Tag Archives: Ray Bradbury

Pixel Scroll 11/18/23 This Scroll Has Been Pixeled As A Tax Write Off

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(1) LAST NIGHT’S DOCTOR WHO. [Item by SF Concatenation’s Jonathan Cowie.] Last night we had the annual BBC Children in Need which is an annual charity TV marathon (which to date has raised over £1 billion). And in the mix Doctor Who was there.  

(2) BBC RADIO DISCUSSES BUTLER. [Item by SF Concatenation’s Jonathan Cowie.] The Exploding Library on BBC 4 looked at Octavia Butler with a lot of focus on the Parable of the Sower. It was superb. “The Exploding Library, Parable of the Sower, by Octavia E. Butler”.

Comedian Desiree Burch unravels Octavia Butler’s visionary 1993 novel Parable of the Sower and its sequel Parable Of The Talents, an eerily-prescient dystopian portrait of society in collapse after being torn apart by climate change and corporate greed – with a populist demagogue US president who rides to power with the slogan “Make American Great Again”.

Oh, and the story – pure fantasy of course, imagined by Butler three decades ago in the early 1990s – is set initially in 2024.

Now this all seems to Desiree just a little bit too close to reality for comfort. But is there hope – even optimism – beneath the surface of this chillingly bleak vision?

(3) TUBI OR NOT TUBI. Should be an easy question to answer now: “Tubi is Adding Every Episode of BBC’s Classic Doctor Who for Free” according to Cord Cutters News.

The Tardis has landed on Tubi. Viewers in the U.S. and Canada can now watch every episode of Classic Doctor Who and Classic Doctor Who: The Animated Lost Stories on the free ad-supported service.

If you plan to watch Classic Doctor Who in its entirety, be prepared to put in a lot of time. Doctor Who is the longest running action-adventure series in the world. Classic Doctor Who aired from 1963 to 1989 and has over 600 episodes. Tubi created a “New to Who” collection to ease in new ‘Whovians’ — a term coined by the sci-fi show’s legion of fans….

(4) CANCELLATIONS LEAVE FANS IN UPROAR. “Backlash as Netflix cancels five shows at once including its ‘best series’” – The Independent has the story.

…Now the Hollywood strikes are over, networks and streaming services are having to make decisions about their existing properties, with it being expected that many might fall foul of an untimely axing due to rising costs after production on all projects was stalled while the writers and actors protested for fairer compensation.

Days later, Netflix has gone ahead and culled five shows, one of which was a number one hit and had a fervent fanbase that campaigned for a season renewal: Shadow and Bone.

While the first season of the fantasy series, adapted from Leigh Bardugo’s Grishaverse novels, did big business for Netflix – even spawning a video game spin-off – season two struggled to break through in a major way, which is believed to have led to the service’s decision considering the show’s large budget.

Other shows that will no longer return include animated shows Agent Elvis and Captain Fall as well as Kim Cattrall-starring series Glamorous and sci-fi comedy Farzar.

(5) THOSE WERE THE DAYS MY FRIEND. “Don’t let anybody diss L.A.’s reading habits. This was and is a bookstore boomtown” says a defensive LA Times.

It’s late 1937, and you’re F. Scott Fitzgerald, the once-celebrated writer, and you’re getting paid $1,000 a week, which, especially during the Depression, and even for the gilded coffers of MGM, isn’t toy money.

From your place at the Garden of Allah apartments on Sunset, in what is now West Hollywood, you might decide to amble the couple of miles to Hollywood Boulevard, to the Stanley Rose Book Shop, knuckled right up against Musso and Frank. There, you might find other scribblers, with names like Saroyan and Steinbeck, to share a convivial drink nearby; some of Hollywood Boulevard’s many bookshops are open almost as late as the bars.

Or you’re Ray Bradbury, and on a late April day in 1946 — April the 24th, if you must know — you head downtown, to Booksellers Row, centered on 6th Street between Hill and Figueroa. You’d get there by bus or Red Car, or on your bicycle, because you do not drive, not even one single block, not since you saw that gory accident about 10 years earlier.

You walk into Fowler Brothers bookstore, which opened in 1888 as a church supply shop, and by the time it would close its doors for good in 1994, it was the oldest surviving bookstore in the city. On that day, a brilliant and fetching book clerk named Maggie McClure caught his attention; Bradbury caught hers because she thought he was shoplifting books into his vast trench coat. They married not quite 18 months later…..

(6) CARTOON TRIVIA. Ranker harkens back to “Things We Learned About Nostalgic Cartoons In 2021”. (Which despite the title is a new 2023 post.)

From details about the voice actors, to insights into plot devices and influences – and even a few answers to enduring questions – here are a batch of facts we learned about nostalgic cartoons in 2021. Vote up the ones that are perfectly Smurfy!

Number One on the list:

Paul Winchell, The Voice Of Gargamel On ‘The Smurfs,’ Invented And Patented The First Artificial Heart

Actor and comedian Paul Winchell was a man of many talents; he was a ventriloquist and also an inventor, building and patenting a mechanical heart in 1963.

Winchell began voice acting for Hanna-Barbera during the late 1960s, notably appearing in Winnie-the-Pooh featurettes. As the voice of Tigger, Winchell won a Grammy for Winnie the Pooh and Tigger Too in 1974. When The Smurfs first aired in 1981, he provided the voice for the antagonist, Gargamel.

While Winchell navigated acting and performing, he simultaneously invented and patented dozens of devices. His artificial heart design, which he donated to the University of Utah, was fundamental in developing the model that was used in 1982 for the first artificial heart transplant. 

(7) KICKSTARTER FOR VARLEY ADAPTATION. John Varley encourages fans to support Jean-Paul Tetu’s Kickstarter: “Thémis – The Next Frontier”.

Jean-Paul Tetu… has a small CGI company and is a fan of my work. He had been tinkering with scenes from my novel Titan, and you can see the results here.

I think it’s pretty impressive. Since this is a crowdfunding site you probably can see where I’m going with this. If you are interested in seeing my most popular work turned into a 6-part TV series, you can contribute. 

As of this writing, $5,882 of the $65,502 goal has been pledged with 32 days remaining.

(8) WESTON OCHSE (1965-2023). Weston Ochse died November 18, his wife announced on X.com. A recent update to his Patreon suggests he was waiting for a new liver.

Ochse won the Bram Stoker Award for his first novel, Scarecrow Gods, in 2005 and subsequently received additional nominations, Redemption Roadshow (2009 finalist for the Bram Stoker Award for Long Fiction); The Crossing of Aldo Ray (2010 finalist for the Bram Stoker Award for Short Fiction); Multiplex Fandango (2012 finalist for the Bram Stoker Award for Collection); and Righteous (2013 finalist for the Bram Stoker Award for Short Fiction). He also won four New-Mexico Arizona Book Awards.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 18, 1939 — Margaret Atwood, 84. Well, there’s that work called The Handmaid’s Tale that’s garnering a lot of discussion now. (Not my my cup of Tea, Earl Grey, hot.) There’s the excellent MaddAddam Trilogy which I wholeheartedly recommend, and I’ve heard good things about The Penelopiad. What else do you like of hers? 
  • Born November 18, 1946 — Alan Dean Foster, 77. There’s fifteen Pip and Flinx novels?!? Well the first five or so were superb. They’re on Audible so I may give the three a re-listen. Spellsinger series is tasty too. Can’t say anything about his SW work beyond the most excellent Splinter of the Mind’s Eye which was the first Star Wars novel authorized by George Lucas. 
  • Born November 18, 1950 — Michael Swanwick, 73. I will single out The Iron Dragon’s Daughter and Jack Faust as the novels I remember liking the best. Between 1999 and 2003, he had nine stories nominated for the Hugo Award and won at Aussiecon 3, ConJosé, and Torcon 3. His short fiction is obviously superb and I see the usual suspects have the most excellent Tales of Old Earth collection with this lovely cover.
  • Born November 18, 1952 — Doug Fratz. Long-time fan and prolific reviewer for the New York Review of Science Fiction and Science Fiction Age who also published a number of zines including the superbly titled Alienated Critic. He was nominated for Best Fanzine Hugo four times. Mike has a remembrance of him here. (Died 2016.)
  • Born November 18, 1961 — Steven Moffat, 62. Showrunner, writer and executive producer of Doctor Who and Sherlock Holmes. His first Doctor Who script was for Doctor Who: The Curse of Fatal Death, a charity production that you can find here and I suggest you go watch now.   He also co-wrote The Adventures of Tintin: The Secret of the Unicorn, a most excellent animated film. He has deservedly won four Hugo Awards, all for Doctor Who. 
  • Born November 18, 1953 — Alan Moore, 70. His best book is Voice of the Fire which admittedly isn’t genre. Though the first volume of The League of Extraordinary Gentlemen is very close. Pity about the film which surprisingly has a forty-four percent rating among audience reviewers at Rotten Tomatoes. Have they no sense of good film making? I’m also fond of The Ballad of Halo Jones and Swamp Thing work that he did as well. And let’s not forget that The Watchmen won a well-deserved Hugo at Nolacon II. 

(10) COMICS SECTION.

  • Tom Gauld adds a touch of Bergman here.

(11) TEXT COVERAGE OF SPACEX’S “SUCCESS“. [Item by Mike Kennedy.] “SpaceX launch attempt ends in loss of most powerful rocket ever built” at CNN.

… after months of rebuilding following an explosive initial launch in April, SpaceX made a second attempt at launching its deep-space rocket system Starship, but not all went according to plan.

The uncrewed Starship spacecraft launched aboard the most powerful rocket ever built on Saturday morning, but both were lost shortly after liftoff.

The Super Heavy rocket booster ignited its 33 massive engines and Starship experienced a safe liftoff. SpaceX tried “hot staging” for the first time, essentially a step in which the spacecraft separated from the rocket booster by blunt force trauma.

After hot staging, the rocket booster exploded in a fireball over the Gulf of Mexico. Starship initially continued on just fine before SpaceX lost the spacecraft’s signal and triggered the system’s software to terminate the flight so it didn’t veer off course.

Starship was intended to fly nearly a lap around the planet before returning to Earth, but data from this second test flight will be used to determine SpaceX’s next steps in making humanity “multiplanetary.”

The New York Times was also very kind: “SpaceX Starship Launch Highlights From the 2nd Flight of Elon Musk’s Moon and Mars Rocket”.

SpaceX, Elon Musk’s spaceflight company, launched its Starship rocket from the coast of South Texas on Saturday, a mammoth vehicle that could alter the future of space transportation and help NASA return astronauts to the moon.

Saturday’s flight of Starship, a powerful vehicle designed to carry NASA astronauts to the moon, was not a complete success. SpaceX did not achieve the test launch’s ultimate objective — a partial trip around the world ending in a splashdown in the Pacific Ocean.

But the test flight, the vehicle’s second, did show that the company had fixed key issues that arose during the earlier test operation in April. All 33 engines in the vehicle’s lower booster stage fired, and the rocket made it through stage separation — when the booster falls away and the six engines of the upper stage light up to carry the vehicle to space….

… According to SpaceX’s “fail fast, learn faster” approach toward rocket design, successfully avoiding a repeat of past failures counts as major progress.

However, the second flight revealed new challenges that Mr. Musk’s engineers must overcome.

Soon after stage separation, the booster exploded — a “rapid unscheduled disassembly,” in the jargon of rocket engineers. The upper-stage Starship spacecraft continued heading toward orbit for several more minutes, reaching an altitude of more than 90 miles, but then SpaceX lost contact with it after the flight termination system detonated….

(12) BLINDED BY THE LIGHT. [Item by Bruce D. Arthurs.] A post on Mastodon from Shannon Coffey linked to an Eye article reviewing Wheels of Light: Designs for British Light Shows 1970-1990 written by Kevin Foakes, about the tech and artists behind the light shows popular at music events back in the day. Besides being a pretty cool subject all on its own, the article also mentions one artist who created some of the color wheels through which projections were made was David Hardy, who I recognize much more readily for his many examples of space art. “The fantastic light trip” at Eye Magazine.

Kevin Foakes’ Wheels of Light: Designs for British Light Shows 1970-1990 is book nine in Four Corners’ Irregulars series, intended to present ‘a visual history of modern British culture’, writes John L. Walters. The arcane tale begins in the 1960s, when artists and designers such as Mark Boyle (Boyle Family), Keith Albarn, Five Acre Lights and Barney Bubbles made shows that would accompany performances in venues such as UFO and Middle Earth in London.

As underground music became more visible (and profitable) a small number of entrepreneurs started supplying the demand for light shows at gigs and discos. The companies they started – Optikinetics, Pluto, Orion, Light Fantastic – and their visual archives are at the core of this book, drawing heavily on the collection and recollections of Optikinetics’ Neil Rice.

(13) ONE-WAY TRIP TO THE HEAVENS. “Their Final Wish? A Burial in Space.” The New York Times interviews seven people to ask why.

There are two ways to contemplate the question Where do we go when we die? One is philosophical, ultimately unanswerable; the other is logistical. Humans, being human, have tended to see them as being intertwined: The many traditions we’ve devised for handling our remains are meant to honor the selves that left those bodies behind.

The seven people pictured here have chosen to send their ashes, or in some cases a sample of their DNA, into outer space. They have contracted with Celestis, one of a handful of companies offering such services. Celestis has launched 17 of these so-called memorial spaceflights since 1994. Some will rocket straight up and descend, some will orbit Earth, some will be sent to the surface of the moon and some will simply hurtle into space and keep on going. (Celestis sends its cargo on spacecraft undertaking unrelated scientific and commercial missions. Packages start at around $2,500.)…

(14) SURVEILLANCE CULTURE. [Item by SF Concatenation’s Jonathan Cowie.] “Campus surveillance: students and professors decry sensors in buildings” in Nature. “Privacy campaigners fear that the devices could be used for disciplinary purposes, and some universities have deactivated them after protests.”

Lengthy debates are talking place on many university campuses in many countries. A number of universities are installing ‘sensors’ (‘cameras’) in university labs and offices. A number of these were originally installed in 2020/1 to ensure CoVID regs were being adhered to.  Now, it seems that the reason is to ensure that university facilities are being used efficiently.  However some feel that the reason is more sinister and that evidence could be gathered for disciplinary purposes.  Others still say that some offices are empty for many days/weeks in a year because staff are out in the field, often in other countries, getting samples and data, so using the cameras for university space efficiency can be misleading.

The end of the article says…

Cory Doctorow, a digital-privacy campaigner who advises the Electronic Frontier Foundation, argues that you do not need be a COVID-19 conspiracy theorist to be concerned about surveillance creeping into the workplace. “During lockdown, we saw this fantastic acceleration of disciplinary technologies across all sorts of domains from employment to leisure. I am vaccinated, I have a QR code showing this on my phone and I believe in contact tracing, but I also think that it’s completely reasonable to worry about all this,” he says.

(15) BOOK LOVERS. “Is Reading the Hottest Thing You Can Do as a Single Person?” The New York Times went to meet some people who might answer yes.

One of the first questions men ask Angela Liu on dating apps is “What are you reading?” The question is a softball for Ms. Liu, a self-proclaimed lover of literature. “I really care about the human condition and emotions and stuff,” she said.

What she has noticed, however, is that many men aren’t into those kinds of books, and a question that may have been intended to screen her often ends up backfiring.

“I can’t stand dudes who just read self-help books or things specifically related to the job that they’re doing and that’s all they read,” Ms. Liu, 27, said on Friday at a book club for singles in Manhattan.

There’s something flirty and magnetic about a physical book that tablets and smartphones can’t really capture — the idea of meeting someone in a library, in the aisle of a bookstore or while reading on the subway, for instance, remains stubbornly high on the list of many people’s romantic fantasies. Although there might be more romantic activities a single person could do on a Friday night in New York City, very few beat potentially stumbling into your next bibliophile boo while surrounded by shelf after shelf of sweet prose.

“I love when people have bookshelves, because I just go there immediately and stare at what they have,” Ms. Liu said.

At a meeting of McNally Jackson’s new After Hours Book Club (tag line: “Read, flirt, sip”), single attendees including Ms. Liu gathered at the bookseller’s location in South Street Seaport, a former maritime hub turned shopping district in Lower Manhattan, for an evening of wine, beer and discussion about “Dogs of Summer,” a novel by Andrea Abreu….

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Bruce D. Arthurs, Dann, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Lise Andreasen.]

Pixel Scroll 10/31/23 It’s Almost The Midnight Hour And All Good Pixels Are Wrapped Up Warmly In Their Scrolls

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(1) SCAMMERS LIVE IN VAIN. …Or will if Amazon’s suit is successful. Publishers Weekly reports “Amazon Sues Scammers Targeting Authors”.

Amazon this week announced that it has filed a lawsuit in the Northern District of California against some 20 individuals scamming authors by falsely claiming an affiliation with Amazon Publishing and Kindle Direct Publishing. According to the suit, the scammers run fake Amazon knockoff websites designed to lure would-be authors into paying a fee to publish, and then deliver either substandard or no service at all….

The suit includes details of unnamed authors who were taken in by the scams, including one who visited one of the defendant sites thinking she was accessing Amazon’s legitimate self-publishing services. The authors “corresponded with Defendants or their agents, who not only claimed to be Amazon representatives, but sent documents making further uses of the Amazon Marks,” the complaint states. “Believing she was working with Amazon, [the author] paid Defendants $4,000.00 for purported editorial and publication services.” The woman learned she was scammed after the service failed to materialize….

(2) ROBERT BLOCH WEBSITE HALLOWEEN OFFERING. The Robert Bloch Official Website is celebrating the holiday by posting Bloch’s Halloween-themed tale, “Pumpkin”. Original Twilight Zone Magazine story art by George Chastain.

(3) PAYING HIS RESPECTS ON HALLOWEEN. John King Tarpinian visited Ray Bradbury’s grave today, and says “I left Frank to keep him company.”

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Arthur Liu’s con report – part 3

This was supposed to be a series of four posts, but he told me it’s looking like it’s going to be five, as this third part only gets as far as the morning of Thursday 19th, leaving another three days still to be written up.  Disclosure yet again: I’m mentioned in this report.  I have asked Arthur if he knows of any other reports that other fans might have published, which could be featured here on File 770, to give a more varied impression of what the con was like.

As before, these extracts are via Google Translate with minor cleanup edits.

On the morning of October 18, at 8:40, [con liaison] L said that the required documentation was now available, and at 9:36, the surrounding map and traffic control map were updated, as well as the updated transportation shuttle plan. Just before 11am, we collected all the materials – excluding the participant manual, which was still not finished at this time – and set off to the con site. After getting off the bus, I took out my guest pass. It said “”天爵” in Chinese and “TIAN Jue” in English. I only have two pen names, one is Yang Feng [for fiction] and the other is HeavenDuke [for online and non-fiction].  Some of my friends think the latter is a bit difficult to pronounce, so I let them call me by the Chinese translation “Tianjue”, but my English name is always Arthur Liu. I asked L what was going on, and L said, “This was provided by the organizers,” and “[The badges for] All Chinese guests have names printed using Chinese characters and their Pinyin transliteration (into Latin letters), while foreign guests have English names. The registration process has now closed. ” In other words, it could not be changed.  I thought back to the controversy caused by George R.R. Martin’s mispronunciation of names at the Hugo Awards ceremony in CoNZealand in 2020, and couldn’t help but sigh…

After a while, Jiafeng arrived as promised (he had previously promised to help look after the table on the 18th). Surprisingly, [co-Hugo finalist for Zero Gravity SF fanzine] Ling Shizhen also came.  When I started the [Chinese website] “Science Fiction Encyclopedia” in 2017, he had helped with reviews, and provided a lot of reference information, but I’d never met him in person… Thankfully, when Ling heard that the

CSFDB table was short of manpower, because of the problems of the preceding two days, he immediately said that he would try his best to help over the next few days.  He even cancelled many of his scheduled activities for this reason, which was really touching. The exhibition on the 18th was held in such an atmosphere.

After a while, RiverFlow also came over – it was also our first time meeting offline – together with Zi Xuan. When everyone was greeting each other, two foreigners came over, one of whom was Helen Montgomery. She was working the site selection table at this convention, and before that she was, like me, an editor of the Hugo Award-winning fanzine Journey Planet. I introduced her to the work of the [CSFDB] database, showed her the physical version of the bilingual special issue “Chinese Science Fiction and Space” of “Journey Planet”, and introduced her to the several Hugo Award finalists present. She showed us her Hugo Award trophy, and while taking photos with us, she pulled us into a circle and said to us, “When the award ceremony comes, please use all your senses and thoughts to remember that moment. Because regardless of whether you win or not, it will become an unforgettable moment in your lives” …

Despite this, when holding a conference in China, there are always some unexpected developments: not long after the booth was set up, a copy of the “Zero Gravity Newspaper” disappeared… Some people will stare at you like a ninja, casually flip through the materials on the booth, then put them in their pockets and take them away. Other people will rudely interrupt your introduction and directly ask for ribbons and stickers. Can other materials be obtained for free? Considering that all the items at our table are basically distributed free of charge, and the main focus is to exchange materials for social interaction, it doesn’t feel good to encounter such people.

Even more embarrassing are the people who come up and ask, “What is your business model?  How does your product make a profit?”  Sometimes they would ask this of “Zero Gravity News”; sometimes asking CSFDB.  In China, science fiction enthusiasts and the science fiction industry have almost no possibility of dialogue on this issue, which highlights its inability to keep up with the airwaves [I think this is an idiom, but I couldn’t get information about it; I guess it reinforces the idea of an inability to communicate]. Whenever we try to explain that this is a voluntary charity project, they end up shaking their heads and walking away. There was also an old gentleman who, as soon as he arrived at the stall, said, “Let me test you.” He opened the database and searched for “Tong Enzheng”, in an attempt to find out the shortcomings of the database. I don’t know what it’s like at overseas science fiction conventions, but judging from my past experience of exhibiting at APSFcon and the 2019 Chinese Science Fiction Convention at the Beijing Garden Expo Park, this situation and the cultural generation gap behind it will continue to exist for a long time.

In this atmosphere, at 5:30pm on Wednesday 18th, the CSFDB table ended its first day of exhibition. Before closing the table, [con liaison] L, who was in charge of the tables, came over and said that before the opening ceremony at 7:30pm, local leaders would come to inspect the exhibition area. There would be many people visiting and we were asked if we could continue running the table. The answer was of course no. At this time, everyone’s physical strength was basically exhausted – RiverFlow had even come to the booth to take a photo at around 2pm, and then returned to the hotel to rest, due to breathing difficulties. Fortunately, the shuttle bus that day finally stopped at the right place and on time…

[On the morning of Thursday 19th] RiverFlow and I hadn’t yet had breakfast, so I went down to eat with him again. He ate very quietly and slowly, lowering his head and choking whilst eating. But even so, he still tried his best to make friends with every guest present, and gave his “Zero Gravity News” to them, which was admirable.

I don’t know how many moments there were in this conference that were worthy of being “remembered with all the senses and thoughts”, but if there were, that moment was definitely one of them. On the 18th, a reporter had asked me how I felt about being shortlisted [for Best Fan Writer] and whether I thought that had a high chance of winning. I said at the time that I wanted River to win.

(Note: As mentioned in an earlier Scroll, the unedited machine translation always renders 河流 (Heliu) – i.e. RiverFlow, editor of the winning Best Fanzine – as “Hehe”.)

From left: RiverFlow, Arthur Liu, Ling Shizhen, Zi Xuan, Helen Montgomery
Arthur Liu and gnighton of Nankai University SF Association at the CSFDB table
CSFDB contributor Liyuan JunE and Arthur Liu

(5) KING’S COMMENT ON THE MAINE SHOOTINGS. “Stephen King on Mass Shootings: We’re Out of Things to Say” – an opinion piece by the author in the New York Times. (King resides in Maine.)

There is no solution to the gun problem and little more to write, because Americans are addicted to firearms.

Representative Jared Golden, from Maine’s Second Congressional District, has reversed course and says he will now support outlawing military-style semiautomatic rifles like the one used in the killing of 18 people in Lewiston this week. But neither the House nor the Senate is likely to pass such a law, and if Congress actually did, the Supreme Court, as it now exists, would almost certainly rule it unconstitutional.

Every mass shooting is a gut punch; with every one, unimaginative people say, “I never thought it could happen here,” but such things can and will happen anywhere and everywhere in this locked-and-loaded country. The guns are available, and the targets are soft.

When rapid-fire guns are difficult to get, things improve, but I see no such improvement in the future. Americans love guns and appear willing to pay the price in blood….

(6) FUTURE TENSE. From Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives comes the October 2023 entry in  the Future Tense Fiction series: “Void” by Julián Herbert, translated from Spanish into English by Will Vanderhyden. The story is about artificial intelligence, codependence, and various kinds of addiction, from gambling to exercise to information.

It was published along with a response essay, “If We’re Addicted to Technology, What’s the Cure?” by journalist Katherine Mangu-Ward.

…We are desperately afraid of becoming addicted to our machines—the theme of “Void,” Mexican novelist Julián Herbert’s moody and compelling Future Tense Fiction story—and are deeply convinced we already are. We are also painfully aware of the inadequacy of our tools for dealing with addiction.

Research on the proposition that our current tech poses the threat of a new addictive disorder is weak and incomplete. The American Psychiatric Association’s Diagnostic and Statistical Manual of Mental Disorders (DSM-5) considers “internet addiction” only a “condition for further study,” not an official mental disorder. The incompleteness of the research has not stopped governments—in China, South Korea, and the U.K.—from embedding assumptions about its prevalence and mechanisms into their laws. If the suits against Meta are successful, the U.S. may join the ranks of nations willing to use very expensive carrots and spindly sticks to combat the poorly understood problem of tech addiction with the slightly less poorly understood tool of the 12-step program….

(7) CON OR BUST ASSISTANCE FOR PALESTINIANS. Dream Foundry told readers today “We understand that the current situation makes applying for a grant, or planning for next year, extremely challenging,” but that the “Goldman Fund Applications for Palestinians Attending Glasgow WorldCon Are Open”.

Applications for the Con or Bust initiative to assist Palestinian creators and fans of speculative fiction in attending the World Science Fiction Convention are now open. We’ll be assisting self-identified citizens of Palestine and members of the Palestinian diaspora to pay for travel and membership expenses to five Worldcons beginning in 2024. If you qualify for the Goldman Fund and would like assistance attending 2024’s Worldcon, apply today! The preferred application window closes on November 5, 2023. Applications received after the window closes will be considered for any remaining funds.

We understand that the current situation makes applying for a grant, or planning for next year, extremely challenging. If at all possible, let us know you intend to apply for 2024 before November 5, even if you don’t have a budget prepared. We’ll work with you from there.

(8) WINTER IS (STILL) HERE. Katrina Templeton, whose cat Winter was featured in “Cats Sleep on SFF: The End of All Things”, and had medical problems that were the subject of a fundraiser in May, has an encouraging announcement:

I apologize for taking so long with this, but we’ve wanted to monitor Winter’s health a bit before we reported that he seems to be out of the woods. I was so certain we were about to lose him, but he pulled through. I’m not sure he would have without the help of everybody who took the time to help us out. His kidney values soared one day, but they dropped to normal the next and I spent a weekend giving him fluids four times a day. We were able to afford that thanks to everybody’s generosity. We’ve also started him on special urinary food. But, other than the time he tried to choke to death on a hairball, he’s been doing much better. I feel safe enough to say that we’re back on our usual course.

He is, of course, trying to learn how to live safely in this science fictional universe, and I figured everybody deserved a picture of him looking much more lively.

Thanks again, everybody. I hope that he can live a long healthy life from this point on without any more scares.

(9) JUDY NUGENT (1940-2023). Actress Judy Nugent, who gained fame as a child performer in the Fifties, died October 26 at the age of 83. The Hollywood Reporter’s obituary says:

…Nugent, however, is probably best known for her turn as Ann Carson, a blind girl who enters and wins a Daily Planet contest, on the episode “Around the World With Superman,” which aired on March 13, 1954, as the second-season finale (and last black-and-white installment) of the syndicated series. 

After an operation restores her sight — Superman (George Reeves) had spotted a piece of glass lodged near her optic nerve! — Ann gets an amazing bird’s eye view of the planet while being whisked around by a superhero.

“That was top secret. I was told never to tell anyone about how George Reeves flew,” she recalled in an undated interview for the website Western Clippings.

“Anyway, they put George on this cement thing and dressed him over it, form-fitting up to his chest. They had a huge fan that made his cape fly out. The special effects people did the ups and downs. There was a ladder underneath — I’d sit on the ladder and he’d hold me up. Even though I was still little, I got awfully heavy.”…

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 31, 1923 — Arthur W. Saha. A member of the Futurians and First Fandom who was an editor at Wollheim’s DAW Books including editing the Annual World’s Best SF from 1972 to 1990 and Year’s Best Fantasy Stories from 1975 to 1988. And he’s credited with coming up with the term “Trekkie” in 1967. (Died 1999.)
  • Born October 31, 1958 — Ian Briggs, 65. He wrote two Seventh Doctor stories, “Dragonfire” and “The Curse of Fenric”, the former of which of which introduced Ace as the Doctor’s Companion. (The latter is one on my frequent rewatch list.) He novelized both for Target Books. He would write a Seventh Doctor story, “The Celestial Harmony Engine” for the Short Trips: Defining Patterns anthology. 
  • Born October 31, 1959 — Neal Stephenson, 64. Some years back, one of the local bookstores had an sf book reading group. One of the staff who was a member of that group (as was I) took extreme dislike to The Diamond Age: Or, A Young Lady’s Illustrated Primer. I don’t remember now why but it made me re-read that work (which was very good) and Snow Crash (which was equally good). My favorite novel by him is The Rise and Fall of D.O.D.O. There’s a sequel to the latter work but it’s not written by him. 
  • Born October 31, 1972 — Matt Smith, 51.  No, not that Matt Smith. He’s the current and longest-serving editor of long-running 2000 AD, and also the longest-running editor of its sister title Judge Dredd Magazine. He written three Judge Dredd novels plus a number of other genre novels based off the properties he edits. Along with Alan Ewing and Michael Carroll, he’s written the Judge Dredd audiobook, a take on the newly deputized Dredd.
  • Born October 31, 1979 — Erica Cerra, 44. Best known as Deputy Jo Lupo on Eureka, certainly one of the best SF series ever done. She was artificial intelligence A.L.I.E. and her creator Becca on The 100. She had a brief recurring role as Maya in Battlestar Galactica,  plus one-offs in pretty much anything you’d care to mention. Seriously I mean that. 
  • Born October 31, 1993 — Letitia Wright, 30. She co-starred in Black Panther playing Shuri, King T’Challa’s sister and princess of Wakanda. She returned as Shuri for Black Panther: Wakanda Forever, which depicts Shuri becoming the new Black Panther following the death of T’Challa.  Before that, she was Anahson in “Face the Raven”, a Twelfth Doctor story, and was in the Black Mirror’s “Black Museum” episode. 

(11) COMICS SECTION.

  • The Argyle Sweater focuses on the bittersweet for Halloween.
  • But Nathan W. Pyle is in it for the sweets.

(12) SLINGING A LINE. “Something fishy: what’s the real story with Amber Heard and Aquaman 2?” asks the Guardian.

What’s the truth about Amber Heard and Aquaman and the Lost Kingdom? Was her widely-mooted leading role in the movie reduced because she had no chemistry with Jason Momoa’s sometime king of Atlantis? Or was it due to the media furore surrounding her legal battles with Johnny Depp, as the actor herself testified at trial in May last year?

Either way, we know that the second (and most likely final) solo Aquaman does not focus on Heard’s Mera, but instead a messy, shoehorned bromance between Aquaman and his half-brother, Patrick Wilson’s Orm. It is a weird storyline, given this pair spent most of the previous movie hating on each other, but that doesn’t mean it was only cooked up so Warner Bros could push Heard out of the picture. Aquaman has reportedly had numerous reshoots, but surely they didn’t involve changing the whole plot of the movie?

Interviewed in Empire magazine ahead of the sequel’s December release, director James Wan once again rolled out what has clearly become the studio line on Heard’s relegation to a minor role. Commenting on the actor’s suggestions that she had originally been due to play a bigger part in the follow-up to 2018’s $1bn-grossing Aquaman, the Saw director argued he always intended the sequel to go a different way.

“It’s fair that she [Heard] said that, because she wasn’t in my head as I was working on this movie,” said Wan, diplomatically. “Actors don’t necessarily know what we behind the scenes are thinking about. But this was always my plan. From the start, I pitched that the first film would be a Romancing the Stone-type thing – an action-adventure romantic comedy – while the second would be an outright buddy comedy. I wanted to do Tango & Cash!

(13) ONE OF HOLLYWOOD’S FAVORITE LOCATIONS. Driving there is barely an inconvenience.“From ‘Halloween’ To ‘Back To The Future’: Why Filmmakers Love Pasadena and South Pas” in LAist.

…The city of South Pasadena, Schuler says, is often a go-to destination when a film crew wants a location that has the feel of a small, Midwestern town.

And interestingly, the city does have a historical connection with the Midwest — the Anglo founders of South Pasadena and Pasadena, back in the 1870s, were from Indiana.

Probably the most well-known filming location in South Pasadena is the “Michael Myers” house at 1000 Mission St., which was featured in the 1978 horror classic Halloween. In the film, and subsequent sequels, it’s the home of the killer, Michael Myers…

…Another big challenge to filming in residential neighborhoods, Schuler says, is getting the support of a homeowner to use a specific house.

The first step is knocking on the door, then explaining why you’re there, but also not giving them too much information too quickly.

“What we would have to do is talk to the people [about] whether they want to do it,” Schuler says, “and then eventually [explain that] yes, we need to move you out into a hotel, we want to take all your stuff out and put it in storage, we want to bring our stuff in…”

And depending on what city you’re in and what time of day or night you want to film, productions also need to get sign off from a certain number of neighbors….

(14) TIPS FOR THE AFTERLIFE. “An exhibition at the Getty Museum [in LA] reveals the Egyptian Book of the Dead, long relegated to a dark vault, in the light of day.” “Now Showing, an Ancient Spell Book for the Dead” in the New York Times. The exhibit opens November 1 and runs to January 29.

 …A standard component in Egyptian elite burials, the Book of the Dead was not a book in the modern sense of the term but a compendium of some 200 ritual spells and prayers, with instructions on how the deceased’s spirit should recite them in the hereafter. Sara Cole, the curator of the Getty exhibition, called the incantations a kind of supernatural “travel insurance” designed to empower and safeguard the departed on the long, tortuous journey through the afterlife. Unlike today’s insurance policies, no two copies were the same….

…Compiled and refined over millenniums since about 1550 B.C., the Book of the Dead provided a sort of visual map that allowed the newly disembodied soul to navigate the duat, a maze-like netherworld of caverns, hills and burning lakes. Each spell was intended for a specific situation that the dead might encounter along the way. For instance, Spell 33 was used to ward off snakes, which had an unsettling taste for chewing “the bones of a putrid cat.”…

(15) VIDEO OF THE DAY. How It Should Have Ended brings us “Villain Pub – Five Nights at Freddy’s”.

Five Nights At Freddy’s in The Villain Pub?!? A Storm Trooper must survive the night from Freddy Fazbear, Bonnie, Chica, and Foxy during their late night shift as villain pub security in this Halloween Special Episode.

[Thanks to Andrew Porter, Ersatz Culture, John King Tarpinian, Rich Lynch, Steven French, Katrina Templeton, Joey Eschrich, Lise Andreasen, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 10/28/23 When You Saw Only One Set Of Pixels, It Was Then That I Scrolled You

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(1) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Con reports: Arthur Liu (part 2)

Arthur’s con crud is subsiding, and he was able to post the second (of a projected four) part of his con report.  This one covers the setup ahead of the event.  Disclosure: I am also mentioned in this part.  Via Google Translate, with minor manual edits:

…in late September (around the 21st), the organizing committee terminated the sale of offline tickets without any notice. The financial problems of fan groups have already been mentioned in the previous article. Among them, members’ travel expenses and conference attendance expenses are equally expensive. Affected by this, as the situation at the booths has not progressed, members of the Tsinghua University Fantasy Association were still waiting and watching, planning to buy tickets after the situation settled down a bit. However, this unexpected situation caused almost all members who were expected to participate in the exhibition to be wiped out. After many inquiries, the volunteers said that there would be work permits, but the number could not guarantee that all people would be covered. This left the fan booth’s participation in the exhibition in a state of limbo until the end of the conference…

Man-made landscapes related to the science fiction conference are everywhere along the way. As I approached the venue, I saw the huge contrast in the street scenes in different areas of Pidu District (outside the main city, there are many open spaces and wastelands, new buildings and abandoned buildings), which also made me realize the importance of the science fiction conference. For the local government, the potential economic significance of hosting this conference is significant…

The security check area was crowded with people, and each gate had a large number of security guards. The inspection process was probably the most thorough in my life ever. Part of our luggage was examined, every page was taken out and checked. After delaying for a while, we arrived inside the venue.  The smell of air freshener was very strong and there was also a strong pungent smell…

After boarding the train, [con liaison] L said that a special car had been arranged to pick us up, but it was no longer needed. On the way, I learned from [con liaison] LY that when the pen club I applied for was handed over within the volunteers, the demand for personnel control (15 people) was not handed over. Now there was no guarantee that this demand would be met, but she promised to report it to the above… By this time, both of us were exhausted and had reached the limit of emotional management.

At 19:03, we finally arrived at Wyndham, and [con liaison] L met us in the lobby. Before checking in, we went to the check-in office to get our guest badges, and then we were told that the conference manual had not been produced yet, nor had the attendant badges. Historically, some science fiction fans will start from a certain point and feel that the entire community is not worthy and is no longer worth bothering with. This was probably that moment for me. In the guest room, I got very angry with [con liaison] L – actually it was not his own fault, so I apologized to him – and explained several requirements: the member’s ID, as well as the participation manual and traffic control map, the next day.  Given that the con was about to begin, the last two were necessities for participating in the con. They had to exist.

In the second image, the data visualization shown on the TV on the right can be found here (note; the UI is Chinese only).

Request for submissions to Zero Gravity

RiverFlow is requesting submissions for a future issue of the Hugo-winning Zero Gravity.

Dear friends, if you write about the memories of the Chengdu WorldCon, welcome to send me the English version and pictures. Chinese Fanzine Zero Gravity newspaper is organizing the Chengdu WorldCon story, we will organize human translation.

The email is: [email protected]

CCTV news report on the Worldcon

I doubt many will sit all the way through this untranslated 21 minute CCTV news item from Monday 23rd about the Worldcon, but I include it just in case.  Notable faces in the early part of the video include (in order of first appearance):

  • RiverFlow and Ling Shizhen
  • Ben Yalow
  • Cixin Liu
  • Enzhe Zhao
  • Hai Ya

Later on, from around 16:00, we also see:

  • Liang Xiaolan (Honorary Co-Chair of the con)
  • Dave McCarty

The core of the piece is a videolink interview with Best Novelette winner Hai Ya from around 04:00 to 12:45.

There’s then more a bit more reportage of the con – mostly the ceremonies – followed by coverage of the Galaxy Award ceremony that took place over in the Sheraton, before going back to the con.

From 16:30 there’s a telephone interview with (Hugo finalist, SF World editor, concom member) Yao Haijun, during which Nicholas Whyte pops up (again 😉 in footage at around 19:23, followed shortly thereafter by James Bryant.

Hai Ya
Liang Xiaolan
Yao Haijun

Hai Ya responds to criticism of his work following his Hugo win

SF Light Year posted a brief Q&A with Hai Ya on Wednesday 25th, following the negative reaction in some quarters to his Hugo win, as covered in Tuesday’s Scroll.  Here’s an extract, via Google Translate:

My current mentality is very stable and I have a clear understanding of the award and myself. As for the work, I never thought it was very elegant or something that people expected of me. I could only present what I thought was a better state within the scope of my abilities. Let the readers judge. There will definitely be criticism and harshness. It is actually difficult to define how much of this is objective, but popular novels must accept this unfair scrutiny, and I have the consciousness to accept it.

Compared with the position of a writer, I prefer to define myself as a science fiction fan. I agree with some of your ideas. The science fiction circle should be more diverse. The increase in science fiction fan activities and comments is a sign that the ecosystem is getting healthier

A couple of days later, on Thursday 26th, Hai Ya made a brief statement on Weibo.  Via Google Translate (which seems to be slightly more readable than the Alibaba Cloud rendition available within Weibo, but still far from flawless):

After nearly a week of busy work, things are gradually sorting out, thank God. What I want to express has basically been made clear. I am personally neither qualified nor interested in doing too much value output. Writing science fiction has always been a very personal matter for me, and I have become more and more cautious about various activities and invitations, leaving them to the editor. Happily, despite all the criticism, there were few personal attacks. Friends who care about me, please rest assured. As the saying goes, if you want to wear a crown, you must bear its weight. What I got is not a crown, and the pressure I receive is not that great. Currently I’m in good condition.

There’s at least one hater in the comments.

Weibo SF promo image

(Via SF Light Year)  The Weibo app had a splash page at launch promoting “The New Power of Science Fiction”, showing the avatars of the three Chinese Hugo winners, and namechecking the Hugos and Hai Ya’s Best Novelette win.  A further post shows the page shown if you clicked on the button, you would get a list of notable SF people’s accounts, including previous Hugo winner Hao Jingfang, and some of this year’s finalists Bo Jiang, Regina Kanyu Wang, Lu Ban and Yao Haijun.

Linking to the same list, RiverFlow reported that his number of followers had jumped from around 1,100 to 38 thousand.

Bits and pieces from Xiaohongshu

The following are a handful of posts that I’d never gotten round to submitting before now.

(2) A SNAPSHOT FROM WFC. Greg Ketter of DreamHaven Books and Comics feels disrespected. For good reason.

(3) AGGRESSIVE FAKES. Victoria Strauss exposes the “Imposter Syndrome: The Rise of Impersonation Scams” at Writer Unboxed.

…When I first started discovering these AS knockoffs (here’s my first blog post about them), they were mostly just selling Author Solutions-style publishing and marketing packages–although exponentially more overpriced and deceptively advertised than the original, with terrible customer service and the books and other products far more likely to be of poor quality (and that’s when they didn’t just take the money and run).

In recent years, though, their numbers have exploded—there are hundreds of AS knockoffs in operation now, and more cropping up all the time—creating fierce competition for customers in an increasingly crowded field. This has driven them to adopt ever more brazen practices to support their quest for writers’ cash: forging documents and contracts from Big 5 publishers, selling completely fictional products such as “book insurance”, engaging in elaborate front operations involving multiple fake businesses, and impersonating reputable literary agents, publishers, and movie companies.

Impersonation scams especially have become common over the past couple of years, and they can be quite convincing. In this post, you’ll find examples of the three types of impersonation scam you’re most likely to encounter, along with a look at the telltale signs that can identify them….

(4) INTERVIEW WITH CHANDLER DAVIS BIOGRAPHER. [Item by Olav Rokne.] I’m really hoping this book gets some serious consideration for the Best Related Hugo. Very well written, thoroughly researched. Doesn’t focus very much on the science fiction career of Chandler Davis, but he’s still a figure from the genre’s past, and it’s an interesting and relevant read. 

Got to interview the author Steve Batterson: “The Un-American Treatment of a Leftist Science Fiction Fan” at the Hugo Book Club Blog.

… The book starts off with a fairly straightforward biography of Davis’ early life. His childhood as the son of leftist academics who were members of the Communist Party, his education at Harvard and involvement with science fiction fandom, his military service and his marriage to Natalie Zemon-Davis. All of this is in service of the focus of the book: Davis’ brief stint at the University of Michigan, his firing, and the six-year legal saga that led to his imprisonment.

“It was incredibly courageous what Chandler did,” Batterson explains. “He was 27 or 28 years old when this all started. He had a wife and one child at the time – with another on the way. His wife was a graduate student, and it wasn’t clear at the time that she would go on to become one of the greatest historians of her generation.”

During the period after his firing, the Davis family faced economic hard times. When friends and colleagues took up a donation for them, the FBI ended up with a list of who donated; sadly it appears few in the science fiction community stood by their former compatriot.

“There’s not a lot of mention of science fiction or fandom in the FBI documents,” Batterson notes. “The FBI didn’t consider that to be disreputable.”

After he was released from serving his six-month prison sentence in 1960, the family emigrated to Canada where both Davis and his wife became professors at the University of Toronto. He rejoined fandom there, and published a handful of later stories. In 1989, he was one of the guests at the 47th Worldcon held in Boston. Both he and his wife had distinguished academic careers….

(5) FOR EXPOSURE. Jane L. Rosen reports on “A Night of Reading, Cover to Uncover” to the New York Times. “The author of ‘On Fire Island’ wasn’t sure what to expect when she was invited to appear at a ‘Books & Burlesque’ event. Here’s her unblushing report.”

Early in the summer, an unusual email popped up in my inbox. Sandwiched between a podcast request and an offer to speak at a South Florida chapter of Hadassah was an invitation to read an excerpt from my latest novel, “On Fire Island,” at a “Books & Burlesque” evening on Manhattan’s Lower East Side. The event, as the show’s producers Fortune Cookie and Rosie Tulips explained, would feature five writers reading, each paired with a burlesque or drag artist creating an act inspired by the author’s work.

It took me a minute. Funny? Outrageous? Ill-advised? Possibly, but most of all, an intriguing change from the usual folding-chair-strewn book talk or stodgy Q. and A session. Even though the closest I’d ever gotten to burlesque was a brief stint as a young Gypsy Rose Lee at Camp Lokanda in the late ’70s, I nervously accepted….

(6) IF YOU THOUGHT GETTING MARRIED WAS SCARY BEFORE… The New York Times tells about couples “Vowing Till Death Do Us Part at the Hotel That Inspired ‘The Shining’”.

Couples who get married in October at the Stanley Hotel, situated at the doorstep of the Rocky Mountains in Estes Park, Colo., sometimes have a hard time getting their guests to R.S.V.P.

Lauren Nichols and Jeffrey Sheffler, who will marry there Oct. 28, couldn’t convince a dozen of their out-of-town guests to stay on the premises of the hotel that inspired Stephen King to write “The Shining,” his novel turned film, after staying there in 1974. And Melanie Pingel, who married Kyle Johnson there Oct. 13, was compelled to reserve a quiet space on a separate floor for guests who needed a moment away from the ghostly festivities. “My mom called it the place where the old ladies get to go have a break from it all,” she said.

These and other concessions — Jennie Wilson, a 2017 Stanley bride, was told by a guest “straight up that she wouldn’t come” — are perhaps a necessary trade-off for couples who want to exchange vows at what many call “The Shining” hotel….

Only a handful of couples who plan well in advance are greenlit for their October celebrations, said John Cullen, the Stanley’s owner. Those who do snag a spot between Oct. 1 and Halloween, the hotel’s busiest season, tend to share a common aesthetic: bridal fangs and cakes with Frankenstein-like surgical stitching can be part of it. Flower girls dressed as the sinister, not-quite-living Grady twins from the 1980 horror classic, or table décor that includes jars of pig hearts preserved in formaldehyde, can also be used.

The spookiness of the place is the allure for many couples, said Shayna Papke, a popular local planner for Halloween season weddings at the Stanley. “A wedding is the ultimate expression of who you are, and there are just people in the world who, this is who they are,” she said. “They’re the outliers who like dark music and dark stories. They’re fascinated by the death part of life.”

Many who fit that description flock to the Stanley for a ghost tour led by the hotel’s staff or to participate in a séance (More than 100,000 people visit per year; October is busy also because elk walk the streets and it’s “a really nice time to be in Estes Park,” Mr. Cullen said.) Still others consider it the ultimate location for committing to each other….

(7) RICHARD MOLL (1943-2023) [Item by Mike Kennedy.] Though possibly best known for his role as Bull the bailiff in the original run of Night Court, Richard Moll did an amazing amount of genre work over a long career. This includes a lot of voice work in animation and video games (see dozens of credits at IMDb.) One of his notable later appearances was in the 2010 live-action film Scooby-Doo: Curse of the Lake Monster in which he played the mysterious lighthouse keeper Elmer Uggins. Full profile: “Richard Moll, Bull the Bailiff on ‘Night Court,’ Dies at 80” in The Hollywood Reporter.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 28, 1944 — Ian Don Marter. He was known for his role as Harry Sullivan on Doctor Who. As this is a Birthday listing of writers of authors, you might ask why he’s here. That’s because he’s one of the few Who actors authorized to write fiction in that universe in that time. As a result, he wrote nine novels before he died of a diabetic heart attack. He co-wrote in collaboration with Baker and director James Hill a script for a film provisionally titled Doctor Who Meets Scratchman (also known as Doctor Who and the Big Game). However due to a lack of funding as no one was interested in underwriting it , the project was ultimately abandoned. Bake and Hill novelized this script and there’s a Big Finish version as well. (Died 1986.)
  • Born October 28, 1951 — Joe Lansdale, 72. Writer and screenwriter whose animated DCU Jonah Hex is far superior to the live action Hex film. Bubba Ho-Tep, an American comedy horror film starring Bruce Campbell, is his best-known genre work though he has done a number of another works including The God of The Razor and Reverend Jedidiah Mercer series which are definitely Weird Westerns. 
  • Born October 28, 1951 — William H. Patterson, Jr.. Author of Robert A. Heinlein: In Dialogue with His Century, a two-volume look at Heinlein which arguably is the best biography ever done on him. He also did The Martian Named Smith: Critical Perspectives on Robert A. Heinlein’s Stranger in a Strange Land. This “Tribute to Bill Patterson” by Mike with comments by Filers is touching indeed.  (Died 2014.)
  • Born October 28, 1957 — Catherine Fisher, 66. Welsh poet and children’s novelist who writes in English. I’d suggest The Book of The Crow series of which Corbenic won the Mythopoeic Fantasy Award for Children’s Literature. Her Incarceron and Sapphique also earned a Mythopoeic Fantasy Award for Children’s Literature nomination. 
  • Born October 28, 1958 — Kristin Landon. Author of the uncompleted space opera Hidden Worlds (The Hidden Worlds, The Cold Minds and The Dark Reaches) and a one-off, Windhome, a first contact story. (Died 2019.)
  • Born October 28, 1958 — Amy Thomson, 65. Writer of four novels, including Virtual Girl. She won the Astounding Award for Best New Writer and was nominated for the Campbell Memorial, Endeavour, Philip Dick and Prometheus Awards. Very impressive indeed. Her short fiction “The Ransom of Princess Starshine” appeared in 2017 in Stupefying Stories, edited by Bruce Bethke. 

(9) COMICS SECTION.

  • The Argyle Sweater shows a monster who you don’t ordinarily think of as moving that fast.
  • Thatababy introduces us to Konbanwa in a strip devoted to cinema history.
  • Jess Bradley says this is what the Singularity will really be like.
  • Finding Dee shows us true horror.

(10) SHOT ON LOCATION IN HALLOWEEN TOWN. “‘The Nightmare Before Christmas’: A Hit That Initially Unnerved Disney” – Tim Burton and director Henry Selick look back 30 years at the making of a cult favorite.  

…Over the course of its original run, “Nightmare” grossed $50 million at the domestic box office. And while that number is by no means dismal, it’s a far cry from Disney animated hits like “Aladdin,” which just a year earlier brought in $217 million from U.S. screens alone.

At the time, Disney couldn’t figure out how to market the operatic saga of Jack, a lanky, sharply dressed skeleton, infatuated with bringing the wonder of Christmas to his monstrous friends in uncanny Halloween Town.

Selick initially worried that the number of songs Danny Elfman had composed for the movie, a total of 10 tracks for the brisk 76-minute run time, would alienate viewers. In retrospect, he said, the memorable tunes were crucial to the film’s eventual success, once audiences connected with its unconventional rules of storytelling and design.

These days Selick can’t go a week without running into a fan wearing a sweater, hat or other apparel emblazoned with “Nightmare” imagery.

“This year there’s a 13-foot-tall Jack Skellington you can buy at Home Depot, and people have them on their lawns,” Selick said. “I like that because it’s pretty bizarre and extreme. That’s not just a T-shirt, that’s a real commitment.”

For Burton, the character of Jack Skellington embodies a preoccupation common in his work over the years: the terrifying notion of being misunderstood. “The conception of it was based on those feelings growing up of people perceiving you as something dark or weird when actually you’re not,” he recalled.

Selick compared the skeletal antihero’s amusingly manic behavior to Mr. Toad from the animated classic “The Wind in the Willows,” one of his favorite Disney protagonists. “I’ve always been drawn to characters like Jack Skellington,” Selick said. “He gets carried away with something new and goes way overboard with his enthusiasm.”…

(11) HERZOG Q&A. While promoting his memoir Every Man for Himself and God Against All, Werner Herzog tells the Guardian: “’I am not that much in pursuit of happiness’: Werner Herzog on beer, yoga and what he would ask God”.

…So, this new book he’s just written about the Austrian musician-cum-dairy-farmer combines two of Herzog’s passions then? “Neither is milking cows a great love of mine nor is rocking so…” he replies with an amused smirk. “But I understand. I catch your drift.”

Herzog is probably best known for his documentary films, which include 2005’s Grizzly Man, the tale of bear enthusiast Timothy Treadwell in Alaska, and Cave of Forgotten Dreams, made in 3D in 2010 from footage shot inside the prehistoric Chauvet Cave in southern France. Increasingly, though, Herzog devotes his creative energies to writing. In 2021, he published his first novel, The Twilight World, based on the Japanese army lieutenant Hiroo Onoda, who refused to believe the second world war was over and only emerged from the jungle and surrendered in 1974.

“I’ve been a writer from the very beginning,” he says. “And it’s important to say one thing because people are puzzled: films are my voyage, and writing is home. And since 40 years, I keep preaching to deaf ears that my writing will arguably outlive my films, all of them.”

Certainly, Every Man for Himself and God Against All is a joyous, fulfilling read….

(12) BRADBURY HISTORY. Phil Nichols’ new Bradbury 100 podcast episode covers “Chronological Bradbury, 1940”.

…Ray published nine stories in 1940, nearly all of them in fanzines (and one of them in a semi-prozine). Here’s a list, with links to online versions of the stories, where they exist….

(13) ORSON WELLES PROFILE. Steve Vertlieb invites you to read his post “Vertlieb’s Views: Xanadu: A Castle in the Clouds: The Life of Orson Welles” at The Thunder Child.

Celebrating the genius of this extraordinary artist with my published look at the turbulent life and career of Orson Welles, the fabulous, visionary film maker whose personal demons sadly overshadowed his staggering talent, and finally, tragically destroyed him.

Yet, in spite of his personal failings or, perhaps, because of them, Welles rose to become one of the most remarkable film makers of his, or any other generation.

From his groundbreaking first feature length motion picture Citizen Kane, regarded by many still as the greatest single film in motion picture history, to Touch Of Evil, his remarkable “Cinema Noir” tale of a squandered life and legacy corrupted by bribery and temptation, Welles remains one of the most extraordinary directors in the history of film.

His is a story of unwitting sabotaged achievement and haunting, incomparable genius.

Here, then, is “Xanadu: A Castle In Clouds … The Life of Orson Welles.”

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Ersatz Culture, Mlex, Olav Rokne, Kathy Sullivan, Lise Andreasen, Steve Vertlieb, Steve French, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Matthew Johnson.]

Pixel Scroll 10/19/23 A La Recherche Du Pixels Perdu

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(1) INTERZONE NEWS. Gareth Jelley, Editor & Publisher of Interzone and IZ Digital announced today that “Interzone’s hiatus, thankfully, was very temporary.” He told File 770, “Although it is sad to lose the print edition, moving forward on a regular schedule is crucial; and I have plans for annual Interzone print anthologies, in the future, once the zine is back on track.”

Interzone 296 will be published in November. The table of contents is posted at the Interzone Patreon.

Ebook subscriptions starting from IZ 295 (the current issue) are available directly from https://interzone.press.

Jelley says, “If readers have already purchased a print issue of Interzone #295, I’ll automatically extend their e-sub by one issue.”

If people prefer to pay monthly, there is now a Patreon.

(2) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

15-minute video showing a walk around the con

Although it’s only in Chinese, the first half of this Bilibili video gives the best impression yet of what it’s like to walk around the con.  There’s a section in the middle of vox pop interviews with what I assume are a random selection of attendees, and it ends with a more leisurely wander around the central area of the museum.

The video was posted today (Thursday 19th); I assume it was filmed on the opening day of the con.  It was posted by an account called 中国科幻博物馆 / China Science Fiction Museum, so I assume it’s an official production by the con venue.

Another walkaround video

This sub-3-minute Chinese language Bilibili video is (I think) by some vloggers.  From around 01:15 through to 02:15 there are short interviews with some of the people running the fan tables; I think they are in turn the SF clubs of Sichuan University, Electronic Science & Technology University and Southwest Jiaotong University, which Google tells me are all located in Chengdu.

I think there’s a split second glimpse of Nicholas Whyte around 01:14, although the image fades to black as he comes into view, so I’m not completely certain.

Handy guide to starting inter-fandom wars in Chinese

New Star Press posted these images to Weibo.

I’m not sure where those cards might be available; I dunno if they’re fan-made, or perhaps could be picked up from their publisher booth?

Hugo X interview with Chinese Hugo finalists

This 38-minute video on Bilibili is likely to have minimal international appeal given the lack of English subtitles, but Hugo finalists Hai Ya and Jiang Bo are two of four SF writers in a group interview.

Some brief English language clips

There’s nothing actually related to SF or the con in this short interview with Chris M. Barkley that was posted to Twitter; I don’t know if it’s an extract from a longer video.

Bilibili has extracts from an interview and a panel with German writer Brandon Q. Morris.

Chinese SF In Memoriam video

SF World magazine posted this video to their Weibo account today. The In Memoriam video was shown at the Galaxy Awards Ceremony, as shown in this video of the event, with audience reaction. It commemorates some of the writers, translators and fans from the history of Chinese SF who are no longer with us.

Kind words for File 770

File 770 got namechecked by Adaoli/SF Light Year in a second Weibo post, this seems to be a transcript of an interview he gave at the con; it sounds like there might be a video version of this interview at some point? — https://weibo.com/2417401527/NoCYEyAY8

The relevant text from near the end, via Alibaba Cloud Translate:

There is a very famous American science fiction platform (File770). Its manager is over 70 years old this year. We can’t make phone calls, we can only communicate by email. He has insisted on publishing this science fiction information for decades. From this perspective, in fact, in addition to the publicity of regular publishing companies, there are many wild science fiction fans, They can also have a lot of contribution and strength. He is also my idol, and I also hope that I can persist in doing some sci-fi releases, which will be more helpful for everyone to learn more about domestic and foreign sci-fi information.

Errata

Someone spotted one of the items that were in the Oct 13th Scroll, which had a couple of translation errors, at least one of which I should have spotted.  There are four screengrabs from that Scroll, of which three are screengrabs from other Chinese social media posts. — https://weibo.com/1720576035/NnEe2c4Vb

Twitter / X and Facebook accounts that are actively posting from the con

I don’t really “do” Facebook, so that list is highly likely to be incomplete.  All are English-language unless otherwise stated, and in no particular order.

Twitter / X:

Facebook:

(3) GLAD TO HEAR IT. Ukranian fan Boris Sydiuk told Facebook readers the news that Sergey Lukyanenko didn’t appear at the Chengdu Worldcon.

…This is good news to us in Ukraine and to all global Fandom. It means Fandom united together can do important things to protect truth and humanity. We hope all fans can enjoy their convention, though I am sorry that Chengdu Worldcon could not bring themselves to dis-invite an appalling person who condones atrocities, ethnic cleansing, and hails killing people who don’t want to speak Russian. It is a shame he will forever be listed as a Worldcon GoH, but let it be known that somehow he was not there, that fans did not have to withstand his rhetoric, listen to his lies and he failed to attend….

(4) KENTUCKY COUNTY REMOVES MORE THAN100 BOOKS FROM SCHOOL LIBRARY. [Item by Joel Zakem.] The Boyle County, Kentucky, schools are removing more than 100 books from various school libraries, citing a recently passed anti LGBTQ+ law. Several of the titles are definitely genre, including four of Herbert and Anderson’s “Dune House Atreides” books and two of Tue Southerland’s “Wings of Fire” books. There may be a few others that I did not recognize. The book list is here.

The article from Louisville Public Radio: “Kentucky school district bans more than 100 books, citing anti-LGBTQ+ law”,

A children’s picture book about a boy who likes to dress up in his mom’s clothes.

A series about a teen who rides dragons in a dystopian universe.

A graphic novel based on the diary of Anne Frank.

These are among the more than 100 books banned from libraries in Boyle County Schools….

The article from the local Boyle County newspaper: “Boyle schools removing library books in response to SB 150” in the Advocate-Messenger.

…Some books that have been removed include “Gender in the 21st Century” by M.M. Eboch, “Only Mostly Devastated” by Sophie Gonzales, “Julian is a Mermaid” by Jessica Love and “The League of Super Feminists” by Mirion Malle.  Superintendent Mark Wade said in an interview with the Advocate-Messenger that the district removed books based on language in SB 150. Since the Kentucky Department of Education did not provide specific guidance on some language, the law was left open to the interpretation of each local BOE.  Part of the law about respecting parental rights states that “Children in grade five and below do not receive any instruction through curriculum or programs on human sexuality or sexually transmitted diseases; or any child, regardless of grade level, enrolled in the district does not receive any instruction or presentation that has a goal or purpose of students studying or exploring gender identity, gender expression, or sexual orientation.”…

(5) 2024 CREATIVE WRITING AWARDS COMPETITION FOR HIGH SCHOOL SENIORS. Penguin Random House, and We Need Diverse Books (WNDB), have opened submissions for the 2024 Creative Writing Awards. This is the first year the awards include the Freedom of Expression Award; in the face of book bans and attacks on free expression on the rise in America, Penguin Random House and We Need Diverse Books celebrate the power of books and stories. Applicants to the new award will be asked to answer the prompt, “Tell us about one banned book that changed your life and why.” 

The 2024 competition launches on October 16, 2023, and closes on January 16, 2024—or when 1,000 applications have been submitted. Current high school seniors who attend public schools in the United States, including the District of Columbia and all U.S. territories, and are planning to attend college in fall 2024, are eligible and encouraged to apply.

Six first-place $10,000 prizes will be awarded in the categories of: the Michelle Obama Award for Memoir, the Amanda Gorman Award for Poetry; the Maya Angelou Award for spoken-word; fiction/drama; and the new Freedom of Expression Award.  In recognition of the Creative Writing Awards previously being centered in New York City, the competition will award an additional first-place prize to the top entrant from the NYC area. Runners up will also be honored…. 

Complete guidelines here.

(6) TODAY’S DAY.

October 19, 1953 – Fahrenheit 451 published.

[Item by John King Tarpinian. First published in 2013.] On this day in history one of the most read science fiction novels was published. One of the few, if not only, novels of sci-fi on the majority of middle and high school reading lists.

Fahrenheit 451 is one of three books that as a young man made me think about stuff outside of my comfortable life. The other two were Dalton Trumbo’s Johnny Got His Gun and Robert Heinlein’s Stranger in a Strange Land. The three making up a trio of books that woke up my little brain.

Fahrenheit 451 was made into a movie by the French director, François Truffaut. It was his first movie in color and his only English-language film. Remember the French guy in Close Encounters of the Third Kind?  That was Truffaut.

Flatscreen TVs were in this book. Bluetooth was in this book. Most people know that Ray never drove a car, remember that in the book Clarisse was killed by a speeding car. Montag was a brand of paper; Faber was a brand of pencil. Beatty was named for the lion tamer, Clyde Beatty.

Bradbury’s book rails against censorship, in any form.

Lastly, Ray’s headstone reads “Author of Fahrenheit 451.”

(Use this link to see a parade of Fahrenheit 451 book covers from over the years.)

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 19, 1921 — George Nader. In 1953, he was Roy, the leading man in Robot Monster (a.k.a. Monster from Mars and Monsters from the Moon) acknowledged by him and others to be the one of the worst SF films ever made. He showed up in some decidedly low budget other SF films such as The Human Duplicators, Beyond Atlantis and The Great Space Adventure. Note: contrary to popular belief, Robot Monster is not in the public domain which is why I’m not linking, nor should you. This movie is under active copyright held by Wade Williams Distribution. (Died 2002.)
  • Born October 19, 1940 — Michael Gambon. Actor of Stage and Screen from Ireland who is best known to genre fans as Professor Albus Dumbledore from the Hugo-nominated Harry Potter films (a role he picked up after the passing of Richard Harris, who played the character in the first two films). He also had roles in Toys (for which he received a Saturn nomination), Mary Reilly, Sleepy Hollow, and the Hugo finalist Sky Captain and the World of Tomorrow. He has had guest roles in episodes of The Jim Henson Hour, Doctor Who, and Tales of the Unexpected, and played an acerbic storyteller and possible tomb robber in Jim Henson’s The Storyteller. He has also done voice roles in animated features including Fantastic Mr. Fox, Paddington, and The Wind in the Willows, in which he voiced very nicely The Badger. (Died 2023.)
  • Born October 19, 1943 — Peter Weston. He made innumerable contributions in fan writing and editing, conrunning, and in local clubs. He was nominated for a number of Hugo awards but never won, including a nomination for his autobiography Stars in My Eyes: My Adventures in British Fandom. For many years the Hugo rockets were cast by the car-parts factory which Weston owned and managed until he retired. (Died 2017.)
  • Born October 19, 1943 — L.E. Modesitt, Jr., 80. Writer of more than 70 novels and 10 different series, the best known of which is his fantasy series The Saga of Recluce. He has been Guest of Honor at numerous conventions, including a World Fantasy Convention. He won a Neffy for his Endgames novel, and an Utah Speculative Fiction Award for his Archform: Beauty novel. 
  • Born October 19, 1945 — John Lithgow, 78. He enters SF fame as Dr. Emilio Lizardo / Lord John Whorfin in The Adventures of Buckaroo Banzai Across the 8th Dimension. He’ll later be in Santa Claus: The Movie, Harry and the Hendersons, Shrek, Rise of the Planet of the Apes, Interstellar and the remake of Pet Sematary. (One of those films that really, really shouldn’t have been made.) Oh, and he voiced The White Rabbit on the Once Upon a Time in Wonderland series! He of course is Dick Solomon in 3rd Rock from the Sun.  And for true genre creds, he voiced the character of Yoda in the NPR adaptations of The Empire Strikes Back and Return of the Jedi.
  • Born October 19, 1946 — Philip Pullman, 77. I’ll confess that I like his Sally Lockhart mysteries, both the original versions and the Billy Piper-led series, far more than I enjoy the Dark Materials series as there’s a freshness and imagination at work there I don’t see in the latter. Oh, some of the latter is quite good — I quite enjoyed Lyra’s Oxford and Once Upon a Time in The North as the shortness of them works in their favor.
  • Born October 19, 1948 — Jerry Kaufman, 75. Writer, Editor, Conrunner, and Fan who, while in Australia as the DUFF delegate, created a Seattle bid for the Australian Natcon which actually won the bid (temporarily, for a year, before it was overturned and officially awarded to Adelaide). He was editor of, and contributor to, numerous apazines and fanzines, two of which received Hugo nominations. With Donald Keller, he founded and ran Serconia Press, which published criticism and memoirs of the SF field. He served on the Board of Directors of the Clarion West Writers Workshop and served as Jurist for the James Tiptree, Jr., Memorial Award. He has been Fan Guest of Honor at several conventions, including a Westercon. (JJ) 
  • Born October 19, 1990 — Ciana Renee, 33. Her most known genre role is as Kendra Saunders / Hawkgirl on Legends of Tomorrow and related Arrowverse series. She also showed up on The Big Bang Theory as Sunny Morrow in “The Conjugal Configuration”, and she played The Witch in the theatrical production of Daniel Wallace’s Big Fish: A Novel of Mythic Proportions.  She was also Elsa in the theatrical production of Frozen.

(8) COMICS SECTION.

  • Half Full asks the same question some of you have asked.
  • Drabble’s picks for the scariest movies might not be on your list.

(9) STRINGS ATTACHED. [Item by Steve Green.] Talking Pictures TV is a family-run British cable channel specializing in old movies and television shows. To tie in with broadcasts of the 1960s series Thunderbirds, the channel’s online “watch again” service TPTV Encore has posted an interview with puppeteers John and Wanda Brown.

Related interviewees at the site include art director Bob Bell, script editor Alan Pattillo and actor David Graham (the voice of Parker).

(10) TALKED TO DEATH. Slashfilm heard from the actor that “Robert Redford’s Twilight Zone Episode Holds A Certified And Significant Record”.

The third-season episode of “The Twilight Zone” called “Nothing in the Dark,” which first aired on January 5, 1962, is about an elderly woman living unhappily alone in a grim-looking, brick-walled basement apartment in an empty building. Wanda (Gladys Cooper) has, in recent years, become a recluse, fearing that a sojourn to the outside world will bring her face-to-face with death. By her description, however, this is literal. She once saw a man touch a woman with his finger, killing her instantly, leading her to know with utter certainty that Death is a person. Death, she also knows, can also look like anyone. So she surmises it might be best to stay away from people altogether. 

When a handsome young Robert Redford knocks on her door, however, her idyll is smashed. Redford plays a young cop named Harold who was shot in the line of duty and needs immediate medical care. Wanda refuses to let him in, knowing that he may be Death and that Death is sneaky. She eventually lets him in, he touches her, and she doesn’t die, so she is convinced all is well. Wanda and Harold discuss her views on death, her life of fear, and her philosophy that living cloistered is better than dying in the open air. But then, as we are living in the Twilight Zone, perhaps Harold may be Death after all. 

“Nothing in the Dark” was written by George Clayton Johnson (who wrote the novel “Logan’s Run, seven additional “Twilight Zone” episodes, and many other notable sci-fi stories), and the author created a wonderful miniature two-handed, one-act morality play where discussion takes precedence over action. It’s a sweet little character piece with fantastical underpinnings….

(11) RED LEADER GOES FOR OVER $3M. This X-wing fighter went walkabout. UPI found out where it’s been.

A formerly long-lost X-wing fighter model used on screen in the original 1977 Star Wars film was auctioned for a Force-disturbing sum of over $3.13 million.

Bidding on the 1:24 scale model opened at $400,000 and closed Sunday with a bid of more than $3.13 million.

Heritage Auctions said the model was long known as “the missing X-wing” until it was found in the collection of Greg Jein, who died last year after a career in miniature making that saw him earn awards nominations for his work on projects including Star Trek and Close Encounters of the Third Kind.

The miniature was one of four “hero” models created for filming close-ups in key moments during the famous third act battle in Star Wars Episode IV: A New Hope and features red stripes on its top two wings, identifying it as the Rebel Alliance squadron’s “Red Leader.”…

(12) VIDEO OF THE DAY. [Item by Kathy Sullivan.] University finals have gotten creative.  (Yes, yes, Encanto was on and I went looking for the Pluto parody and found this one as well): “We Don’t Talk About Pluto (My University Astronomy Final)”.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Kathy Sullivan, Gareth Jelley, Steve Green, Joel Zakem, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and Ersatz Culture for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]

Pixel Scroll 10/14/23 The Bear That Shouted “Honey!” At The Heart Of The 100-Acre Woods

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(1) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Setup for Worldcon

Here’s a photo gallery showing some of the décor created for the Worldcon inside the Chengdu Science Fiction Museum. More at the link: http://xhslink.com/0yicuv

(2) MORE BAD NEWS FROM INTERZONE. Interzone publisher and editor Gareth Jelley has elaborated on the magazine’s switch to a solely electronic format, which was announced to subscribers the other day.

…It has been a hard call to make, but due to a very significant drop in subscriber numbers over the last three years, and the volatility of the paper market, I have decided that Interzone will be switching to electronic publication — from Interzone #296 onwards, issues of the magazine will be released as ebooks and no print edition will be produced.

When I took Interzone over from Andy Cox, I was determined to get Interzone back onto a bimonthly schedule and I also wanted to keep Interzone going as a print publication. I believed this was possible, and I did everything I could, day in, day out, to keep the print incarnation of IZ alive. Many IZ readers and fans also went above and beyond when I asked for help getting #295 into print.

The reality now is that Interzone subscriber numbers have fallen too far, too quickly, and are not where they need to be to keep Interzone in print and simultaneously back onto a regular, bimonthly publication schedule; and for a zine like IZ, once it is a choice between print and frequency, it is a no-brainer. Anything else is unfair to contributors and frustrating for readers.

Interzone is still not completely out of the woods, financially. I have drained my resources getting Interzone #295 published and it will take a little time to get Interzone #296, in its new electronic form, ready for publication. I am hoping it will not be too long, maybe even before the end of the year. and I will let you know as soon as I can….

(3) NEW YORK REVIEW OF SCIENCE FICTION READINGS. Jane Fancher and C.J. Cherryh make their NYRSF Readings debut on Wednesday, October 18 at 7:00 p.m. Eastern. Defiance, their latest novel in the Foreigner series, is being released that week

NYRSF can be watched LIVE at https://.facebook.com/groups/NYRSF.Readings or at https://youtube.com/streams.

The host will be Nebula finalist Barbara Krasnoff.

(4) OFFICIAL BLOCH WEBSITE. [Item by Rich Lynch.] The Robert Bloch Official Website now features “Bloch’s Acceptance Speech”” from the 1975 First World Fantasy Convention.

…About two months ago in London at Coyle’s Bookshop, they gave one of their monthly luncheons. This one was in honor of a gentleman I don’t think you are aware of—a music hall performer named Arthur Askey. It was the occasion of his seventy-fifth birthday and the publication of his book. Arthur said something which I find strangely apropos at this moment. He looked around the table and said, “This luncheon is not a work of fiction, because everybody at this table is either living or dead.” I have much the same feeling.

This is of course formerly the Arkham Hilton, and probably Mr. Lovecraft did spend a night or two here. I know that last night the sounds I heard could have been the inspiration for “The Rats in the Walls.” I knew I was in the right place when I came here. I walked into the bar and I heard somebody ordering a gin and Miskatonic…

(5) LOVE OF TREK. [Item by Nancy Sauer.] NPR has a brief essay (and love letter) by someone who was deeply influenced by Star Trek.  Heartfelt and interesting. “How Star Trek helped me find my own way”.

… I honestly don’t remember a time when I didn’t love Star Trek. I do remember when I started to realize that this show, and my father who introduced me to it, built the foundation for my sense of social justice as an astrophysicist of color. The show helped me, and my father, find a place within our culture….

… What I really related to — the show that I anticipated each week and bawled when it ended — was Star Trek: The Next Generation. This was a sequel to the original series that aired in the ’60s, a show that Martin Luther King Jr. loved!

The Next Generation had the young LeVar Burton as the chief engineer Geordi La Forge. He was famous as the lead in the TV cultural phenomena Roots and would later make everyone smile with Reading Rainbow. This new version of Star Trek also had the Shakespearean-trained actor Patrick Stewart playing Captain Jean-Luc Picard, which was the antithesis of the original Captain James T. Kirk. This new crew was more interested in science and tackled issues related to race more head-on! The technical jargon I heard coming from Geordi and others on the ship fueled my love for science….

(6) GO EAST YOUNG MAN. David Gerrold and his son’s family have moved to Vermont. Details on Facebook.

(7) LITERARY HISTORY SITE NEEDS TO BE SAVED. “Reader, they lived there: campaign to save Brontës’ Bradford birthplace as it goes on sale” in the Guardian.

Around a million visitors a year beat a path to Haworth, the small West Yorkshire town nestling in the windy moors of the Worth Valley – mainly to see the home of the Brontë sisters.

The house that writers Charlotte, Anne and Emily shared with their father, church minister Patrick, and their wayward brother Branwell is a major tourist attraction. Visitors wander around the parsonage and surrounding cobbled streets to soak up the atmosphere of just how the Brontës lived two centuries ago.

But there is a site that is equally important to the story of perhaps Britain’s greatest literary family, around six miles or so away in the village of Thornton, on the western edge of the Bradford district: the birthplace of the three sisters.

The premises that takes up 72-74 Market Street has had various uses, from an apartment block to a cafe, but a campaign has been launched to turn it into an attraction that would complement Haworth’s enduring appeal.

It is estimated it will cost about £600,000 to buy the property, which is in a state of disrepair and neglect, and sympathetically renovate the Grade II* listed building into a tourist attraction comprising a cultural and educational centre, a cafe and holiday accommodation….

(8) PIPER LAURIE (1932-2023). Actress Piper Laurie, a three-time Oscar and nine-time Emmy nominee died October 14 at the age of 91. This excerpt from Variety’s obituary covers some of her major genre performances.

…Though she informally retired to raise a family for more than a decade, she returned to film and television in the mid-’70s and racked up an impressive roster of characterizations, including Oscar-nominated turns in “Carrie” and in “Children of a Lesser God,” in which she played Marlee Matlin’s icy mother. Laurie was truly chilling in “Carrie,” as the mother of the shy telekinetic girl of the title who has, in the words of Roger Ebert, “translated her own psychotic fear of sexuality into a twisted personal religion.”

Her performance as the plotting, power-hungry Catherine Martell in David Lynch’s landmark TV series “Twin Peaks” brought her two of her nine Emmy nominations. The actress won her only Emmy for her role in the powerful 1986 “Hallmark Hall of Fame” entry “Promises,” in which James Wood starred as a schizophrenic and James Garner as his brother, with Laurie’s character offering help to the pair.

She scored her last Emmy nomination in 1999 for a guest role on sitcom “Frasier” in which she played the mother of a radio psychologist played by Christine Baranski and clearly modeled after Dr. Laura Schlessinger….

(9) MARK GODDARD (1936-2023). Actor Mark Goddard, who gained fame as Maj. Don West on CBS’ Lost in Space series from 1965 to 1968, died October 10. He was 87. The New York Times obituary notes:

…Don was always the character most annoyed by Dr. Smith, and least sympathetic to him. He could be both hot-tempered and coldhearted, but he dutifully took a spacewalk, against his better judgment, to rescue Smith from the clutches of a seductive alien creature. If it had been up to him alone, he admitted, he would have let Dr. Smith drift through space for eternity.

Major West was a role Mr. Goddard had taken reluctantly, not being a fan of science fiction. In his 2008 memoir, “To Space and Back,” he referred to his space uniform, his wardrobe for the show, as “silver lamé pajamas and my pretty silver ski boots.”…

But he came back in a cameo role for the Lost in Space movie (1998).

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 14, 1927 — Roger Moore. Bond in seven films 1973 to 1985, a long run indeed. And he played Simon Templar in The Saint for most of the Sixties, an amazing one hundred eighteen episodes. Let’s not forget that he was in the Curse of the Pink Panther as Chief Insp. Jacques Clouseau!  He even got to play Sherlock Holmes in Sherlock Holmes in New York. He wasn’t a bad Sherlock either. (Died 2017.)
  • Born October 14, 1946 — Katy Manning, 77. She was Jo Grant, companion to the Third Doctor. She also appeared in that role with the Eleventh Doctor on the Sarah Jane Adventures in a two-part story entitled “Death of the Doctor”. She appears as herself in the The Five(ish) Doctors Reboot.
  • Born October 14, 1949 — Crispin Burnham, 74. And then there are those who just disappear.  He was the founder, writer and publisher of Dark Messenger Reader / Eldritch Tales from 1975 to 1995 as the publisher Yith Press. He was also a prolific essayist from 1973 to 1995, his final essay being a reflection on the life and career of Robert Bloch. There’s nothing to show him active after 1998 when the final part of his “People of The Monolith” was published in Cthulhu Cultus #13. Then he vanishes without a trace. 
  • Born October 14, 1953 — Greg Evigan, 70. TekWar, one of Shatner’s better ideas, starred him as Jake Cardigan. I really liked it. Yes, Shatner was in it. And the role he had actually worked fine for him. He also shows up in DeepStar Six as Kevin McBride, as Will South in the horror film Spectre aka The House of The Damned, as Marcus Cutter in Cerberus: The Guardian of Hell, and on the Alfred Hitchcock Presents as David Whitmore in “In the Driver’s Seat”. 
  • Born October 14, 1953 — Richard Christian Matheson, 70. Son of the Richard Matheson that you’re thinking of. A very prolific horror writer, mostly of short stories, he’s also no slouch at script writing as he’s written for Amazing Stories, Masters of Horror, The Powers of Matthew Star, Splatter, Tales from the Crypt, Knight Rider (the original series) and The Incredible Hulk.
  • Born October 14, 1956 — Arleen Sorkin. She served as the real-life inspiration and voice for Harley Quinn, co-created by her friend Paul Dini on Batman: The Animated Series. Harley was supposed to be a one-off in “Joker’s Wild” but she was so popular that they kept her in the series. The character would appear in the New Batman Adventures, Static Shock, Justice League, Gotham Girls, and in Batman Beyond: Return of the Joker. She would die at 66 of pneumonia and complications from multiple sclerosis. (Died 2023.)
  • Born October 14, 1963 — Lori Petty, 60. Rebecca Buck – “Tank Girl” in that film. She was also Dr. Lean Carli in Cryptic, and Dr. Sykes in Dead Awake. She had one-offs in The Hunger, Twilight Zone, Star Trek: Voyager, Brimstone, Freddy’s Nightmares and Alien Nation, and voiced quite well Livewire in the DCU animated shows. 

(11) COMICS SECTION.

(12) MARVEL’S VAMPIRIC CROSSOVER. At New York Comic Con 2023 Marvel revealed “’Blood Hunt,’ Marvel Comics’ Next Crossover Event”.

…Vampires have always walked amongst the shadows of the Marvel Universe, but in Spring 2024, the long night arrives and these bloodsucking terrors will endure the spotlight like never before. The main event series will be brought to life by an A-team of Marvel talent: current Avengers scribe Jed MacKay and acclaimed X-Men artists Pepe Larraz and Marte Gracia. In classic Marvel fashion, BLOOD HUNT will also spill out into a host of tie-in issues in Marvel’s hottest current series and see the launch of all-new limited series, one-shots, and redefining status quos.

 Brimming with unsurmountable stakes, this startling saga will drag the world into darkness as your favorite heroes struggle to ward off the vampire race’s cursed crusade of terror! Fans will have to wait with bated breath for more story details and information. In the meantime, sink your teeth into a special BLOOD HUNT trailer and a viciously visceral promotional image by Leinil Francis Yu and Sunny Gho!

“We have vampires in our books all the time, there’s some bad blood there,” MacKay said. “What happens if the shoe was on the other foot? We’ve got the Avengers, Moon Knight’s Midnight Mission, Doctor Strange, Miles Morales, and of course, Blade, and there’s going to be more vampires you can shake a stick at.”…

(13) HEAR FROM MICHAEL CHABON. Listen to an installment of World Book Club where Michael Chabon discusses The Amazing Adventures of Kavalier and Clay ay BBC Sounds.

American writer Michael Chabon talks about his 2001 Pulitzer Prize-winning novel The Amazing Adventures of Kavalier and Clay. 

From Jewish mysticism to Houdini to the Golden Age of Comic Books and WWII, Chabon’s immersive novel deals with escape and transformation through the lives of two Jewish boys in New York. Josef Kavalier makes an impossible escape from Prague in 1939, leaving his whole family behind but convinced he’s going to find a way to get them out too. He arrives in New York to stay with his cousin Sammy Klayman, and together the boys cook up a superhero to rival Superman – both banking on their comic book creation, The Escapist, to transform their lives and those around them, which in part he does. Their first cover depicts The Escapist punching Hitler in the face, and they wage war on him in their pages, but the personal impact of WWII is painfully inevitable. 

The novel touches on the personal scars left by vast political upheaval, and the damaging constraints of being unable to love freely and live a true and authentic life. Chabon’s prose is perfectly crafted – sometimes lyrical, sometimes intensely witty, and occasionally painfully heartbreaking.

(14) BLOCK THAT CLICK! “BBC Will Block ChatGPT AI From Scraping Its Content” reports Deadline.

The BBC has blocked the artificial intelligence software behind ChatGPT from accessing or using its content.

The move aligns the BBC with Reuters, Getty Images and other content providers that have taken similar steps over copyright and privacy concerns. Artificial intelligence can repurpose content, creating new text, images and more from the data.

Rhodri Talfan Davies, director of nations at the BBC said the BBC was “taking steps to safeguard the interests of licence fee payers as this new technology evolves….

(15) DAVID MCCALLUM ANNIVERSARY. Did you know?

(16) ANOTHER ANNIVERSARY. “’The Halloween Tree’ at 30 – An Essential Celebration of the Holiday” is a BloodyDisgusting editorial.

…Halloween is the day that we face that chilling finality. Commune with it. Drape our world in its trappings. Halloween is the day that death becomes the tapestry of our joy. We accept it. We embrace it. Maybe we even learn from it. And few Halloween based books, movies, stories or otherwise capture this idea more absolutely than Ray Bradbury’s The Halloween Tree. Perfectly in line with its multi-layered historical trappings, it’s a tale that went through several iterations on its journey to the hallowed halls of Halloween history and one that seemed destined to become the essential animated classic that it has in the three decades since its release.

Almost 30 years before The Halloween Tree (1993) first aired on ABC, Ray Bradbury sat down to watch It’s the Great Pumpkin, Charlie Brown one October evening in 1966. Despite the acclaimed author’s excitement and unabashed love for all things Halloween, he stood up and kicked his television set as the special’s credits rolled. While he had hoped for the equivalent of Halloween’s Santa Claus in the Great Pumpkin, the promised deity never arrived, denying the holiday its mystical spirit and breaking the vow that its title professed….

(17) MELTING! Nature says someone has figured out “How to build Moon roads using focused beams of sunlight”. First, build a couple of 2m lenses:

…A beam of concentrated sunlight could be used to build paved roads on the Moon by melting lunar dust, according to proof-of-concept experiments involving lasers and a substance resembling Moon dust.

Such roads could be useful infrastructure for future lunar missions, say engineer Juan-Carlos Ginés-Palomares and his colleagues, because they could provide areas for spacecraft to land or move around without churning up fine dust that can damage on-board scientific instruments and other equipment.

The Moon will be an important jumping-off point should humans ever want to explore further reaches of the Solar System. But its low gravity means dust doesn’t settle. Paving the lunar surface by melting the regolith — loose rock and dust — could help to address this problem….

(18) NEVER TOO LATE. [Item by SF Concatenation’s Jonathan Cowie.] With the Chengdu Worldcon coming up, arguably time to — if you haven’t already — check out Cixin Liu’s The Three Body Problem. Over on YouTube @Bookpilled  (part of the YouTube Science Fiction Alliance) recently did so. “This Book Has Sold 8 Million Copies – Is It Good?”.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Nancy Sauer, Steven French, Lise Andreasen, Rich Lynch, Andrew Porter, Ersatz Culture, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/13/23 The NP-Complete Enchanter

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(1) HWA 2023 OFFICER AND TRUSTEE ELECTION RESULTS. The Horror Writers Association (HWA) held its annual election in September. The offices of Vice President and Treasurer ran unopposed. 

HWA’s new Vice President is Lisa Wood, and their new Treasurer is Michael Knost.

Lisa Kröger, Brian Matthews, and Angela Yuriko Smith were re-elected as Trustees; Brian Keene is a newly-elected Trustee.

The elected officers hold their respective offices for terms of two years, beginning on October 31 at midnight. (It’s HWA – what other date would they choose than Halloween?)

(2) INTERZONE GOES ON HIATUS. Gareth Jelley, Editor & Publisher of Interzone and IZ Digital, today sent readers an announcement that Interzone will be suspending publication for a period.

Unfortunately, Interzone is going to be on a (hopefully temporary) hiatus for the next few months. I do not know when I will be able to publish Interzone #296.

I have seen some resubscriptions come in, but the vast majority of subscriptions that lapsed with IZ 294 and IZ 295 have not been renewed, yet. I am optimistic in the long-term, and I intend to get Interzone to #300 and beyond. I am optimistic about the future of IZ. But at the moment, looking at the numbers, it simply isn’t possible for me to say when the next 5 to 10 issues will be published.

Many people made huge contributions in July this year, and these contributions helped to get Interzone #295 out into the world. Thank you for that help. The enthusiasm and passion for Interzone I saw then was staggering. Thank you very much, to each and every subscriber.

Interzone #296 will come out, and it will be a brilliant issue. And I hope that Interzones #297, #298, #299, and #300 will follow at roughly two-month intervals. As soon as I have a date for IZ 296, I will let you know.

If you would like to make a one-off donation to Interzone, the IZ Digital Ko-fi is here:

– https://ko-fi.com/izd

You can renew or extend your subscription, or convert your lifetime subscription to a regular subscription) here:

– https://interzone.press

(3) BIGGEST SCANDINAVIAN BOOK FAIR TO SPACE IN 2024. [Item by Ahrvid Engholm.] The yearly Gothenburg book fair is the biggest in Scandinavia and a major one in Europe. Every year has a theme, and in 2024 the fair goes into space! Having space as theme will surely give science fiction a lot of attention. (Most books dealing with space are undoubtedly sf.) Next year’s fair run from September 26-29, 2024. The site is what is called the Swedish Exhibition & Congress Centre.

Secondary 2024 theme is Sapmi. That is the northernmost part of Scandinavia with roaming reindeer herders, known as Sami, who call the land Sapmi.

As if they were anticipating this the cultural section of the major newspaper Aftonbladet just published a “literary manifesto” of interest. Through Google Translate: “Now we are changing our way of monitoring the literature”.

Even if the manifesto wasn’t exactly an A-bomb, it hit culture defense lines like a heavy mortar shell. Competing papers and even TV pundits exploded in comments against the manifesto’s message about reviewing more of what people actually read. It mentions science fiction several times. The critics who are not amused peek over the trenches in fear, as the bunker complexes of the traditional highbrow authors now are threatened. One critic even threw away his arms and retreated from Aftonbadet in protest. This saber-rattling adds an extra spice to the 2024 book fair.

There’s also a natural connection between space and Sapmi. The Swedish Space Corporation has upgraded the launch pads — used for sounding rockets, so far — of the Esrange research base for satellite launches. Esrange is in northern Lapland, a part of Sapmi. It may be the first satellite launch from European soil, not counting Russia. Esrange Space Center, Swedish Space Corporation. The first Sapmi sputniks are expected next year, probably well ahead of the book fair.

There’s a lot happening around space right now! Even the cultural sphere enters orbit.

(4) RUBY SLIPPERS. AP News says the person who stole the ruby slippers changed his plea to guilty today: “Man admits stealing ‘Wizard of Oz’ ruby slippers from museum in 2005, but details remain a mystery”.

A man charged in the museum heist of a pair of ruby slippers that Judy Garland wore in the “The Wizard of Oz” pleaded guilty Friday in a deal that could keep him out of prison due to his failing health, but only cleared up some of the mystery that dates back 18 years.

Terry Jon Martin, 76, pleaded guilty to a single count of theft of a major artwork. The shoes were stolen in 2005 from the Judy Garland Museum in the late actor’s hometown of Grand Rapids, Minnesota, and recovered by the FBI in 2018….

…“Terry has no idea where they were and how they were recovered,” Martin’s attorney, Dane DeKrey, said afterward. “His involvement was that two-day period in 2005.”

Under the plea agreement, DeKrey and federal prosecutor Matt Greenley recommended that Martin not face any time behind bars because of his age and poor health. Martin, who appeared in court in a wheelchair with supplemental oxygen, has advanced chronic obstructive pulmonary disease and struggles to breathe, DeKrey said. The proposed sentence would let Martin die at home, the attorney said….

(5) SANDWORM TEMPO. [Item by Rob Thornton.] Pitchfork did an interview-type article with Toto about doing the soundtrack for Lynch’s adaptation of Dune.

… With A Masterpiece in Disarray, [Max] Evry reevaluates the movie by telling its full story with the help of those who were there, including stars Kyle MacLachlan and Sean Young, and even Lynch himself. Every aspect of Dune is put under the microscope, including its surprisingly quiet and moody score courtesy of the 1980s rock band Toto, best known for their No. 1 hit “Africa.” In the following excerpt, members of Toto recount their experience working with Lynch, Brian Eno’s involvement in the soundtrack, and why they maybe should have just written a song for Footloose instead….

David Paich: I was able to play my main theme for David Lynch. They loved it and hired us on the spot. He had a Walkman, and put this set of phones on me and said, “Tell me if you can make this kind of music for my movie?” He put on two Shostakovich symphonies. He made me listen and said: “I want this music low, and I want it slow.” I thought, Well, I can handle that. This isn’t Star Wars. He’s making the anti-Star Wars movie. He wanted me to avoid anything that’s uplifting, that’s happy, that’s joyous, that’s compelling. He hates popular movies that make people come and eat popcorn and stuff. Super-nice guy, though. He wanted it low and slow….

(6) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Worldcon train launch, and photos of stations and travel card

The Weibo account of the Chengdu train system has posted several Worldcon-related updates.

A couple of videos and photo galleries showing the local area

In this 4-minute Bilibili video, a local from another district of Chengdu has a walk around the main road to (I think) the south of the con venue.  Amongst other things, you can see Worldcon signage on the block across the road (0’27”) and the school that was mentioned in yesterday’s Scroll (3’00”).  From around 2’40” you can get a feel for the distance between the museum and the Sheraton hotel.

Urban blogger skyxiang1991 posted a new set of photos to Weibo, showing the construction of a sculpture across the lake from the museum.  The post’s text says they have a Three-Body Problem theme; I think they refer to (vague spoilers) something that happens in The Dark Forest, the second book?

This Xiaohongshu video opens with a different view of the topiary that was in a recent Scroll; there seems to be a clock incorporated into the design.  It then moves on to various footage of the interior of the museum.

Miscellaneous videos

Ben Yalow and Carolina Gomez Lagerlof visit the Hua’ai school (video subtitled in English and Chinese)

A six-and-a-half-minute unboxing and taste-test video on Bilibili of the SF World bean paste box-set tie-in that was featured in a Scroll a week or two ago.

(7) CHANGE-UPS. Amal El-Mohtar reviews three new books by Malon Edwards, Melinda Taub and Karen Lord for the New York Times: “P.O.V.: You’re a Jane Austen Character in an Alternate Universe”.

The point-of-view meme has had a steady presence in our social media landscape over the past few years. You’ve probably scrolled past posts that read “P.O.V.: You’re [a specific character doing something wacky],” accompanied by images or videos that supposedly capture said perspective. P.O.V.: You’re a spotted lanternfly sunbathing. (Close-up of shoe tread.) P.O.V.: It’s 1996 and you’re trying to teach kids about irony when Alanis Morissette drops a new single. (Video of cartoon heads exploding.)

In fiction, of course, tinkering with point of view has a long history, as different narration styles have gone in and out of fashion. Here are some recent books where perspective is a site of experiment, subversion and play….

(8) OCTOBER COUNTRY. Meanwhile, Lisa Tuttle reviews Out There Screaming edited by Jordan Peele; A Haunting on the Hill by Elizabeth Hand; Lamb by Matt Hill; and My Brother’s Keeper by Tim Powers for the Guardian: “The best recent science fiction, fantasy and horror – reviews roundup”.

“I view horror as catharsis through entertainment,” says writer-director Peele (Nope, Get Out) in the foreword to this impressive American anthology. The 19 contributing Black authors offer a wide range of literary nightmares, varying in subject from the horrors of slavery and segregation to ancient evil spirits and newly minted monsters…. 

(9) GREG CRONAU DIES. Past ConFusion ConChair Greg Cronau has passed away. Michael McDowell reported on Facebook:

Greg’s mother called me this afternoon to tell me that Greg passed away last weekend in hospital near his home in Irwin, Pennsylvania. He’d been hospitalized for less than a week, but had been ill much longer. The cause of death was complications from an unchecked bone infection.

(10) TIM UNDERWOOD (1948-2023). Publisher Tim Underwood died October 11 from malignant melanoma. Underwood, then a book and art dealer, and used book dealer Chuck Miller, founded the Underwood–Miller small press in 1976. They published works by Jack Vance, Philip K. Dick, Harlan Ellison, Robert Silverberg and Roger Zelazny. In several such cases, the books in question printed recently done stories that either appeared only in magazine form or only in paperback, with no previous hardcover edition. They dissolved the partnership in 1994. That same year Underwood-Miller received a World Fantasy Special Award.

Tim Underwood

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 13, 1906 — Joseph Samachson. In 1955, he co-created with artist Joe Certa the Martian Manhunter in the pages of Detective Comics #225. Earlier he penned a couple of Captain Future pulp novels around 1940 under a house name. (House names often blur who did what.) He also wrote scripts for Captain Video and His Video Rangers, a late Forties to mid Fifties series. (Died 1980.)
  • Born October 13, 1923 — Meyer Dolinsky.  He wrote the script for Star Trek’s “Plato’s Children” plus for Mission: Impossible, Science Fiction Theater, World of Giants (which I never heard of), Men into Space, Invaders, Mission: Impossible and The Outer Limits. (Died 1984.)
  • Born October 13, 1936 — Robert Ingpen, 87. Australian graphic designer, illustrator, and writer. Winner of the Ditmar Award for the charmingly named Australian Gnomes. His other work in that series was The Poppykettle Papers with Michael Lawrence.
  • Born October 13, 1956 — Chris Carter, 67. Best known for the X-Files and Millennium which I think is far better than X-Files was, but also responsible for Harsh Realm which lasted three episodes before being cancelled. The Lone Gunmen which was a good concept poorly executed managed to last thirteen episodes before poor ratings made them bite the bullet. He retired from doing anything creative after The X-Files: I Want to Believe.
  • Born October 13, 1969 — Aaron Rosenberg, 54. Children’s books author and games designer according to Siri. He’s written novels for Star Trek, StarCraft, Warcraft, Exalted, Stargate Atlantis, and Warhammer, as well as other franchises. He’s even written a novel set In the Eureka ‘verse, Eureka: Roads Less Traveled, under the house name of Cris Ramsay. The Eureka novels sound fascinating. 

(12) COMICS SECTION.

  • Mostly Harmless prompts Lise Andreasen to question: “This shows a universal problem? Do we have to change Drake’s equation now?”
  • Bizarro uses ancient art to make a horrible modern pun.
  • Bliss shows what can happen when you least expect it.

(13) THE PROTO-PRO. At Bradbury 100, Phil Nichols looks at an early year of the author’s career: “Chronological Bradbury, 1939”.

Here’s a new episode of my Bradbury 100 podcast – and it’s another in my occasional series, “Chronological Bradbury”. Last time I covered 1938, so this time it’s onward to 1939.

1939 finds Ray Bradbury writing under a variety of names:

(14) NBA SUBSTITUTION. “LeVar Burton replaces Drew Barrymore as National Book Awards host” NPR explains why.

Actor, podcaster, and reading advocate LeVar Burton will be the host of this year’s National Book Awards ceremony.

In a statement Friday, Burton, who also hosted the ceremony in 2019, said, “It’s an honor to return as host of the biggest night for books, especially in a moment when the freedom to read is at risk.”

Drew Barrymore was originally slated to host the awards show – commonly referred to as the Academy Awards for literature. That offer was rescinded by the National Book Foundation after she announced she’d return to doing her talk show during the Writers Guild of America’s strike. She eventually reversed that position after strike supporters picketed her show, but not before losing out on the hosting job….

(15) THEY SNAPPED. “‘Goosebumps’ Is Back on TV. Here’s What to Know” says the New York Times.

“Say cheese!” a boy shouts in the first episode of “Goosebumps,” a new series on Disney+ and Hulu, jumping out of a closet as he snaps a Polaroid photo of his friend’s startled face.

The image is familiar to anyone who has read — or just seen the cover — of “Say Cheese and Die!,” one of the most beloved of R.L. Stine’s “Goosebumps” books. The best-selling children’s horror book series, first published in 1992 and still regularly rolling out, follows the adventures of tweens and teens who find themselves in supernatural circumstances.

But now there are a few differences: Unlike in the novels, in which almost every single essential character is white, the boy is Black. The characters are in high school, not middle school. The series is set in the present, not the 1990s. (There’s a “Hamilton” reference in the pilot.)

“We want to make sure the show appeals to the widest audience possible,” said Rob Letterman, who directed the 2015 “Goosebumps” film and created the new show with Nicholas Stoller. (They previously collaborated on the film adaptation of “Captain Underpants.”) The first half of the new 10-episode series premieres, appropriately, on Friday the 13th. (New episodes will arrive every Friday through Nov. 17.)

The first season is based largely on five of the books, including “Say Cheese and Die!”Scholastic Inc….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Rob Thornton, Arnie Fenner, Kathy Sullivan, Ahrvid Engholm, Lise Andreasen, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/29/23 Mom Said Not To Scroll Pixels In The File

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(1) DEATH IN THE MOUTH 2 KICKSTARTER. Cartoonist and writer Sloane Leong and writer Cassie Hart have partnered to launch a Kickstarter appeal for a second volume of Death in the Mouth: Original Horror from the Margins.  Death in the Mouth 2 is a horror anthology showcasing BIPOC and other ethnically marginalized writers and artists from around the world. It will feature twenty prose stories spanning the distant past to the far future, real and fictive worlds, all while exploring new and unique manifestations of horror. Each story will also be accompanied by an original black and white illustration by a unique artist.

They’ve invited authors like Sascha Stronach, Jeeyon Shim, Richard Van Camp, Erika T. Wurth, Nadia Bulkin, JAW McCarthy, Ana Hurtado, Paula D. Ashe and more to contribute stories.

Artists include Anand Radhakrishnan, Max Banshees, Rosío Airén, Eli Minaya, Tiffany Turrill-Gourdin, Julie Benbassat, Daylen Seu, Sloane Hong, Leslé Kieu, and Makoto Chi. They anticipate welcoming many new and underrepresented authors and artists through their open call.

At this writing the Kickstarter has raised $19,435 of its $40,000 goal with 16 days to go.

(2) HOW DARE YOU. At Black Gate, S.M. Carrière reminds everyone that “Reviews Are Not For Authors”, with a couple spectacular examples of writers who felt otherwise:

…The first case I was made aware of involved Susan Stusek, who was dropped by her publisher because of the backlash she received on TikTok and GoodReads following her behaviour.  The book, to be released by publisher Sparkpress September 12th of this year was sent to several book reviewers to drum up publicity, as is the norm. One reviewer had the sheer temerity not to rate the book a perfect five stars, rating it instead four stars; still a brilliant rating by any measure. The accompanying review was also very positive.

Stusek did not seem to agree. She took to TikTok to voice her vexation with the four star review…

(3) WORK-FOR-HIRE. Rachael K. Jones shares expertise in “Work-for-Hire in Short Fiction: An Overview” at the SFWA Blog.

Work-for-hire writing jobs are common in novel-length work, especially in the world of tie-in fiction, but rarer in short fiction. If you’re primarily a short fiction author, you might be caught off-guard if approached with this kind of work. You may not have an agent who can give you advice. You might not know how much money to ask for, or how to tell a valid offer from a scam. If you’ve been approached with short fiction work-for-hire and don’t know where to start, this article is for you!

Overview of Work-for-hire

Work-for-hire is defined by the US Copyright Office as work where “the hiring or commissioning party is considered the author and the copyright owner.” This differs from a typical author–publisher relationship where the publisher purchases limited rights to use a story in a specific way. For example, if you sell a story to Clarkesworld, after the exclusivity period ends, you can reprint the story, include it in a collection, translate it, sell movie rights, write sequels, expand it into a novel, or use it any way you’d like.

Under the work-for-hire model, this isn’t the case. In exchange for the upfront payment, you assign the copyright to the commissioner of the work to do with as they please. This entity now has the right to use the story however they wish: they can include it in a collection, sell the movie rights, produce sequels, make it into merchandise or non-fungible tokens (NFTs), and so forth, while you lose the legal right to do so….

(4) INTERZONE. Gareth Jelley, Editor and Publisher of Interzone and IZ Digital reminded me the current website for Interzone is https://interzone.press and said Interzone #295 should be with subscribers by the end of September.

Because we were corresponding about the James White Award, he pointed out that one of the former winners, DJ Cockburn, has had some short stories in IZ Digital, Interzone’s online sister zine (which are free to read, though support is welcomed):

The stories in IZ Digital are not republished in Interzone, and vice versa. The two publications are related, but independent.

(5) SUNK WITHOUT A TRACE. The Guardian leads with the Nautilus cancellation on the way to suggesting why it happened: “The great cancellation: why megabucks TV shows are vanishing without a trace”.

A big budget series filmed in Queensland which employed hundreds of Australian cast and crew has become the latest victim of cuts at Disney, being dropped by the studio after filming – and before it even had a chance to be released.

Nautilus, a UK series that had been set to stream on Disney+, is a prequel story to Jules Verne’s 20,000 Leagues Under the Sea. Shazad Latif stars as Captain Nemo, an Indian prince who became a prisoner of the East India Company and sets off on a mission of revenge on submarine Nautilus.

The series was in production for most of 2022 on the Gold Coast, where it took up half the soundstages at Village Roadshow Studios to house the replica submarine. The cast also included Australian actors Georgia Flood, Pacharo Mzembe, Benedict Hardie and Darren Gilshenan, as well as international talent Cameron Cuffe and Thierry Fremont.

When Nautilus was announced in 2021, the Queensland government touted the production would inject $96m into the local economy and create 240 positions for crew and 350 jobs for background actors. At the time, Queensland premier Annastacia Palaszczuk flagged the prospect of multiple seasons to be filmed in the state. Screen Queensland declined to reveal the value of government incentives the production received, citing commercial in confidence….

…In May, Disney+ announced a content removal plan designed to cut US$1.5bn worth of content, meaning it substantially reduces the company’s value, giving it a lot less tax to pay. Nautilus is not the only victim: a live-action TV adaptation of The Spiderwick Chronicles was also completed and then axed. Disney isn’t the only network to abandon shows that have largely been made…

(6) A DECADE IN SFF ART EXPLAINED. Michael Gonzalez interviews Adam Rowe about his new book Worlds Beyond Time: Sci-Fi Art of the 1970s for CrimeReads: “The Strange, Surreal, Visionary Sci-Fi Art of the 1970s”.

Tell me about your relationship with Vincent Di Fate, a legendary artist who also wrote the book’s introduction. What was your pitch to get him involved? Did he give you any advice about putting the book together?

Fairly quickly after deciding to write a pitch for this book, I realized there was a great art collection that already covered a lot of the same ground: Di Fate’s Infinite Worlds, 1997. It covers over a century of science fiction art, so it’s not the exact subject as mine, but I highly recommend it to anyone who enjoyed my collection. 

I also talked to Grady Hendrix, an author who co-wrote the 70s and 80s horror fiction celebration Paperbacks From Hell in 2017 (a big inspiration for the format and tone of Worlds Beyond Time). Hendrix told me that talking to Di Fate had helped him understand the publishing industry better, and recommended I talk to him for my book.

I interviewed Di Fate a few times while writing the book, and his knowledge of science fiction art history was immensely helpful – I learned a lot. He told me about one of the most interesting shifts in ‘70s science fiction cover art history, the fact that cover art trends shifted away from surrealism and towards representational art in 1971, when two influential editors led the charge: Donald A. Wollheim left Ace Books to start DAW Books in 1971, the same year Lester and Judy-Lynn del Rey started the Del Rey imprint within Ballantine. 

So, when I was looking for someone to write the foreword, Di Fate was my first choice. I’m thankful he agreed! 

(7) ED HUTNIK (1956-2023.) Filk has lost another valued member of the community, Ed Hutnik. He died at home on August 25, 2023. He was the husband of Jeanne Wardwell. In addition to filking, he participated for many years in medieval re-creation activities. The family obituary is here. Fans have left memories on the Tribute Wall.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 29, 1854 — Joseph Jacobs. Australian folklorist, translator, literary critic and historian who became a notable collector and publisher of English folklore. Many of our genre writers have use of his material. “Jack the Giant Killer” becomes Charles de Lint’s Jack Of Kinrowan series!  Jack the Giant Killer and Drink Down the Moon to give an example. (Lecture mode off.) Excellent books by the way. (Died 1916.)
  • Born August 29, 1904 — Leslyn M. Heinlein. She was born Leslyn MacDonald. She was married to Robert A. Heinlein between 1932 and 1947. Her only genre writing on ISFDB is “Rocket’s Red Glare” which was published in The Nonfiction of Robert Heinlein: Volume I.  (Died 1981.)
  • Born August 29, 1942 — Dian Crayne. A member of LASFS, when she and Bruce Pelz divorced the party they threw inspired Larry Niven’s “What Can You Say about Chocolate-Covered Manhole Covers?” She published mystery novels under the name J.D. Crayne. A full remembrance post is here. (Died 2017.)
  • Born August 29, 1946 — Robert Weinberg. Author, editor, publisher, and collector of science fiction. At Chicon 7, he received a Special Committee Award for his service to science fiction, fantasy, and horror. During the Seventies, he was the genius behind Pulp which featured interviews with pulp writers such as Walter B. Gibson and Frederick C. Davis. He also published the Pulp Classics, Lost Fantasy, Weird Menace, and Incredible Adventures series of pulp reprints at the same time. (Died 2016.)
  • Born August 29, 1951 — Janeen Webb, 72. Dreaming Down-Under which she co-edited with Jack Dann is an amazing anthology of Australian genre fiction which won a World Fantasy Award. If you’ve not read it, go do so. The Silken Road to Samarkand by her is a wonderful novel that I also wholeheartedly recommend. Death at the Blue Elephant, the first collection of her ever so excellent short stories, is available at the usual suspects though Dreaming Down-Under is alas not.
  • Born August 29, 1953 — Nancy Holder, 70. She’s an impressive four-time winner of the Bram Stoker Award. I’m not a horror fan so I can’t judge her horror novels for you, but I’ve read a number of her Buffyverse novels and I must say that she’s captured the feel of the series quite well. If you are to read but one, make it Halloween Rain.
  • Born August 29, 1954 — Michael P. Kube-McDowell, 69. A filker, which gets major points in my book.  I’m reasonably sure I’ve read both of his Isaac Asimov’s Robot City novels, and I can recall reading Alternities as well which was most excellent.

(9) TEACHER’S PET. At KCET’s website you can watch a 4-minute clip from Antiques Roadshow where they appraised someone’s Ray Bradbury Archive. The books once belonged to an English teacher who had 17-year-old Ray in her class at Los Angeles High School.

(10) COLLECTORS POLL. Tumblr user Obsidian Sphere asks “Which Magazine Would You Most Like To Have A Complete, Restored Set Of?. They list nine choices (actually, they list them twice) beginning with these two:

Weird Tales 1922 Frankly, most of the stores were below par, “Beloved Dead” indeed, really only famous because of a few notable exceptions.

Amazing Stories 1926 The first all “scientifiction” magazine. But truth be told, most of the writing was just bad. (and then there was the “Shaver Mystery!”) In 1985, when Spielberg decided he wanted a TV series called Amazing Stories instead of just looking for another name when he found the Mag still had the rights to the title, he brought the whole catalog. He flushed it, calling it garbage so they could do stories about Grandpa’s ghost train and cute furry critter from space crying over Ricky and Lucy getting divorced….

You need to be a Tumblr user or log in some other way to vote.

(11) THE CAR IS THE STAR. “How ‘Back to the Future: The Musical’ created a DeLorean that flies” at LAist. Here’s part of the illusion:

…”Inside it all is a mechanical, steel, aluminum madness of gizmos and electronics and what we call turtles to make it spin,” said Hatley. “Motors, lights, effects, smoke machines, speakers. It’s crammed with that. You can just get a person in it.”

The car itself only moves slightly, while turning around. So to create the illusion of speed, Finn Ross installed an LED wall at the back of the stage and a scrim in the front, with the car sandwiched in between. It’s projected video, along with lights, sound and underscoring, that make it look like the car is truly hurtling from 0 to 88 mph….

(12) NEVERS LAND. Another peek inside an effects department is offered in “The Bewitching Victorian Era VFX of ‘The Nevers’” at Animation World Network.

…A signature sequence from Season 1A is the lake fight, where Nichlas ‘Odium’ Perbal (Martyn Ford), who has the ability to walk on water, attempts to drown Amalia True (Laura Donnelly).  According to Han, “You couldn’t have done that by just letting one department take control. Stunts had to choreograph this sequence that was half above and below water.  Special effects had to design all the rigs. Amalia had a winch cable that helped her to get almost a supernatural speed to swim across the tank.  For us, we prevised the whole thing shot by shot.  For every shot we did an isometric blueprint on paper so people could see, ‘For this shot we’re going to use wires and glass platform,’ or, ‘That shot will be done underwater with an underwater camera.’  It’s a great study piece of every possible component of visual effects, special effects and stunts working together.” …

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] “The Art of Future Storytelling of 2000 AD Magazine” is a video from Art Shutter.

In this mini-documentary, we embark on a thrilling journey through the pages of 2000 AD, the galaxy’s greatest comic magazine. Join us as we uncover the rich history, iconic characters, visionary creators, and enduring influence of this British comic institution. From the stern visage of Judge Dredd to the mind-bending artistry of its pages, we’ll explore how 2000 AD reshaped the comics landscape and left an indelible mark on pop culture. Don’t miss this tribute to the geniuses behind illustration comics and other disciplines of commercial art!

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Rick Kovalcik, Gareth Jelley, Dann, Steven French, Soon Lee, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 8/28/23 It Was Scrolling Hard In Pixel, I Needed One More File To Make My Night

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(1) WE’LL BE GONE FOR YEARS AND YEARS AND THEN. Cass Morris tells what it was like aboard Disney’s Halcyon Starcruiser in “Together As One”, first in a series of posts where she’ll capture full details of this Star Wars immersive experience. And joining her vicariously will be your best opportunity because the attraction will close at the end of September.

… And there was just… there was so much. Especially on Day 2. Noah and I spent four hours in Batuu, and almost all of that time was completing missions. We were running around all over the Outpost. And then once back on the Halcyon, we had a little breather (and much-needed time to clean up, considering the effect that Batuu’s balmy climate has) followed by lightsaber training, but from 3:30 onward? It was just go-go-go. Of the four major paths available, I ended up on three of them. (Or, at least, pieces of each — there are sort of sub-tracks to at least the Resistance path, with different characters and objectives). My schedule was bonkers. I think I had seven alarms set on the evening of Day 2 to make sure I moved when I needed to.

If you’re willing to go hard, it pays off. You absolutely cannot do everything — many things are mutually exclusive just due to scheduling. But you can do a lot if you’ve got the energy, the focus, the time management skill, and the willingness to dash up and down a few flights of stairs many times.

Anyone who was inclined to mock the price tag has no idea just how much goes into creating something like this — both creating it in the first place and then running it on a daily basis. I have some idea, but the work I do is on such a smaller scale, to say nothing of a smaller budget. But I know how many documents it takes to get the story set, to plan the props and scenic elements, to train the performers for something that’s really just a couple of hours of “on” time, without the complex branching trees the Starcruiser has. To do something for a 45-hour long experience, with so many variables… it would have to be utterly gargantuan….

(2) WHERE’D IT GO? For the record, David A. Riley has deleted from his blog the two posts discussing the sale of his novelette to The Magazine of Fantasy and Science Fiction. News of the magazine’s decision not to publish it is at the link.

(3) ABOUT BRADBURY. Issue 7 of The New Ray Bradbury Review is out, the first completely online, open access issue. Editor Phil Nichols tells what readers can expect in times to come.

…As we enter this new phase of the The New Ray Bradbury Review, we hope to explore the four  cornerstones  of  Bradbury’s  life  and  work  which  have  informed  the Bradbury  Center’s mission.  The  first  of  these,  underpinning  many  of  the  articles in  this  current  issue,  is the advancement of literacy, a cause which seems ever more timely in 2023, where we see the states of  Florida  and Texas enacting  policies  which restrict readers’ access—and especially young learners’ access—to  diverse  voices. The  Ray  Bradbury  Center’s  home  state  of  Indiana  is regrettably heading along a similar path, while there is a glimmer of light in the darkness in Illinois, which has legislated to ban book bans. The other three cornerstones of Bradbury’s life and work will be explored in future issues of NRBR: freedom of imagination and First Amendment rights; advocacy for space exploration; and the preservation of libraries…

(4) WORKAROUNDS. Joe Yao of the Chengdu Worldcon committee responded to concerns from those having difficulty logging into the website to purchase memberships, or vote for the Hugos and 2025 Site Selection. This is a diagnosis of one individual’s problem, but includes much general information.

…The credential message was sent by Tencent Cloud, which I believe is one of the leading IT companies with the most advanced technologies in China. However, there are still some of the email systems recognize it as spam. I have checked the back-end records trying to figure out this issue, and here is some information I would like to share with you.

There are 1,084 requests for credential emails since we opened the Site Selection and the Hugo Packet, not all of them were logging in for the purpose of voting but for other membership purchases, including the Chinese members to buy admissions. And 1,057 of the requests arrived at the email addresses successfully, in other words, the receiving rate is about 97.5%. Most of the emails that failed to arrive were BLOCKED by the receivers, which we have no way to help from my side and I believe it happens not only to Chengdu Worldcon.

The way I can help is suggest you use gmail account if possible to login and if you are a voting member in DisCon 3 or you have already purchased any memberships of Chengdu with other emails but cannot login right now, I can re-upload your gmail information to the system from my side….

(5) FILM OVER BOOK. A Buzzfeed writer names “17 Movies That Were 100 Times Better Than The Book”. Of course I had to click on that. Here’s one of the better entries:

5. “The Shining. One of my favorite movie facts is from The Shining. In the book, the Torrance family drives a red Volkswagen Beetle; in the movie, they drive a yellow one. Later in the movie, as Halloran is driving in the snowstorm, he passes a car accident where a semitruck has crushed a red Beetle. This is thought of as director Stanley Kubrick knowing he totally changed the story and was actively snubbing it with this shot.”

(6) ANOTHER WRITE-OFF? “Disney finishes shooting Spiderwick Chronicles series, decides not to air it” reports Fansided.

…And indeed, Disney shot six episodes, with a cast that includes Jack Dylan Grazer, Lyon Daniels, Noah Cottrell, Joy Bryant, Mychala Lee, and Christian Slater as the shape-shifting ogre Mulgarath. But as it ends up…nah.

According to The A.V. Club, Disney has opted not to air the show on Disney+, even though it’s basically finished. This is a phenomenon we’re seeing more and more of lately. Remember the furor that resulted when Warner Bros. Discovery decided not to release the Batgirl movie after it had already finished shooting? How about when Disney spent over $100 million making a TV show based on the fantasy movie Willow only to remove it from Disney+ after a few months? Why are these studios spending all this money if they’re not going to let people watch what they bought?

A lot of it has to do with the economics of streaming. Will airing The Spiderwick Chronicles get more people to subscribe to Disney+? If not, it may be more cost-effective for Disney to dump it and write off the expenses on its taxes. It’s not like they can sell commercials during episodes, and they probably won’t sell a home video version, so there’s little way for the show to make money by itself. It’s a weird world we’re in now, and studios are trying to figure it out….

However, this line in Variety’s report “Spiderwick Chronicles Series Adaptation Not Moving Forward at Disney+” blurs the part about who’s footing the production bill:

The completed six-episode series, which hails from Paramount Television Studios and 20th Television, is currently being shopped to other potential buyers.

(7) KEEPING THE DISCWORLD NICE AND ROUND. The Gamer defends how the Pratchett rights are handed: “The Terry Pratchett Estate Is Right To Turn Down Subpar Adaptations”.

…The Pratchett estate has likely been burned by its experience with The Watch, something which languished in adaptation limbo for a number of years after the rights were bought. While the Amazon adaptation of Good Omens has been received far better by fans, the star power and intoxicating chemistry of stars David Tennant and Michael Sheen help things along. It will also help that co-author and lifelong friend of Pratchett’s Neil Gaiman is credited as creating the show and serves as a hands-on showrunner as the series moves past the events of the novel. If anyone knows how to continue the Pratchett legacy, it’s him.

In response to a headline decrying Discworld as another huge franchise “going to waste”, the Pratchett estate posted a status to the social media platform formerly known as Twitter saying, “It’s not going to waste, it’s just very much wanting to do the right thing and definitely not do the wrong thing. Again.”

The account, run by Pratchett’s longtime assistant and business manager Rob Wilkins, followed up by saying, “Our nuclear weapon remains our ability to say no and you simply wouldn’t believe how often we still have to use it”, adding the hashtag #Narrativia, referencing Pratchett’s production company that owns the multimedia rights to all of the author’s work….

… Rhianna Pratchett responded too, saying that “we are more mindful than ever, than when we give the ‘yes’ it has to be right”. After the decidedly unPratchett adaptation of The Watch, she has every right to be cautious. While the books are timeless, and continuously prove that Pratchett was ahead of his time in more ways than you could ever imagine, a slew of poor quality adaptations could tarnish that legacy….

(8) ARLEEN SORKIN (1955-2023). Arleen Sorkin, known for voicing Harley Quinn in animated DC Universe productions, died August 26 at the age of 67.

…In 1992, Sorkin began voicing Harley Quinn in Batman: The Animated Series. She would reprise her role in other shows like Superman: The Animated Series, Batman Beyond: Return of the Joker, Gotham Girls, Justice League and Static Shock. Sorkin also lent her voice as Harley Quinn for DC video games like Batman: Arkham Asylum, DC Universe Online and DC Universe Online: The Last Laugh….

(9) CAREER INCLUDED HARRY POTTER FILM. Actress Matyelok Gibbs died August 14 at the age of 91.  

…On film, she played Erik’s mum in Terry Jones’s Erik the Viking (1989) – Tim Robbins was Erik, discovering there might be more to life than raping and pillaging, with Mickey Rooney as Erik’s grandad – and Auntie Muriel Weasley in Harry Potter and the Deathly Hallows (2010), a gaudily attired, rude and gossipy great-great-aunt of the Weasley children resembling a bad-tempered flamingo….

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 28, 1915 — Tasha Tudor. American illustrator and writer of children’s books. Her most well-known book is Corgiville Fair, published in 1971, the first of a series to feature anthropomorphic corgis. (Died 2008.)
  • Born August 28, 1916 — Jack Vance. Where to start? The Dying Earth series? Or perhaps the Lyonesse trilogy? I think I’ll pick the Demon Princes series. Damn he was good. Hugos? Oh yes. Discon was his first for “The Dragon Masters” short story followed by winning one for “The Last Castle” novelette at NYCon 3. His autobiography, This is Me, Jack Vance! (Or, More Properly, This is “I”), Jack Vance, won at Aussiecon 4. Let’s not forget that he has a World Fantasy Award for Life Achievement as well. And a SFWA Grand Master Award, too. (Died 2013.)
  • Born August 28, 1917 — Jack Kirby. Responsible for a goodly part of modern comics from Captain America and the X-Men to Challengers of the Unknown and the New Gods. (Another DC film that got cancelled, damn it.) I had forgotten that he created the Black Panther. (Died 1994.)
  • Born August 28, 1925 — Arkady Natanovich Strugatsky.The Strugatsky brothers were well known Russian SF writers who were Guests of Honor at Conspiracy ’87, the Worldcon that was held in Brighton, England. Their best-known novel in the West, Piknik na obochine, has been translated into English as Roadside Picnic. It is available from the usual suspects with a foreword by Le Guin. (Died 1991.)
  • Born August 28, 1948 — Vonda McIntyre. I’ve read a number of her works including Dreamsnake and The Moon and the Sun which are all phenomenal. The latter was based on a short story of hers done as a faux encyclopedia article “The Natural History and Extinction of the People of the Sea”, that was illustrated by Le Guin. Neat. (Died 2019.)
  • Born August 28, 1951 — Barbara Hambly, 72. Author of myriad genre works including the James Asher, Vampire Novels, The Windrose Chronicles, and the Sun Wolf and Starhawk series. Some Trek work. Was married for some years to George Alec Effinger.

(11) COMICS SECTION.

  • Tom Gauld has his own version of “Writer Beware!”

(12) CELEBRITY COMIC COLLECTION GOES UNDER THE HAMMER. “Kevin Smith is Auctioning His Personal Comic Book Art Collection” and CBR.com hits the highlights.

…A highlight of the auction is Green Arrow cover art by Matt Wagner from issues #1 – #12, estimated to bring in between $1500.00 and $3000.00 each. Additionally, the collection features one of Smith’s rarest gems, a page from Frank Miller’s Daredevil #161, penciled by Miller and inked by Klaus Janson, estimated to cost $20,000.00 to $40,000.00. Each lot in this historic auction will come with a Certificate of Authenticity (COA) from Bodnar’s and Smith’s autograph.

A percentage of the proceeds from the auction will be donated to a scholarship fund for the Joe Kubert School in Dover, New Jersey. Smith, in his characteristic manner, exclaimed, “My current reduction in home wall space is going to make some ardent comic collectors’ dreams come true!” He added, “This will be the sale of the century.”…

(13) PLANET STEWARDS. The U.S. National Oceanic and Atmospheric Administration has chosen eight books and a film for their Planet Stewards Book Club. Craig Russell’s climate-crisis novel, Fragment, was selected alongside the film Don’t Look Up and the work of many other excellent authors, including Pulitzer Prize winner, Annie Proulx. Dates and subjects of club sessions and video links are here.

(14) COVER ARTIST. The Guardian shares Matt Stevens’ work in “Cover version: films reimagined as vintage paperbacks – in pictures”.

…For his project Good Movies As Old Books , Matt Stevens combined two of his main interests: recreating his favourite films in the style of vintage paperbacks. The North Carolina -based designer and illustrator begins with iPad sketches before using Photoshop to create the effect of old paper and weathered cover textures. The first 100 designs were collected in a Kickstarter-funded art book, and a second one is in the works. “You have to be efficient with the visuals and really distil down the concept into something simple, while still making an impact,” he says. “I love the challenge of that.”…

Andrew Porter dropped the link with a note: “Stephens apparently has no idea that another James Gunn is an actual author of SF books… One of the cover designs looks suspiciously like it’s by Mike Hinge.”

(15)  TIME CAPSULE. There are still 153 photos of fans and writers on Mike Resnick’s Facebook album, spanning the decades of his life in fandom. Moshe Feder pointed this out a few days ago.

(16) WHO DID YOU SAY YOU WERE? “TV Characters With Mystery Names” at TVLine. The genre examples are not the most interesting ones, but there are some.

…What follows is an extensive small-screen history consisting of the following:

Characters whose first, last or full names have never been revealed.

Characters whose names were kept secret for multiple seasons. (Angels, aliens and other inhuman entities were not included.)

Here’s one example:

AGENT 99, GET SMART

The name of Maxwell Smart’s partner-turned-wife was never disclosed. The show would later follow tradition when she gave birth to their twins — a boy and a girl — and never revealed the daughter’s name.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Naomi.]

Pixel Scroll 8/22/23 The File Exploded With A Mighty Crash As We Fell Into The Scroll

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(1) WILL KOSA LEAD TO DELETION OF ONLINE QUEER CONTENT? Charlie Jane Anders’ latest Happy Dancing newsletter warns “The Internet Is About to Get a Lot Worse”.

…For now at least, you can still talk freely about being trans or queer on the Internet, without fear of overt censorship*. You might well face online harassment and violent threats, and you might even face real-world consequences if you get on the radar of the worst people. But the Internet does not suppress the trans and queer stories that are being violently removed from schools, libraries, and other public spaces in much of the country right now.

That’s about to change — unless we all take action.

A new bill called the Kids Online Safety Act, or KOSA, is sailing towards passage in the Senate with bipartisan support. Among other things, this bill would give the attorney general of every state, including red states, the right to sue Internet platforms if they allow any content that is deemed harmful to minors. This clause is so vaguely defined that attorneys general can absolutely claim that queer content violates it — and they don’t even need to win these lawsuits in order to prevail. They might not even need to file a lawsuit, in fact. The mere threat of an expensive, grueling legal battle will be enough to make almost every Internet platform begin to scrub anything related to queer people.

The right wing Heritage Foundation has already stated publicly that the GOP will use this provision to remove any discussions of trans or queer lives from the Internet. They’re salivating over the prospect.

And yep, I did say this bill has bipartisan support. Many Democrats have already signed on as co-sponsors. And President Joe Biden has urged lawmakers to pass this bill in the strongest possible terms….

(2) WRITER’S NATIONAL FRONT CONNECTION RECALLED. David A. Riley announced to readers of his blog on June 19 that his 11,600-word sword and sorcery novelette “Ossani the Healer and the Beautiful Homunculus” “has been accepted for publication – and by one of the most prestigious markets I have ever appeared in.” On July 5 he revealed that the story “will be published sometime later this year in The Magazine of Fantasy & Science Fiction.”

Today someone who noticed the F&SF sale news connected Riley with his history of having once been part of the UK’s National Front.

https://twitter.com/ChristopherRowe/status/1693978873245860074

Christopher Rowe is referring to F&SF publisher Gordon Van Gelder and editor Sheree Renée Thomas.

David A. Riley’s history with the UK’s National Front became common knowledge in 2016 after Riley was included on HWA’s Bram Stoker Award Jury. The HWA appointment became news at a time when questions were already being asked of Riley due to his involvement in the relaunch of Weirdbook. Riley reportedly answered in a no-longer-available Facebook thread. The davidandrewrileyisafascist Tumblr hosts a screenshot of the comment, which says in part:

I think I need to put the record straight. Yes, I was in the National Front for ten year from 1973 to the middle of 1983. During that time I never regarded the party as fascist, though it did have minority elements within it that undoubtedly were. …I have never regarded myself as a fascist, and certainly not a nazi. The term ‘white supremacist’ is one I don’t recognise and certainly repudiate. If you saw me associating with my ethnically diverse neighbours in Bulgaria you would not level that at me then. I know this will not convince some people, and, quite honestly, I accept that….

The relationship between Riley’s past political views and organizing activity, and his current views, and whether he should be serving on an HWA awards jury, became subjects of intense discussion. Before long HWA President Lisa Morton said he was taken off the jury by mutual agreement.

Riley was interviewed by David Dubrow shortly after the 2016 kerfuffle (“Interview With David A Riley”.) Here is a quote:

Do you feel as though you have anything to apologize for in regard to your politics, past or present?

Who should I apologize to? To those who have been baying for my blood? Most of the people involved in this debate come from the States. Since I have never been involved in politics there I should certainly not have to apologise to them. Do I regret having spent those years that I did in the National Front? Yes. If I had my time over again I would not do it. But the early seventies were a different time….

Today s. j. bagley commented on Rowe’s report about Sheree Renée Thomas’ statement:

And Rowe expressed this concern to another author:

(3) AI TRAINING PUSHBACK. [Item by Bill.] Danish anti-piracy group Rights Alliance has taken down the prominent “Books3” dataset, that was used to train high-profile AI models including Meta’s. “Anti-Piracy Group Takes AI Training Dataset ‘Books3′ Offline” reports Gizmodo. Despite being removed from their original host site, the dataset is available elsewhere on the internet.

One of the most prominent pirated book repositories used for training AI, Books3, has been kicked out from the online nest it had been roosting in for nearly three years. Rights-holders have been at war with online pirates for decades, but artificial intelligence is like oil seeping into copyright law’s water. The two simply do not mix, and the fumes rising from the surface just need a spark to set the entire concept of intellectual property rights alight.

As first reported by TorrentFreak, the large pirate repository The Eye took down the Books3 dataset after the Danish anti-piracy group Rights Alliance sent the site a DMCA takedown. Now trying to access that dataset gives a 404 error. The Eye still hosts other training data for AI, but the portion allotted for books has vanished….

(4) PURLOINED VOLUMES. And the Guardian is quite familiar with what’s in Books3: “Zadie Smith, Stephen King and Rachel Cusk’s pirated works used to train AI”.

… More than 170,000 titles were fed into models run by companies including Meta and Bloomberg, according to an analysis of “Books3” – the dataset harnessed by the firms to build their AI tools.

Books3 was used to train Meta’s LLaMA, one of a number of large language models – the best-known of which is OpenAI’s ChatGPT – that can generate content based on patterns identified in sample texts. The dataset was also used to train Bloomberg’s BloombergGPT, EleutherAI’s GPT-J and it is “likely” it has been used in other AI models.

The titles contained in Books3 are roughly one-third fiction and two-thirds nonfiction, and the majority were published within the last two decades. Along with Smith, King, Cusk and Ferrante’s writing, copyrighted works in the dataset include 33 books by Margaret Atwood, at least nine by Haruki Murakami, nine by bell hooks, seven by Jonathan Franzen, five by Jennifer Egan and five by David Grann….

(5) WEEKEND B.O. The Hollywood Reporter checked the cash registers and found “’Blue Beetle’ Box Office Opening Beats ‘Barbie,’ ‘Strays’ Gets Lost”.

…After ruling the box office roost for four weekends, Barbie fell to second place as DC’s superhero pic Blue Beetle took the top spot. It opened to an estimated $25.4 in North America. …

(6) BRADBURY MEMORIES. On Ray Bradbury’s 103rd birthday, John King Tarpinian visited his gravesite, bringing a funny book, a cake, and a dinosaur. (John always takes the cake to the cemetery office for the staff to enjoy.)

(7) BACK IN THE DAY. In this episode of Day at Night taped on January 21, 1974, host James Day speaks with Ray Bradbury about his career, the importance of fantasizing, his aspirations as a young child, his dislike of college for a writer, his idea of thinking compared to really living, and his love of the library.

(8) REMEMBERING BUSTER CRABBE. Steve Vertlieb invites fans to read his article “Careening Spaceships And Thundering Hooves: The Magic, Majesty (And Friendship) Of Buster Crabbe … And An Era” at Better Days, Benner Nights.

When I was a little kid, prior to the Civil War, I had an imagination as fertile and as wide as my large brown eyes, dreamily filled with awe and wonder. My dad brought home our first television set in 1950.

Here is an affectionate remembrance of the Saturday Matinee and 1950’s Philadelphia television when classic cliffhanger serials thrilled and excited “children of all ages”… when careening spaceships and thundering hooves echoed through the revered imaginations and hallowed corridors of time and memory…and when Buster Crabbe lovingly brought “Flash Gordon,” “Buck Rogers,” “Red Barry,” and “Captain Gallant Of The Foreign Legion” to life in darkened movie palaces, and on television screens, all over the world.

Return with us now to “those thrilling days of yesteryear” when Zorro, Buzz Corry of the “Space Patrol,” Ming, The Merciless, Hopalong Cassidy, The Lone Ranger, Roy Rogers, Gene Autry in “The Phantom Empire,” and Larry “Buster” Crabbe lit the early days of television, and Saturday afternoon motion picture screens, with magical imagery, and unforgettable excitement. Just click on the blue link above to escape into the past, via the world of tomorrow.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 22, 1909 — Paul W. Fairman. His story “No Teeth for the Tiger” was published in the February 1950 issue of Amazing Stories. Two years later, he was the founding editor of If, but he edited only four issues. In 1955, he became the editor of Amazing Stories and Fantastic which he would hold for three years. There are several films, Target Earth and Invasion of the Saucer Men, based on his stories, plus some TV episodes as well. (Died 1977.)
  • Born August 22, 1919 — Douglas W F Mayer. A British fan who was editor for three issues of Amateur Science Stories published by the Science Fiction Association of Leeds, England. He was thereby the publisher of Arthur C. Clarke’s very first short story, “Travel by Wire”, which appeared in the second issue in December 1937. He would later edit the Tomorrow fanzine which would be nominated for the 1939 Best Fanzine Retro Hugo. (Died 1976.)
  • Born August 22, 1920 — Ray Bradbury. Seriously where do I start? He wrote some of the most wonderful stories that I’ve ever read, genre or not, many of which got turned into quite superb video tales on the Ray Bradbury Theater. As for novels, my absolute favorite will always be Something This Way Wicked Comes. (I’m ambivalent on the film version.) And yes I know it isn’t really a novel but The Illustrated Man I treat as such and I loved the film that came out of it with Rod Steiger in that role. Let’s not forget The Martian Chronicles. (Died 2012.)
  • Born August 22, 1945 — David Chase, 78. He’s here today mainly because he wrote nine episodes including the “Kolchak: Demon and the Mummy” telefilm of Kolchak: The Night Stalker. He also wrote the screenplay for The Grave of The Vampire, and one for Alfred Hitchcock Presents, “Enough Rope for Two”, which he also directed.
  • Born August 22, 1955 — Will Shetterly, 68. Of his novels, I recommend his two Borderland novels, Elsewhere and Nevernever, which were both nominees for the Mythopoeic Fantasy Award for Children’s Literature, and his sort of biographical Dogland. Married to Emma Bull whose Finder: A Novel of The Borderlands is always highly recommended, they did a trailer for her War for The Oaks novel which is worth seeing as you’ll spot Minnesota fans in it. And Emma as the Elf Queen is definitely something to behold.  Will was planning to run for Governor of Minnesota so he had collected funds for that. That instead went instead to this film
  • Born August 22, 1948 — Susan Wood. She received three Hugo Awards for Best Fan Writer in 1974, 1977, and 1981, and a Best Fanzine Hugo as coeditor of Energumen in 1973. In 1976 she was instrumental in organizing the very first feminist panel at a con, at MidAmericon. The reaction to this helped lead to the founding of A Women’s APA and of WisCon. While teaching courses in SF at UBC, one of her students was William Gibson.  “Fragments of a Hologram Rose” which is his first published story was written as an assignment in her SF class. (Died 1980.)
  • Born August 22, 1963 — Tori Amos, 60. One of Gaiman’s favorite musicians, so it’s appropriate that she penned two essays, the afterword to “Death” in Sandman: Book of Dreams) and the Introduction to “Death” in The High Cost of Living. Although created before they ever met, Delirium from The Sandman is based on her. Bookriot did a nice piece on their friendship.

(10) LONE STAR REVIEWS. BookRiot challenges readers: “Can You Guess the Fantasy Book Based on Its 1-Star Reviews?” I’m surprised I’m able to say I did guess one.

We’ve all been there: You go to leave a review of an amazing book, only to see that someone has left it a dreaded 1-star review. And when you read it? Oof. Did the two of you even read the same book? Well, let’s put it to the test. Can you guess these fantasy books based only on their 1-star reviews?

I did not get this one. I should have – I read it! But then, I thought it was good. Maybe that threw me off.

3. CLICK HERE TO REVEAL THE BOOK.

“What a bore! To read a rock’s thoughts and almost nothing else happens? Please!”

“Be careful when you see a Shakespeare reference while looking for a good fantasy read. I do not recommend.”

“[M]oves at a pace that a snail could race past.”

(11) WARM UP YOUR CREDIT CARDS. “Disney Drops Another Great 4K Blu-Ray Surprise With Plush Releases Of Major Star Wars And Marvel Shows” – Forbes has the story.

…The information released by Disney today lists four initial series set to get the 4K Blu-ray and Blu-ray treatment: Loki Season One, WandaVision, The Mandalorian Season One, and The Mandalorian Season Two….

… What’s more, these TV series releases are going all-out to appeal to fans by sporting steelbook packaging for both their 4K and HD Blu-ray versions; gorgeous box art designs by artist Attila Szarka; as well as concept art cards and never-before-seen bonus features. And as perhaps the biggest surprise of all, Disney has confirmed that it will be pressing the 4K versions of these TV series releases on 100GB discs rather than the 66GB-capacity discs that it’s used for all of its previous 4K Blu-ray releases bar the two Avatar movies….

(12) WHERE’S MY JETPACK LYRICS? Here they are. Thank you, Peer, for these sympathetic words.

Jet pack crashes
A new Scroll cries
Its pixels falls to the floor
Mike opens his eyes
The confusion sets in
Before the filer can even click the box

Jetpack crashes
An old scroll dies
Its pixel fall to the floor
Mike closes his tabs
The items that was in theirs
Reposted now, by the baby down the hall
Oh, now feel it being discussed again
Like a rolling thunder reported on X
Blogs pulling Items from the center of the scroll again
I can tick box now

Jetpack crashes
A new scroll is born.

(13) VIDEO OF THE DAY. Zack Snyder’s Rebel Moon comes to Netflix starting December 22. The way Variety sees it, “…The trailer has just about every piece of sci-fi and fantasy imagery you can imagine: a princess prophesied to end a war, spaceships raining lasers down on a hapless village, talking robots, a spider creature, a badass wielding glowing red laser swords, a flying pegasus-like animal and lots of slow-mo….”

The YouTube blurb says:

From Zack Snyder, the filmmaker behind 300, Man of Steel, and Army of the Dead, comes REBEL MOON, an epic science-fantasy event decades in the making. When a peaceful colony on the edge of a galaxy finds itself threatened by the armies of a tyrannical ruling force, Kora (Sofia Boutella), a mysterious stranger living among the villagers, becomes their best hope for survival. Tasked with finding trained fighters who will unite with her in making an impossible stand against the Mother World, Kora assembles a small band of warriors — outsiders, insurgents, peasants and orphans of war from different worlds who share a common need for redemption and revenge. As the shadow of an entire Realm bears down on the unlikeliest of moons, a battle over the fate of a galaxy is waged, and in the process, a new army of heroes is formed.

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Daniel Dern, Bill, Steven French, Dan Bloch, Steve Vertlieb, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 8/21/23 The Long And Winding Alpha Ralpha Boulevard

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(1) HWA WORLD OF HORROR INTERVIEW SERIES. The Horror Writers Association is running a worldwide interview series in August. Alan Baxter launched it with “World of Horror: Introduction to International Horror Month 2023”:

It has long been recognised that the USA is the main focus of attention when it comes to horror fiction. If that hasn’t been noticed by people in North America, it most certainly has by everyone outside the country. But there is a growing interest in horror set beyond America’s shores, and for stories written by authors from other countries and other cultures…

Here’s an example of the many interesting responses, from “World of Horror: Interview with Austrian Spencer”:

What was it about the horror genre that drew you to it?

It’s the most honest of the genres—it asks its readers to understand their own capabilities for violence, fear, loathing, and our need to overcome them or embrace them. Horror writers ask the questions we all shy away from—because the commitment to face those emotions is too personal. We don’t address those situations daily, so it forces us to learn. Plus—I love turning on that cold hard place inside of me and destroying, clinically, that which I have built.

There’s probably a lot to work on in therapy in that admission.

These are the links to the rest of the series as of today, with more to come.

(2) MEDICAL UPDATE. Martha Wells is currently in the middle of treatment for breast cancer, which she’s been blogging about on Dreamwidth. She’s had one surgery and will have a second one in the next week. She’ll also be undergoing radiation treatment for a month. Prognosis is good, however, her husband Troyce wrote in a comment here.

(3) 103 YEARS OF RAY BRADBURY. The Bradbury 100 Podcast will follow its time-honored tradition of doing a live episode on Ray Bradbury’s birthday. Tomorrow — August 22 — is the 103rd anniversary of Ray’s birth. Just drop by this page, and catch the live stream: https://www.facebook.com/bradburymedia/

They’ll be taking you back 70 years to 1953 – one of the biggest years of Ray’s life!  

(4) IT IS YOUR DESTINY. The Guardian’s Philip Ball comes up with many answers to the question “Should we colonise other planets?”

…Let’s go with that, and assume something like Musk’s big fat rocket can get us there. What might life in Mars City be like? Advocates for off-world colonies love to show images like those in the physicist and space activist Gerard O’Neill’s 1977 book The High Frontier: Human Colonies in Space – an orderly, utopian American suburbia of chic apartments and parks, simply transplanted elsewhere in the solar system. Science fiction, on the other hand, is full of grim outposts on bleak, frozen planets, and savage prison or mining colonies. If history is any guide, frontier settlements are no picnic, and certainly not the kind of places that nurture harmonious, tolerant societies. If you want to know what to expect from colonies established by “billionauts” such as Musk or Jeff Bezos, perhaps ask their employees in Amazon warehouses or the Twitter offices…. 

(5) A WRITER CAN CHANGE HIS MIND. In case you wondered: “Why Stephen King Retired In 2002 (& Why He Came Back)” at ScreenRant.

In 2002, Stephen King told the Los Angeles Times (via People) he was going to retire from writing once he finished five more books he had lined up and work on a limited series for ABC (Rose Red, which isn’t based on a book by King but was scripted by him). King told the Times he was “done writing books”, explaining that it gets to a point where “you get to the edges of a room and you can go back and go where you’ve been” so you end up recycling stuff. King admitted to seeing this in his own work, explaining that when people read his recently published novel, From a Buick Eight, were going to think about his 1983 novel Christine, about a car possessed by malevolent supernatural forces. King added that he would retire then as he was still on top of his game, but this “retirement” didn’t last long, and he has continued to write a variety of stories….

That wasn’t the only reason. You can find out the rest at the link.

(6) WHAT DOES THE FOX SAY? We don’t know. Ursula Vernon’s language lesson was interrupted.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 21, 1872 — Aubrey Beardsley. Best remembered for his often highly erotic art, ISFDB lists him as having a genre novel, The Story of Venus and Tannhäuser, which bears one of the longest subtitles I’ve encountered (“The story of Venus and Tannhäuser in which is set forth an exact account of the manner of State held by Madam Venus, Goddess and Meretrix under the famous Hörselberg, and containing the Adventures of Tannhäuser in that Place, his Repentance, his Journeying to Rome, and Return to the Loving Mountain”). He has two genre novellas as well, “Catullus: Carmen Cl.” and “Under the Hill”.  And yes, he was just twenty-five when he died of tuberculosis. (Died 1898.)
  • Born August 21, 1888 — Miriam Allen deFord. Although it is said that she started writing SF when Boucher became editor of The Magazine of Fantasy & Science Fiction, she only published five of her eighteen late Forties through Fifties works there. One published there, “Mary Celestial“, was written with Boucher. And one, “A Death in the Family”, was adapted in Night Gallery‘s second season. Best remembered as a mystery writer.  I see no indication that she’s in print in any manner these days for her SF (but three of her mysteries are available from the usual suspects) though she had two SF collections, Elsewhere, Elsewhen, Elsehow and Xenogenesis. (Died 1975.)
  • Born August 21, 1911 — Anthony Boucher. I’m reading Rocket to the Morgue which the folks at Penzler Publishers sent me. Really great read. Oh and  The Case of The Crumpled Knave, one of his superb mysteries, is quite good as well. If you can find a copy, The Compleat Boucher: The Complete Short Science Fiction and Fantasy of Anthony Boucher is a most excellent read. The Case of The Crumpled Knave, The Compleat Werewolf and Other Stories of Fantasy and Science Fiction are available digitally and a lot are more at the usual suspects. (Died 1968.)
  • Born August 21, 1943 — Lucius Shepard. Life During Wartime is one seriously weird novel. And his World Fantasy Award winning The Jaguar Hunter is freaking amazing as are all his short collections. He won the Astounding Award for Best New Writer. I don’t remember reading “Barnacle Bill the Spacer” which won a Best Novella Hugo at ConFrancisco. (Died 2014.)
  • Born August 21, 1927 — Arthur Thomson. Fanzine writer and editor and prolific artist known as ATom. Artist for the well known Hyphen zine, he won the Trans-Atlantic Fan Fund in 1964 and visited the States. He was nominated five times for the Hugo Award for Best Fan Artist, but never won. After Thomson won the 2000 Rotsler Award, it was decided not to present the Rotsler posthumously again. (Died 1990.)
  • Born August 21, 1938 — Ted Pedersen. Writer and producer. As a screenwriter, he wrote a number of scripts for Jason of Star Command and Flash Gordon. He wrote for a lot, and I do mean a lot of animated series such as Teenage Mutant Ninja Turtles, Stargate: Infinity and Batman: The Animated Series (“Be a Clown”). (Died 2010.)
  • Born August 21, 1966 — Denise Mina, 57. Genre wise, she’s best known for having written thirteen issues of Hellblazer. Her two runs were “Empathy is the Enemy” and “The Red Right Hand”.  ISFDB lists The Dead Hour as genre but it’s very much not. Excellent novel but think rather in the vein of Ian Rankin’s Rebus novels.

(8) BLADE CO-CREATOR MARV WOLFMAN RETURNS TO MARVEL COMICS HORROR. Marvel Comics welcomes back legendary writer Marv Wolfman as he teams up with artist David Cutler in What If…? Dark: Tomb Of Dracula #1, a tale that sees Blade transformed by Dracula. For more information, visit Marvel.com.

Wolfman redefined comic book horror storytelling in his groundbreaking run of The Tomb of Dracula where he introduced Dracula to the Marvel Universe and co-created Blade and the daughter of Dracula, Lilith Drake. Now decades later, he’ll revisit his mythology-molding work with a new What If…? story that asks the question, “WHAT IF…the legendary Dracula transformed BLADE the vampire slayer…into a vampire?!”

 “In 1972 I was a fledgling comics writer who mostly wrote short 2 to 8 page ‘monster’ stories when Editor Roy Thomas asked if I’d like to write Tomb of Dracula, my very first series for Marvel, and the book that would jump-start my career,” Wolfman recollected. “So it is a real thrill now that 50-plus years later Marvel asked me to once again dive into that pool with this very special What If…? story, and to bring back that great cast of characters that artist Gene Colan and I created so many years ago. Thank you, Marvel, for giving me the chance to play with old friends one last time.“

(9) I SWEAR THAT IT’S ALL TRUE. José Pablo Iriarte remembers childhood 50 years ago.

(10) CHEESE SCANNERS LIVE IN VAIN. [Item by Daniel Dern.] “Microchips in the Parmigiano and Other Ways Europeans Are Fighting Fake Food” at MSN.com.

… Now, makers of Parmigiano-Reggiano, as the original parmesan cheese is officially called, are slapping the microchips on their 90-pound cheese wheels as part of an endless cat-and-mouse game between makers of authentic and fake products….

Other European food producers are also going to ever greater lengths to protect their hallowed brand names against knockoffs. Guaranteeing food authenticity is big business in the European Union and more than 3,500 EU products have received protected status in addition to Italy’s Parmigiano, including Greek feta cheese, French Champagne and Italian Parma raw ham.

The market is worth almost €80 billion annually, equivalent to $87 billion, according to an EU study published in 2020. The market has grown considerably in recent years, in part due to the addition of new products to the list, according to food industry analysts. 

Because the protected products command premium prices, in some cases double those of similar but unprotected products, the market in Europe and farther afield is awash with fakes. Estimates put the market for knockoff products at about the same size as that for the originals….

(11) POSTHUMOUS FAME. The New York Times continues its series of obituaries for people whose deaths went unreported in the paper at the time: “Overlooked No More: Robert M. Budd, Whose Newsstand Was Unlike Any Other”.

…It was the height of the Civil War, and a young Robert M. Budd was hitching a ride from a Union Army encampment in Northern Virginia to his home in Washington, D.C. Boarding a wagon, he found that it was carrying federal soldiers — some wounded, others dead.

Robert was brave. Not only was he risking getting shot in a theater of war, but, because he was Black, he was also in danger of being kidnapped and enslaved. But he had accepted those risks to earn some money: selling newspapers to the troops as a newsboy.

Some soldiers, he found, were willing to pay more for older issues carrying stories about battles they had fought in — $3, for example, for a paper that carried reports of the second Battle of Bull Run, in August 1862, rather than the typical price of three cents.

And with that discovery, a business idea was born.

Later moving to New York, Budd, in the early 1880s, opened a newsstand in Manhattan, where for a time he was recognized as the sole purveyor of old newspapers and magazines, also called back numbers. The New York Sun in 1895 described him as “the only man in America in the back number newspaper business” (though some book stores also had a few old papers on hand).

Stairs next to his newsstand, in Greeley Square, led to a tunnellike gaslit basement, which, as The Brooklyn Daily Eagle wrote, Budd filled with “the world’s largest collection of old newspapers” as well as magazines, sensational dime novels and theater programs. Budd became known as the Back Number King or, more often, Back Number Budd, which was how he signed his checks….

(12) ICE AGED. Smithsonian Magazine has Ötzi’s ancestry report: “Famed 5,300-Year-Old Alps Iceman Was a Balding Middle-Aged Man With Dark Skin and Eyes”.

…The study also used comparisons with other ancient individuals’ DNA to suggest that the Iceman is descended, in large part, from the Anatolian agriculturalists who first brought farming to Europe about 9,000 years ago, through what is now Turkey into Greece and the Balkan Peninsula. Ötzi’s genes show little mixing with the hunter-gatherer populations already living in Europe during that time, suggesting that his community was small and relatively isolated in their beautiful but remote alpine environment….

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Daniel Dern, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]