Robert Johnson. Eigram’s only other story was the The Man from U.N.C.L.E film, though he was the executive producer for the Potter films; Johnson genre wise only did three episodes of The Frankenstein Chronicles. 

The second film’s screenplay was written by Michele Mulroney and Kieran Mulroney, a married couple whose entire genre output otherwise is scripting together Next Generation’s “The Outrageous Okona” and Star Trek: Enterprise’s “Fortunate Son” episodes.

Robert Downey Jr. and Jude Law portray Sherlock Holmes and Dr. John Watson, respectively. I really think that they do a great job but, I suspect very deeply, like the video Poirots from yesterday, that is very much a matter of personal taste. I like their takes on the characters a lot. No, Downey is not the Holmes in the stories. 

They were expensive to produce, ninety million and the sequel added thirty-five onto its cost. The first was shot at in part at Freemasons’ Hall and St Paul’s Cathedral. The former was where the Suchet Poirot shot part of its Murder on the Orient Express. For the second film, principal photography moved for two days to Strasbourg, France. Shooting took place on, around, and inside Strasbourg Cathedral as that in stood for the German city where it was supposed to be set.

They made money, oh did they make money, roughly a half billon apiece. 

Roger Ebert I think in reviewing the first nails it perfectly and I’m going to quote only him from the multitude of critics. Here’s his entire first paragraph of his Sherlock Holmes review: “The less I thought about Sherlock Holmes, the more I liked ‘Sherlock Holmes.’ Yet another classic hero has been fed into the f/x mill, emerging as a modern superman. Guy Ritchie’s film is filled with sensational sights, over-the-top characters and a desperate struggle atop Tower Bridge, which is still under construction. It’s likely to be enjoyed by today’s action fans. But block bookings are not likely from the Baker Street Irregulars.”

Audience reviewers at Rotten Tomatoes give both films scores of seventy-seven percent which is a most excellent rating. 

They are available on HBO Max and Netflix.

There may or may not be a third film next year. The film company has announced such for Christmas but I hold little stock in that as the film hadn’t started production yet. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 14, 1910 — Herta Herzog. At the Radio Project, she was part of the team of that conducted the groundbreaking research on Orson Welles’ 1938 broadcast of The War of the Worlds in the study The Invasion from Mars. The Radio Research Project was founded in 1937 as a social research project and funded by the Rockefeller Foundation to look into the effects of mass media on society. (Died 2010.)
  • Born August 14, 1932 — Lee Hoffman. In the early Fifties, she edited and published the Quandry fanzine. At the same time, she began publication of Science-Fiction Five-Yearly which appeared regularly until ‘til 2006. It won a Hugo at Nippon 2007 which she shared with Geri Sullivan and Randy Byers. It was awarded after her death. She wrote four novels and a handful of short fiction, none of which are in the usual suspects. (Died 2007.)
  • Born August 14, 1940 — Alexei Panshin, 82. He has written multiple critical works along with several novels, including the Nebula Award-winning Rite of Passage and the Hugo Award-winning study of SF, The World Beyond the Hill which he co-wrote with his wife, Cory Panshin. He also wrote the first serious study of Heinlein, Heinlein in Dimension: A Critical Analysis.
  • Born August 14, 1950 — Gary Larson, 72. Setting aside a long and delightful career in creating the weird for us, ISFDB lists a SF link that deserve noting. In the March 1991 Warp as published by the Montreal Science Fiction and Fantasy Association, he had a cartoon “The crew of the Starship Enterprise encounters the floating head of Zsa Zsa Gabor”. 
  • Born August 14, 1951 — Carl Lumbly, 71. I first encountered him voicing the Martian Manhunter on the Justice League series and he later played M’yrnn J’onzz, the father of the Martian Manhunter on the first Supergirl series.  His first major genre role was in The Adventures of Buckaroo Banzai Across the 8th Dimension as John Parker, and he later had a number of voice roles in such films as Justice League: Doom and Justice League: Gods and Monsters. He of course was the lead in the short lived M.A.N.T.I.S. as Miles Hawkins. 
  • Born August 14, 1956 — Joan Slonczewski, 66. Their novel A Door into Ocean won the John W. Campbell Memorial Award. They won a second John W. Campbell Memorial Award for their Highest Frontier novel. They were nominated for an Otherwise Award for The Children Star novel.
  • Born August 14, 1965 — Brannon Braga, 57. Writer, producer and creator for the Next Gen, Voyager, Enterprise, as well as on the Star Trek Generations and Star Trek: First Contact films. He has written more episodes in the Trek franchise than anyone else with one hundred nine to date. He was responsible for the Next Gen series finale “All Good Things…” which won him a Best Dramatic Presentation Hugo (1995), along with Ronald D. Moore.
  • Born August 14, 1966 — Halle Berry, 56. Her first role genre was not as I thought Miss Stone in The Flintstones but a minor role in a forgotten SF series called They Came from Outer Space. This was followed by being Storm in the X- Men franchise and Giacinta “Jinx” Johnson in Die Another Day, the twentieth Bond film. She then shows up as Catwoman. She has myriad roles in Cloud Atlas. And she is Molly Woods in Exant, a Paramount + series that originally ran on CBS. Both seasons are streaming there now.

(12) COMICS SECTION.

  • Popeye versus Cthulhu?
  • Thatababy shows what Alexa is up to after the owner leaves.
  • Tom Gauld covers all the options.

(13) THE REASON PEOPLE ARE TALKING ABOUT THIS BOOK. Politico’s Jenni Laidman interviews Kim Stanley Robinson: “Climate Catastrophe Is Coming. But It’s Not the End of the Story”.

…“This book has transformed my life,” Robinson said. “I’m doing nothing but talking about Ministry for the Future for the last year and a half, almost two years now. It’s also terrifying. It shows to me that people are feeling a desperate need for a story like this. They’re grabbing onto this book like a piece of driftwood, and they’re drowning at the open ocean.”…

Laidman: In your opening chapter, 20 million people die in an Indian heat wave and power failure, with several thousand of them poached to death in a lake as they try to escape the heat. Will it take this kind of climate horror to jolt the world into action?

Robinson: No. When I was at COP 26, Jordanian diplomat Zeid Ra’ad Hussein, who had read Ministry, was talking about the power of stories. He said, “You don’t need to be in a plane crash to know that it would be bad to be in a plane crash.” Every year since I wrote the book — I wrote it maybe three years ago — it’s as if attention to the climate change crisis has more than doubled. It’s almost exponential.

We’re not at the point of solutions, but at every COP meeting the sense that, “Oh my gosh, we are headed into a plane crash” is intensified. We’re not doing enough. We’re not paying the poor countries enough. Rich countries are breaking promises made at earlier COPs. Disillusionment with that process is getting so intense that I fear for the COP process itself. I’ve been comparing it to the League of Nations. The League of Nations was a great idea that failed. And then we got the 1930s and World War II. The 2015 Paris Agreement was an awesome thing, like something that I would write that people would call utopian. But it happened in the real world.

Now, with Russia and the brutal Ukraine war, things are so messed up that the COP process and the Paris Agreement could turn into the League of Nations. I’m frightened for that. It’s not a done deal.

(14) WHAT DO YOU THINK? Book Riot’s Caitlin Hobbs calls these the “20 of the Best Science Fiction Books of All Time”.

Before we get started, let me define “best” for you real fast. In this context, best does not secretly mean my favorite science fiction that I’m calling best because I’m the one writing the article. The best science fiction books of all time — at least the ones on this list — are the ones that remain highly rated, are incredibly popular, or have made some sort of mark on the science fiction genre or its various sub-genres, even mainstream culture as a whole. There are also only 20 books on this list, meaning it is not conclusive, as I am one person. I will inevitably miss a book that you think belongs on this list. So many science fiction falls into the definition of “best” that I’m using.

Because that’s what science fiction is meant to do: push the envelope, show what things could be if we continue down the path we’re on, and make you question what’s possible…. 

(15) KHAW SHORT FICTION. Sunday Morning Transport has a story and an offer.

(16) BREAKFAST IN A GALAXY A LONG TIME AGO. [Item by Martin Morse Wooster.] Who thought this was a good idea?  The Mandalorian NEVER waffles! “The Mandalorian Galactic Homestyle Frozen Waffles”. (However, Martin confesses he bought these today.)

Start your adventure with a delicious breakfast including Eggo® The Mandalorian Galactic Homestyle Waffles. It’s our classic Eggo® taste featuring the Mandalorian & Grogu™ from the hit Star Wars™ series. Collect all Mandalorian cards, only available across three different hero pack designs while supplies last. It’s the quick and delicious breakfast that families across the whole galaxy love.

(17) DON’T TOUCH THAT DIAL. [Item by Mike Kennedy.] Inverse writer Jon O’Brien takes a, let’s say nostalgic, look at Stay Tuned—a 30 year old movie the columnist believes deserved a better reception than it got. Starring John Ritter (Three’s Company) and Pam Dawber (Mork and Mindy), the movie’s plot includes strong flavors of the metafictional tropes so utterly infused in the recent & much better received WandaVision. “30 years ago, a sci-fi flop beat Marvel to its smartest story idea”.

…In 1992, Stay Tuned was accused of failing to say anything substantial in its send-up of America’s TV addiction. But decades on, the film serves as a forewarning of the dark route TV went down. The prank show genre, for example, has gone to such extremes as staging fake ISIS abductions and simulating plane crashes. The macabre spoof “Autopsies of the Rich and Famous” pretty much become a depressing reality.

Alongside ads for warped products such as The Silencer of the Lambs (muzzles for annoying youngsters) and Yogi Beer (alcohol for kids), and an end-credits sequence that zips through teasers for “Beverly Hills, 90666,” “The Golden Ghouls,” and “I Love Lucifer,” these brief side gags only appear via the Knables’ new-fangled TV set. But most of Stay Tuned’s lampoons play out in full screen, with Roy and Helen front and center after the new satellite dish zaps the bickering pair into Hellavision….

(18) A LUCRATIVE REJECTION. Neil Gaiman reveals he first pitched Sandman to George R.R. Martin for a Wild Cards series and Martin turned him down in this video with Gaiman and Martin that dropped last week: “Why Neil Gaiman Has George R.R. Martin to Thank for The Sandman”.

(19) BILL NYE IS BOOKING. SYFY Wire shares an “Exclusive clip for ‘The End is Nye’ on Peacock”.

SYFY WIRE has an exclusive first look at the all-new clip for the six-episode event series set to debut at Peacock on Aug. 25, and it’s safe to say that Bill’s not backing down from some of the biggest CGI-realized effects ever to bring a science documentary to life. How big are we talking? Like, positively supervolcanic — as in Yellowstone Caldera exploding, mushroom cloud-forming, town-engulfing big.

Bill and his trademark neckwear are in serious jeopardy in the new clip, which finds him flooring it out of a Rocky Mountain hamlet in a frighteningly futile attempt to outrace a superheated, 500 mph pyroclastic flow. Can Bill and his little electric car make it? Well…stick around to the end: It’s definitely Bill Nye like you’ve never seen him.

The blurb for the YouTube trailer says this is what the series is about:

Synopsis: The End is Nye sends Bill Nye into the most epic global disasters imaginable – both natural and unnatural – and then demystifies them using science to show how we can survive, mitigate, and even prevent them. Each stand-alone episode takes a hell-bent dive into the mystery and terror of one specific threat. Every catastrophe is abundant with thrills, but also offers hope and a way forward —a scientific blueprint for surviving anything that comes our way. The series is hosted and executive produced by Emmy Award winner and renowned science educator, engineer, author, and inventor Bill Nye. Each episode also features a brief cameo by longtime science advocate and series EP Seth MacFarlane.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Rich Horton, Daniel Dern, Clifford Samuels, John Winkelman, Dennis Howard, JJ, John King Tarpinian, Andrew Porter, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day JeffWarner returns, because he isn’t donne yet.]

Pixel Scroll 7/28/22 I Love Pixels. I Like The Whooshing Sound They Make As They Scroll By

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(1) GRRM HAS COVID. Yahoo! reports “George R.R. Martin Caught COVID at Comic-Con, Is Quarantined With Sniffles ‘In a Four-Star Hotel’”. Martin speaks about it in a nine-minute video below. The precautions he was taking, discussed before SDCC at Not a Blog, such as sharply limiting his in-person appearances there, were not enough, it seems.

George R.R. Martin caught COVID during his trip last week to Comic-Con, the “Game of Thrones” author said Wednesday night in a YouTube video, and is quarantining in a Los Angeles hotel with mild sniffles.

“I’ve had worse colds, so I hope it will stay that way,” Martin said, with a barely detectable rasp in his voice. “After this quarantine period I will be able to get on with various things.”

Martin noted that he’d be missing a “House of Dragons” premiere event that night in North Hollywood, where HBO content chief Casey Bloys later told the crowd that Martin was absent because of a positive COVID test that morning.

“I wouldn’t worry too much about me, I seem to be fine,” said Martin, who seemed genuinely disappointed to be missing the various Los Angeles events he was in town for. “I will say, if you’re going to have to go and quarantine, a four-star hotel is a pretty good place to do it.”

(2) DREAMHAVEN. Artist Mark Bode posted a photo of the finished DreamHaven Bookstore wall mural on Facebook.

David Dyer-Bennet also has a gallery of photos he took of the wall on his Facebook page.

(3) RPG’S RACIST DESCRIPTIONS EXPOSED.  [Item by Cora Buhlert.] TheGamer reports the upcoming tabletop RPG Star Frontiers: New Genesis by TSR Hobbies (which is not the real TSR) contains some grossly – and I do mean grossly – racist content: “TSR’s Leaked Star Frontiers: New Genesis Playtest Contains Racist Descriptions”.

…The Star Frontiers: New Genesis playtest has been leaked by NoHateInGaming. They shared pictures from the game’s rules that detail a “Negro sub-race”, describing them as a “Tall thick bodied dark skinned brown-eyed race with large strength average intelligence ALL Attributes are in the 10+ range except intelligence which is maximum a +9”. That poor writing is all Star Frontiers: New Genesis, by the way.

This is a deeply racist characterisation of Black people, rooted in colonial eugenics. There are further causes for concern in the leaked images. The Nordic race – not marked as a “sub-race” – has “exceptional attributes and powers ALL attributes are in the 13+ range.”…

(4) SPSFC 2022 CALL FOR ENTRIES. The second annual Self-Published Science Fiction Competition is canvassing the world for entries. The posted deadline to submit books is July 31. Here are some of the requirements.

i) No book that was entered in a previous SPSFC can be reentered .
ii) The book must be #1 in a series or a stand-alone.
iii) The book must actually be self-published(*) by the start date, not something you’re considering self-publishing in future.
iv) It must be a sci-fi book. Underscored must. No pretending.

(5) THE NEW KRAZY KAT BOOK. [Item by Daniel Dern.] From Taschen, the publisher doing the Complete Little Nemo that I recently wrote about (“Finding A More Complete (Little) Nemo — Upcoming Bargain Book Alert, Plus A Few Snakes-Hands And Rabbit-Holes”), comes George Herriman: The Complete Krazy Kat in Color 1935-1944 (listing seen in the latest email from Bud’s Art Books, where it’s available for $185.)

A 632-page hardcover, “just a little smaller than the original published Sunday page size.” (11.8 x 17.3 in., 14.20 lb.) Includes “a 100-page illustrated introduction by Alexander Braun in a special carrying-case/box.” (See a 16-page slideshow of the art at the Taschen Books site.)

At this price — reasonable enough given the book size and contents — I’m going to pass at least for now (and I’m prepared to have missed my chance) (I’ve got enough Krazy Kat on hand, albeit in the less-than-humongous size), but other Filers may feel differently. (Is your credit card twitching at you, Chris B?)

Related trivia: Herriman is also known for — that’s how I learned about him, in fact — his illustrations for Don Marquis’ “archie and mehitabel” books (which in turn I learned about by listening to the late, great Jean Shepherd read from them in his 45-minute late-night shows, along with listening to his readings of Robert Service, and, of course, Shep’s own inimitable stories and meanderings.

(6) ARE THEY WATCHING THEIR SCALES? Tor / Forge Blog took their question straight to the internet authority: “What Burrito Would You Feed a Dragon? John Scalzi Answers!”

As an internationally renowned expert on burritos, I have been asked by the folks at Tor to essay perhaps the most important question of this or any other time in our shared cultural history:

What Burrito Would You Feed a Dragon?

And the answer is: Well, obviously, it would depend. Dragons come in all shapes and sizes and personal proclivities. It’s time to acknowledge that, just like people, they will have their own idiosyncratic tastes and preferences. Let me take five examples of dragons from history and literature and song, and suggest some possible burrito pairings….

(7) MASTERS IN BUSINESS ANNIHLATION. Cora Buhlert posted another “Non-Fiction Spotlight” today for Management Lessons from Game of Thrones: Organization Theory and Strategy in Westeros by Fiona Moore.

I’m continuing my Non-Fiction Spotlight project, where I interview the authors/editors of SFF-related non-fiction books that come out in 2022 and are eligible for the 2023 Hugo Awards. For more about the Non-Fiction Spotlight project, go here. To check out the spotlights I already posted, go here.

Tell us about your book.

Management Lessons from Game of Thrones takes a look at management theory through a Westerosi lens. I use characters, organisations, and events from the television series (primarily, though there’s some references to A Song of Ice and Fire in there as well) to explain the background and concepts of organisation theory, human resource management, strategy, and mergers and acquisitions (or, in the Westerosi context, weddings and warfare). I also look at how and why Game of Thrones is such a useful tool for management education, and suggest ways in which the reader can develop their own understanding of organisations through the use of SFF stories.

(8) BERNARD CRIBBINS (1928-2022). Bernard Cribbins, known best to fans for his work in Doctor Who playing Wilf, grandfather to Catherine Tate’s Donna Noble, died July 27. He was 93. That was just one of many iconic roles across a career that spanned seven decades. He appeared in The Railway Children, three films in the Carry On series, and the James Bond spoof Casino Royale. He performed a hit ’60s song “Right Said Fred”, and narrated The Wombles. His first brush with Doctor Who was in 1964, playing police constable Tom Campbell in the film Daleks’ Invasion Earth 2150 AD. He was appointed an Office in the Order of the British Empire for his services to drama in 2011. He wrote an autobiography, Bernard Who? 75 Years Of Doing Just About Anything, which was published in 2018.

His resume also includes this episode of Fawlty Towers with John Cleese.

(9) MEMORY LANE.  

1969 – [By Cat Eldridge.] I’m very selective about what I think is great fiction by Niven and the Gil ”The Arm” Hamilton stories are I think among his best work. Mind you I was surprised how few actual stories there were in this series there was when I started writing up this essay!

As you most likely know, and I’m not doing a spoiler warning this time as I’m assuming most

 of you have read these, Gil ”The Arm” Hamilton developed telekinesis after losing his arm in an outer space accident after asteroid takes his arm off. While waiting for a transplant, he is in bar:

“Like an idiot I’d tried to catch it with my right hand.

And I’d caught it.

I’d never suspected myself of having psychic powers. You have to be in the right frame of mind to use a psi power. But who had ever had a better opportunity than I did that night, with a whole section of brain tuned to the nerves and muscles of my right arm, and no right arm?”

Gil is a Gold Skin, a UN cop. He gets the weird cases. The really weird ones. In the six stories here, we get locked room mysteries where a man dies by wired ecstasy, why the frozen almost dead are being killed off and turned into organs for the living, why organleggers are killing off their product, the mystery of who tried to kill the patchwork girl and in the longest story, we deal with the mystery of yet another locked room murder that takes place outside on a lunar crater. 

Gil is an interesting character who makes perfect sense as the police officer. I so wish that Niven had written a novel with him as the central character. That would also expand the universe that Niven created here which feels just a bit sketchy. 

The first story, “Death by Ecstasy” was published in 1969 in Galaxy with the last, “The Woman in Del Rey Crater” in Flatlander in 1995. Five of the stories can be found in Flatlander. The Long ARM of Gil Hamilton in 1991 included only “Arm”, “Death by Ecstasy,” and ”The Defenfeless Dead”.  

In order, the stories are “Death by Ecstasy”, “The Defenseless Dead”, “ARM,” “The Patchwork Girl”, “Flatlander” and “The Woman in Del Rey Crater”. 

The “ARM” story was nominated for the Best Novella Hugo at MidAmeriCon (1976). 

It’s available from the usual suspects for very reasonable prices, and in trad paper edition in English and German editions. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 28, 1866 — Beatrix Potter. Probably best known for Tales of Peter Rabbit but I’d submit her gardening skills were second to none as well as can be seen in the Green Man review of Marta McDowell’s Beatrix Potter’s Gardening Life. Those skills are reflected in her fiction. (Died 1943.)
  • Born July 28, 1928 — Angélica Gorodischer. Argentinian writer whose Kalpa Imperial: The Greatest Empire That Never Was got translated by Ursula Le Guin into English. Likewise Prodigies has been translated by Sue Burke for Small Beer Press. She won a World Fantasy Award for Lifetime Achievement. You can read Lightspeed Magazine’s interview with her here. (Died 2022.)
  • Born July 28, 1931 — Jay Kay Klein. I’ll direct you to Mike’s excellent look at him here as I can’t add anything to what he says. I will note that Klein was a published author having just three stories, “Century of Progress”, “ Mass Communication “ and “On Conquered Earth”, the first two in Analog, the latter in If. I don’t think any have been republished. (Died 2012.)
  • Born July 28, 1941 — Bill Crider. Primarily a writer of mystery fiction, his extensive bibliography includes three stories in the Sherlock Holmes metaverse: “The Adventure of the Venomous Lizard”, “The Adventure of the St. Marylebone Ghoul” and “The Case of the Vanished Vampire”. He also wrote a Sookie Stackhouse short story, “Don’t Be Cruel” in the Charlaine Harris Metaverse. His “Doesn’t Matter Any Matter More” short story won a Sidewise Awards for Alternate History and his “Mike Gonzo and the UFO Terror” won a Golden Duck Award. (Died 2018.)
  • Born July 28, 1955 — Dey Young, 67. One of those performers who appeared in multiple Trek series. She was in Next Gen’s “The Masterpiece Society” as Hannah Bates, in Deep Space Nine’s “A Simple Investigation” as Arissa and in Enterprise’s “Two Days and Two Nights” as Keyla. She’s got minor roles in Running Man, Strange Invaders and Spaceballs as well.
  • Born July 28, 1966 — Larry Dixon, 56. Husband of Mercedes Lackey who collaborates with her on such series as  SERRAted Edge and The Mage Wars Trilogy. He contributed artwork to Wizards of the Coast’s Dungeons & Dragons source books, including Oriental Adventures, Epic Level Handbook, and Fiend Folio. 
  • Born July 28, 1968 — Rachel Blakely, 54. You’ll most likely know her as Marguerite Krux on Sir Arthur Conan Doyle’s The Lost World as that was her longest running genre role. She was briefly Alcmene on Young Hercules, and played Gael’s Mum on The Chronicles of Narnia: The Voyage of the Dawn Treader. And showed as Penelope in the “Ulysses” episode of Xena: Warrior Princess. 

(11) COMICS SECTION.

  • Shoe has a plan for surviving the zombie apocalypse.

(12) AND THE LAW WON. AudioFile Magazine’s “Behind the Mike” features “Author Jim Butcher on narrating The Law”, the new Harry Dresden book.

Author Jim Butcher made the right choice in performing his latest work himself. It’s a masterpiece. He said that his usual narrator, James Marsters, has nothing to fear, but Butcher’s first attempt at narration is an unqualified success. He has a great speaking voice and truly relates to his characters. The emotion he puts into the work comes across in the wide variety of characters, who include an elderly magician/lawyer, a stupidly stubborn antagonist, and various creatures that inhabit the world of wizard/private investigator Harry Dresden. The brief work is a delight from start to finish, and Butcher’s youthful satisfaction comes across on every page. This may be Butcher’s first attempt at performing his own work, but let’s hope it won’t be his last.

(13) LEAVE THE WALLET, TAKE THE CANNOLI. “William Shatner leaves wallet at Fruit Barn in Gilroy” and thereby makes the news in SFGate.

Last Wednesday, in Gilroy, 91-year-old legendary “Star Trek” actor William Shatner lost his wallet while shopping at the Fruit Barn, a decades-old side-of-the-road market located at 2918 Pacheco Pass Highway, according to ABC7. 

Shatner reportedly bought four baskets of cherries and $2 of corn.

“I thought about putting a sign up, ‘William Shatner was here,'” Gary Tognetti, owner of B&T Farms, told ABC7 in jest.

Tognetti then enlisted the help of his friend Officer Mark Tarasco, of the Gilroy Police Department, to contact Shatner to return his wallet…. 

There’s a shot of the wallet in this ABC7 Los Angeles news video. John King Tarpinian says the leather looks like ostrich to him.

(14) LOVECRAFT’S LEGACY. [Item by Cora Buhlert.] The latest episode of the Unknown Worlds of the Merril Collection podcast focuses on H.P. Lovecraft and his legacy and features an interview with Lovecraft specialist Scott Dorward: “Beyond Lovecraft”.

(15) FRESH EYES, OLD FICTION. At the So I’m Writing a Novel podcast, Oliver Brackenbury runs a variation on James Davis Nicoll’s Young People Read Old SFF project and hands several sword and sorcery stories ranging from classic to modern to a youngish (i.e. under 30) fantasy reader. One of the stories happens to be one of Cora Buhlert’s: “Fresh Blood and New Thunder! Bringing New Readers to Sword & Sorcery, with Sof Magliano”.

Among other things, we discuss the work of Robin Hobb, the dilution of the term “sword & sorcery” and other branding issues, living in a character’s head, struggling to connect with Tower of the Elephant, reading trope-setting classics as a contemporary reader, connecting more with emotion-driven sword & sorcery, backfiring magic, quick-moving plots and pacing, how Sof felt S&S has a unified feel and how it differs from the broad trends of contemporary fantasy…

(16) MY BEAUTIFUL BALLOON. Space Perspective is offering balloon flights to “the edge of space”.

Spaceship Neptune is the first carbon-neutral way to space. Lifted by our SpaceBalloon™—a technology used for decades by the likes of NASA—we take Explorers on a leisurely flight, spending hours at the edge of space.

The balloon flight is to an altitude of 100,000 ft., or 30 kilometres. The accepted international definition of the edge of space is the von Kármán line at 100 kilometres. But not to quibble; 30 km is way up, and the relaxed 6 hour flight will give plenty of time to enjoy the view.

(17) IT’S AN HONOR JUST TO BE FOSSILIZED. “Ukrainian leader’s name is bestowed on a newfound ancient marine invertebrate” – Nature has the details.  

Scientists who discovered an ancient ocean-dwelling invertebrate with ten arms have named it in tribute to a man with only two: Ukrainian President Volodymyr Zelenskyy.

Distant cousins of starfish, marine animals called feather stars have a central disc with featherlike arms that can regrow when they get torn off by predators. Mariusz Salamon at the University of Silesia in Katowice, Poland, and his colleagues discovered an exquisitely preserved fossilized feather star in what is now Ethiopia.

Near the base of its central disc, which measures about 8 millimetres in diameter, it has a series of claw-like appendages for attaching itself to surfaces. Some of its arms show evidence of regeneration — probably a response to damage by predators, the researchers say.

The newfound species, Ausichicrinites zelenskyyi, lived roughly 150 million years ago and is named after two people: palaeontologist William Ausich, for his work on fossil feather stars and related animals, and Zelenskyy for “his courage and bravery in defending free Ukraine”, the authors write.

(18) CALL TO ACTION. SYFY Wire introduces “Samaritan trailer: Sylvester Stallone is a washed-up hero”.

…Now believed dead by most of the general public, this hollow shell of a man gets a chance to relive the glory days when his young neighbor, Sam Cleary (Javon “Wanna” Walton), works out his true identity and attempts to coax the bitter man out of retirement. The hero once known as Samaritan doesn’t have much a choice in the matter when unsavory parties (like Pilou Asbæk’s central villain) start to wreak havoc throughout the city he once swore to protect….

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Daniel Dern, John A Arkansawyer, SF Concatenation’s Jonathan Cowie, Tom Becker, Cora Buhlert, John King Tarpinian, Andrew Porter, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Christian Brunschen.]

Pixel Scroll 6/24/22 Uptown Scroll

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(1) DOES THE GENRE HAVE A CORE? Charles Payseur, whose reviews of short sff fiction now appear in a column for Locus, questions what is the “core” of the genre in the context of noting that he doesn’t cover Clarkesworld, Asimov’s or Analog. “Quick Sips 06/24/2022”.

…I do always encourage people to just find venues that you like and then otherwise read what you feel like. The field of short SFF is too big to take on comprehensively, and even trying can quickly lead to burnout and frustration (just ask…most short SFF reviewers who try). As a reviewer and now as an editor, though, does there arise some sort of obligation to try? It’s a decent question, and one that I’m not sure anyone can answer because…what would trying look like, if not doing exactly what I’m doing now? Could I fit Clarkesworld into my reading? I’m actually unsure. Probably if I could I would have. It’s not like I have suddenly opened up a bunch of free time in my life. And yet I feel that some would think this omission a failing, as some have found my lack of coverage of Asimov’s and Analog a failing. And…I don’t have much to offer to that. All of those are very large publications and take a big commitment to get through every month. Were they smaller I’d probably be more tempted. As is…

There are some arguments one could make about how to determine where the “core” should be. By what pays best, maybe? Or by what has a long tradition of award nominations. By the prestige of the editor. However the lines of the “core” are drawn, though, many will feel excluded for being on the outside of it. It’s a problem that really can only be overcome by engagement. If more people were engaged in drawing their personal cores, then what gets engaged with critically might greatly expand. If reviewers all are moved not by proximity to some sort of “required reading” but rather are pulled in the direction of their personal taste, then as long as the field of reviewers were diverse and acting in good faith, then the largest possible coverage would be achieved….

(2) ON THE LEFT COAST. SFF author Brenda Clough, whose family moved from Virginia two years ago, tells a Washington Post interviewer “What I love about my home in Portland, Ore.”

Brenda W. Clough and her husband moved from Reston, Va., to Portland, Ore., early in 2020. Brenda, a novelist, shared their experience and what they love about their new home in an email. The following was edited for length and clarity.

“My husband and I sold our big house in Reston, Va., when we retired in early 2020. What good timing we had, because both of our offices closed down later that year. We moved to his hometown, Portland, Ore., where we bought a condo downtown.

… I also wanted modern architecture. The D.C. suburbs are almost purely Colonial in style, a Mid-Atlantic thing. Now I have become a fan of poured concrete and Brutalism. My current home has plate-glass windows that go from floor to ceiling. There are no steps at all. I can’t hear my neighbors, and I don’t have screens on the windows. There aren’t many bugs downtown.

Because I am a novelist, I also needed a place that could accommodate our 10 tall bookcases full of books. I dragged the ones in the picture all the way from the East Coast to the West, the tools of my trade: a science fiction and fantasy collection that spans 70 years and historical volumes focusing on Antarctica or Victorian England. And these are only the survivors of a major cull. I weeded out half of the books and gave them to Reston’s Used Book Shop in Lake Anne, which has been enabling my book shopping for decades. It costs roughly a dollar a pound to move stuff coast to coast, a price that powerfully focuses the mind. Moving like this is the opportunity to prune all the possessions back. It has been liberating to get rid of stuff from the basement, garage and attic….

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to grab dinner with Gwendolyn Clare during Episode 174 of the Eating the Fantastic podcast.

Gwendolyn Clare

Gwendolyn Clare’s debut novel, Ink, Iron, and Glass, and its sequel, Mist, Metal, and Ash, compose a duology published in 2018 and 2019 about a young mad scientist with the ability to write new worlds into existence. Coming up in November is In the City of Time, the first book in a duology about three science prodigies on a time-traveling adventure to save the Earth. Her short stories have appeared in Clarkesworld, Asimov’s, Analog, and Beneath Ceaseless Skies, among others, and her poetry has been nominated for the Rhysling Award.

Her short story “Tasting Notes on the Varietals of the Southern Coast” was reprinted in The Best American Science Fiction and Fantasy 2018. She holds a BA in Ecology, a BS in Geophysics, and a PhD in Mycology — the last of those making me wish I got around to asking her to assuage my fears about a relative of mine who picks and eats wild mushrooms … but hey, that will have to be dealt with at a future meal during a different con.

We discussed the important lesson COVID taught her about her career, whether her most famous short story reads differently during these pandemic times, the identity of the science fiction writer I was startled to learn had been her high school geometry teacher, what the novels of Elizabeth Bear taught her about writing, the short story concept she decided to instead turn into what became her first published novel, how she gets into the mindset to write in the Young Adult genre, the amazing cleanliness of her first drafts, the pantsing fingerprints she sees on Stephen King, the many iterations recent writers have made to John W. Campbell’s “Who Goes There?,” and much more.

(4) WJW AND THE THREE R’S. The Speculative Literature Foundation’s Portolan Project conducted “An Interview with Walter Jon Williams” about the three R’s of writing craft: Raising the stakes, Reveals, and Reversals.

“Reveals keep the narrative from plodding directly from one point to another, and often sends it off in another direction entirely. This comes from theater in which there’s a curtain, you don’t know what’s behind the curtain. Action goes on, the curtain is pulled back and suddenly you’re in another place that is very different from where you were before.”

Watch or read our interview with Walter Jon Williams on the three R’s of writing craft and how they could make our stories more engaging. 

Incidentally, the Portolan Writing Project: Phase 1 recently completed a successful Kickstarter that raised over $5,000. The initiative seeks “to provide a wealth of exceptional creative writing courses and resources, free to the public.”

(5) BETWEEN WORLDS. Barbara Graham searches for the dividing line in “Paranormal Or Normal?” at Mystery Fanfare.

My debut mystery, What Jonah Knew, has been described many different ways: Magical. Mystical. Paranormal. Supernatural. And though in one way the labels fit, in another way they raise questions about where the otherworldly stops and reality begins.           

Some background. I was working as a journalist when I was assigned to write a magazine article on past-life regression therapy. As part of my research, I scheduled an appointment with a well-known Jungian analyst who specialized in this work and had published books on the subject. To be honest, I didn’t expect anything to happen. I knew these sessions involved hypnotic suggestion and I—an admitted control freak—believed myself to be immune to trance-induced states. What’s more, the whole business struck me as unreliable at best, fraudulent at worst. Nearly everyone I’d read about who claimed to recall a past life under hypnosis seemed to remember being someone famous—Napoleon, Nefertiti, Abraham Lincoln—never your average serf or working stiff….  

(6) VOGEL VOTING DEADLINE APPROACHES. Members of the Science Fiction and Fantasy Association of New Zealand (SFFANZ) have until June 30 to get in their 2022 Sir Julius Vogel Awards votes.

The main SFFANZ site (separate to this news service) was down for a bit – that has been fixed.

You need to be a member to vote (it only costs $10) – see “How to Join SFFANZ”. Here’s the info about how to vote and where to download the voting form. If you need more info about the nominees, there is a voting pack available.

(7) PRIDE Q&A’S. The Horror Writers Association blog continues their “Point of Pride” theme in these interviews with Cody Sisco and Steve Berman.

Do you make a conscious effort to include LGBTQ material in your writing and if so, what do you want to portray?

Being part of a marginalized group creates a hyperawareness of how members are represented in the media, including in fiction. To paraphrase an apocryphal quote: First they ignore you, then they scorn you, then they laugh at you, etc. When LGBTQ writers tell stories, there can be pressure to create “good representation” and to avoid portrayals that are complicated or nuanced especially if they touch on stereotypes. Writing horror is doubly tricky because we have to navigate creating characters and plots based on real fears and injustices, which can blur into inflicting pain on readers and calling up their trauma.

In my writing, I aim to include shades of dark and light, to explore the complications, inconsistencies, and dilemmas that shape every character, and to reach a queer audience with stories that expand the boundaries of queer pop culture.

How do you feel the LGBTQ community has been represented thus far in the genre and what hopes do you have for representation in the genre going forward?

I must admit I am fascinated with essays utilizing queer theory to explore works of horror that most readers would consider “very straight” classic works of horror. A number of academics have applied this to Robert Louis Stevenson’s Jekyll and Hyde as well as Stoker’s Dracula. I feel that such examinations are perfectly valid as I bring my own perspective (a very gay one) to everything I read or watch or hear.

While the number of queer-themed contemporary horror fiction has grown over the years so it is very possible to fill several bookshelves with just new releases, I do wish more LGBTQ readers would familiarize themselves with older works—I’m frustrated with tweets and posts that present and celebrate queer horror as a twenty-first-century phenomenon, ignoring the great efforts of of many authors. Before there was Clive Barker and Poppy Z. Brite, horror fans could delve into the Gothic storytelling of Francis Lathom or Forrest Reid, the Southern macabre of Michael McDowell, or the vampires of Jewelle Gomez and Jeffrey McMahan. To deny their existence is wrong.

(8) BANNED SOMEWHERE BESIDES IN BOSTON. Slashfilm can tell you “Why These Sci-Fi Movies Are Banned Around The World”.

Since the dissolution of the Motion Picture Production Code, also known as the Hays Code, in the late 1960s, film censorship has been relatively uncommon in the United States. However, several other countries still actively ban films. Though science fiction is less of a target than other genres, there are still many notable examples of sci-fi films that ran afoul of censors, and behind each case lies a deeper story. Ironically, these bans end up revealing more about the perpetrators and their politics than any sci-fi film ever could.

First on the list:

The Matrix: Reloaded

“The Matrix” sparked backlash when it was first released in Egypt. As the Israeli newspaper Haaretz reports, several Islamic publications interpreted the film as supporting Zionism. Naturally, Egypt promptly banned its follow-up, “The Matrix: Reloaded,” as well, but the reasoning behind that decision is somewhat murkier.

According to Variety, the country’s Department of Monitoring Artistic Products partially attributed the ban to “scenes of excessive violence,” which is a common red flag in Middle Eastern countries. However, the larger reason requires more digging. The committee also noted that the film “deals explicitly with issues of creation and existence,” including “the Creator and the created, the origins of creation, [and] free will and predestination.”

(9) MEDIA BIRTHDAY. 

1950 – [By Cat Eldridge.] Seventy-two years ago on this day, the radio version of Robert Heinlein’s Destination Moon aired on the Dimension X radio show.  It was episode twelve of the series.

Despite common belief that it based off the film version of Heinlein’s novel, it was not. It was instead based on Heinlein’s final draft of the film’s shooting script. During the broadcast on June 24, 1950, the program was interrupted by a news bulletin announcing that North Korea had declared war on South Korea, marking the beginning of the Korean War.

A shortened version of this Destination Moon radio program was adapted by Charles Palmer and was released by Capitol Records for children. 

You can hear it here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 24, 1842 — Ambrose Bierce. The Devil’s Dictionary is certainly worth reading but it’s not genre. For his best genre work, I’d say it’s “An Occurrence at Owl Creek Bridge” which along with his “The Tail of the Sphinx” gives you range of his talents. Both iBooks and Kindle offer up everything (as near as I can tell) he’s written, much of it free. (Died circa 1914.)
  • Born June 24, 1925 — Fred Hoyle. Astronomer of course, but also author of a number of SF works including October the First Is Too Late which I think is among the best genre novels done. I’m also fond of Ossian’s Ride which keeps its SF elements hidden until late in the story. Though he won no genre Awards, he won a lot of other Awards, to wit the Mayhew Prize, Smith’s Prize, FRS, Kalinga Prize, RAS Gold Medal, Bruce Medal, Royal Medal, Klumpke-Roberts Award and Crafoord Prize. (Died 2001.)
  • Born June 24, 1937 — Charles N. Brown. Founder and editor of Locus. I’m going to stop here and turn this over to those of you who knew him far better than I did as my only connection to him is as a reader of Locus for some decades now. Locus won far too many Hugos to list under his time there. He also was nominated at Conspiracy ‘87 for a Hugo for his Science Fiction in Print: 1985 that was co-written by William G. Contento. (Died 2009.)
  • Born June 24, 1947 — Peter Weller, 75. Robocop, obviously, which was nominated for a Hugo at Nolacon II, with my favorite scene being him pulling out and smashing Cain’s brain in the second film, but let’s see what else he’s done. Well, there’s The Adventures of Buckaroo Banzai Across the 8th Dimension, a film I adore. And then there’s Leviathan which I’m guessing a lot of you never heard of. Or I hope you haven’t. Well, Screamers based on Philip K. Dick’s short story “Second Variety”.  And Star Trek Into Darkness certainly qualifies. Hey he even showed up in Star Trek: Enterprise! 
  • Born June 24, 1950 — Nancy Allen, 72. Officer Anne Lewis in the Robocop franchise. (I like all three films for various reasons.) Her first genre role was not in Carrie as Chris Hargensen, but in a best forgotten a film year earlier (Forced Entry) as an unnamed hitchhiker. She shows up in fan favorite The Philadelphia Experiment as Allison Hayes and I see her in Poltergeist III as Patricia Wilson-Gardner (seriously — a third film in this franchise? Oh why?). She’s in the direct to video Children of the Corn 666: Isaac’s Return as Rachel Colby. And she was in an Outer Limits episode, “Valerie 23”, as Rachel Rose. 
  • Born June 24, 1950 — Mercedes Lackey, 72. There’s a line on a wiki page that says she writes nearly six books a year. Very, very impressive. She’s certainly got a lot of really good series out there including the vast number that are set in the Valdemar universe. I like her Bedlam’s Bard series better. She wrote the first few in this series with Ellen Guon and the latter in the series with Rosemary Edghill. The SERRAted Edge series, Elves with race cars, is quite fun too. Larry Dixon, her husband, and Mark Shepherd were co-writers of these. 
  • Born June 24, 1982 — Lotte Verbeek, 40. You most likely know her as Ana Jarvis, the wife of Edwin Jarvis, who befriends Carter on Agent Carter. She’s got an interesting genre history including Geillis Duncan on the Outlander series, Helena in The Last Witch Hunter, Aisha in the dystopian political thriller Division 19 film and a deliberately undefined role in the cross-world Counterpart series. 
  • Born June 24, 1988 — Kasey Lansdale, 34. Daughter of Joe Lansdale. Publicist at Tachyon Books and a really nice person. Really she is. And yes, she’s one of us having written The Cases of Dana Roberts series, and edited two anthologies, Fresh Blood & Old Bones and Impossible Monsters. In her father’s Hap and Leonard collection Of Mice and Minestrone, she has “Good Eats: The Recipes of Hap and Leonard”. 
  • Born June 24, 1994 — Nicole Muñoz, 28. You’ll perhaps best remember her for role as Christie Tarr (née McCawley) in the Defiance series. Her first role was playing a Little Girl in Fantastic Four. Likewise she was A Kid with Braces in The Last Mimzy, and yes, Another Girl, in Hardwired. The latter was written by Michael Hurst, and has apparently nothing to with the Walter Jon Williams novel of the same name.

(11) COMICS SECTION.

  • The Far Side suggests superheroes are not immune to the problems of aging.  

(12) YOU ASKED FOR IT. “Amazon Promises Another Attempt to Make Comixology Suck Less” as Gizmodo puts it so delicately. Their article is based on a Comixology thread that starts here.

Daniel P. Dern sent the link with a note: “Among other things, as in, (says DPD, based on other comments I’ve seen in past months along with some of my own experience) to un-‘deprove’ recent changes which made by Amazon.

“To be fair (still DPD opining), IMHO, both Marvel and DC have made similar ‘deprovements’ to their streaming digital comic services over the past year. They’re still great deals, money for reading wise, but the UI/UX has gotten unnecessarily more ornery.”

(13) MIRACLEMAN SERIES RETURNS. After thirty years, Neil Gaiman and Mark Buckingham complete their Miracleman saga this October in Miracleman By Gaiman & Buckingham: The Silver Age.

“We’re back! And after thirty years away it is both thrilling and terrifying,” Buckingham said. “Neil and I have had these stories in our heads since 1989 so it is amazing to finally be on the verge of sharing them with our readers.”

The two visionary comic talents will complete their unfinished Miracleman storyline “The Silver Age,” including remastered editions of the first two published issues, complete with new artwork and bonus material. The series will follow the previously announced Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB, the new collection containing Gaiman and Buckingham’s first Miracleman series. After 30 years, fans will finally see the full incredible story of Young Miracleman with more to come!

Young Miracleman — the lost member of the Miracleman Family — is back! His last memories were of a 1963 world of joy and innocence. Now, he’s been thrust into the 21st century, where his best friends have become gods and monsters. Where can a hero from a simpler time call home in this brave new world?

(14) CAN CONFIRM. George R.R. Martin responds to reports about “SNOW… and Other Stuff” at Not A Blog.

…Yes, there is a Jon Snow show in development.   The HOLLYWOOD REPORTER story was largely correct.   And I would expect no less from James Hibberd.   I have dealt with a lot of reporters over the past few years, and Hibberd is one of the very best, an actual journalist who does all the things journalists are supposed to do (getting the facts right, talking to sources, respecting requests for “background only” and “off the record,” etc) that most of the clickbait sites never bother with….

But, yes, it is true.   This was not an official announcement from HBO, so it seems there was another leak.   I did a long interview with James Hibberd last week, for the big HOUSE OF THE DRAGON story that HOLLYWOOD REPORTER is planning.   At the end of the call, he asked a few questions about the spinoffs.   “Is it possible one of the spinoffs is a sequel rather than a prequel?” he asked.   I answered “No comment.”   Then he asked “Is it possible a member of the original cast is attached?”  And again I answered “No comment.”   And that was all.   But plainly he found someone more forthcoming than me.   Who?   I don’t know, and suspect I never will.   A good journalist protects his sources.

There’s not much more I can tell you, not until HBO gives me a green light….

(15) HYSTERICAL LITTER. [Item by Martin Morse Wooster.] Authorities in Malmo, Sweden created a “sexy trashcan” that mutters suggestive comments whenever anyone throws in some trash.“’Sexy’ rubbish bins installed in Swedish town to encourage use”.

Two rubbish bins on Davidshallsbron bridge in Sweden’s southern city of Malmö have been equipped by city authorities with loudspeakers, blaring out sexual phrases like “ooooh, right there yeah” when the lid is opened to encourage passers-by to use the bins to get rid of their rubbish.

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Dead By Daylight,” Fandom Games says this multi-player vampire slaughterfest “makes you a little more misanthropic just playing it.” The narrator suggests that after fighting various licensed monsters, the next series should feature Jared Leto. “No. not Morbius, Jared Leto. That would be truly terrifying!

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Daniel Dern, Michael J. Walsh, Scott Edelman, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Contrarius.]

Pixel Scroll 5/22/22 With A Capital ‘T’ And That Rhymes With ‘P’ And That Stands For Pixel

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(1) EMPEROR STARDUST RETURNS. For last night’s Nebula Awards ceremony Henry Lien returned in his Emperor Stardust persona and supplied a rocking musical introduction to The Andre Norton Nebula Award For Middle Grade And Young Adult Fiction category. Not an easy title to versify, and the Emperor also did a wonderful job of making the nominees into lyrics as well. He begins —

It’s the Andre Norton Nebula Award

And if you read these books you’ll totally be floored…

(For a captioned version see the official Nebula Awards Ceremony video starting around the 46:00 mark.)

(2) EVERY BOOK A WINNER. Popular fan artist Alan White will be holding a garage sale next weekend in Las Vegas. No wonder the poster is so gorgeous.

MADNESS ENSUES as 4000 paperbacks and several hundred hardbacks magically disappear for prices unknown in modern times! YOU, yes YOU can have a commanding library of dang near every possible genre author in a matter of minutes! Here’s your chance to beg out of social events by saying, “Sorry, I have books to read”. Here’s your chance to wonder “What the hell am I going to do with all these damn books?” while your mundane friends complain “Looks like a fire hazard to me”. Oh, the pity of it! This event runs all day Saturday beginning at 10AM sharp. (I plan on sleeping till 9:50am). And on Sunday until 2pm or the shelves are bare! Will this sale be an astounding success or a calamitous disaster? If you don’t show, you won’t know!

(3) STEVE VERTLIEB MEDICAL UPDATE. Steve Vertlieb was rehospitalized after developing a blood clot in one leg, and underwent surgery on May 19 to deal with it. The initial reports are favorable.

(4) IMMEDIATE ANALYSIS. Cora Buhlert is already on record with “Some Thoughts on the 2021 Nebula Award Winners – and Two SFWA Uproars”.

…The 2021 Nebula Award for Best Novelette goes to “O2 Arena” by Oghenechovwe Donald Ekpeki. This is a win which makes me very happy, because not only is it a good story, but it’s also (to my knowledge, at least) the first Nebula win for an author who lives and was born in Africa. Coincidentally, it is also the first Nebula win for Galaxy’s Edge magazine, which normally doesn’t get a whole lot of awards love….

(5) CHRIS BARKLEY’S HUGO PACKET SELECTIONS. Best Fan Writer nominee Chris Barkley has posted a collection of links on Facebook which he calls “A Sampling of The Best of So Glad You (Didn’t) Ask 2021: The 2022 Hugo Awards Packet Edition.”

I have assembled, for your reading pleasure, what I (and my editor Mike Glyer) consider the best of the columns I wrote this past year. Mind you, in re-reading them, I was tempted to rewrite some of them or insert a few more snarky comebacks to spruce them up a bit.

But …no.

My nomination as a Hugo Awards Finalist is based on these works and I offer them to you again, dear reader, unaltered and unabridged.

A link to each column that was submitted for the 2022 Hugo Awards Voter Packet will be linked below in the comments.

(6) HOW A MENTOR DISCOVERED ARISIA – AND OTHER SFF REALMS. The Horror Writers Association Mentor of the Year award recipient Michael Knost posted on Facebook the acceptance speech he really wanted to give.

I changed my Mentor of the Year Award speech during the Bram Stoker Awards ceremony at the last second as I recognized I was too emotional to deliver it. As I wanted to recognize my first mentor. I know I ugly-cry so I wanted to spare everyone. But I’d like to say what I wanted to say then, here. I apologize for the long post.

I hated school growing up. I hated education, reading, writing, and everything that went with it. I had great teachers, wonderful people, but I didn’t like school one bit. Then I met my fifth grade teacher, Mr Bill Marino.

He caught me in the hallway one day after lunch and handed me a classic science fiction novel—a yellowing mass market paperback. He must have seen the disappointment on my face and said, “I just want you to read this. There’s no tests, no book reports, etc. I just want to know what you think of the book. AND, while you are reading it, you will be exempt from all homework that the other students have to do.”…

(7) FRIENDLY DJINN PERSUASION. “George Miller reveals first trailer for ‘Three Thousand Years of Longing’” and SYFY Wire has the essence.

… Based on a story by A.S. Byatt, Three Thousand Years of Longing marks Miller’s return to fantasy filmmaking after first delving into the genre with The Witches of Eastwick 35 years ago. The film tells the story of a solitary scholar named Alithea (Tilda Swinton), who arrives in Istanbul for a conference and finds herself in the presence of a millennia-old Djinn (Idris Elba). The Djinn offers her three wishes, after which he will be granted his freedom, but of course, Alithea is an academic, and she doesn’t necessarily believe the Djinn’s gifts — leaving him to regale her with stories of his long life in an effort to convince her….

(8) MEDIA BIRTHDAY.

2008 – [By Cat Eldridge.] Fair warning: usually we avoid essaying anything that I don’t like. I got special permission to do this film. You are warned! 

Just fourteen years ago, the last installment in the Indiana Jones franchise so far, Indiana Jones and The Kingdom of the Crystal Skull, premiered on this date. (The untitled fifth Indiana Jones film is a sequel to this film and our Indy will be, if he’s the same age as Harrison Ford who plays him, eighty one years of age. A fine vintage for a globe trotting whip bearing archaeologist.) 

Directed by Steven Spielberg who had directed all of these, from a screenplay by David Koepp but, and this is a huge but, Jeb Stuart, Jeffrey Boam, Frank Darabont, George Lucas and Jeff Nathanson had previously attempted to write suitable screenplays and failed. Yes, consider that for a moment — the screenplay you see is one of legions done. And the one considered most filmable. God help us. We can blame!  At least we know that we can curse George Lucas and Jeff Nathanson for the story we see here.

According to the publicists, it was intended to pay tribute to the SF B-movies of the Fifties. Well in my opinion it failed at that. Aliens. Crystal skulls. Nuclear explosions. Gateways to other, well, somewheres. WTF? I really think that Indy Jones is at his best old-fashioned pulp adventure, not SF. Bah humbug. 

Well it cost nearly two hundred million dollars and the appeal of Harrison Ford proved irresistible as it made four times that at the box office.

And critics mostly loved it though there were some who decidedly loathed it with all their beings. 

Jeff Beyer of the Chicago Daily Herald did notice how bad the story was: “Normally it’s a terrible thing if a film only gives us one good character … except when it’s Indiana Jones, with a whip at his side. A terrible story can’t totally ruin Jones. Thank God.”

Lori Hoffman of the Atlantic City Weekly in her review took note of the long break between this film and the last one: “While we can never go home again completely, ‘Indiana Jones and the Kingdom of the Crystal Skull’ reminds us of why we fell in love with Indiana Jones in the first place.” 

David Denby of the New Yorker gets the last word as he sums up my feelings towards this film: “Crystal Skull isn’t bad — there are a few dazzling sequences, and a couple of good performances — but the unprecedented blend of comedy and action that made the movies so much more fun than any other adventure series is mostly gone.”

Audience reviewers at Rotten Tomatoes are as ambivalent as I am giving it just a fifty-three percent rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 21, 1859 — Arthur Conan Doyle. I’ve read all of the Holmes stories a long time ago and that was a delightful undertaking indeed. My favorite isThe Hound of the Baskervilles as it allows him to develop a story at length. Favorite video Holmes? Jeremy Brett.  Least favorite? The one who went on to play Khan. Just really didn’t work for me at all.  Looking at ISFDB, I’m see there were more Professor Challenger novels than I realized. And the Brigadier Gerard stories sound suspiciously comical…  (Died 1930.)
  • Born May 21, 1900 — Wallace West. His first two short stories were “Loup-Garou” in Weird Tales, October 1927 and “The Last Man” in Amazing, February 1929. He published continuously through the Sixties though only averaged a story a year. Interestingly his first two novels were about Betty Boop in the Big Little Books format: Betty Boop in Snow-White: Assisted by Bimbo and Ko-Ko and Betty Boop in “Miss Gulliver’s Travels”.  He wrote four genre novels, only a few of which are available from the usual suspects. (Died 1980.)
  • Born May 21, 1934 — Shirley Boone, 88. Ok, she’s here for but one role. She played the construct of Ruth, Kirk’s old Academy flame, on the “Shore Leave” episode of Trek. I really, really love that episode. Other than that episode, she appeared in a horror film, It’s Alive, and her last roles were three in I Dream of Jeannie before retiring from acting at age thirty-six.
  • Born May 21, 1938 — Richard Benjamin, 84. He’s here because he was Adam Quark on the all too short-lived Quark series. He also was Joseph Lightman in Witches’ Brew which was based off Fritz Leiber’s Conjure Wife novel (winner of the 1944 Retro-Hugo Award at Dublin 2019) though that’s not credited in the film. And he was in Westworld as Peter Martin. Finally he did a stint on the Ray Bradbury Theatre which I just essayed as Mr. Howard in “Let’s Play Poison” episode. 
  • Born May 21, 1939 — Paul Winfield. Another one taken far too soon. He’s best remembered as Capt. Terrell in The Wrath of Khan, but he was also in the Next Gen episode “Darmok” as the signature character.  He showed up in Damnation Alley as a character named Keegan and in The Terminator as Lt. Ed Traxler. Oh, and let’s not forget that he was Lucien Celine In The Serpent and the Rainbow which surely is genre. (Died 2004.)
  • Born May 21, 1960 — Andrea Thompson, 62. I’ll not mention her memorable scene on Arli$$ as it’s not genre though it is definitely worth seeing.  Her best genre work was as the telepath Talia Winters on Babylon 5. Her first genre role was in Nightmare Weekend which I’ll say was definitely a schlock film. Next up was playing a monster in the short lived Monsters anthology series. She had a one-off on Quantum Leap before landing the Talia Winters gig. Then came Captain Simian & The Space Monkeys. Really. Truly. Her last genre role to date appears to be in the Heroes: Destiny web series. 
  • Born May 21, 1964 — Kat Richardson, 58. Her Greywalker series is one of those affairs that I’m pleased to say that I’ve read every novel that was been published. I’ve not read Blood Orbit, the first in her new series, yet. Has anyone here done so? Her Blood Orbit novel won an Endeavour Award which is given for a science fiction or fantasy book written by a Pacific Northwest author and is given by a panel of judges chartered by Oregon Science Fiction Conventions, Inc. 
  • Born May 21, 1968 — Karen Lord, 54. A Barbadian writer whose first novel, Redemption in Indigo, won the Carl Brandon Parallax Award, Mythopoeic Fantasy Award for Adult Literature and a Kitschie for its inventive use of Senegalese folklore. I’d also recommend The Best of All Possible Worlds novel as it’s as well-done as her earlier novel, and different and fascinating in its own right. Unraveling is her latest novel.

(10) NEWS FROM NEW MEXICO. Margaret Atwood and Emily St. John Mandel are two sff writers who spoke on day one of the Santa Fe Literary Festival reports Yahoo!

…The Handmaid’s Tale author Margaret Atwood, …spoke about the leaked Supreme Court memo that suggested the US could imminently overturn Roe v Wade. She was unimpressed with justices who defend such judgments by self-identifying as Constitutional orginalists.“If you take the original Constitution [as it is and apply it], a lot of people are going to lose their rights, including all women,” she said, as well as “people who don’t own property”….

On day two, local author George RR Martin made a revelation which was reported by The Independent (registration required).  

George RR Martin has revealed that when Game of Thrones, the hit HBO show based on his epic fantasy novel series A Song of Ice and Fire, was first being pitched to television networks it was sold as: “The Sopranos in Middle Earth”….

(11) BE FREE. To celebrate the movie’s 40th anniversary, Parade has come up with “21 Things You Might Not Know About the E.T. Movie”.

3. The scene in science class when Elliott frees all the frogs, saving them from dissection, is based on Spielberg’s own past. He was apparently so aghast when asked to cut open a frog in school that he released several of the amphibians.

(12) GROWING UP EVIL. In a Nerds of a Feather film review Arturo Serrano says “’The Innocents’ is a disturbing look at how evil is born and nurtured” and his concern about these characters is contagious.

…Ben’s case merits attention for its own reasons. He’s on a trajectory parallel to Ida’s, one where raw id is unhindered by morality, but what fuels his cruelty is his mother’s abuse. He has actively been taught to cause harm. We can more readily understand why he’s the way he is, but when paired with Ida, we are made to wonder how children of such drastically different parents can become equally monstrous. The spark of the whole conflict is precisely Aisha, whose superpower is what the other kids lack: empathy.

The movie achieves all this with incredibly few lines of dialogue. Most of the weight of the storytelling is carried by the camera, handled with confidence to make a shiny forest creepy, a boring building ominous, and a clear pond loaded with tension. With such versatile skill for shot composition, lighting, framing, camera angles, and the sheer brutal power of great acting, the need for visual effects is minimal….

(13) FRESH MAGIC. Nerds of a Feather also gives us Paul Weimer’s “Microreview [book]: Rise of the Mages by Scott Drakeford”.

…I have to give Drakeford good marks for imagining a fantasy world that is not a stasis frozen in amber and where the only discoveries are re-discoveries. There are people seeking not only the lore of the past or lore from outside, but making new discoveries of their own (particularly Ban, Emrael’s brother). Societies are never static, there may be forces slowing progress and change, but the “everything has been the same way for a thousand years” is a trap that Drakeford avoids, on cultural, social and technological axes….

(14) KEEP WATCHING THE SKIES. “Blood moon eclipse to occur Sunday night” reports MSN.com. Never mind — like the first comment says, “This was last week, dopes.”

…What this means is that the moon will turn a blood-red-orange color late Sunday night until early Monday morning.

The reason for the red color is the exact same reason sunsets appear red….

This has inspired Michael Toman to send me these lyrics:

A Crimson Shade of Doo-Wop Lunar Activity

Blood, Blood, Blood, Blood Moon /

You heard me crying on my fresh-fried phone /

A lone stranger, with his sad tune, on the Night Tide Dune/

With no love of my own…

Wop Bop a Mary Lou Bop Apocalypse Rag Wham! /

“Blooooooood  – – – Moooooon!

Toman adds:

“Unsolicited Shout-Outs to GRRM in Santa Fe, NM and Howard Waldrop, Who Knows Where or When?”

PS. “Appearing next, ‘Live!’ on our All-Star Cavalcade Show, Howard W. and The Mar-Velles!”

PPS. “And the Wind Cries ‘Waldrop?’ Or was that “Westeros?”

(15) A VALHALLA FOR CARTOON CHARACTERS. [Item by Martin Morse Wooster.] The latest trailer from the game where all the Warner Bros and DC characters fight each other in one epic battle. “MultiVersus – You’re with Me!’”.

In MultiVersus, the Multiverse is at your fingertips as you battle it out in intense 2v2 matches. Up against Batman & Shaggy? Try using Bugs Bunny & Arya Stark! This platform fighter lets you play out your fantasy matchups in a fun co-op or head-to-head fight for supremacy. MultiVersus is an all-new free-to-play, platform fighter videogame. With an ever-expanding cast of iconic characters and legendary universes, MultiVersus will feature multiple online modes, including a team-based 2 vs. 2 format, 1 vs. 1 matches and 4-player free-for-all, along with upcoming content-filled seasons.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day P J Evans.]

Pixel Scroll 5/3/22 Click HERE For A Witty, Never-Before-Seen, Cleverly Referential Scroll Title, Generated Possibly By A Million Hamsters Running On Top Of Discarded BlackBerries

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(1) A BIT OF HISTORY. The Finnish Postal Museum is looking for letters from Tove Jansson. “Have you received or are you in possession of a letter written by Tove Jansson?”

Tove Jansson (1914–2001) was a prolific letter writer all her life. She also wrote short stories and other texts throughout her life and became known for her books about the Moomins. She devoted the last decades of her life almost entirely to literature aimed at adults.

During Tove Jansson´s lifetime letters were a natural way for people to keep in touch as electronic media either did not exist or was expensive to use. When translations of the Moomin books were published in different parts of the world in the 1950s and 1960s, Tove Jansson’s number of contacts increased and her correspondence became international.

… In the first phase of this project, we will explore the kinds of letters in existence. We will then decide on the basis of the material whether it would be possible to produce an exhibition or publication of Tove’s letters….

(2) POD PERSON CAMESTROS. He speaks! Camestros Felapton was interviewed by Eric Hildeman of the Milwaukee Science Fiction League on their podcast Starship Fonzie, as he explains in “My Podcast Debut”. Camestros shyly says:

I haven’t listened to it yet because I then had a long day at work and also I find my own voice too weird. But if you want me to say “umm” and “ahh” and talk over the host too much (that’s what I recall of what I said) then now is your chance!

Does Camestros jump the shark? Find out here: Starship Fonzie #15.

(3) SF IN HUNGARY. [Item by Bence Pintér.] Csilla Kleinheincz, an influential author/translator/editor of Hungarian SFF, does a Q&A with Guest Editors Vera Benczik and Beata Gubacsi at SFRA Review: “Interview with Csilla Kleinheincz”.

Guest Editors: How does the Hungarian fantastic incorporate and/or subvert the themes and tropes of Anglo-American fantastic tradition? Do you think there’s a pressure to follow international trends?

Csilla Kleinheincz: …What Hungarian SF can offer is its own unique blend of the fantastic that could be written only by Hungarian authors, reflecting on our own cultural and historical influences and leaning on our own surroundings. Hungarian weird fiction is especially strong nowadays, perhaps because our history and our present are so rich in grotesque and dystopian elements and also because a small but very active creative community has formed around the main publisher of weird fiction, The Black Aether….

(4) PROFILE ON A HUGO FINALIST. [Item by Olav Rokne.] In their Special Issue on Contemporary African Literature, Open Country profiles Hugo finalist Oghenechovwe Donald Ekpeki. “Oghenechovwe Donald Ekpeki’s Curation of African Speculative Fiction”.

“A lot of people were pleasantly perplexed,” Ekpeki says of the initial reaction. “Almost every review had a phrase like ‘this is unusual speculative fiction based on unusual cultures,’ so they still find African speculative fiction unusual. There is still a lot of ground for us to cover, it would seem.”

(5) AND THE VOTERS SAY! When the Jean Cocteau Cinema in Santa Fe, NM reopens this weekend, here are what poll respondents picked as the “Upcoming Events” from 10 options offered by theater owner George R.R. Martin.

Thank you to the nearly 300 folks who voted in our audience poll to choose the movies for the Jean Cocteau Cinema’s grand re-opening weekend! Unveiling the top 5 films, the first films to play in the newly renovated theater, May 6-8th:

Spirited Away 
Beauty & the Beast (1946)
Forbidden Planet
War of the Worlds (1952)
Cabaret

All screenings will be seated FIRST COME, FIRST SERVED. Theater doors will open 20 minutes before showtime. Anyone who isn’t able to get a seat is most welcome to hang out with a cocktail in the lobby bar, or a coffee over at Beastly Books!  

(6) NOT QUITE TRUE NORTH. At Grimdark Magazine, Matthew John reviews “The Northman”.

The Northman is a film that should not exist–not at its scale, not in this day and age. It is an unflinching epic of fire and ice, of burning love and cold-served vengeance. It is a story rooted in legend, but most viewers will probably be familiar with the bones of this tale from Hamlet, the Lion King, or Conan the Barbarian. Our protagonist, Prince Amleth, must avenge the death of his father and rescue his mother from the clutches of his uncle (or so he thinks). How director Robert Eggers managed to convince a studio to pay northward of a hundred million dollars so he could adapt this legend into an R-rated, ultra-violent, artistic yet historically-accurate viking film is beyond this reviewer’s ken. But man…am I glad he did!…

(7) USE THE VOICE, LUKE. [Item by Cora Buhlert.] This tweet by Mark Hamill suggests that there will be a second season of Masters of the Universe: Revelation, which was probably the most pleasant TV surprise of the year for me last year: 

The fact that there may be a second season is itself another pleasant surprise, since I feared the show would fall victim to toxic fanboys complaining that Teela having muscles ruined their childhood or some such thing as well as to Netflix ditching its entire animation department to focus more on soap operas about rich people in pretty dresses.

(8) DEFLECTING THE CUT DIRECT. “Sony Refuses Chinese Demand to Delete Statue of Liberty from Latest ‘Spider-Man’” reports National Review, and the studio ultimately did not release the film in China.

Chinese authorities asked Sony to delete the Statue of Liberty from the climactic sequence of Spider-Man: No Way Home before distributing the movie in China, Puck reported on Sunday citing multiple sources.

The climactic sequence of the movie features an action sequence of over 20 minutes in which characters battle amid scaffolding around the Statue of Liberty.

When Sony refused to delete the statue from the movie, Chinese authorities asked if the company could diminish the statue’s presence. Sony considered the request, the sources told Puck, but ultimately decided against editing the movie and did not release it in China. It’s unclear whether Chinese censors blocked the movie’s release or if Sony preemptively opted against releasing it….

(9) MEDIA BIRTHDAY.

1956 — [By Cat Eldridge.] Sixty-six years ago, Forbidden Planet opened in New York City in general release, following a March debut at a science fiction convention and a limited release elsewhere.  

It was produced by Nicholas Nayfack, and directed by Fred M. Wilcox. The screenplay was by Cyril Hume who had previously written several Tarzan films from a story by Irving Block and Allen Adler.  (A year later, he’d write The Invisible Boy (aka S.O.S Spaceship) which had Robbie the Robot as one of the characters. No, I’ve never heard of it. Here’s the poster for it.) 

It had a primary cast of Walter Pidgeon as Dr. Edward Morbius, Anne Francis as Altaira “Alta” Morbius and Leslie Nielsen as Commander John J. Adams. Les Tremayne was the Narrator. And no, I’ve not forgotten Robbie the Robot which had Frankie Darro as the Robot and Marvin Miller as the voice of the Robot. I could write an entire essay on Robbie the Robot and if I remember correctly I have.

Forbidden Planet was released to film theaters during 1972 as one of MGM’s Kiddie Matinee features with some six minutes of film cut to make it receive a “G” rating from the MPAA, including a Fifties-style nude scene of Anne Francis swimming sans a bathing suit. (It’s debatable if she was actually nude.) 

So what was the reception for it upon its release? Well it turned a very modest profit of eight hundred thousand over its budget of two million. 

Critics were generally impressed with it. The New York Times critic said he “had a barrel of fun with it. And, if you’ve got an ounce of taste for crazy humor, you’ll have a barrel of fun, too,” while Variety proclaimed “Imaginative gadgets galore, plus plenty of suspense and thrills, make the Nicholas Nayfack production a top offering in the space travel category.”

And let’s give the Los Angeles Times the last word: “a more than another science-fiction movie, with the emphasis on fiction; it is a genuinely thought-through concept of the future, and the production MGM has bestowed on it gives new breadth and dimension to that time-worn phrase, ‘out of this world.”

Audience reviewers at Rotten Tomatoes give it a spectacular eighty-five percent rating. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 3, 1928 — Jeanne Bal. In Trek’s “The Man Trap” episode, she played Nancy Crate, a former lover of Leonard McCoy, who would be a victim of the lethal shape-shifting alien which craves salt. This was the series’ first-aired episode that replaced “The Cage” which the Network really didn’t like. She also had one-offs in Thriller and I-Spy. (Died 1996.)
  • Born May 3, 1939 — Dennis O’Neil. Writer and editor, mostly for Marvel Comics and DC Comics from the Sixties through the Nineties, and was the Group Editor for the Batman family of titles until his retirement, which makes him there when Ed Brubaker’s amazing Gotham Central came out.  He himself has written Wonder Woman and Green Arrow in both cases introducing some rather controversial storytelling ideas. He also did a rather brilliant DC Comics Shadow series with Michael Kaluta as the artist. A police procedural series from Matt Reeves was in development, to be set in the same continuity as The Batman. Gotham Central was very seriously being considered as the name for the series. It unfortunately will not happen. (Died 2020.)
  • Born May 3, 1949 — Ron Canada, 73. He’s one of those actors who manages to show up across the Trek verse, in this case on episodes of Next Generation, Deep Space Nine and Voyager. He also showed up in the David Hasselhoff vanity project Nick Fury: Agent of SHIELD as Gabe Jones, and had further one-offs on The X-Files, Star Gate SG-1, Elementary, Grimm and The Strain. He has a recurring role on the Orville series as Admiral Tucker.
  • Born May 3, 1958 — Bill Sienkiewicz, 64. Comic artist especially known for his work for Marvel Comics’ Elektra, Moon Knight and New Mutants. His work on the Elektra: Assassin! six issue series which written by Frank Miller is stellar. Finally his work with Andy Helfer on The Shadow series is superb.
  • Born May 3, 1965 — Michael Marshall Smith, 57. His first published story, “The Man Who Drew Cats”, won the British Fantasy Award for Best Short Story. Not stopping there, His first novel, Only Forward, won the August Derleth Award for Best Novel and the Philip K. Dick Award. He has six British Fantasy Awards in total, very impressive indeed. 
  • Born May 3, 1985 — Becky Chambers, 37. My last encounter with her was the most excellent The Galaxy, And The Ground Within. Her Wayfarers series won the Best Series Hugo at Dublin 2019: An Irish Worldcon. A Closed and Common Orbit was a finalist at WorldCon 75 for Best Novel but lost out to another exemplary novel, N. K. Jemisin’s The Obelisk Gate. Record of a Spaceborn Few would be on the ballot at Dublin 2019 but lose out to yet another exemplary novel, Mary Robinette Kowal’s The Calculating Stars. (A digression: The Wayfarers are the best series I’ve listened to in a long time.) “To Be Taught, if Fortunate” was a finalist at ConZealand in the Best Novella category but lost out to “This Is How You Lose the Time War” by Amal El-Mohtar and Max Gladstone.
  • Born May 3, 1986 — Pom Klementieff, 36. In the MCU film universe she plays Mantis and first she’s up in Guardians of the Galaxy Vol. 2, but then is in Avengers: Infinity War and Avengers: End Game and two films in production, Thor: Love and Thunder and Guardians of the Galaxy Vol. 3. Plus forthcoming on Disney +, The Guardians of the Galaxy Holiday Special. It’s amazing what a pair of very, very cute antennae will do! (Also been in Black Mirror, Westworld, and voiced characters on The Addams Family.)

(11) AUTHOR PUSHES BACK. [Item by Cora Buhlert.] This isn’t SFF, but I think there is a lot of audience crossover. Luke Jennings, author of the novels that the TV show Killing Eve was based upon, speaks out regarding the controversial finale of the TV series (which killed off a major lesbian characters) and says that he does not feel bound to what the TV show has done: “’Villanelle will be back!’ Killing Eve’s author speaks out over the catastrophic TV finale” in the Guardian. Beware spoilers!

…When Phoebe Waller-Bridge and I first discussed Villanelle’s character five years ago, we agreed that she was defined by what Phoebe called her “glory”: her subversiveness, her savage power, her insistence on lovely things. That’s the Villanelle that I wrote, that Phoebe turned into a screen character, and that Jodie [Comer] ran with so gloriously.

But the season four ending was a bowing to convention. A punishing of Villanelle and Eve for the bloody, erotically impelled chaos they have caused….

(12) INCOMING. No one goes unsplattered in Raquel S. Benedict’s latest bid for attention, “The Sterility of Safe Fiction: Who Are We Protecting?” at Seize the Press. This circular accusation kicks off the piece:

…And yet an influential faction of authors, editors, publishers and critics within contemporary sci-fi and fantasy speaks as though safe is the greatest quality a work of art can aspire to. Fiction must be safe, they say. If it’s not safe, then it might cause harm. What kind of harm? Who are we harming? That’s not important. The important thing is to avoid harm by making your fiction as safe as possible. By making our fiction safe, we will make the sci-fi/fantasy community safe….

It’s an introduction, but not to what follows the immediate three-asterisk break. In the next section Benedict’s new topic is that there’s trouble my friends, right here in the sff genre, and apparently anybody who pays to attend one of the workshops in the field is to blame for whatever that ill-defined trouble might be. Benedict recites the dollar costs involved in attending Clarion West and the Odyssey Writing Workshop and judges:

…But those who can pay the gatekeeper get to determine what it means to be safe. And so our notions of safety are shaped by bourgeois sensibilities…. 

(13) SHOCKED, I TELL YOU. [Item by Martin Morse Wooster.] J.R.R. Tolkien’s grandson Simon tells BBC Live Breakfast in 2012 that his grandfather would not have liked any film that depicted his imaginary world and “my grandfather knew what an elf looked like, and it did not look like Orlando Bloom.”

(14) WEIRD TRAILER. Is the world ready for Daniel Radcliffe as…Weird Al Yankovic? Coming this fall to the Roku Channel. “Weird: The Al Yankovic Story”.

(15) MINI SERIES. According to Slashfilm, “Rebecca Romijn Insisted On Wearing A Starfleet Dress On Star Trek: Strange New Worlds”.

The original “Star Trek” series remains spellbinding for its forward thinking science fiction ideas. But it remains equally spellbinding for being a show so firmly entrenched in the ’60s that all female crew members on board the USS Enterprise wear short miniskirts while the men get to strut around in far less revealing uniforms. And while “Trek” has gone a long way in the decades since to make Starfleet uniforms work for all genders and body types (“The Next Generation” even featured male officers in the Starfleet minidress, or “skant,” uniform), that classic short-skirt look has at least one major fan: “Star Trek: Strange New Worlds” star Rebecca Romijn. 

Una Chin-Riley, better known to Captain Christopher Pike and “Star Trek” fans as “Number One,” rocks the Starfleet dress look throughout the first five episodes of “Strange New Worlds,” with the tough-as-nails first officer of the Enterprise making a strong case for this seemingly outdated look to make a major comeback. And you can consider this mission accomplished for Romijn, who not only requested that Una wear a Starfleet dress, but that she actively wear it during action sequences…

(16) SCIENTIFIC OBJECTIVE. [Item by Mike Kennedy.] Scientists are describing a theoretical new telescope that could be used to image exoplanets. It would use the gravity of the sun as the objective lens.

Positioning the telescope proper in a line with the Sun and the exoplanet in question would take significant advances in space propulsion. The telescope would have to be positioned many times further away from the Sun than any of the planets & moved around to line up the shot. It would then need to be repositioned for the next planet of choice.

The paper, “Integral Field Spectroscopy with the Solar Gravitational Lens,“ was published in The Astrophysical Journal.

“Scientists describe a gravity telescope that could image exoplanets” at Phys.org.

In the time since the first exoplanet was discovered in 1992, astronomers have detected more than 5,000 planets orbiting other stars. But when astronomers detect a new exoplanet, we don’t learn a lot about it: We know that it exists and a few features about it, but the rest is a mystery.

To sidestep the physical limitations of telescopes, Stanford University astrophysicists have been working on a new conceptual imaging technique that would be 1,000 times more precise than the strongest imaging technology currently in use. By taking advantage of gravity’s warping effect on space-time, called lensing, scientists could potentially manipulate this phenomenon to create imaging far more advanced than any present today.

In a paper published on May 2 in The Astrophysical Journal, the researchers describe a way to manipulate solar gravitational lensing to view planets outside our solar system. By positioning a telescope, the sun, and exoplanet in a line with the sun in the middle, scientists could use the gravitational field of the sun to magnify light from the exoplanet as it passes by. 

(17) JUSTWATCH – TOP 10S IN APRIL. JustWatch – The Streaming Guide says these were the Top 10 Sci-Fi Movies and TV Shows in the US in April 2022.

Rank*MoviesTV shows
1Spider-Man: No Way HomeSeverance
2The BatmanMoon Knight
3Sonic the HedgehogHalo
4MoonfallFrom
5Ghostbusters: AfterlifeDoctor Who
6Venom: Let There Be CarnageOutlander
7DuneStar Trek: The Next Generation
8Spider-Man: Far From HomeThe Walking Dead
9Spider-Man: HomecomingStar Trek: Picard
10Spider-Man: Into the Spider-VerseGhosts

*Based on JustWatch popularity score

(18) YOU WILL BELIEVE A DOG CAN FLY. Just because they’re super – doesn’t make them heroes. In theaters July 29, “DC League of Super-Pets”.

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Ghostwire: Tokyo,” Fandom Games says this game is very good at describing Japanese folklore, but “feels like an anime you really have to convince people to watch.”  SJWs will like the cat who runs a convenience store, but another plot point is a character who’s really constipated.

[Thanks to JJ, John King Tarpinian, Chris Barkley, Andrew Porter, Cora Buhlert, Hampus Eckerman, Olav Rokne, Bence Pintér, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/30/22 Those Who Cannot Remember Past Pixel Scrolls Are Doomed To Re-File Them

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(1) CAT RAMBO AT FUTURE TENSE. The new entry from Future Tense Fiction, a monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives. Cat Rambo’s “The Woman Who Wanted to Be Trees” at Slate.

“For someone like me,” Nefirah’s client said, “it’s not a question of whether or not I’ll be remembered. The question is precisely how.”…

Tamara Kneese, an expert on the digital afterlife, delivers a response in her essay “Is a Lasting Digital Memorial to a Dead Person Even Possible?”

I’m a death scholar and a sustainability researcher at a major tech company, so Cat Rambo’s “The Woman Who Wanted to be Trees” hit home. In the story, a death care worker is asked to memorialize clients in innovative ways, using cutting-edge technologies to blur the boundaries between life and death, and between humans and the natural world. For the past 15 years, I have been researching how people use technology to remember and communicate with the dead. My forthcoming book, Death Glitch: How Techno-Solutionism Fails Us in This Life and Beyond, explores the fundamental incompatibility between dreams of technologically mediated life extension and the planned obsolescence of material technologies…. 

(2) AUTHOR MAGNET. The inaugural Santa Fe Literary Festival will take place May 20-23, at the Santa Fe Community Convention Center in Santa Fe, NM. The authors who are scheduled to appear include Margaret Atwood, Sandra Cisneros, John Grisham, Joy Harjo, Anne Hillerman, Craig Johnson, Phil Klay, Jon Krakauer, Emily St. John Mandel, George R.R. Martin, N. Scott Momaday, James McGrath Morris, Douglas Preston, Rebecca Roanhorse, Bob Shacochis, Colson Whitehead and Don Winslow.

Besides author readings and book signings, the festival will feature meals during which chefs and food writers will talk about the food they’ve prepared, their work and their books; Walk & Talks, during which attendees and authors will together explore parts of Santa Fe; and Tea & Tequila, featuring tea and tequila tastings. On Monday, the last day of the festival, attendees will be able to go on literary day trips in Santa Fe and nearby areas in northern New Mexico.

(3) FRESH VIEWPOINT. Artists & Climate Change’s “Wild Authors: Oghenechovwe Donald Ekpeki” is a Q&A with a 2022 double-Hugo-nominee and editor of The Year’s Best African Speculative Fiction (2021). 

In your short story “Mercy of the Wild,” you wrote from the viewpoint of a lion. What inspired that story?

“Mercy of the Wild” was a point of experimentation for me. I love to experiment with forms and styles or speculative fiction, and that was one such experiment that I was delighted to follow up on. The story was inspired by an almost childlike, wide-eyed curiosity about what goes on in the minds of the creatures we share the planet with. What if we heard their story, from the horse’s mouth so to speak. Or as the Igbo proverb says, “Until the lion learns to tell its story, the hunt will always glorify the hunter.” This got me wondering, what if the roles were reversed? Its telling impresses on me the need for people of diverse cultures to champion and find spaces for their stories to thrive in the world of today.

(4) GREAT LEAP FORWARD.  Cora Buhlert was a guest on the Dickheads podcast (as in Philip K. Dick) and discussed “‘The Big Jump’ – Leigh Brackett” with Grant Warmack and host David Agranoff.

In the first episode of this podcast, Solar Lottery, David said he would someday do this episode. So four years later, in January of this year, he sat down with a couple of colleagues and discussed the lesser-known novel The Big Jump by Leigh Brackett. The pair of talents he was privileged to have here are newcomer to Leigh Brackett writer/music manager/tarot reader Grant Wamack and long time ‘Bracketteer’ teacher/translator/writer and three time Hugo nominee Cora Buhlert. Enjoy.

(5) S&S: Here is more about the nascent New Edge sword and sorcery movement: “New Edge S&S Guest Post: Oliver Brackenbury” at Scott Oden’s blog.

[Scott Oden:] I put out the call, a few days ago, for a few guest posts relating to the New Edge of Sword & Sorcery. And here is our first victim . . . er, participant. Oliver is a podcaster, a screenwriter, and a novelist; he’s also one of the organizers of the whole New Edge movement. Oliver, you have the floor . .

[Oliver Brackenbury]: …I’ve been in conversations like that before, in other scenes and settings, and I thought “Wouldn’t be nice if all this energy was directed at really changing the situation?”. So I proposed an open, yet specific question – “What could we do to get more young people into this genre we all love?”.

Now, I can take credit for asking the question, but I cannot take credit for the incredible amount of energy I unwittingly tapped into by asking it. The conversation that took off was galloping and enthusiastic and good-natured and productive and WOW!

Scott Oden’s own thoughts about the movement appear in “Putting a NEW EDGE on an Old Blade”.

A genre can grow dull. The accretion of old social mores — the misogyny, racism, and homophobia of bygone eras — can oxidize a genre, making it seem as graceless as a barnacle-encrusted hunk of metal drawn from the sea. A genre’s founders can (and will) die, leaving less-invested imitators to tease out only the surface tropes while its deeper meanings are lost to the ages. And, over time, that genre starts to become irrelevant to the world at large.

In today’s fiction market, this is largely the fate of sword-and-sorcery. Mainstream publishers are loath to market a work as S&S because they consider it a dead end market. Readers less concerned with genre labels use the term nowadays to describe any book with swordplay and magic, from Tolkien to Pratchett — and they’re unaware that it has (or had) a very specific meaning. In short, the term sword-and-sorcery has lost its edge. It has rusted, and is stuck in a very old and problematic scabbard.

There is, however, a nascent movement that has started in the small press sphere to remove that blade from its sheath, to clean the rust from it, sharpen it on a grinding wheel, and fashion a new scabbard — one free from the old problems of the genre. That movement is called the NEW EDGE of S&S….

(6) SUBGENRE GETS NEWSLETTER SOURCE. There’s now also a free weekly sword and sorcery newsletter with the delightful name “Thews You Can Use” from Sword & Sorcery News. It just started.

This week’s Roundup will be a little different—not that you’d know, since it’s the first. Rather than covering the week in S&S news, I’ll go back over the last couple months. Here’s a quick roundup of S&S news from February through April…. 

(7) MURDERBOT AND POLICY. The New America website will hold a gathering of its Science Fiction/Real Policy Book Club to discuss All Systems Red on June 1 at 6:00 p.m. Eastern. Register here.

Science fiction can have real policy impacts, and comes rife with real-life commentary. For the next, we have selected All Systems Red by Martha Wells.

The novel explores a spacefaring future in which corporate-driven exploratory missions rely heavily on security androids. In Wells’ engaging – at times funny – tale, one such android hacks its own system to attain more autonomy from the humans he is accompanying. The result is a thought-provoking inquiry into the evolving nature of potential human-robot relations.

Join Future Tense and Issues in Science and Technology at 6pm ET on Wednesday, June 1 to discuss the novel and its real-world implications. The book club will feature breakout rooms (they’re fun and stress-free, we promise) where we can all compare notes and share reactions, even if we didn’t finish the book (though we picked a short one this time!).

(8) SPACE FORCE OFFICIALLY GROUNDED. I hadn’t realized the show wasn’t already canceled. Well, it is now: “Netflix cancels Steve Carell sci-fi comedy ‘Space Force’” reports SYFY Wire.

…In addition to Carell as General Mark Naird, the show also starred an A-list supporting cast of John Malkovich (Dr. Adrian Mallory), Ben Schwartz (F. Tony Scarapiducci), Tawny Newsome (Captain Angela Ali), Lisa Kudrow (Maggie Naird), and Diana Silvers (Erin Naird). 

That group is chock full of talent, which may have been part of its downfall — according to THR, the show’s large budget was reportedly in part because of the actors’ salaries, with Carell getting over $1 million per episode. That much built in spending, along with mixed reviews for both seasons, apparently resulted in a failure for Space Force to (ahem) launch into a third season…. 

(9) MEDIA BIRTHDAY.

1938 — [Compiled by Cat Eldridge.] Not his official appearance as Bugs Bunny that will happen in “A Wild Hare” on July 27, 1940. But a preliminary version of the character we now know as him first showed up in “Porky’s Hare Hunt” eighty-four years ago today. The Looney Tunes cartoon was directed by Ben “Bugs” Hardaway (do note his name) and an uncredited Cal Dalton. It stars Porky Pig as a hunter whose quarry is a rabbit named Happy. Yes, Happy.

Oh, I well know that most Bugs Bunny fans will tell you that July 27 is the day that he was created as that is the anniversary of the 1940 debut of the familiar rabbit and his adversary, Elmer Fudd. In that July debut people also heard for the first time Bugs’s famous line, “What’s up, Doc?”

But today is the real anniversary of the creation of this character.  He first appeared on the theater short called as I noted above “Porky’s Hare Hunt.” Perhaps the reason people don’t recognize, or indeed want to credit him as that rabbit, is Bugs in that early cartoon was credited as Happy Rabbit. And admittedly it really looks pretty much like any rabbit save the smirking face, doesn’t it? Or does he? 

It’s been uploaded to YouTube so go watch it. It may not look like him but it acts like him and it sounds like him. Several sources state that Mel Blanc voiced him here but the cartoon itself has no credits.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 30, 1930 — Bill Buchanan. A musician who was not a filker but might have been. Really. Truly. His most famous composition took place in 1956, when he and Dickie Goodman created the sound collage “The Flying Saucer”.  They then did “The Flying Saucer Goes West” which is a lot of fun. A short time later, they would do “The Creature (From A Science Fiction Movie)” / “Meet The Creature (From A Science Fiction Movie)”. With other collaborators, he did such works as “Frankenstein Of ’59/Frankenstein Returns”.  Checking iTunes, quite a bit of what he did is available. (Died 1996.)
  • Born April 30, 1938 — Larry Niven, 84. One of my favorites author to read, be it the Gil Hamilton the Arm stories, Ringworld, Protector, The Mote in God’s Eye with Jerry Pournelle (The Gripping Hand alas didn’t work for me at all), or the the Rainbow Mars stories which I love in the audiobook version as you know since I wrote an essay on them. What’s your favorite Niven story? And yes, I did look up his Hugos. “Neutron Star” was his first at NyCon followed by Ringworld at Noreascon 1 and in turn by “Inconstant Moon” (lovely story) the following year at L.A. Con I,  “The Hole Man” (which I don’t remember reading) at Aussiecon 1 and finally “The Borderland of Sol” novelette at MidAmericaCon. He’s not won a Hugo since 1976 which I admit surprised me. 
  • Born April 30, 1968 — Adam Stemple, 54. Son of Jane Yolen. One time vocalist of Boiled in Lead. (Which I just discovered has not released a recording in a decade. Damn.) He was the lead vocalist for Songs from The Gypsy which was based on The Gypsy, the novel written by Steven Brust and Meghan Lindholm. A truly great album.  With Yolen, he’s written the Rock ‘n’ Roll Fairy Tales, Pay the Piper and Troll Bridge which are well worth reading, plus the Seelie Wars trilogy which I’ve not read. He’s also written two Singer of Souls urban fantasies which I remember as quite engaging.
  • Born April 30, 1973 — Naomi Novik, 49. She wrote the Temeraire series which runs to nine novels so far. Her first book, His Majesty’s Dragon, won her the Astounding Award for Best New Writer. She most deservedly won the Nebula Award for Best Novel for Uprooted which is a most excellent read. I’ve not yet read her Spinning Silver novelwhich won a Mythopoeic Fantasy Award for Adult Literature, so opinions are welcome. She has a number of Hugo nominations starting at Nippon 2007 for His Majesty’s Dragon, then next at MidAmericaCon II for Uprooted, The Temeraire series at Worldcon 75. No wins yet which really, really surprises me. She’s twice been a finalist for Lodestar Award for Best Young Adult Book with A Deadly Education at DisCon III for  and this year at Chicon 8 for The Last Graduate.
  • Born April 30, 1982 — Kirsten Dunst, 40. Her first genre role was as Claudio in Interview with the Vampire. Later genre roles include Judy Shepherd in Jumanji, voicing Christy Fimple in Small Soldiers, voicing Becky Thatcher in The Animated Adventures of Tom Sawyer, Mary Jane Watson in Spider-Man franchise, voicing Kaena in Kaena: The Prophecy, and showing up on Star Trek: The Next Generation as Hedrilin in the “Dark Page” episode. She would have been nine years old in that episode!
  • Born April 30, 1985 — Gal Gadot, 37. Wonder Woman of course in the DC film universe. Other genre work, well, other than voicing Shank on Ralph Breaks the Internet, there really isn’t any. She did play Linnet Ridgeway Doyle in the Kenneth Branagh production Death on the Nile which is quite lovely but not genre adjacent, but I really don’t mind as they’re lovely mysteries. Oh, and she’s playing The Evil Queen in the forthcoming Snow White film.
  • Born April 30, 2003 — Emily Carey, 19. Yes, nineteen years old. She has had a lot of roles for her age. First she played the twelve-year-old Diana in Wonder Woman followed by playing  the fourteen-year-old Lara in the rebooted Tomb Raider.  And then she’s in Anastasia: Once Upon a Time in the lead role of Anastasia.  She’s Teen Wendy Darling in the forthcoming The Lost Girls. She was in the genre adjacent Houdini and Doyle as Mary Conan Doyle, and finally she’s in the not-yet-released G.R.R. Martin’s House of the Dragon series as the young Alicent Hightower. 

(11) COMICS SECTION.

(12) CHALK AROUND THE CLOCK. The Pasadena Chalk Festival returns June 18-19 at The Paseo.

The Pasadena Chalk Festival began in 1993 after a summer intern at the Light Bringer Project attended a street painting festival in Paris and brought back her amazing pictures and observations. The first “Chalk on the Walk” took place at Centennial Square at Pasadena City Hall with over 150 visual artists participating in the first Los Angeles-area event. All proceeds went toward community arts programs and HIV/AIDS resources.

In 2010, The Pasadena Chalk Festival was officially named the largest street painting festival by the Guinness World Record, welcoming more than 600 artists using over 25,000 sticks of chalk and drawing a crowd of more than 100,000 visitors in one weekend. 

Below is an hour-long video of last year’s Chalk Festival. And here is File 770’s roundup of sff art from the 2019 festival via Twitter.

(13) DON’T SAY PAY. The Florida legislature’s move to punish Disney for publicly opposing the “Parental Rights in Education” bill, also known as the “don’t say gay” bill fails to conform to other requirements of state law says the corporate giant: “Disney’s special tax district suggests its repeal is illegal” in the Miami Herald.

As Florida legislators were rushing through passage of a bill to repeal the special district that governs Walt Disney World last week, they failed to notice an obscure provision in state law that says the state could not do what legislators were doing — unless the district’s bond debt was paid off. Disney, however, noticed and the Reedy Creek Improvement District quietly sent a note to its investors to show that it was confident the Legislature’s attempt to dissolve the special taxing district operating the 39-square mile parcel it owned in two counties violated the “pledge” the state made when it enacted the district in 1967, and therefore was not legal. The result, Reedy Creek told its investors, is that it would continue to go about business as usual.

The statement, posted on the website of the Municipal Securities Rulemaking Board on April 21 by the Reedy Creek Improvement District, is the only public statement Disney has supplied since lawmakers unleashed their fury over the company’s vocal opposition to the “Parental Rights in Education” law, also known as the “don’t say gay” bill. The statement, first reported by WESH 2, quotes the statute which says, in part, that the “State of Florida pledges…it will not limit or alter the rights of the District…until all such bonds together with interest thereon…are fully met and discharged.”

… In essence, the state had a contractual obligation not to interfere with the district until the bond debt is paid off, said Jake Schumer, a municipal attorney in the Maitland law firm of Shepard, Smith, Kohlmyer & Hand, in an article for Bloomberg Tax posted on Tuesday and cited in a Law and Crime article.

The law passed by the Republican Legislature on a largely party-line vote, and signed into law by the Republican governor, either violates the contract clause of the Florida Constitution, or is incomplete, Schumer told the Herald/Times on Tuesday. If the Legislature wants to dismantle the Reedy Creek Improvement District, it has more work to do.

(14) FLY YOU FOOLS! J. Michael Straczynski would like to tell you about the worst musical he ever saw. Thread starts here.

(15) DO TOUCH THAT DIAL. Tor.com’s Robert Repino beggars the imagination by reminding readers about “Six Bizarro Made-for-TV SFF Movies That Actually Exist”. Such as —

Gargoyles (1972)

Not to be confused with the prematurely canceled ’90s cartoon of the same name, Gargoyles starred B-movie tough guy Cornel Wilde (from The Naked Prey). The opening voiceover raises the stakes pretty high: In the aftermath of the war between God and Satan, a race of creatures climbs out of hell to terrorize mankind every few centuries. In the modern age, the gargoyles are relegated to myth and statues, leaving humans completely unprepared for their next onslaught.

Whoa. That sounds serious. Until you notice that the gargoyles reemerge in a desert that is surely within driving distance of the studio. And it takes only a handful of armed townsfolk to quell the apocalyptic uprising. But those minor details aside, this movie remains a guilty pleasure for my generation, in part because of the Emmy-winning makeup wizardry of Stan Winston. The gargoyles aren’t that scary, but they look pretty darn cool, and some of them even fly. And by “fly,” I mean “slowly lift off the ground with a barely concealed cable.”

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Alasdair Beckett-King meets the evil emperor, who wonders why the people don’t love him!

What do you do when you’ve seized power and/or purchased a large social media company? You monologue.

[Thanks to Cat Eldridge, Mike Kennedy, Cora Buhlert, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]

Pixel Scroll 4/21/22 And When The File Breaks The Pixel Will Scroll

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(1) SDCC REPORTS LOSS; ALSO WARNED BY STATE ABOUT UNFILED RETURNS. Petréa Mitchell at SMOF News broke the story to her readers that San Diego Comic-Con’s nonprofit corporation suffered an $8 million loss in 2020, and has been warned by the state of California the corporation is delinquent in filing some required federal tax returns and reports due to the state, as reported by the Times of San Diego: “Double-Whammy for Comic-Con: $8M Loss and Threat to State Tax Exemption”. The 2020 loss is declared below in the screencap of a California Annual Renewal Registration Fee form they have filed.

Comic-Con is at risk of losing its nonprofit status, the state says, only days after the giant tourism draw signed up with IMG in a licensing deal amid a reported $8 million loss in COVID-stricken 2020….

But last Nov. 18, Comic-Con filed its annual registration renewal fee report, which said it had $3.97 million gross revenue in 2020, when the pandemic forced suspension of Comic-Con. Its gross expenses that year were $11.98 million. (Its total assets were $42.4 million.)

The letter to Comic-Con said it has until May 15 to file a state form. Bonta said that if IRS forms aren’t sent to the state Registry of Charitable Trusts within 60 days of April 7 — or June 6 — two things would happen:

      • His office would notify the California Franchise Tax Board to disallow Comic-Con’s tax exemption. (“The Franchise Tax Board may revoke the organization’s tax exempt status at which point the organization will be treated as a taxable corporation … and may be subject to the minimum tax penalty.”)
      • Late fees would be imposed for each month or partial month for which reports were delinquent. “Directors, trustees, officers and return preparers responsible for failure to timely file these reports are also personally liable for payment of all late fees.”

(2) KGB SHOTS. Ellen Datlow shared her photos from the (in-person!) Fantastic Fiction at KGB reading series event on April 20 where Robert Freeman Wexler and Victor LaValle each read form forthcoming work.

(3) FOUR TO DRAW TO. Fanac.org has posted the video of a Minicon 15 (1979) panel “History of the Future” with Ted Sturgeon, Clifford Simak, Lester del Rey, and Gordon Dickson.  

Minicon 15 was held April 13-15, 1979 in Minneapolis. In this recording, four of the most respected authors of their time—Theodore Sturgeon, Clifford D. Simak, Lester del Rey and Gordon Dickson—have a free ranging discussion on topics from earlier science fiction views of the future, to what the literature has “missed,” and the relationship of technocracy to then current society. 

Lester del Rey is at his most opinionated, getting laughs and applause, as well as exhibiting his encyclopedic knowledge of the field. There are discussions of freedom vs governance, the problems of finding information, and, triggered by a question from the audience, a long discussion on education. 

Simak tells a deeply personal story about his son’s experience in the public school system, and the other authors speak of their own experiences with education.  There are predictions, anecdotes, and a few surprising revelations…

Thanks to Geri Sullivan and the Video Archeology project for providing the recording. 

(4) HER TWIN FROM ANOTHER PLANET. The linked article talks about a science fiction film titled The Day Mars Invaded Earth and how the author, Hal Bookbinder, used his genealogical skills to sleuth out more about the twin actresses in the film: “The Day Mars Invaded Earth” at the JGSCV Newsletter.

While watching old movies. I often Google the film to learn more about it and its cast. “The Day Mars Invaded Earth” was filmed in 1962 and released in 1963. Among its cast are Betty Beall and Barbara Beall who play counterparts in the same scene, shown at the bottom. Betty Beall plays the teenage daughter of a NASA scientist who oversees the landing of a probe on Mars. After destroying the probe, unseen Martians create a duplicate of him to foil further attempts to land a probe. They then create duplicates of his family to cover their tracks. The NY Times panned the picture. Very little is to be found on either Betty or Barbara….

(5) POTLATCH. Ian Frazier shares some humorous confessions with readers of The New Yorker in “The Literature of Cabin Fever”. One paragraph reminds me that once there was an annual convention by this name (and with something of the same gift-sharing philosophy).

…A big excursion for me was to drive to the town of Kalispell, some twenty miles away. I was writing on a brand of paper called Potlatch. Such an interesting name for copy paper—Potlatch. I ran out of my first ream of it, and when I was buying more at an office-supply store in Kalispell I told the salesperson about potlatch—how it was a Native American word that meant a kind of party in which a chief or even just an ordinary person gave away stuff to other members of the tribe. “Giveaway” is a rough translation of the word into English, I told the salesperson. The potlatch was a system for showing status and spreading the wealth downward, I said. As I looked at the reaction on the salesperson’s face, it sank in that I was not in a normal frame of mind….

(6) WHEN AND WHERE DID HUMANS EVOLVE? [Item by SF Concatenation’s Jonathan Cowie.] We all know the basic story, archaic humans and then modern humans evolved in Africa and then migrated to the rest of the world, held SF conventions and went to the Moon (the Americans even did it without Cavorite!).

The problem is, is that the fossil record only provides snapshots.  A fossil tells us that this species lived at this place and at that time.  What it does not do is tell us when that species first evolved: it is very unlikely that a fossil discovered will be the remains of the first representative of a new species.  So, what to do?

“Climate effects on archaic human habitats”, rResearch published today in Nature  has taken a novel approach.  We know from fossils the environment in which archaic and modern human species inhabited.  What the researchers have done is link this into deep-time climate models and in turn linked that into an ecological model.  The idea here is that given a certain geography, location and climate, it is possible to work out the ecology of a locality.

Due to climate change, climate models have really improved the past one-third century and now have a good resolution and are capable of modelling back into glacial times (‘ice ages’ in common-but-inexact parlance). This means we can meaningfully identify when and where certain environmental types arise and wane as climate changes. Knowing the environmental preferences (from where fossils were found and conditions back then) of various human species, it is possible to see when and where the environmental conditions that could sustain these species begin and end.

The bottom line is that the researchers propose the following scenario: about 850–600 ka, H. heidelbergensis, which may have originated from H. ergaster in eastern Africa, split into southern and northern African branches, the latter of which included northern African and Eurasian populations.

The intensified dispersal into off-equatorial regions may have occurred during periods of high eccentricity around 680,000 and 580,000 years ago, which increased habitat suitability in otherwise inhospitable regions. The southern branch then experienced considerable climatic stress in southern Africa which could have accelerated a transition into H. sapiens. The Eurasian populations of the northern branch split around 430,000, possibly giving rise to Denisovans, which populated parts of central and eastern Asia. Inside central Europe, H. heidelbergensis, then experienced strong local climatic stress and gradually evolved into H. neanderthalensis between 400,000 and 300,000 years ago.

Neat, huh?

(7) LIGHTYEAR TRAILER. Disney Pixar’s Lightyear is coming to theaters on June 17.

Check out a new trailer for Disney and Pixar’s “Lightyear,” revealing new details about the upcoming sci-fi action adventure. The definitive origin story of Buzz Lightyear, the hero who inspired the toy, “Lightyear” follows the legendary Space Ranger after he’s marooned on a hostile planet 4.2 million light-years from Earth alongside his commander and their crew. As Buzz tries to find a way back home through space and time, he’s joined by a group of ambitious recruits and his charming robot companion cat, Sox. Complicating matters and threatening the mission is the arrival of Zurg, an imposing presence with an army of ruthless robots and a mysterious agenda. A new poster and images are also available.

(8) JEAN COCTEAU REOPENING. George R.R. Martin’s Jean Cocteau Cinema in Santa Fe, NM will reopen May 6, when people will get the opportunity to “Be the very first members of the public to sit in our new theater seats, hear the new sound system, and enjoy a transformed theatrical experience at the Jean Cocteau!”

It will kick off with a weekend of classic films hosted free of charge by the Jean Cocteau Cinema and Beastly Books, and they’re taking a poll to determine which five films from a curated list of 10 classics, including titles picked by GRRM, will be shown. Vote here. Voting ends Sunday, April 24th.

(9) MEDIA BIRTHDAY.

1976 — [Compiled by Cat Eldridge.] The mark of how good a series is not how great the pilot is but the first episode after the pilot. Forty-six years ago this evening on ABC, the second episode of Wonder Woman aired, a curiosity titled affair called “Wonder Woman Meets Baroness Von Gunther”. In it she got to take resurgent Nazis on in form of a Nazi spy ring known as the Abwehr who are active again and who are targeting Steve Trevor for imprisoning the Baroness von Gunther, their leader. 

The Baroness Paula von Gunther was created by William Moulton Marston as an adversary for his creation Wonder Woman in Sensation Comics #4, 1942. Though she disappeared during the Crisis on Infinite Earth years, Jim Byrne brought her back in 1988 and made once again the Nazi villainess she once was. 

This episode is based off “Wonder Woman Versus the Prison Spy Ring” in Wonder Woman #1 (July 1942). (The title comes from when it was reprinted later.) In the story, Colonel Darnell informs Trevor that an army transport ship was sunk by a German U-Boat. Believing the Nazis must have had a traitor inside the Army, Darnell orders Steve to interrogate the former head of the Gestapo system in America — The Baroness who is now serving time in a federal penitentiary thanks to Wonder Woman. Note that this episode made Trevor responsible for her being captured. 

So how was it received? This episode ranked twelfth in the Nielsen ratings, shockingly beating out a Bob Hope special which ranked twentieth.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 21, 1911 — John Lymington. Between the late Fifties and the mid-Eighties, he wrote twenty-six genre novels, an astonishing number but only a fraction of the estimated 150 books he wrote overall. His short genre fiction is published in his Night Spiders collection. He’s not made it into the digital realm and I’ll admit that I’ve not heard of him, so I’m hoping the brain trust here can tell me about him. E0sF says helpfully that this was the pseudonym of UK author John Newton Chance who wrote a lot of the Sexton Blake thrillers. Come on folks, tell me about him! (Died 1983.)
  • Born April 21, 1922 — Alistair MacLean. I’ll admit that I know I read at least a handful of his works when I was much younger. ISFDB lists four novels (Goodbye California, The Dark Crusader, The Golden Gate and The Satan Bug) as being genre though I personally would say they are thrillers with genre elements. Clute at EoSF agrees saying that they are “Cold War thrillers which make use of sf McGuffins”. (Died 1987.)
  • Born April 21, 1928 — Dee Hartford. Miss Iceland, companion of Mister Freeze in two episodes of that Batman series. She also had appearances on Time Tunnel, Lost in Space, Land of The Giants, The Man from U.N.C.L.E., The Twilight Zone, The Outer Limits and The Alfred Hitchcock Hour.  Yes, she was very pretty and that really counted in that time. She appeared on “The Bewitchin’ Pool” which was the last original episode of The Twilight Zone to be broadcast (though it was not the last one to be filmed). (Died 2018.)
  • Born April 21, 1933 — Jim Harmon. During the Fifties and Sixties, he wrote more than fifty short stories and novelettes for Amazing Stories, Future Science Fiction, Galaxy Science Fiction, If, The Magazine of Fantasy & Science Fiction and other magazines. Most of his fiction was collected in Harmon’s Galaxy. ISFDB says he has just one novel, Sex Burns Like Fire. He’s a member of First Fandom Hall of Fame. (Died 2010.)
  • Born April 21, 1939 — John Bangsund. Australian fan from the Sixties through the Eighties. He was instrumental with Andrew Porter in Australia winning the 1975 Aussiecon bid, and he was Toastmaster at the Hugo Award ceremony at that con. His fanzine, Australian Science Fiction Review, is credited with reviving Australian Fandom in the Sixties. And he was the instigator of the term “Muphry’s law” which states that “If you write anything criticizing editing or proofreading, there will be a fault of some kind in what you have written.” (Died 2020.)
  • Born April 21, 1965 — Fiona Kelleghan, 57. Though an academic to the bone, she has two genre stories “The Secret in the Chest: With Tests, Maps, Mysteries, & Intermittent Discussion Questions” and “The Secret in the Chest”. Of her academic works, I find most fascinating Mike Resnick: An Annotated Bibliography and Guide to His Work which last was revised in 2012 for the paperback edition. Wikipedia shows her Alfred Bester, Grand Master: An Annotated Bibliography is a work in progress. 
  • Born April 21, 1971 — Michael Turner. Another one who died way, way too young. He was a comics artist known for his work on Witchblade,Tombraider / Witchblade one-off, the Superman/Batman story involving Supergirl, his own Soulfire, and various covers for DC Comics and Marvel Comics. He would die of bone cancer. A Tribute to Michael Turner with writings from people who knew him and a cover done by Alex Ross would be released to cover his medical expenses. (Died 2008.)
  • Born April 21, 1980 — Hadley Fraser, 42. His first video acting role was Gareth in the superb Tenth Doctor story, “Army of Ghosts”. He’d later be Chris in The Lost Tribe, a horror film, and play Viscount Raoul de Chagny in The Phantom of The Opera, as well as being Tarzan’s father in The Legend of Tarzan. And though not even genre adjacent, I’m legally obligated to point out that he showed up as a British military escort in the recent production of Kenneth Branagh’s absolutely smashing Murder on the Orient Express. Branagh just directed his second Agatha Christie film in which he plays the Belgian detective, Death on the Nile.

(11) COMICS SECTION.

  • Hey, I used to sit in a green chair and read to my daughter just like in Hi and Lois. All we needed was a punchline!
  • Dino Comics knows the truth is out there.

(12) HE’S STILL READING. “Samuel R. Delany’s Life in Books” for the New York Times Magazine is a strong series of reminiscences all tied together by the printed page.

…I was brought up with a series called “My Book House,” edited by Olive Beaupré Miller, which I still refer to. Those books introduced me to mythology and history, to the “Iliad” and “The Odyssey,” the “Kalevala,” the legend of Dick Whittington and early stories of Johnny Appleseed. In them, I got my first images of what Shakespeare’s childhood must’ve looked like, and the great wagons on which the traveling mummers rode around and presented their plays. The drawings were wonderful. They were particularly important to me because I was dyslexic, and I got a lot of my education through images. The very first thing I read all the way through was a Bob Kane Batman comic book. My father wanted to stop me because he objected to comics, but my mother said, “No! He’s reading!”…

(13) MEET THE FILMMAKERS. Enjoy this featurette on Everything Everywhere All At Once.

(14) NETFLIX ORIGINAL ANIMATION ON DEATHWATCH. “Netflix kills the Bone show as its Original Animation department pretty much falls apart” reports A.V. Club. Yesterday streaming service Netflix saw its stock price plummet by record amounts in response to a dismal Q1 earnings call.

…Amidst the chaos, The Wrap released a quieter report this afternoon, one focused on the company’s once vaunted Original Animation department—reporting, among other things, that Phil Rynda, Netflix Director of Creative Leadership and Development for Original Animation, had been let go from the company this week, and that several high-profile animated projects, most notably the much-anticipated animated adaptation of Jeff Smith’s beloved comic series Bone, were dead at the service.

The Bone show is a blow, for sure; fans have been waiting for Smith’s all-ages adventure comic, seemingly a natural fit for animation, to get a worthy adaptation for years. But the report, written by Drew Taylor, also delves into Netflix’s overall treatment of animation creatives, who were once lured to the company with promises of creative freedom, and are now frequently tossed stacks of data to justify the company’s limited advertising for, and support of, its animated shows.

Case in point: The company’s slow response earlier this month to the news that Elizabeth Ito’s excellent (and already canceled) City Of Ghosts had won a Peabody Award. Ito was forced to basically launch a single-person campaign to even get the service to acknowledge the victory; this, after Netflix kept her in suspense about whether the show would get another season….

(15) THE HEAT IS ON. [Item by SF Concatenation’s Jonathan Cowie.] Radical emissions cuts combined with some atmospheric carbon removal are the only hope to limit global warming to 1.5 °C, scientists warn.

Further to last week’s research reported in File 770, the UN’s IPCC have upped the ante, as this week’s Nature says: “IPCC’s starkest message yet: extreme steps needed to avert climate disaster”.

Humanity probably isn’t going to prevent Earth from at least temporarily warming 1.5 °C above pre-industrial levels — but aggressive action to curb greenhouse-gas emissions and extract carbon from the atmosphere could limit the increase and bring temperatures back down, according to the latest report from the United Nations Intergovernmental Panel on Climate Change (IPCC)….

(16) I GO TO PIECES. “Lego’s Star Wars Day Offerings Include a new 1,890-Piece Ultimate Collector Series Version of Luke’s Landspeeder” – Gizmodo has the story. (Or should I say, ad?)

May the 4th is just a few weeks away and just like the Death Star targeting a defenseless planet, there’s nothing you can do to protect your budget against the onslaught of Star Wars merchandise enroute, including a new addition to Lego’s pricey Ultimate Collector Series line.

As with all of Lego’s UCS models, the new Luke Skywalker’s Landspeeder puts previous Lego versions of the vehicle to shame with an incredible amount of detail and new parts you won’t find anywhere else…

(17) BRAZILIAN ANIMATION. Speaking of blocks… In Escalade, Luciano Fulgi and Paolo Muppet explain what happens when you want to tower over your neighbors!

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Fantastic Beasts: The Secrets of Dumbledore Pitch Meeting,” Ryan George, in a spoiler-filled episode, says the producer has forgotten so much about this series he refers to hero Newt Scamander as “Nugget Scaffolding.”  The writer explains many puzzling plot twists in this film (such as how villain Grindelwald, played previously by Johnny Depp, has become Mads Mikkelsen) by saying “magic!” MANY MANY TIMES.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Jeffrey Smith, Rob Thornton, SF Concatenation’s Jonathan Cowie, Daniel Dern, Linda Deneroff, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 3/21/22 Go Strider In The Sky 

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(1) BALTICON GUEST NEWS. Balticon 56 announced that Odera Igbokwe has had to withdraw as Artist Guest of Honor due to personal reasons.

They followed up by naming two special guests: Kevin Roche, a costumer, conrunner, and quantum scientist and his husband Andy Trembley, a filker, costumer, and conrunner.

Balticon, which takes place May 27-30, also confirmed they will be streaming their most popular program tracks, and hosting virtual panels, kaffeeklatsches, author readings and more.

Virtual pricing for the whole weekend is $30 for adults and $20 for young adults. Virtual membership is automatically included with any in-person membership purchase. (Full rate information is here.)

(2) ESFS AWARDS NOMINEES. The European Science Fiction Society has released the nominations for the 2022 Achievement Awards, Hall of Fame Awards, and Chrysalis Awards.

The winners of these awards will be selected at the next general meeting of the ESFS, which will take place at Luxcon 2022, which takes place from 7th to 10th April, 2022 in Dudelange, Luxembourg.

(3) GRRM-CONNECTED GAME SUCCESS. Yahoo! reports “’Elden Ring’ Sells Over 12 Million Copies Worldwide”  — “Almost as many as PacMan,” teases John King Tarpinian.

While publisher Bandai Namco initially predicted that FromSoftware‘s Elden Ring would sell around 4 million units, the game has more than surpassed expectations. In the 18 days following its release, over 12 million copies of Elden Ring have been sold worldwide, the two companies announced on Monday.

According to the press release, the game was released throughout North America, Europe, Asia, Africa and the Middle East. 1 million units were sold in Japan alone.

Created in collaboration with novelist George R. R. Martin, who is best known for writing the series behind Game of Thrones, Elden Ring is an open-world action RPG that entered development in 2017. Players begin with a linear opening but are gradually enabled to explore the mythical Lands Between….

And George R.R. Martin recently took a moment to deny a story about the game.

…Oh, and as long as I am setting stuff straight, there’s a weird story all over the internet about how I “hid” my initials in ELDEN RING because… ah.. some of the characters have names beginning with R, or G, or M.   To which I say, “Eh?  What?  Really?”   This was news to me.    I have been writing and publishing stories since 1971, and I suspect that I have been giving characters names beginning with R and G and M since the start.   Along with the other twenty-three letters of the alphabet as well…  

(4) WHAT WOULD IT LOOK LIKE IF THE MANDALORIAN WAS INDIGENOUS? [Item by Olav Rokne.] Pretty cool Star-Wars-Inspired works by Canadian artist Christal Ratt got featured on the CBC News this weekend. Ratt, a member of the Barriere Lake Algonquin Nation in Quebec, used traditional techniques to create birch-bark armour modelled after the Mandalorian’s beskar armour. “What if the Mandalorian’s armour was birch bark instead of beskar? An Algonquin artist brings that to life”.

…And while it may not be able to stop lightsabers, the wearable piece of art also includes a birch bark helmet, with quilled Woodland florals and different shades of orange to honour residential school survivors from her community. 

The piece is called Shemaginish, which means warrior….

Personally, I find it really interesting to note that several artists of Indigenous Canadian descent are reinterpreting Star Wars iconography through traditional Indigenous styles. In addition to Ratt, there are several examples I can think of this, including well-known Canadian artists Andy Everson (a member of the Comox First Nation), and Aaron Paquette (a member of the Métis community in Edmonton) have found inspiration in mixing Star Wars with styles drawn from their respective Indigenous communities.

(5) AUTHOR’S GUILD SUPPORTS SMART COPYRIGHT ACT. The Author’s Guild announced, “AG Supports Introduction and Passage of the SMART Copyright Act of 2022”.

… Why the Smart Copyright Act Is Necessary

The safe harbors for internet platforms in the Copyright Act are conditioned on the platforms’ cooperation to remove pirated content. The law has not worked as intended by Congress to encourage that cooperation, however, because the courts resisted enforcing the loss of safe harbors. In doing so, they took the teeth out of the law. As a result, piracy is out of control today, and the only mechanism that creators have to combat piracy is to send continuous takedown notices to the platforms, which is not only costly and time-consuming—for both the creators and platforms—but it is also ineffective because pirates often repost the infringing material. Online piracy harms the entire publishing and other creative ecosystems, leaving creators, who are usually at the bottom of the food chain, with only crumbs. Writers and other creators have no recourse except to watch the income from legitimate sales of their works dwindle while e-book pirates line their coffers.

The best way to curb piracy is for service providers to adopt STMs that automatically limit the amount of piracy on their services. These technologies already exist, and many platforms already use them effectively for certain types of works. The Authors Guild and other organizations representing creators have asked Congress to require all the major user-generated content sites to use such technologies to prevent or curb piracy. While the current law contemplates voluntary multi-industry convenings to create and adopt STMs, there has been no incentive for online providers to do so. As a result, no STMs have been formally recognized in the 23 years since the law was passed.

Bill co-sponsor Sen. Thom Tillis (R-NC) says on his site:

…Online service providers struck a deal with Congress twenty years ago—they wouldn’t have to pay for copyright theft facilitated by their systems if they worked with copyright owners to create effective standardized technical measures (STMs) to identify and protect against distribution of stolen content. In enacting this grand bargain, Congress clearly envisioned this safe harbor immunity would act as an incentive for platforms and rights holders to collaborate on developing effective measures to combat copyright theft, lower transaction costs, accelerate information sharing, and create a healthy internet for everyone. 

Yet rather than incentivizing collaboration, the law actually inhibits it because service providers cannot risk losing their valuable safe harbors if an STM is created. In addition, the current statute provides only one path to establish that a technological measure is a consensus-based STM that must be available to all. As a result, no STMs have been identified since the law took effect.  The issue isn’t whether technical measures to combat rampant copyright infringement exist—plenty do—but rather how to encourage service providers to adopt technical measures to combat stealing and facilitate sharing of critical copyright data.   

The Strengthening Measures to Advance Rights Technologies (SMART) Copyright Act of 2022 takes a measured approach to addressing these barriers in two ways. It creates flexibility so that more existing measures could be eligible for consensus created STMs and it addresses the incentive issue by authorizing the Librarian of Congress to designate through an open, public rulemaking process technical measures identified by stakeholders that certain service providers must accommodate and not interfere with. Instead of “bet the company” loss of safe harbors, violations involving designated technical measures (DTMs) risk only actual or statutory damages, from which innocent violators can be exempt.

Read a one-pager of the bill HERE and myth vs. fact HERE.

(6) LISTEN IN. Cora Buhlert is interviewed by Oliver Brackenbury in episode 36 of the So I’m Writing a Novel podcast: “Interview with Cora Buhlert”.

Cora Buhlert is a Hugo-nominated author and genre scholar who Oliver was lucky enough to meet through his research for the novel, and he’d love for you to meet her too!

Oliver and Cora discuss her falling in love with the very American body of work known as pulp fiction while she grew up travelling the world, the survival of dime novels in modern Germany, the irresistible pull of forbidden fiction, Thundarr and He-Man, “the best thing that happened in Germany in 1989”…

(7) SLICE OF LIFE. Did you ever want to know what H.P. Lovecraft thought of Gustav Meyrink’s The Golem and its silent film adaptations? If yes, Bobby Derie has you covered: “The Golem (1928) by Gustav Meyrink” at Deep Cuts in a Lovecraftian Vein.

… Der Golem (“The Golem”) was a silent film directed by and starring Paul Wegener with German intertitles released in 1915. The film is now believed to be lost, aside from some fragments. This film was followed by two more: Der Golem und die Tänzerin (“The Golem and the Dancing Girl”) in 1917, and Der Golem, wie er in die Welt kam (“The Golem: How He Came Into The World”) in 1920, both of which were also directed by and starring Paul Wegener as the golem. So it isn’t clear which film Lovecraft actually saw. The 1920 film survives and is in the public domain.

Lovecraft claimed in most of his letters to have caught a showing of it in 1921, and like many an English student of the VHS era who needed to write a book report, he assumed somewhat erroneously that it was faithful to the plot of the book….

(8) ONCE UPON A NEWSSTAND. [Item by Cora Buhlert.] At Dark Worlds Quarterly, G.W. Thomas takes a look at Weird Tales’ shortlived sister magazine Oriental Stories a.k.a. Magic Carpet Tales: “Magic Carpet Tales: The Other Weird Tales” I’ve read some of Robert E. Howard’s contributions to Oriental Stories/Magic Carpet Tales and they were very good.

… Exotic locales, sexy seductresses and plotting agents aside, much of what appeared was a type of Horror fiction. Not always supernatural, torture tales, conte cruels but not your run-of-the-mill werewolf and vampire stories. For those who love Robert E. Howard and other WT authors, this is a bonanza of secondary tales….

(9) MEDIA BIRTHDAY.

1968 – [Item by Cat Eldridge.] On this day in the United Kingdom fifty-four years ago, Planet of The Apes premiered. It was directed by Franklin J. Schaffner. The screenplay was by Michael Wilson and Rod Serling, and was based loosely upon Pierre Boulle‘s La Planète des Singes. 

It starred Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly and Linda Harrison. Roddy McDowall had a long-running relationship with this series, appearing in four of the original five films (absent only from the second film of the series, Beneath the Planet of the Apes, in which he was replaced by David Watson in the role of Cornelius), and also in the television series.

It was met with critical acclaim and is widely regarded as a classic film and one of the best films of that year.  Roger Ebert of the Chicago Sun-Times said that it was “much better than I expected it to be. It is quickly paced, completely entertaining, and its philosophical pretensions don’t get in the way.” And Kevin Thomas of the Los Angeles Times exclaimed that it was, “A triumph of artistry and imagination, it is at once a timely parable and a grand adventure on an epic scale.” 

It did exceedingly well at the box office costing less than six million to make and making more than thirty million in its first year of screening.

Audience reviewers at Rotten Tomatoes give it an eighty-seven percent rating with over a hundred thousand reviewers having expressed an opinion!

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 21, 1931 — Al Williamson. Cartoonist who was best known for his work for EC Comics in the ’50s, including titles like Weird Science and Weird Fantasy, and for his work on Flash Gordon in the Sixties. He won eight Harvey Awards, and an Eisner Hall of Fame Award.  (Died 2010.)
  • Born March 21, 1944 — Lorene Yarnell Jansson. Yarnell played Dot Matrix (body acting, with Joan Rivers performing the voice) in Spaceballs. She was Sonia in The Wild Wild West Revisted, Formicida / Dr. Irene Janis in Wonder Woman’s “Formicida” episode and on the Muppet Show in season four episode, “Shields And Yarnell”. (Died 2010.)
  • Born March 21, 1946 — Terry Dowling, 76. I was trying to remember exactly what it was by him that I read and it turned out to be Amberjack: Tales of Fear and Wonder, an offering from Subterranean Press a decade ago. Oh, it was tasty! If it’s at all representative of his other short stories, he’s a master at them. And I see he’s got just one novel, Clowns at Midnight which I’ve not read but really should. He’s not at all deeply stocked at the usual digital suspects but they do have this plus several story collections. He’s won ten Ditmars, very impressive indeed, and quite a few other Awards as well.
  • Born March 21, 1946 — Timothy Dalton, 76. He is best known for portraying James Bond in The Living Daylights and Licence to Kill but is currently in The Doom Patrol as Niles Caulder, The Chief. As I’ve said before, go watch it now! He also was Damian Drake in Looney Tunes: Back in Action, Sir Malcolm on the Penny Dreadful series and Lord President of the Time Lords (Rassilon) during the Time of Tenth and Eleventh Doctors. He went to theatre to play Lord Asriel in the stage version of His Dark Materials.
  • Born March 21, 1956 — Teresa Nielsen Hayden, 66. She is a consulting editor for Tor Books and is well known for her and husband, Patrick Nielsen Hayden’s superb weblog Making Light, and back in the Eighties, they published the Izzard fanzine. And she has three fascinating framing pieces in The Essential Bordertown, edited by Delia Sherman and Terri Windling. 
  • Born March 21, 1958 — Gary Oldman, 64. First genre film role was as Rosencrantz in Rosencrantz & Guildenstern Are Dead. Next up is the lead role in Bram Stoker’s Dracula. And of course he was Jean-Baptiste Emanuel Zorg in Fifth Element, followed by being Lost in Space‘s Dr. Zachary Smith, which in turn led to Harry Potter’s Sirius Black, and that begat James Gordon in the Batman films. Although some reviewers give him accolades for us as role as Dr. Dennett Norton in the insipid Robocop remake, I will not. Having not seen Dawn of the Planet of the Apes, I can’t say how he is as Dreyfus in it.
  • Born March 21, 1965 — Cynthia Geary, 57. Best remembered as Shelly Tambo on Northern Exposure. It’s genre, isn’t it? If that’s not enough, she’s got a prime genre role in The Outer Limits episode “Mary 25” in which she plays Teryl who is not what she seems. And she shows up on Fantady Island in the “Dying to Dance” as Pamela Lewis.
  • Born March 21, 1970 — Chris Chibnall, 52. Current showrunner for Doctor Who and the head writer for the first two (and I think) best series of Torchwood. He first showed up in the Whoverse when he penned the Tenth Doctor story, “42”.  He also wrote several episodes of Life on Mars. He’s been nominated for a Hugo three times for work on Doctor Who, “Rosa” at Dublin 2019, “Resolution” CoNZealand and for “Fugitive of the Judoon” at DisCon III.
  • Born March 21, 1985 — Sonequa Martin-Green, 37. She currently plays Michael Burnham on Discovery which is now In its fourth series. She had a brief recurring role as Tamara in Once Upon a Time, and a much longer recurring role on The Walking Dead as Sasha Williams but I’ve never seen her there as zombies hold absolutely no interest to me. Well Solomon Grundy does…  And she was in the Shockwave, Darkside film.

(11) COMICS SECTION.

  • The Duplex shows the history you learn from watching movies.
  • Lise Andreasen says these are “Exactly the same things I would do!”

(12) OUTFOXED. Arturo Serrano reviews the new Pixar film for Nerds of a Feather in “’Turning Red’ finds joy in the scary messiness of puberty”.

…Disney/Pixar’s new animated movie Turning Red takes this metaphor of puberty as transformation and situates it in the no less stressful context of the immigrant experience during the rise of digital mass media. If being a teenager is hard, it’s almost unbearably so when inherited traditions and expectations conflict with multicultural openness and pop culture sex symbols. When protagonist Meilin Lee learns that the women of her family have the power to transform into enormous red pandas, it feels like it couldn’t have come at a worse time: she’s busy enough pleasing her parents and excelling at school and daydreaming about boy bands without going all Katie Ka-Boom every time she gets emotional. So she panics, and tries to hide what’s happening to her, and pretends to be in full command of her feelings—but her inner animal won’t be tamed. There’s no denying the call of nature….

(13) EFF ME. That was my reaction to the headline “Hugh Grant ‘in conversation’ to replace Jodie Whittaker as Doctor Who” at Metro News.

…Well, rumour has it the Love Actually star could be taking over from Jodie Whittaker as the Time Lord.

According to The Mirror, the BBC series could be heading for a Marvel-style makeover, with Hugh at the helm….

(14) WIN BY LOSING. “Loki Award Show Lost Saves Universe, According to Miss Minutes” – Gizmodo has the story.

Awards season hit a high note this weekend as multiple guilds and groups gave awards leading up to the grand finale, the Oscars, which happen this coming Sunday. One of the biggest to do so was the Writers Guild of America—and apparently one specific category literally saved the world, at least according to a certain animated talking clock from the Marvel Cinematic Universe.

… In the Drama category, Succession was up against The Handmaid’s Tale, The Morning Show, Yellowjackets, and Marvel’s Loki. And it’s that last one we’re going to concentrate on. Showrunner and head writer Michael Waldron revealed on Twitter that, had Loki won, this is the acceptance speech the writers submitted to air.

(15) REGENCY TEA TIME. [Item by Cora Buhlert.] Aja Romano shares her appreciation for the works of Georgette Heyer and wonders why Heyer is not a household name and has never had a film or TV adaptation: “When will Hollywood discover Georgette Heyer?” at Vox. I’d say that Georgette Heyer is at least genre-adjacent, since a lot of SFF fans seem to like her and Regency romance in general. Plus, Regency dancing is a thing at many cons.

…[Jane] Austen’s relative lack of sentiment also helped her gain popularity and respect as a writer in a male-dominated century of literature. While other women writers of her time like Fanny Burney were reviled as trashy, Austen’s lack of interest in high drama and romance made her work acceptable to male readers as well as to women. One 19th-century critic wrote approvingly that “she sets her face zealously against romantic attachments.”

That patriarchal lack of respect for the art of writing about love may also explain why few outside of romance fans have ever heard of Austen’s primary successor: Georgette Heyer. Despite singlehandedly creating the modern romance, Heyer is still a niche author. And though she has nearly 10 times as many books available for cinematic adaptation as Austen, Hollywood has yet to discover her….

(16) PARALLAX VIEWS OF WESTEROS. George R.R. Martin introduces “The Rise Of The Dragon” at Not A Blog and explains how it complements Fire & Blood. Sample art at the link.

We’re so excited to announce The Rise of The Dragon, a lavish visual history of House Targaryen – the iconic family at the heart of HBO’s Game of Thrones prequel series, House of the Dragon – featuring over 180 all-new illustrations!

For those of you who are wondering: What’s the difference between The Rise of the Dragon and Fire & Blood? Think of The Rise of the Dragon as a deluxe reference book, in which Westeros’ most infamous family – and their dragons – come to life in partnership with some truly incredible artists.

Fire & Blood was scribed as a grandmaesters’ account of events from Aegon Targaryen’s conquest of Westeros through to the infamous Dance of the Dragons, the civil war that nearly undid the Targaryen rule. The Rise of the Dragon will cover the same time period, but is written in a more encyclopedic style similar to The World of Ice and Fire. In fact, The World of Ice and Fire authors Elio M. García, Jr. and Linda Antonsson have returned to help with this tome. …

(17) AIRING ON THE SIDE OF CAUTION. [Item by Daniel Dern.] From the “By The Book” weekly interview in the NY Times (Sunday) Book Review section, 3/20/22, with Jeremy Denk, a question that IIRC is part of every interview:

Q: What books are on your night stand.

A: In Manhattan, my night stand has become commandeered by a CPAP machine. I chose breathing over reading.

He then goes on to list books elsewhere in his domicile(s).

(18) IT’S FOR YOU. [Item by Martin Morse Wooster.] The BBC shows it’s possible to walk outside with a mobile phone “as big as a walkie talkie” and make a phone call in this clip from a 1974 episode of Blue Peter.

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Lise Andreasen, Olav Rokne, Daniel Dern, Cora Buhlert, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, who calls it his Tolkien cowboy title.]