Pixel Scroll 10/5/18 The Curious Incident Of The Scroll In The Night-Time

(1) LOOKING BACK ON HORROR. From Rocket Stack Rank, here’s a new (perhaps the first annual) selection of “Outstanding SF/F Horror” of 2016-2017.

Although horror isn’t our focus, we do review horror stories that turn up in our regular magazines, so in honor of Halloween, here are 26 outstanding science fiction & fantasy horror stories from 2016-2017 that were either finalists for major SF/F awards, included in “year’s best” SF/F anthologies, or recommended by prolific reviewers in short fiction (see Q&A).

Observations:

(2) WRITING PROCESS. Jonathan LaForce notes it would be a waste to take the popular phrase literally — “Killing off the Darlings” at Mad Genius Club.

Perhaps “killing our darlings” is too much the wrong verbiage.  Let us say, instead, “putting them on ice.”  That’s really all we’re doing- setting them aside till we can use them again later.  In this age of incredible digital technology, why worry about where you’ll save those scenes, those stories, those parts and pieces?  Anybody take a look at how much space is available to use on cloud servers?  My goodness!

(3) VENOM. NPR’s Chris Klimek reports “Tom Hardy Gets His Teeth Into ‘Venom,’ Though The Film Lacks Bite”.

Eddie’s struggles to find a new gig while oily tentacles are shooting out of his body in response to even minor discomforts are the most diverting section part of the film, if only because Hardy is fully committed in a way no other actor here is. Had this thing been greenlit at the 1990s apex of Venom’s popularity as a comic book character, it almost certainly would’ve starred Jim Carrey. So we all dodged a bullet there.

(4) SOUND NUTRITION. While in San Jose, Scott Edelman nibbled naan with K. Tempest Bradford and recorded the results for Episode 78 of Eating the Fantastic.

K. Tempest Bradford

…I also went out to dinner with K. Tempest Bradford for one of the best meals of that extended weekend in the Santana Row neighborhood at Amber India.

K. Tempest Bradford’s short stories have been published in such magazines as Abyss & Apex, Sybil’s Garage, Electric Velocipede, and Farthing, and anthologies like Clockwork Cairo, Diverse Energies, Federations, and Shadow of the Towers: Speculative Stories of a Post 9/11 World. Her non-fiction has appeared at NPR, io9, xoJane, plus the Angry Black Woman blog, sometimes — as you’ll hear us discuss — going viral. Along with Nisi Shawl and Cynthia Ward, she teaches the Writing the Other workshop, and is on the board of the Carl Brandon Society. She also happens to be one of the funniest people I know. Whenever I’m with Tempest, I can be assured there will be laughter.

We discussed how her Egyptian Afro-retro-futurism idea grew from a short story into a series of novels, the way she used crowdfunding to complete the research she needed, why her discovery of my Science Fiction Age magazine means I bear the responsibility for all she’s done since, how an online writing community gave her the confidence to be a writer, the advice from Samuel R. Delany she embraces the most, why she set aside her goal of becoming an opera singer and decided to become a writer instead, the reason there are so many female monsters in Greek mythology, how she blew up the Internet with her “Stop Reading White, Straight, Cis Male Authors for One Year” challenge, her extremely strong opinions about Steven Moffat’s version of Doctor Who, and much more.

(5) NOT RAINBOWLED OVER. Bowlestrek snarks about that Doctor Who costume, asking which is worse, the 6th Doctor Who costume or the 13th Doctor Who costume?

—  “Hipster, Wesley Crusher, Rainbow Brite, Mork & Mindy thrown into a blender abomination.”

—  “Like somebody was trolling Doctor Who fans.”

—  “I’ve shown this picture to people who are fashion conscious and the response almost across the board has been, “What the hell is that?”

—  “What’s with the earrings, the suspenders, the rainbow shirt, what appears to be Tardis socks, and the old man pants?”

— “She looks like an elf.”

(The references to Wesley Crusher and Mork and Mindy are about the rainbow across the shirt.)

(6) FIRST, THE BAD NEWS. This just in from James Davis Nicoll – “Sorry to Crush Your Dreams, But We’re Not Colonizing Space Anytime Soon”.

Perhaps because some of the early space hype was unconvincing when regarded with any attitude other than fanboy enthusiasm. And perhaps because there weren’t any compelling reasons (political, economic, scientific) for significant human presence beyond low Earth Orbit. We don’t need to send up squishy frail humans when we can send probes and remote-controlled vehicles .

Some readers might even now be making squinchy faces, maybe even pondering which unflattering cartoon of me to post in protest.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 5, 1862 – Edward Stratemeyer, Writer and Publisher. Creator of the Stratemeyer Syndicate, which pioneered the book-packaging technique of producing a consistent, long-running series of books using a team of freelance writers, which sold millions of copies, some series of which are still in publication today. He himself wrote more than 1,300 juvenile novels, including the Nancy Drew, Hardy Boys, Tom Swift, and Bobbsey Twins series, Tom Swift being the main character of a series of more than a hundred juvenile science fiction and adventure novels.
  • Born October 5, 1917 – Allen Ludden, Actor who became well-known for decades of hosting TV game shows, but who surprisingly had a part in an episode of Adam West’s Batman, played Perry White in the TV movie It’s a Bird… It’s a Plane… It’s Superman!, and had a cameo – as a game show host – in Hugo finalist Futureworld.
  • Born October 5, 1919 – Donald Pleasence, Actor and Writer who famously played the doctor in the Halloween movies and the President in Escape from New York. He also had a plethora of parts in other genre properties, a few of which include the main role in the Hugo finalist movie Fantastic Voyage which was novelized by Isaac Asimov, roles in episodes of the The Twilight Zone, The Outer Limits, and The Ray Bradbury Theater, a part in George Lucas’ first foray into filmmaking, THX 1138, John Carpenter’s The Prince of Darkness, and the role of Merlin in the TV movie Guinivere.
  • Born October 5, 1949 – Peter Ackroyd, 69, Writer, Biographer, and Critic known for his interest in the history and culture of London. His best-known genre work is likely the Whitbread Award-winning Hawksmoor, the story of an 18th-century London architect building a church interwoven with the narrative of a contemporary detective investigating horrific murders involving that church, and is highly recommended. His novel Dan Leno and the Limehouse Golem was recently made into a movie, and he produced a TV miniseries documentary entitled Peter Ackroyd’s London.
  • Born October 5, 1951 – Karen Allen, 67, Actor and Director known to genre fans as Marion in the Hugo finalist Raiders of the Lost Ark and Indiana Jones and the Kingdom of the Crystal Skull, as well as roles in Starman, Ghost in the Machine, and Scrooged. She also played Christa McAuliffe in the TV movie Challenger.
  • Born October 5, 1952 – Clive Barker, 66, Writer, Director, Artist and Videogame Designer, famous for his horror novels. His series include Hellraiser, Book of the Art, and Books of Blood, as well as The Abarat Quintet which is quite superb. Though not recent, The Essential Clive Barker: Selected Fiction, published some twenty years ago, contains more than seventy excerpts from novels and plays and four full-length short stories. His Imaginer series collects his decidedly strange art. My personal favorite work by him is the Weaveworld novel. His works have received many World Fantasy, British Fantasy, Stoker, Locus and International Horror Guild Award nominations and wins, and have been made into movies, videogames, and comic books. He was the Toastmaster at the 1988 World Fantasy Convention, and Guest of Honor at Albacon III in 1986 and FantasyCon 2006.
  • Born October 5, 1952 – Duncan Regehr, 66, Actor from Canada probably best known to genre fans for his recurring role as a Bajoran resistance leader on Star Trek: Deep Space Nine, but who also had guest roles on The Greatest American Hero, Star Trek: The Next Generation, V, and appeared in the film Timemaster.
  • Born October 5, 1958 – Neil DeGrasse Tyson, 60, Astrophysicist, Cosmologist, and Writer whose nonfiction work Reflections on Carl Sagan’s Cosmos is considered genre. He has had cameos in several genre TV shows and films, including Stargate: Atlantis, Ice Age: Collision Course, Bojack Horseman, The Simpsons, and The Big Bang Theory. Tyson is known for tweeting about inconsistencies and bad science in science fiction films, and Andy Weir famously posted “Someday, Neil deGrasse Tyson is going to either read The Martian or see the film adaptation of it. When he does, he’s going to immediately know that the sandstorm part at the beginning isn’t accurate to physics. He’ll point out that the inertia of a Martian storm isn’t enough to do damage to anything… The knowledge that this is going to happen haunts me.”
  • Born October 5, 1959 – Rich Horton, 59, Writer, Critic, and Editor. He is best known as an anthology editor – and a damn superb one at that – who has been putting out Year’s Best Science Fiction & Fantasy anthologies since 2006, as well as one-off anthologies Space Opera, Robots: The Recent A. I., and War & Space: Recent Combat. He started out writing reviews for SF Site in the late 90s, and has been reviewing books and short fiction for Locus Magazine since 2002.
  • Born October 5, 1967 – Guy Pearce, 51, Actor and Director from Australia who is known for genre works Memento, the remake of The Time Machine, Prometheus, and the Hugo finalist Iron Man 3.
  • Born October 5, 1974 – Colin Meloy, 44, Musician, Singer, Songwriter, and Writer. Front man of the indie folk rock band The Decemberists, and author of the juvenile fantasy novels The Wildwood Chronicles.
  • Born October 5, 1975 – Carson Ellis, 43, Writer, Artist, and Illustrator whose work graces genre works The Wildwood Chronicles written by her husband Colin Meloy, The Mysterious Benedict Society series, a Lemony Snicket book, and The Decemberists albums. Birthday celebrations must be an intimate affair.
  • Born October 5, 1975 – Kate Winslet, 43, Actor from England whose genre credits include the TV series Dark Season and the films A Kid in King Arthur’s Court, the Hugo finalist Eternal Sunshine of the Spotless Mind, Finding Neverland, Contagion, the Divergent series, and the upcoming Avatar 2.
  • Born October 5, 1975 – Parminder Nagra, 43, Actor from England who appeared in Ella Enchanted, had a recurring role on Agents of S.H.I.E.L.D., a guest part on TRON Uprising, and a voice part in Batman: Gotham Knight.
  • Born October 5 – Paul Weimer, Writer, Reviewer, and Podcaster, also known as @PrinceJvstin. An ex-pat New Yorker living in Minnesota, he has been reading science fiction and fantasy for over 30 years and exploring the world of roleplaying games for more than 25 years. An avid blogger, he also contributes to the Hugo-nominated fancast The Skiffy and Fanty Show and the SFF Audio podcast. He was the 2017 Down Under Fan Fund delegate to the Australia and New Zealand National Conventions, and his e-book DUFF trip report, consisting of more than 300 pages of travel stories and stunning photographs, is still available here.

(8) WAY OUT WEST. LiveScience passes the word from the USAF — “US Air Force: Don’t Worry About Those Weird Lights and Booms Sunday, It’s Just a Space Ship”.

Sunday (October 7) SpaceX will try (for the first time) to land a Falcon 9 rocket on the West Coast.

If you’re in the vicinity of Vandenberg Air Force Base in California Sunday evening (Oct. 7), you might hear some strange booming and see some weird lights in the sky. But the Air Force would like you to know that there’s no need to worry; something entirely normal is going on — a rocket that heaved its way up into space will be falling back to Earth, correcting its trajectory with “multiple engine burns,” and then (if all goes well) settling comfortably back on its landing struts in the vicinity of its launch site.

(9) OVERSERVED. These avians have found a natural high: “Minnesota Residents Call Police On Rowdy Drunk Birds”.

Life lately in the tiny northern Minnesota town of Gilbert has resembled a scene out of an Alfred Hitchcock film. Birds, lots of birds, have been “flying into windows, cars and acting confused,” according to the city police department, which has been fielding reports from anxious residents.

But these birds aren’t out for human blood. They’ve just had a few too many — a few too many overripe berries, that is.

“Certain berries we have in our area have fermented earlier than usual due to an early frost, which in turn has expedited the fermenting process,” Gilbert Police Chief Ty Techar explained in a statement. “It appears that some birds are getting a little more ‘tipsy’ than normal.”

Yes, having a boozy lark is nothing abnormal among the feathered set.

(10) CASTALIA HOUSE CHANGING STRATEGY. Vox Day will be pulling most of his imprint’s books from Kindle Unlimited, and will reduce the number of new fiction authors he publishes — “Why KU is killing ebooks” [Internet Archive link]

I did an analysis of our ebook sales and was surprised to discover that with 7 exceptions, Kindle Unlimited is simply not worth it even without taking potential non-Amazon sales into account. So, we’re going to be removing most of our books from KU and returning them to the Castalia House store over the next three months. By the start of the new year, most of our books will be available from all the major ebook platforms as well as our online store.

Remember, every dollar in the KU pool represents about THREE dollars removed from the ebook sales pool. And because the overall market is not growing, it is a zero-sum game.

We’re also going to reduce the number of new fiction authors we publish. Because repeated experiments have demonstrated that even the very best-selling KU novelists don’t sell very well in print, and because the success of KU puts us in a catch-22 situation with them regardless of whether they sell well through us or not, we are going to focus our efforts on strategic properties that we create, own and develop rather than those that we merely publish.

Because non-fiction a) sells well in print and b) is not popular on KU, our non-fiction publishing will continue without any change in focus or strategy.

(11) NOT THAT VOX, THE OTHER VOX. At Vox, Todd VanDerWerff asks why this had such an impact: “Russian trolls used Star Wars to sow discord online. The fact that it worked is telling.”

Maybe the Russian bots that Bay identified are all extra-governmental, built by trolls with spare time on their hands and a grudge against Lucasfilm. Or maybe Bay’s findings are yet another example of how thoroughly Russian intelligence has zeroed in on the idea that white nationalism is central to driving a wedge into American society.

If the latter is true, then what’s most unnerving about Russia’s intelligence strategy and its connection to Star Wars isn’t what that strategy says about Russia, but what it says about us.

Whomever you believe is behind movements like Gamergate and the pushback against The Last Jedi, what they reveal about America in the 2010s feels a little hard to swallow at first: At this point in history, a lot of us — and especially a lot of young, white men — are centering their identities and their senses of right and wrong on pop culture artifacts, sometimes with a near-religious zealotry. Call it “fandamentalism.”

(12) CREEPY PHONE. In this BBC video, “Feely finger phone crawls across desk”.

A touch-sensitive robotic finger that can be attached to smartphones has been developed by a researcher in France.

The MobiLimb finger can crawl across the desk, waggle for attention when messages arrive and be used as an interface to control apps and games.

It can also stroke its owner on the hand, which developer Marc Teyssier said could create more personal connections.

He told the BBC people generally found the finger creepy or weird because it was so unusual, but hoped it would be “accepted” in time.

(13) KEEPING IT OFF THE TIP OF THEIR TONGUE. French language body urges alternative phrase for “fake news”. Somehow information fallacieuse doesn’t have the same je ne sais quoi; the Commission offers “infox” among the alternatives, possibly not knowing how “Fox” is Frenched in the US.

Or if that is too long-winded, CELF suggested the abbreviation “infox”, formed from the words “information” and “intoxication”.

“The Anglo-Saxon expression ‘fake news’, which refers to a range of behaviour contributing to the misinformation of the public, has rapidly prospered in French,” the commission rued.

“This is an occasion to draw on the resources of the language to find French equivalents.”

(14) DRAWN THAT WAY. Comic artist Alex Ross appeared on Late Night with Seth Meyers promoting his latest book, Marvelocity.

Comic book writer and artist Alex Ross talks about his artistic process, what drew him to the idea of drawing realistic versions of superheroes and explains why he doesn’t have an email.

 

(15) SIGN UP FOR THE ZONE. Rod Serling pitches The Twilight Zone to advertisers back in the day.

[Thanks to John King Tarpinian, Eric Wong, JJ, Alan Baumler, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, James Davis Nicoll, Scott Edelman, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Edd Vick.]

Pixel Scroll 9/13/18 A Pixel Without A Scroll Is Like Leslie Fish Without A Bicycle Card

(1) COMING DISTRACTIONS. Space.com presents a gallery of photos of Hurricane Florence taken from space.

With Hurricane Florence dominating this view from the International Space Station, Alexander Gerst warns the East Coast to get ready, “this is a no-kidding nightmare coming for you.” Click through this gallery to see the latest images of Hurricane Florence.

(2) SF CONCATENATION. The new issue of SF Concatenation is up “Science Fiction News & Recent Science Review for the Autumn 2018”. Jonathan Cowie outlines what’s in store for readers —

Most recently added (mid-September) is our autumnal edition of news and reviews.  As usual its news page has sections on film, books and publishing, TV, as well as the season’s forthcoming books listing of new titles (also fantasy and non-fiction) from the major SF/F imprints in the British Isles, many of which will soon be available elsewhere in the world.  (A great way to see what will be coming out and ideas for your Christmas shopping.)  And then there is the news page’s science consisting of short paragraphs on the season’s key, primary research papers that are cited so our scientist regulars can Google Scholar the papers for themseleves (and our non-scientist regulars can see that we don’t do fake news).  Plus there’s the news page’s science-and-SF-interface section where yesterday’s SF is becoming today’s fact.

Other content includes articles and convention reports. Here there is another in our series by scientists are also SF authors as to their science heroes born in the 20th century.

The issue delivers over 40,000 words of selected news. That selection includes not reporting most of the Hugo winners:

…We continue (from last year) to define the Hugo ‘principal categories’ as those that had over a thousand nominating in that category (down from two thousand as our definition in 2016 as the numbers involved in Hugo nominating have declined since 2016).  The 1,813 number nominating was down on last year’s number (2,464) (the second year of decline).  The 2,828, voting on the final shortlist was down on the 3,319 voting in 2017 which in turn was marginally up on the number voting in 2016 (3,130).
So not surprisingly, the principal Hugo categories (those categories with over one thousand nominating) were markedly fewer than last year. Indeed, for the first time in many years we are not counting the ‘Best Dramatic Presentation Short Form’ as principal category (it only saw 819 nominating ballots and just a paltry 87 nominating the programme that went on to win). The principal category Hugo wins this year therefore were:-

Best Novel: The Stone Sky by N. K. Jemisin (fantasy) which back in January (2018) we cited as one of the ‘best books’ of 2017. This is the third consecutive win for ‘best novel’ for Jemisin something that has never happened before in this category.
Best Novella: All Systems Red by Martha Wells
Best Dramatic Presentation – Long Form: Wonder Woman (Trailer here) which back in January (2018) we cited as one of the best SF/F/H films of 2017.

(3) THE MILITARY USES OF VENTRILOQUISM. [Item by Mike Kennedy.] Bluetooth earpieces have made people apparently talking to themselves normal—at least sort of. But at least one can spot the earpieces if you look carefully. A product in development for military use could change that, moving the mic and speaker inside the mouth (Smithsonian: “Military Invests in ‘Molar Mic’ That Can Route Calls Through Your Teeth”).

Communications devices have taken over our pockets and our wrists, but soon the gadgets may go even deeper. Patrick Tucker at Defense One reports that the Air Force has signed a $10 million deal with a California company to continue development of a communication device that is fitted to a users’ teeth.

Dubbed the “Molar Mic,” the gadget is being designed by San Mateo-based Sonitus Technologies  Officially called the ATAC system, the two-way communication system consists of a small microphone that clips to a users back teeth. This enables them to hear communications through their cranial bones which transmit the sound to the auditory nerve. Users also wear a low-profile transmitter loop around their neck that connects to the Molar Mic via near-field magnetic induction, a system similar to Bluetooth that can be encrypted and also passes through water. The loop then connects with with a phone, walkie-talkie or other communications device.

The device has seen field testing—albeit not in combat—with good results reported according to the contractor:

Tucker reports that airmen in Afghanistan tried it for 14 months while deployed, though not in active missions. Pararescuemen from the Air National Guard’s 131st Rescue Squadron based at Moffett Field in Mountain View, California, also tested the device in Houston last year during Hurricane Harvey. The team faced high water, noisy helicopters and other external noises that make traditional communication difficult.

“This guy is standing in neck-deep water, trying to hoist a civilian up into a helicopter above. He says, ’There is no way I would be able to communicate with the crew chief and the pilot if I was not wearing your product,” [Sonitus CEO Peter] Hadrovic tells Tucker.

Might you ever see a civilian walking around with a “molar mic”? Gizmodo weighs in on that question (“Weird Tooth Phone Wins Millions in Pentagon Funding”):

A spokesperson for Sonitus told Gizmodo the company won’t speculate about when the technology will be available for commercial, industrial, or consumer markets—and the company won’t scale beyond military use until it completes the contract the Department of Defense just awarded them.

So, we probably have at least a few years before civilians start lodging phones into their throats.

(4) FRESH COMPETITION. Deadline is determined not to be left behind: “Former Hero Complex Columnist Geoff Boucher Joins Deadline As Genre Editor”.

Veteran journalist Geoff Boucher, best known for launching the Hero Complex column in the Los Angeles Times that built a vast following, has joined Deadline in the newly created post of Genre Editor. He will be based in Los Angeles and specialize in breaking news, features and analysis of “Comic-Con culture.” His stomping ground will encompass superhero fare, science fiction, fantasy, horror, and animation, the hottest film and television sectors in today’s Hollywood.

(5) CONSPIRASKI. [Item by Mike Kennedy.] A conspiracy theory promoted by Russian media have it that a NASA astronaut deliberately damaged the docked Soyuz that was leaking air from the International Space Station. A joint NASA/Roscosmos statement reported in The Verge (“NASA is trying to squash conspiracy theories about the space station leak”) tries to quash that rumor… this despite earlier media reports that Roscosmos personnel are feeding those rumors through back channels.

Wild theories of sabotage still persist two weeks after a mysterious pressure leak occurred on the International Space Station, and the gossip has gotten so nonsensical that both NASA and Russia’s state space corporation, Roscosmos, are now trying to quell the rumors.

In a joint statement released today, NASA and Roscosmos claim that the US space agency is working closely with Russia to figure out the cause of the leak. The statement also notes that no information will be released until the Russian-led investigation is over, despite rampant speculation in the Russian press that the leak was possibly caused by one of NASA’s astronauts in space.

…the gossip over the leak seems to have only grown in the last couple of weeks. As first reported by Ars Technica, a story published in Russia’s Kommersant cited anonymous sources from Roscosmos, who claimed that investigators were looking into the possibility that the hole was caused by a NASA astronaut. The theory was that one of the three American crew members had gotten sick, so one of the astronauts caused the leak in order to force a quick evacuation to Earth.

(6) TODAY IN HISTORY

Setting aside his technical first appearance in 1981’s Donkey Kong, today is a fun anniversary to take note of for fans of the Super Mario video game franchise. The fat plumber who sports the iconic overalls and red cap debuted as a titular video game hero 33 years ago today, in Super Mario Bros. which was released in Japan on Sept. 13, 1985.

Not that anyone needs to be reminded, but when the game made its way over to North America and started selling here, it became one of the best-selling video games of all time. With some 40 million copies sold for the original NES.

(7) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born September 13, 1894 – J.B. Priestley. Who apparently wrote SF but I’ll admit that even after reading his page at the Encyclopaedia of Science Fiction that I’ll be buggered if I can figure out precisely what that means. One of y’all will need to explain what sort of genre fiction he did.
  • Born September 13, 1916 – Roald Dahl. Writer, though how much of his work I’d consider genre is a good question, Witches certainly as well as Gremlins, James and the Giant Peach and Fantastic Mr Fox but what else are genre to your thinking? He would win the 1983 World Fantasy Award for Life Achievement, so I may be being overly fussy tonight.
  • Born September 13 — Bernard Pearson, 72. Discworld specialist. Would I could kid you? He wrote the Compleat Discworld Atlas with Ian Mitchell and Isobel Pearson and Terry Pratchett and Bernard Pearson and Reb Voyce; Also such works (and for sake of brevity I’m skipping co-authors though you can assume Pratchett was listed as being involved though how involved he was is a good question) as the Discworld Almanak: The Year of the PrawnDiscworld Diary: A Practical Manual for the Modern Witch and Miss Felicity Beedle’s The World of Poo.
  • Born September 13 – Bob Eggleton, 58. He has won the Hugo for Best Professional Artist an amazing eight times, he also won the Hugo for Best Related Book for his art book Greetings From Earth. He has also won the Chesley Award for Artistic Achievement. He was the guest of honor at Chicon  in 2000.
  • Born September 13 – Tom Holt, 57. Humorous fantasy such as Expecting Someone Taller and Who’s Afraid of Beowulf?  One of his latest works, The Good, the Bad and the Smug is roughly a take on Rumplestiltskin based economies where Evil goes for modern, hopefully appealing appearance.

(8) COMICS SECTION.

  • This Over the Hedge strip is not what Kirk had in mind when he asked for more power:

(9) DRIVERLESS MOTORCYCLE ON THE WAY. [Item by Mike Kennedy.] Don’t worry, this is probably not going to develop into the first Terminator. BMW has taken the wraps off a research project — said to be more than two years old — and has published video of a self-driving motorcycle (Mashable: “BMW’s riderless motorcycle can handle curves, obstacles”). In the video, the cycle is shown driving both with and without a rider along. What appears to be an early version has wide outrider wheels, but the current prototype looks pretty much lke a regular motorcycle with extra metal boxes attached that presumably contain the electronics.

This week BMW Motorrad — the motorcycle division of the German car company — showed a prototype driverless bike on a test track accelerating, navigating curves, and braking all on its own. In Munich, safety researchers have been using the autonomous motorcycle to test out features for its real motorcycles to handle dangerous situations.

(10) MEANWHILE, BACK AT THE UNCANNY SLUSHPILE. You can’t say they don’t know what they missed.

(11) ESCAPE POD OPENING FOR SUBMISSIONS. On September 16.

(12) ST. KOONTZ. Benedictine College English professor Stephen Mirarchi, reviewing Dean Koontz’s new novel The Forbidden Door, says that Koontz is an orthodox Catholic who is “a wildly successful writer who has infused his art with God’s grandeur.” National Review Online has the story: “The Transcendent Dean Koontz”.

… To take a wider view, Koontz is presenting in the series a large-scale defense of the ability to choose meaning and virtue. One of his recurring characters is an anxiety-prone latter-day Puritan, while another is an intellectually and physically domineering hulk straight out of a Max Weber tract. Koontz fairly and logically shows the necessary consequences of these characters’ thoughts and actions by creating storylines of such accessibility that the general reader can see how their ideologies contradict any coherent notion of the good life. The modern Puritan, for instance, moves nervously from scene to scene, constantly seeking perfection and never finding it, unjustly critiquing others while placating his own ego. The ideologies Koontz critiques inevitably lead to disaster — not just for the characters, but for the societies built on such chimeras.

Hawk, on the other hand, embraces the natural religion to which Koontz’s wide fan base responds with awe. She finds solace in the wonder of creation while calling out evil for its supernatural maliciousness, ever uniting reason with hope against secular hedonism. Koontz does “diversity” the right way, too: He features an autistic character in this series who is a compelling hero because he faces down his particular suffering by accepting grace. And as Flannery O’Connor and Léon Bloy before her have shockingly reminded us, the reception of grace usually hurts — badly.Speaking of the reception of grace, I am going to prognosticate: There is one mesmerizing scene in The Forbidden Door, an explicitly Catholic one, that many readers may wildly misinterpret….

(13) THOSE MISTY WATERCOLOR MEMORIES. Jason Heller intended to write an evocative, nostalgic tribute to the world of Piers Anthony – until he reread A Spell for Chameleon: “Revisiting the sad, misogynistic fantasy of Xanth” at AV Club.

I know other people who have read Anthony’s Xanth books. All of them did so in their youth—and like me, they drifted away from them long before graduating high school. There’s something inherently juvenile about the Xanth series, even though it wasn’t marketed as young adult, a distinction that didn’t exist as such back then. Even worse, as the series progressed it became increasingly reliant on really bad puns. That was more of a turnoff than any perceived lady hating, at least when I was a teenager and less attuned to such things. I do wonder how much of the books’ warped view of women trickled into my sensibility back then. Or other readers’ sensibility.

I grew up to be involved deeply in science fiction and fantasy, but it doesn’t take an insider to know that those genres have trouble with gender issues—both on the page and in real life, where sexual harassment at sci-fi conventions is an ongoing problem. Anthony’s books were huge in their day, and their influence runs deep; dozens of similarly humorous series, from Robert Lynn Asprin’s Myth Adventures to Alan Dean Foster’s Spellsinger, popped up in Xanth’s wake. I read and loved them, too, when I was a kid. But they don’t evoke an icky feeling the way Xanth does—a creepiness that retroactively corrodes any lingering nostalgia.

(14) LUNCH WAS SERVED. Can you guess “Who killed the largest birds that ever lived?” Bones show that humans lived beside “elephant birds” on Madagascar for millennia before wiping them out for food.

Prehistoric humans are under suspicion of wiping out the largest birds that ever lived after fossilised bones were discovered with telltale cut marks.

According to scientists, it’s evidence that the elephant birds of Madagascar were hunted and butchered for food.

The remains have been dated to about 10,000 years ago.

Until now, the first settlers were thought to have arrived on the island about 2,500 to 4,000 years ago.

“This does push back the date of human arrival by 6,000 years, at least,” says Dr James Hansford, a scientist at Zoological Society London, UK.

(15) WALLACE WINS. “Smarty pants: Robot trousers could keep the elderly mobile” — linings of legs fitted to act as supplementary muscles.

Johnathan Rossiter proudly displays his new trousers. Brightly coloured and fit for the running track, but packing more than just Lycra. They’ll be robotic.

“We are all going to get older and our mobility is going to reduce,” he says. “What we want to do is give people that extra bit of boost, to maintain their independence as long as possible.”

A team of British researchers thinks the future lies in wearable soft robotics. They’ve developed robotic muscles; air-filled bubbles of plastic that can raise a leg from a seated to a standing position.

(16) FLY ME TO THE MOON. [Item by Mike Kennedy.] SpaceX is up to something… the Moon. Or, at least they want to be. They’ve announced (via a tweet) that they have signed their first customer to take a trip around the Moon (The Verge: “SpaceX says it will send someone around the Moon on its future monster rocket”):

SpaceX has signed its first customer to fly on the company’s huge new rocket, the BFR, the company says. The passenger will fly on the monster ship around the Moon, though there are no details yet regarding when the trip will happen. SpaceX says it will announce who is flying — and why — on Monday, September 17th.

The BFR, or the Big Falcon Rocket, is the giant rocket that SpaceX is currently developing to send humans to the Moon and Mars. The BFR design, [presented] by CEO Elon Musk last year, consists of a combined rocket and spaceship, called the BFS for Big Falcon Spaceship. The main rocket will have 31 main Raptor engines and be capable of sending up 150 tons to low Earth orbit, according to that presentation.

(Yeah, yeah, BFR stands for “Big Falcon Rocket.” Wink, wink, nudge, nudge. Say no more, say no more.)

SpaceX had already announced (in early 2017) plans for two people to take such a trip; it’s not immediately not clear if this new announcement is one of those or yet a third person. The tweet does say that the name of the person as well as the reason for the trip will be announced Monday 17 September.

(17) MESSAGE FROM A CRYPTIC KRYPTONIAN. Erin Donnelly, in the Yahoo! Entertainment story “Henry Cavill Posts Complex Superman Vibe as Reports Claim He’s Leaving Superhero Role” says that Henry Cavill posted a video on Instagram wearing a “Krypton Lifting Team” and waving a Superman action figure around, leaving his 6.4 million followers wondering what this means.

View this post on Instagram

Today was exciting #Superman

A post shared by Henry Cavill (@henrycavill) on

(18) DAREDEVIL. Nextflix release the Daredevil Season 3 teaser trailer.

[Thanks to Mike Kennedy, Chip Hitchcock, Cat Eldridge, JJ, Daniel Dern, Martin Morse Wooster, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 9/9/18 I Can’t Get No Pixel Action When I’m Reading Pixel Scroll

(1) TAFF DATES ANNOUNCED. John  Purcell says it’s almost time to submit nominees for the 2019 Trans-Atlantic Fan Fund race.

Since a lot of people have asked, European TAFF Administrator Johan Anglemark and I have established the following dates for the 2019 Trans-Atlantic Fan Fund Race to send a North American fan to the World Science Fiction Convention to be held in Dublin, Ireland over August 15 – 19, 2019. Here you go, folks:

The actual nomination period will run from October 1st to November 22nd of 2018. Therefore, if anyone is interested in standing for TAFF, the month of September is the time to line up your nominators.

The actual voting period will start on December 1st, 2018, and end on April 22nd, 2019. The week between the end of nominations and the beginning of voting will give your humble and obedient administrators the time to prepare the proper and official ballot.

A much more informative, official 2019 TAFF Press Release shall follow Real Soon Now and will include procedures and related data potential candidates need to know. In the meantime, if you go to the TAFF website https://taff.org.uk/ maintained by that nice David Langford fellow, you can learn many of these details there.

This race should be a lot fun. If you have any questions, feel free to ask either Johan Anglemark or me, John Purcell, and we will answer them as quickly as possible.

(2) EARLY PROMO ART. Sotheby’s auctioned off a Revenge of the Jedi poster on August 28 (Original Film Posters Online). Note, that’s “Revenge,” not “Return.” They’d estimated it would go for £1,400–2,600. After 23 bids it sold for £23,000.

(3) NO SHEET. Jim C. Hines is on the case —

(4) GREAT AMERICAN READ. Voting at last is open for PBS’ The Great American Read, which has been mentioned here several times. Get clicking!

(5) CONSCIOUS SYNTHS. Abigail Nussbaum’s column for Lawyers, Guns & Money takes on the robotic TV show Humans: “A Political History of the Future: Humans”.

…One core difference between Humans and a lot of other science fiction shows about robots or despised minorities with special powers is that it doesn’t center violence—and, when violence does occur, it is used exclusively to horrifying, demoralizing effect. Synths are strong, quick, and agile, but there are hardly any badass robot fights in this show. On the contrary, it often seems as if synths are a great deal more fragile than humans, succumbing to beatings and abuses that a human might recover from (which makes sense if you consider that these are basically talking household appliances, the sort of thing you’d be expected to replace after a few years). Images of damaged and mistreated synths recur frequently throughout the show, as a reminder of both the danger that our main characters face in human society, and the fact that this is a story where problems will mostly be solved by talking (though some characters, like the belligerent, short-tempered Niska, find this incredibly frustrating). This is a role left primarily to Laura, who over the course of the show’s three seasons embraces the cause of synth rights, and Mia, who becomes a figurehead in the growing community of conscious synths.

It’s an approach that, paradoxically, allows Humans to address much heavier, darker subject matter than more high-concept executions of its premise, precisely because the show is so grounded in the familiar….

(6) WHERE THE MONEY IS. AV/TV Club handicaps the contenders to succeed GoT: “Game of Game Of Thrones thrones: 43 big upcoming fantasy and sci-fi shows”.

Since debuting in April 2011, HBO’s Game Of Thrones has slowly become the defining television phenomenon of this decade, dominating the pop culture conversation in a way no other show has since the glory days of The Sopranos. It was one of a number of shows angling to step into the mob drama’s place, along with Boardwalk Empire, Mad Men, Sons Of Anarchy, Justified, and House Of Cards. HBO initially sold its adaptation of George R.R. Martin’s fantasy epic as “The Sopranos in Middle-earth,” hoping to transplant David Chase’s deeply American saga of violence, sex, family, and power to a sprawling, Tolkien-esque fantasy world. It managed to fulfill those expectations and then some, surpassing Sopranos viewership mid-way through its fourth season. Today it’s gone far beyond that: “Khaleesi” was a more popular name for baby girls in 2017 than “Brittany.”

But winter is coming. As Game Of Thrones heads into its final, six-episode season—slated to premiere sometime in 2019—it leaves a gaping hole in the television landscape. Everyone from Apple to FX has pined, sometimes publicly, for their “own Game Of Thrones,” and the model is clear: Find a nerd-culture tome, and throw money at it. Amazon has pledged to invest $1 billion on its prize-horse, a Lord Of The Rings prequel, but, as you’ll see below, this is a race with a lot of horses. There are dozens of such projects in the works, and even more if you factor in the game, film, and comic adaptations drawn in Thrones’ image, not to mention HBO’s own in-house heirs….

(7) HOW IT COULD HAVE ENDED. ScienceFiction.com says showrunner Ira Steven Behr’s idea for “The Original Series Finale For ‘Star Trek: Deep Space Nine’ Would Have Blown Viewers Minds!”

His vision was shot down but would have been a direct callback to one of the more interesting episodes in the series. Specifically, it would have directly gone back to “Far Beyond The Stars” from the sixth season. In it, Benjamin Sisko was given a vision of another life by the Wormhole Aliens where instead of being a Starfleet Captain he was actually Benny Russell who was a 1950s science fiction writer. As an author, he came up with the idea of Deep Space Nine in a story that not only dealt with racism but also was “about the dreamer and the dream and who is dreaming and what they are dreaming about.”

As for the potential series finale, it would have revisited the idea of Benny Russell:

“I did pitch to Rick Berman that the final episode would end up with Benny Russell on Stage 17 at Paramount, wandering around the soundstages, realizing that this whole construct, this whole series, that we had done for seven years, was just in Benny’s head. That is how I wanted to end the series. And Rick said “Does this mean The Original Series was in Benny’s head? Does this mean Voyager was in Benny’s head?” I said, “Hey man, I don’t care who is dreaming those shows, I only care about Deep Space Nine, and yes, Benny Russell is dreaming Deep Space Nine.” He didn’t go for it.”

(8) TREKIVERSARY. On the anniversary, SYFY Wire listed “Star Trek: 6 crazy things that nobody remembers about the first episode ever”. The first one thew into doubt just when the anniversary is —

Canada jumped the phaser and aired “The Man Trap” two days early

Famously, the anniversary of the first airing of Star Trek’s first episode is September 8th, 1966 on NBC, in America. But it turns out that the CBC in Canada aired the show two days early, on September 6th. This little-known fact emerged two years ago, surrounding the 50th-anniversary celebrations of the entire Trek franchise. Larry Nemecek, Trek historian and host of the podcast The Trek Files confirms this: “I was shocked that it took 50 years to penetrate us [Americans]! It’s apparently true. I’ve seen scans of Canadian newspaper TV listings that show it.”

(9) BREAKOUT MARVEL. NPR’s Emma Bowman says “Female Breakout ‘Captain Marvel’ Screenwriter Is Disrupting The Superheroine Trope”:

In a male-dominated industry, Geneva Robertson-Dworet is as rare as the female superhero characters she helps craft. The breakout action-genre screenwriter will be adding a historic project to her resume with Captain Marvel, Marvel’s first female-led movie, due out next year.

Robertson-Dworet, who penned the Tomb Raider blockbuster reboot, has also been tapped to work on Sherlock Holmes 3, Gotham City Sirens and the new Dungeons & Dragons adaptation.

In an interview with NPR’s Lulu Garcia-Navarro for Weekend Edition, the screenwriter praises the lengths Marvel took to recruit a female-heavy team — both on screen and behind the scenes — for the film, starring Brie Larson.

“Marvel really went above and beyond with Captain Marvel,” Robertson-Dworet says. “Not only did they have Anna Boden, who, along with Ryan Fleck is directing the movie … they had many female writers working on the project. They also had female producers in the room. And that is really rare to have that.”

(10) THE POWER. The Guardian says this job is not that f*ckin’ easy! “The YouTube stars heading for burnout: ‘The most fun job imaginable became deeply bleak’”.

…Professional YouTubers speak in tones at once reverential and resentful of the power of “the Algorithm” (it’s seen as a near-sentient entity, not only by creators, but also by YouTube’s own engineers). Created by the high priests of Silicon Valley, who continually tweak its characteristics, this is the programming code on which the fate of every YouTuber depends. It decides which videos to pluck from the Niagara of content that splashes on to YouTube every hour (400 hours’ worth every 60 seconds, according to Google) to deliver as “recommended viewing” to the service’s billions of users.

… As part of its Creator Academy, a vast online “school” covering everything from how to “enhance your channel’s search and discovery potential” to how to “make deals with brands”, YouTube recently commissioned a series of videos designed to teach its partners how to avoid fatigue. (Few of the people I speak to who run YouTube channels are aware of the resource.) The video on burnout has been viewed just over 32,000 times. It’s written and presented by 34-year-old Kati Morton. A licensed therapist based in Los Angeles, Morton has been posting videos to YouTube for eight years. As such, she is well placed to understand both the problem and the potential solution.

(11) DAILY OBIT. I Dream of Jeannie’s Bill Daily has died.

Actor Bill Daily, best known for his role as Roger Healey in the popular 1960s sitcom “I Dream of Jeannie,” has died at the age of 91, his son J. Patrick Daily said.

Bill Daily died at his home in Santa Fe, New Mexico, on Tuesday, publicist Patterson Lundquist wrote on Facebook.

Patrick Daily said his father “was a very happy man. He was happy with everything he did.”

…Daily played an Army captain, later a major, in the space program, the funny sidekick to Larry Hagman’s Air Force Maj. Tony Nelson, on “Jeannie.” The title character, a 2,000-year-old genie, was played by Barbara Eden.

(12) COMICS SECTION.

A salute —

(13) MOST IMPORTANT GENRE. If the proof of a fan’s intelligence is how closely they agree with you, a lot of people are going to conclude Harari is pretty bright, WIRED interviews him about “Why Science Fiction Is the Most Important Genre”.

Yuval Noah Harari, author of the best-selling books Sapiens and Homo Deus, is a big fan of science fiction, and includes an entire chapter about it in his new book 21 Lessons for the 21st Century.

“Today science fiction is the most important artistic genre,” Harari says in Episode 325 of the Geek’s Guide to the Galaxy podcast. “It shapes the understanding of the public on things like artificial intelligence and biotechnology, which are likely to change our lives and society more than anything else in the coming decades.”

(14) INSTRUMENTALITY. Cordwainer Smith is still in mid-career as Galactic Journey considers his story in the latest issue of Galaxy, “On the Gem Planet”: “[September 9, 1963] Great Expectations (October 1963 Galaxy)”.

On a world composed solely of precious stones, a lone horse wanders masterless through a crystal valley.  The Dictator of the planet and his beautiful heir entreat a young visitor, a crusading exile whose sole goal is to regain the throne of his home planet, for an explanation of how the horse came to his current condition.

Nothing more need be said of this piece save that it is another tale of the Instrumentality by the inimitable Smith, and it does not injure the reputation of the series or its writer.  Four stars.

(15) HOLD THAT APPLAUSE. Bastian’s Book Reviews is lukewarm about its latest subject: “Review: The Fairy’s Tale by F.D. Lee”.

The Fairy’s Tale is a humorous novel about Bea, a fairy who works to ensure that fairy tales go according to plan. Bea herself, meanwhile, dreams of being promoted from a watcher to a manager (i.e. a fairy godmother), allowed to interact with the characters (humans) rather than just being an unseen force that applies minor nudges….

(16) NAGATA PRAISED. However, at Black Gate Steve Case finds plenty of good things to say about a book: “A Celebration of the Wonder of the Universe Itself: Vast by Linda Nagata”

I’ll get right to it: Linda Nagata’s Vast is everything you want epic sci-fi to be: a huge scope in time and space, a compelling look at the horizons of human and technological evolution, and a celebration of the wonder of the universe itself. Vast provides all this, with some truly beautiful descriptions of stellar evolution thrown in for good measure. On top of all this, this scale and big ideas are woven alongside excellent character formation and a plot that builds tension so effectively that long years of pursuit between vessels with slow relative velocities still feels sharp and urgent.

I liked this book. A lot.

(17) DRY DOC. io9’s Julie Muncy found a video that demonstrates how “The Star Trek Universe Uses a Surprising Amount of Paper”.

YouTuber EC Henry has put together a fascinating little video chronicling the history of paper usage in the Star Trek universe, chronologically moving from the original series up through the timeline and noting how the use of paper changes as time passes. In Kirk’s time, fascinatingly, paper is everywhere, and is regularly used for military purposes, while by the time of The Next Generation such usages have almost entirely vanished.

 

(18) IN OBSERVATORY YET GREEN. Let Space.com tell you “How to See the Bright Green Comet 21P in Binoculars on Monday”.

Want to see a comet whizzing by Earth? A great chance to catch one of these celestial visitors is overnight tonight, when Comet 21P/Giacobini-Zinner will be best visible in binoculars or a telescope.

The comet, also known as “21P,” will make its closest approach to Earth at around 2:30 a.m. EDT Monday (630 GMT). The bright-green comet should reach a visual magnitude of 6.5 to 7, according to EarthSky.org. This makes 21P almost bright enough to see with the naked eye — but not quite. […]

To find Comet 21P in the night sky, look east and find the constellation Auriga sometime between midnight and dawn local time. The comet will still be visible even after tomorrow, but it will fade over the coming days. Its exact location from moment to moment is available in NASA’s ephemeris calculator.

(19) IT’S FEELING BETTER. According to Engadget, “Planet-hunting Kepler telescope declares that it is not, in fact, dead”.

At this point, most space enthusiasts and insiders have said their goodbyes to the Kepler spacecraft. We’ve known for months that it’s very low on fuel, and its planet-hunting replacement, TESS, has already launched. But Kepler has a mind of its own, apparently. Despite the fact that its level of fuel is now crippling, and it’s had its share of mechanical issues, the telescope is once again back to work collecting scientific data and looking for new exoplanets.

(20) CUTTING ROOM FLOOR. Variety reports “Michael K. Williams Still Wants to Be Part of ‘Star Wars’ Franchise”.

Michael K. Williams holds no grudges against “Star Wars.”

The actor’s role was cut from the standalone Han Solo film “Solo” after director Ron Howard’s reshoots conflicted with his schedule. Paul Bettany stepped in and the character was reimagined for the new casting.

“I have not had the chance to see ‘Solo’ but shout out to my cast mates,” Williams told Variety on Saturday at the HFPA and InStyle party at the Toronto International Film Festival. “Even though I didn’t make the final cut, they’re still my cast mates. I love you guys.”

He hasn’t seen ‘Solo’ yet, but “I’m quite sure I’ll get around to it but I’m more interested in getting another shot in being in that galaxy…I would love another opportunity to be in ‘Star Wars.’”

(21) STORM WARNING. Unlike the Mercury-Gemini capsule days, a splashdown here would not mean a happy ending. Ars Technica explains: “SpaceX to launch super-heavy payload, land in high seas Sunday night”

After slightly more than a month, SpaceX returns to the launch pad Sunday night to deliver the Telstar 18 Vantage satellite into orbit. The four-hour launch window opens at 11:28pm ET (03:28 UTC) for a mission from Cape Canaveral Air Force Station in Florida.

The flight of a new Block 5 version of the Falcon 9 booster will seek to loft a large telecommunications satellite into geostationary transfer orbit. At 7,060kg, this is the second heaviest satellite SpaceX has flown; the heaviest is the Telstar 19 Vantage satellite in July. It weighed 15kg more.
SpaceX will seek to recover the booster, which may prove a challenge given the tropical activity raging across the Atlantic basin. Due to the heavy payload, the first stage of the Falcon 9 rocket will land far out to sea, 660km downrange from the Florida spaceport. There, the Of Course I Still Love You drone ship will be waiting.

Provided the rocket launches on Sunday night, the growing storm Florence—which is likely to be a Category 2 or 3 hurricane by that time—should still be more than 1,000km away. However, another low-pressure system is relatively close by, and choppy wave conditions may make landing more challenging than normal. A delay of one or two days would likely only worsen conditions in the area as Florence gets closer

(22) CAMPBELL. Alis Franklin’s “Everything wrong with science fiction is John W. Campbell’s fault” takes stock of the late editor’s racism and other shortcomings. On the other hand, his immortal novella “Who Goes There?” did inspire this bizarre video:

[Thanks to JJ, Martin Morse Wooster, Cat Eldridge, Chip Hitchcock, Mike Kennedy, John King Tarpinian, Carl Slaughter, Alan Baumler, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Charon D.]

Pixel Scroll 6/9/18 Scroll-The-Pooh Filed In A WordPress All By Himself Under The Name Of Pixel

(1) DAMES AND KNIGHTS. The Queen’s birthday honours list is out. The Guardian has the highlights likely to be of interest to Filers (although it does not cite any of the recipients’ genre credits).

The Queen’s birthday honours list, in which actor Emma Thompson was made a dame,…

Thompson, who is one of Britain’s best loved actors, has been made a dame, adding to a long list of awards including Oscars, Baftas, Golden Globes and Emmys.

…The damehood awarded to the classicist Mary Beard is likely to prove more popular. The Cambridge professor, author and TV presenter described it as a “smashing honour” and attributed it to growing interest in her field of work.

“I feel especially pleased that someone working on the ancient classical world gets honoured in this way,” she said. “I’d like to treat it as a bit of a tribute to the Greeks and Romans themselves, as well as to all my wonderful academic colleagues who also do so much for the study of antiquity.”

The actors Keira Knightley and Tom Hardy are awarded an OBE and CBE respectively.

The author Kazuo Ishiguro, whose works include The Remains of the Day, the film adaptation of which starred Thompson, is knighted for his services to literature. He said he was “deeply touched to receive this honour from the nation that welcomed me as a small foreign boy”.

(2) EPISODE HATE. The Late Show with Stephen Colbert concocted a hilarious “’Stars Wars’ Trailer To Piss Off Hateful Fanboys.” Starts around 2:20 of this video.

There’s a special new ‘Star Wars’ movie for all the angry fans whose racist, misogyny led ‘Last Jedi’ actress Kelly Marie Tran to leave Instagram.

 

(3) DRAGON CON TURNOVER. Early this month bloggers Francis Turner and Jon Del Arroz celebrated a Dragon Con staff firing, however, those searching for an objective explanation of what transpired had nowhere to turn until this week when Richard “Fife” Blaylock published two resignation statements on his blog, one by former Dragon Con Fantasy Literature Track director Charlotte Moore, and his own.

Moore committed what she terms “an error in judgment” in telling a ConCarolinas supporter and regular Dragon Con panelist his support of that convention made him “less welcome” by the Fantasy Literature Track. Dragon Con leadership considered that beyond her authority and a misrepresentation of the convention’s commitment to political neutrality. Almost concurrently,  Moore tweeted in support of a friend she saw being harassed in social media. Dragon Con leadership ultimately told Moore the appearance of the con’s neutrality was more important than these acts of conscience, and she was fired.

Moore initially put a farewell post on the Fantasy Literature at Dragon Con Facebook page, which was taken down by Facebook. It has been reposted to Blaylock’s blog. Here is an excerpt:

Hi, everyone. It’s Charlotte.

Effective immediately, I am no longer the Fantasy Literature Fan Track Director.

I apologize for the cryptic nature of what follows. I will, at my discretion and on a person-by-person basis, give details in private, or when plied by sufficient quantities of alcohol.

First:

I would like to thank Rachel Reeves and David Gordon for working with me to find an equitable resolution to some longstanding and, ultimately, insurmountable differences between my priorities and the convention’s.

I deeply regret that, in an effort to defend this community I love so much, I have, in moments of anger, occasionally overstepped my bounds, resorting to tactics that were unbecoming of me. My behavior has not consistently reflected the convention’s values—nor, in my better moments, mine.

While I do not regret, for one second, standing up to any person who, through their stories, statements, or behavior, threatens this community—or who, out of self-preservation, chooses not to see injustice and abuse—there are ways I might have done so without grabbing for low-hanging fruit.

Dragon Con strives to be apolitical. Perhaps that’s admirable (and perhaps it isn’t? I truly don’t know), but it strikes me that the most bombastic champions of this position are the ones most incensed by social justice, a phrase they sneer as a term of derision and ridicule.

I believe that Dragon Con’s heart is in the right place. I really do. They made it clear to me that they have no compunction with the fundamental nature of my values; that they welcome strong opinions among their track directors; and that they share a desire to create a diverse and safe environment.

They want everyone to have a seat at the table. Unfortunately, they also want everyone to have a seat at the table. And a table that seats abusers beside their abused is not, in fact, a table for all: “If you are neutral in situations of injustice, you have chosen the side of the oppressor.”

So. The convention and I are at an impasse. And perhaps it is best if Dragon Con finds a less vociferous replacement for me, though I regret that this must happen so close to this year’s event….

—Charlotte, who will miss you all very much.

Richard Blaylock, likewise, has quit the convention as he explains in “My Resignation from Dragon Con” (full statement at the link.)

The below is my resignation as Director’s Second of Fantasy Literature at Dragon Con, as I sent it in. For some quick context:

  • The prior director had acted out of line and was due some form of censure, along the lines of public apology and a warning to chill.
  • Instead of a transparent process, she was fired without being allowed to defend herself, and before she was even informed that she was being fired, they were soliciting potential new directors.
  • The “greater crime” for which she was fired was that she was vocally expressing that she would not provide a platform for bigotry and hate in her programming.

So, without further adieu, and with the intent to allow this to be shared easily across social media platforms (I’d already shared it on Facebook), my letter of resignation to Dragon Con:

To: Director, Fantasy Literature
CC: Sr. Director, Fan Track Operations; Dragon Con Board of Directors
Thank you for the opportunity to stay on as Director’s Second for Fantasy Literature. After a long time mulling it over, I regret to inform you that I cannot, in good conscience, continue on in this position.

While I do not agree with all of Prior Director Charlotte Moore’s means and methods, and I do feel she stepped out of line in her interaction with [guest name redacted] in specific, I cannot countenance the actions that have been taken—actions taken both by means of punishing her and of the convention making a political statement in her firing and its choice for her replacement.

I can appreciate that the convention doesn’t want to become accused of being a political entity for both legal and social reasons. But there is a false equivalency and a tone deafness in the convention claiming that bigotry and harassment is “just politics.” It is the paradox of tolerance that those who try to uphold absolute tolerance invite the absolutely intolerant. A political difference is how to provide health care, entitlements, and the size and role of government. It is not debating the fundamental humanness of those who are not white, heteronormative men.

A “Safe Space” is also a paradox. It is a place where those accepting of differences, willing to admit that all people have a fundamental equality, are welcome. It is not, in truth, “safe” for everyone, because it should be absolutely unwelcoming of bigots. By their fundamental nature, bigots make others unsafe. Fantasy Literature has, in the five years I’ve worked for it, always been a Safe Space, and I thought this was not just because of the actions of the director and her volunteers, but because senior convention leadership saw the value in this as well.

However, in its actions, Dragon Con has made the declaration that hate and bigotry are acceptable behaviors, and that the deluge of snide micro-aggressions that people of color, the differently-abled, women, and the LGBT community will suffer is an acceptable price for convention leadership to pay so they don’t have an angry, vocal, and harassing minority emailing them…..

Dragon Con prides itself on “running like a business.” I am sure that the mentality is you don’t care that a few offended attendees won’t come because of this decision; the numbers are still going up overall. On the whole, the masses don’t care.

But the thing is, the masses don’t care. Dragon Con could do the right thing, take a stand against bigotry and refuse to give it a platform, and you will only lose a minor handful of other bigots.

The masses don’t care. So it becomes such a puzzlement when the only action taken is to turn a blind eye and allow the tyranny of one minority over another so you don’t have to make a decision.

I have made my decision. I hope that you and others will come to see that it was correct one day.

Richard “Fife” Blaylock
Formerly Director’s Second, Fantasy Literature, Dragon Con

(4) ON THE OTHER SIDE OF THE WALL. Galactic Journey imported Cora Buhlert to 1963 where she discusses “[June 8, 1963] The Future in a Divided Land (An Overview of Science Fiction in East and West Germany) Part 1”.

…I am fortunate enough to live in West Germany and therefore the main focus of this article will be on West German science fiction. However, I will also take a look at what is going on in East Germany.

In the US and UK, science fiction is very much a magazine genre, even if paperback novels are playing an increasingly bigger role. In West Germany, there are a couple of science fiction publishers, such as the Balowa and Pfriem, which specialise in hardcovers aimed at the library market, as well as the paperback science fiction lines of Heyne, Fischer and Goldmann. The three paperback publishers focus mainly on translations, whereas the library publishers offer a mix of translations and works by German authors. Though Goldmann has recently started publishing some German language authors such as the promising new Austrian voice Herbert W. Franke in its science fiction paperback line.

However, the main medium for science fiction and indeed any kind of genre fiction in West Germany is still the so-called “Heftroman:” digest-sized 64-page fiction magazines that are sold at newsstands, gas stations, grocery stories and wherever magazines are sold. Whereas American and British science fiction magazines usually include several stories as well as articles, letter pages, etc…, a “Heftroman” contains only a single novel, technically a novella. “Heftromane” are the direct descendants of the American dime novel and the British penny dreadful – indeed, they are also referred to as “Groschenroman”, which is a literal translation of “dime novel”….

(5) TODAY IN HISTORY

  • June 9, 1790 — The first copyright for a book was given to The Philadelphia Spelling Book by John Barry.
  • June 9, 1934 —  Donald Duck made his debut in the cartoon “The Wise Little Hen”.
  • June 9, 1978 The Cat From Outer Space premiered theatrically
  • June 9, 1989 Star Trek V: The Final Frontier debuted on this day

(6) TODAY’S BIRTHDAYS

  • Born June 9, 1930 – Lin Carter
  • Born June 9, 1943 – Joe Haldeman
  • Born June 9, 1963 – David Koepp

(7) HUGO BALLOT PREVIEW. Nicholas Whyte groks “The 2018 Hugo finalists for Best Dramatic Presentation, Short Form”. At the top of his ballot —

1) Doctor Who: “Twice Upon a Time”

The Moffat era had its low points, but the return of the First Doctor for the Twelfth Doctor’s final story was not one of them. I actually thought that the 2018 season was Capaldi’s best in general, and would have rated a couple of the other episodes higher than this; but this one deserves its place on the ballot and gets my vote. Bonus points for having scenes set in Belgium.

(8) PIXAR PIONEER GOING. Yahoo! Entertainment says “Lasseter, Pixar co-founder, to step down at end of year”.

John Lasseter, the co-founder of Pixar Animation Studios and the Walt Disney Co.’s animation chief, will step down at the end of the year after acknowledging “missteps” in his behavior with staff members.

Disney announced Friday that Lasseter — one of the most illustrious and powerful figures in animation — will stay on through the end of 2018 as a consultant. After that he will depart Disney permanently.

Lasseter in November took what he called a six-month “sabbatical.” He apologized “to anyone who has ever been on the receiving end of an unwanted hug” or any other gesture that made them feel “disrespected or uncomfortable.” At the time, Lasseter signaled that he hoped to then return to Disney. Many in Hollywood were skeptical that was possible.

“The last six months have provided an opportunity to reflect on my life, career and personal priorities,” Lasseter said in a statement. “While I remain dedicated to the art of animation and inspired by the creative talent at Pixar and Disney, I have decided the end of this year is the right time to begin focusing on new creative challenges.”

(9) JUNOT DIAZ. Boston Review’s decision to keep Junot Diaz as an editor has driven three other editors to quit reports the Boston Globe “Boston Review editors resigning in protest of decision to retain Junot Diaz”.

The decision by Boston Review to retain Junot Diaz as an editor despite recent sexual misconduct allegations isn’t sitting well with some members of the magazine’s staff.

Three poetry editors have announced they plan to resign effective July 1 because they disagree with the decision of Boston Review editor in chief Deborah Chasman to keep Diaz on as fiction editor, a position he’s held since 2003.

In a statement posted on the magazine’s website this week, Chasman and executive editor Joshua Cohen said they had done a “careful review of the public complaints” about Diaz, as well as their own inquiry, and determined that “the objectionable conduct described in the public reports does not have the kind of severity that animated the #MeToo movement.”

That prompted Boston Review poetry editors Timothy Donnelly, BK Fisher, and Stefania Heim to respond with a statement of their own.

“What most distresses us are the [Boston Review statement’s] apparent arbitration of what constitutes inclusion in the #MeToo movement and its lack of attentiveness to power dynamics in a star-driven media and publishing landscape,” the three editors wrote. “Though we raised these reservations to the executive editors and asked them repeatedly to rethink their position, they went forward as planned.”

The decision-makers explained why they did not remove Dias in “A Letter from Deborah Chasman and Joshua Cohen” at Boston Review.

Junot Díaz has been Boston Review’s fiction editor since 2003. Like many others, we were deeply moved by Junot’s recent essay in the New Yorker  describing his experience as a child victim of rape, and also struck by his acknowledgment in that essay that he had hurt people with his “lies and choices.” Also, like many others, we have been disturbed by recent reports from women who have come forward to describe the ways they were hurt by him. We have read their reports carefully, taken their complaints seriously, and thought hard about how we should respond.

On the basis of what we have learned, we have decided to continue our editorial relationship with Junot. We want to give a few words of explanation.

First, during his 15-year tenure as fiction editor, we have never received any complaints about Junot’s conduct, either from our staff or from writers.

If we were only an employer, that might be the end of the discussion. But issues of gender and race are at the heart of our mission. Because of Junot’s important public role, we cannot narrowly confine our attention to his role as our fiction editor.

Second, then, we do not think that any of the individual actions that have been reported are of the kind that requires us to end the editorial relationship. To be clear: we do not condone the objectionable behavior that they describe. Instead, we asked ourselves whether the conduct they report is of a kind that—given his role and our mission—requires us to end the editorial relationship. We do not think so. The objectionable conduct described in the public reports does not have the kind of severity that animated the #MeToo movement.

Third, we considered whether, as some have suggested, the complaints point to a larger pattern of abusing power—the kind of star power that has attached to Junot as a successful writer, editor, and public intellectual. On the basis of a careful review of the public complaints, we think not. The events they characterize—including several episodes of aggressiveness in public discussion—are dispersed over a long stretch of time, and do not, as we see it, show the characteristics, repetition, and severity required to establish such a pattern….

(10) THE WHO FAMILY. Don’t ask whether Doctor Who is the Doctor’s Daughter’s father or mother now. This isn’t that kind of project. Syfy Wire reports Doctor Who’s “daughter” is back In Universe, this time in a series of audio adventures: “The Doctor’s Daughter finally returns this week but it could have been much sooner”.

It’s been a decade, but the Doctor’s daughter is finally back for a series of new Big Finish audio adventures out this week. However, if it had been up to Georgia Tennant, her Doctor Who character would have returned to the Whoniverse much sooner.

Thing is… she was never asked back.

“I’ve always been aware of what Doctor Who brings to it, and what you then carry on throughout your life,” explained the actress (who happens to be the daughter of Fifth Doctor Peter Davison and the wife of Tenth Doctor David Tennant) to Radio Times. “But because it was just one episode I thought ‘Oh…that’ll just come and go.’ But it hasn’t, and everyone’s so lovely. Everyone’s wanted me to do this, and at conventions everyone’s been like ‘Why don’t you come back and do something?’ And you know, obviously they never asked me on the TV show…”

(11) PREGAME RITUAL. HBO needs to find a way to keep the cash register ringing: “Game of Thrones: HBO orders spinoff prequel pilot”.

Game of Thrones could be getting a prequel series, HBO has announced, one of five potential spin-offs from the series.

Book author George RR Martin has created the new series alongside British screenwriter Jane Goldman.

HBO has ordered a pilot episode for the show, set thousands of years before the battles over the Iron Throne.

Executives say any spin-off will not be broadcast until after Game of Thrones’ final season in 2019.

If picked up, the prequel will chronicle “the world’s descent from the golden Age of Heroes into its darkest hour”, HBO said in a statement.

“From the horrifying secrets of Westeros’ history to the true origin of the White Walkers, the mysteries of the East, to the Starks of legend… it’s not the story we think we know.”

Gosh!

(12) LIGHTLY FROSTED. David Pogue, in the Yahoo Entertainment story “How technology brings Broadway’s ‘Frozen’ musical to life”, looks at how the current theatrical adaptation of Frozen is a very high-tech production.

In “Frozen,” technology is behind most of it. Almost none of the effects in the Broadway show would have been technologically possible five years ago.

“I mean, scenery remains scenery, but the video and the lighting equipment is changing so fast. Even by the time we take the show to London, the video technology we use here will almost be obsolete. It moves that rapidly.”

According to stage manager Lisa Dawn Cave, that technology includes an enormous video screen that forms the back wall of the stage. “Our video wall weighs about 8,600 pounds and contains more than 7 million individual LEDs,” she says.

It’s complemented by 19 projectors — six over the stage, and 13 on the ceiling of the theater, on the balcony railing, and on the box seats. “They’re laser projectors — not lasers in the sense like you see laser beams in movies,” says show electrician Asher Robinson, “but they have a laser phosphor source, which means that we’re not changing the lamps in them, and they’re not making a lot of heat.”

(13) PLANTING SEASON. Elon Musk—in the guise of SpaceX—wants a major upgrade to Kennedy Space Center and has provided NASA with a plan laying out their vision. That plan includes a 133,000 sq.ft. hangar to process used SpaceX boosters and a 32,000 sq.ft., 300 ft. tall control tower with a retro-futuristic ovoid top. “NASA Publishes SpaceX Maps and Renderings from Its Proposed “Rocket Garden”Inverse has the story. Quoting the article:

The Kennedy Space Center might be getting a major upgrade and expansion soon if Elon Musk gets his way. NASA published a plan submitted by SpaceXthat dramatically reimagines the company’s presence at KSC in Cape Canaveral, Florida. The plans include everything from a control tower that resembles a flying saucer to a “rocket garden,” showcasing futuristic designs that will expand the space company’s footprint and potential influence within the US agency.

NASA published a draft environmental review for the proposed SpaceX Operations Area, as first reported by Florida Today on Friday. According to the document, SpaceX is seeking permission to build on a 67-acre patch of land about one mile north of KSC’s visitor center complex.

…The proposal justifies the expansion by arguing that the KSC’s current offerings won’t support the 54 launches that SpaceX plans of Falcon 9 or the 10 annual launches planned for Falcon Heavy. By obtaining the space and the green light to build, the proposal says, SpaceX will have the facilities it needs to build, repair, and launch more rockets each year.

SpaceX plans to reach 30 orbital launches in 2018, which is already a record number of missions for the United States. Considering the grandiose proportions presented in the current proposal, it’s clear that the company intends to reach even further with orbital launches in 2019.

[Thanks to Todd, Chip Hitchcock, Martin Morse Wooster, Andrew Porter, Carl Slaughter, JJ, John King Tarpinian, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Rick Moen.]

Pixel Scroll 2/9/18 Pixel, Pixel, Scrolling Bright, On The Servers Through The Night

(1) THE COURSE OF TRUE LOVE. Evil Mad Scientist has released downloadable “Evil Mad Scientist Valentines: 2018”.

This year’s set features parallel lines, friction, and activation energy:

What could be more romantic than telling someone that the second derivative of your potential energy is at its minimum when you’re around them?

Evil Mad Scientist has been doing this for awhile:

You can download the full set here, which includes all 36 designs from all six years (a 1.6 MB PDF document).

(2) WHERE APES HAVE GONE BEFORE. There will be a “50 Years of Planet of the Apes Exhibit and Film Retrospective” at the University of Southern California in LA through May 13.

The USC School of Cinematic Arts has partnered with 20th Century Fox Film to host an exclusive exhibit and retrospective celebrating the 50th anniversary of the Planet of the Apes franchise titled 50 Years of Planet of the Apes.

A vast collection of props, costumes, photos, posters and artwork from across all iterations of the longstanding franchise will be on display in the Hugh Hefner Exhibition Hall at USC this spring. The exhibit will be available to visit as a work-in-progress from January 26th – February 8th and all final displays will be open from February 9th through May 13th, 2018. A series of panels and screenings will complement the exhibit, including all feature films from the Planet of the Apes universe.

The exhibit is in conjunction with the 50th anniversary of the 1968 release of the first Planet of the Apes film, the original installment of the still expanding franchise that now includes four sequels, a TV series, an animated series, comic books, merchandise, and 20th Century Fox Film’s highly successful prequel film series Rise of the Planet of the Apes, Dawn of the Planet of the Apes, and War for the Planet of the Apes.

There is a schedule of associated film screenings at the link.

(3) ROOSTING. Watch the two Falcon Heavy boosters come booming back to Earth in this video at digg: “Seriously Cool Amateur Footage Of The Simultaneous Falcon Heavy Booster Landing”.

(4) ROASTING. Falcon Heavy’s third booster didn’t make it home intact: “SpaceX confirms it lost the center core of the Falcon Heavy”.

What’s more, it landed the two flanking boosters in perfect synchronized formation. But the fate of the core booster was unclear; now it appears that the center booster, which was supposed to land on a drone ship, was lost.

Elon Musk said on a conference call with reporters that the launch “seems to have gone as well as one could have hoped with the exception of center core. The center core obviously didn’t land on the drone ship” and he said that “we’re looking at the issue.” Musk says that the core ran out of propellant, which kept the core from being able to slow down as much as it needed for landing. Because of that, the core apparently hit the water at 300MPH, and it was about 100 meters from the ship. “It was enough to take out two thrusters and shower the deck with shrapnel,” Musk said. That should be worth seeing on video: “We have the video,” Musk confirmed, “it sounds like some pretty fun footage… if the cameras didn’t get blown up as well.”

(5) SFWA AUCTION. Steven H Silver tells about a SFWA fundraiser:

Did you miss our charity auctions in December? Good news! SFWA will be auctioning off five new items every month on Ebay. Available items in February include an autographed uncorrected proof copy of Fevre Dream by George RR Martin, uncorrected proof  13th Annual Year’s Best Fantasy and Horror (signed by Ellen Datlow), and a rare signed copy of This Island Earth by Raymond F. Jones.

The bidding began on February 5th and will run through February 12: Ebay.com/usr/sfwa65

All auction proceeds will be earmarked for the SFWA Givers Fund which is used to disperse grants to deserving applicants, along with bolstering the existing Emergency Medical (EMF) and Legal Funds.

For more information about our funds and what they support, please visit sfwa.org/donate. If you have items you would like to donate for future SFWA Charity Auction fundraisers, please contact Steven H Silver at steven.silver@sfwa.org for more information.

Use this search to find items.

(6) BOSKONE PROGRAM. Look forward to the panels and participants discussing “Black Science Fiction at Boskone”, February 16-18 in Boston.

This year Boskone features a program with a strong selection of panels and discussions dedicated to black science fiction authors, publishers, and fans. Our program includes everything from black publishers and Afrofuturism to works by authors such as Octavia Butler, science panels that include the future of medicine, writing discussions that tackle young adult fiction, and much, much more!

Here’s a quick list of some of our program items with an emphasis on black science fiction and the authors who will be joining us from across the country. For the full set of program items, view the Boskone 55 program….

(7) VOLCANO IN TOWSON. Scott Edelman’s Eating the Fantastic podcast visits with Norman Prentiss to sample the volcano shrimp at a Chinese restaurant in Towson, MD.

And who is this episode’s guest? Why, it’s Norman Prentiss, who won the 2010 Bram Stoker Award for Superior Achievement in Long Fiction for Invisible Fences, and the 2009 Stoker for Superior Achievement in Short Fiction for “In the Porches of My Ears.” His powerful, personal fiction has been reprinted in both Best Horror of the Year and The Year’s Best Dark Fantasy and Horror, and his poetry has appeared in Writer Online, Southern Poetry Review, and A Sea of Alone: Poems for Alfred Hitchcock.

 

Norman Prentiss

We discussed the day he wowed the other kids on his school playground by reading them Edgar Allan Poe’s “The Tell-Tale Heart,” the movies a Catholic Church newsletter’s warnings made him want to see even more, the supernatural superhero comic that led to a lawsuit against Harlan Ellison, the upside and (surprising) downside of having won a $35,000 college writing prize, how the freebies he got at a Horrorfind convention goosed him to start writing fiction again, why he wrote the last part of his novel Odd Adventures with Your Other Father first, how he’s been able to collaborate with other authors without killing them, what can be taught about writing and what can only be learned, why he ended up writing horror instead of science fiction, and much, much more.

(8) WONDER ANNUAL POWERS, ACTIVATE! Rich Horton announced the contents of
The Year’s Best Science Fiction and Fantasy, 2018 Edition so Jason went to work at Featured Futures and finished his “Collated Contents of the Big Year’s Bests (2017 Stories, with Links!)”

Last year, I collated and linked to the webzine stories picked by Clarke, Dozois, Horton, and Strahan for their annuals. This year, I’ve collated all the selections. (I’ve also noted whether I’ve read them and, if so, whether they got an honorable mention, a recommendation, or were recommendations which made my Web’s Best Science Fiction or Web’s Best Fantasy.)

(9) TODAY’S BIRTHDAYS

  • Born February 9, 1960 – Laura Frankos

(10) FRANKOS. Steven H Silver celebrated Frankos at Black Gate with “Birthday Reviews: Laura Frankos’s ‘A Late Symmer Night’s Battle’”.

… When a follow-up attack of reremice occur, the fairies must question what they are fighting for and what makes a race worthwhile. While Frankos could have told the story with tremendous amounts of gravitas, the venue for its publication was looking for more lighthearted fare and she managed to deliver, sprinkling her tale with wonderful puns….

(11) TODAY’S BIRTHDAY UNIVERSE. The BBC has the snapshot: “Marvel Cinematic Universe celebrates its 10th birthday with an epic cast photo”.

Over the past decade Marvel has brought us 18 films, starting with Iron Man in 2008 and including Thor, The Avengers and Captain America.

The class photo of 76 actors appeared on Twitter on Thursday.

It includes major players in the films like Robert Downey Jr, Vin Diesel, Scarlett Johansson and Letitia Wright.

The picture was shortly followed by a behind the scenes video.

It begins with Thor’s Chris Hemsworth saying: “It was sort of like being at the Academy Awards or something, every person had been in one or all of my favourite films.”

 

(12) COMICS SECTION.

  • Mike Kennedy asks, “Is Gumby genre? Perhaps so…” — The Flying McCoys.
  • And Mike learned from  Basic Instructions, “If you wish to be an evil Emperor, do not waste time taunting your nemesis. Especially in falsetto.”
  • Cath found another cat/book/humor connection in today’s Breaking Cat News.
  • Cath also knows I need proofreading advice —

(13) YOUTH WANTS TO KNOW. Is the work of comic book colorists inherently apolitical?

(14) MORE ON ACKERMAN. Adam-Troy Castro heard about Forrest J Ackerman’s behavior in 1997:

Yes, I knew about Forry Ackerman twenty years ago.

I was part of the committee that gave him the Bram Stoker Lifetime Achievement Award. I need you to know that I was outvoted. We were giving two awards that year and the Ackerman partisans were given what they wanted in order for those who were against the citation to be given what they wanted. Even so, the hell that went on behind the scenes was intense and lasted for months after the official announcement was made. But yes, one of the things that came up during the hellish brouhaha that followed was that he had, quote, “a house full of child pornography.”

The months of invective that went on, back and forth, behind the scenes, amounted to the worst period of my writing career….

(15) WET WORK. Beneath the waters of the Gulf: “Long-Buried Ice Age Forest Offers Climate Change Clues”.

Scientists say it’s a remarkable discovery.

“The underwater forest is like the Garden of Eden underwater,” says Christine DeLong, a paleo-climatologist at Louisiana State University. She says tests date the forest to be between 50,000 and 70,000 years old.

“It’s a huge deal,” DeLong says. “Because here we have this like perfectly preserved time capsule of an ice age forest.”

(16) LIGHTEN UP. Thanks to French scientists and a NASA probe, “Secrets of solar flares are unlocked”.

Flares can occur on their own, or be accompanied by powerful eruptions of plasma (charged gas) from the Sun.

If charged particles from these eruptions reach Earth, they can create havoc with infrastructure, such as satellite systems and power grids.

Now, researchers in France say the interaction of distinct magnetic structures controls these outbursts from our star.

Generally speaking, solar eruptions are caused by a sudden, violent rearrangement of the Sun’s magnetic field.

At a deeper level, the process is controlled by two types of structures that form in the magnetic field of the Sun: ropes and cages.

The rope is confined within the magnetic cage. If the cage is strong, it can contain the rope’s contortions, but when the cage is weak, an eruption can take place.

(17) WATER SIGN. Sydney has a unique solution to trucks trying to get into tunnels they’re too tall for: a water wall as a screen for a giant projected STOP sign. (Video at the link.) “That will stop them in their tracks! Virtual barrier made from curtain of water halts lorries from driving through too small tunnels”.

They had tried flashing signs, neon signs and staggered signs.

But when lorry drivers continued to keep on driving their over-sized trucks though low tunnels, Australian authorities took the extreme measure of warning drivers with water signs.

Drivers are greeted with a curtain of water falling from the entrance of tunnels with a huge ‘stop’ sign projected on to them….

Laservision said that the Sydney Harbour Tunnel has experienced more than 10,000 incidents of vehicles hitting the structure since it opened.

The damage caused by too large vehicles crashing into the overhead of the tunnel affected up to 12,000 motorists at peak time, the company said.

There’s also this TV clip of the sign in action –

And the manufacturer’s writeup: “Activated 8 times in 8 weeks, with 100% success!”

(18) BUGEYED. “What Scientists Learned From Putting 3-D Glasses on Praying Mantises”: The Atlantic has the story.

One might assume that any animal with two forward-facing eyes would automatically have stereopsis, but that’s not true. It’s a sophisticated skill that requires a lot of processing power and a complex network of neurons—one that not every animal can afford to build. Indeed, after stereopsis was first confirmed in humans in 1838, it took 132 years for scientists to show that other species had the same ability. Macaque monkeys were the first confirmed member of the stereopsis club, but they were soon joined by cats, horses, sheep, owls, falcons, toads—and praying mantises. In the 1980s, Samuel Rossel placed prisms in front of these insects to show that they do triangulate the images from both eyes to catch their prey.

When Jenny Read, from Newcastle University, first read about this, she was amazed. How could an insect pull off such a complicated trick with a brain that contains just 1 million neurons? (For comparison, our brains have 100,000 times that number.) To find out, she and Nityananda set up their mantis 3-D cinemas….

They presented the insects with screens full of black and white dots, with a slightly different pattern projected to each eye. Against these backgrounds, a small circle of dots—a target—would slowly spiral inward from the outside. “It’s meant to be like a little beetle moving against a background,” says Read.

By tweaking the dots, the team could change how far away this target would appear to the watching mantises. And they found that the insects would start to attack the target when it seemed to get within striking distance. Clearly, the insects have stereopsis.

But their stereopsis is not our stereopsis. We use brightness as a cue to align and compare the images that are perceived by our two eyes. Scientists can confirm this by presenting one eye with an image that’s a negative of the other—that has black dots where the other has white ones, and vice versa. “For us, that’s incredibly disruptive. We really can’t match up the images anymore, so our stereopsis falls apart,” says Read. “But the mantises are completely unfazed.” Brightness clearly doesn’t matter to them.

(19) THUMBRUNNERS. I’m not sure “parts is parts” when they’re human — “Special Report: U.S. body brokers supply world with torsos, limbs and heads”.

Demand for body parts from America — torsos, knees and heads — is high in countries where religious traditions or laws prohibit the dissection of the dead. Unlike many developed nations, the United States largely does not regulate the sale of donated body parts, allowing entrepreneurs such as MedCure to expand exports rapidly during the last decade.

No other nation has an industry that can provide as convenient and reliable a supply of body parts.

(Larry Niven once said he preferred Alexei Panshin’s “thumbrunners,” but having been beaten to the term, he’d come up with his alternative, “organleggers.”)

(20) SPACE MOUNTAIN. You get a glimpse inside the illusion created by a popular Disneyland attraction in this Orange County Register piece: “Space Mountain fan gets the roller coaster’s 87-year-old designer to ride it one last time at Disneyland”

How fast do you think you’re traveling when you’re in the rockets on Space Mountain?

Think of the speed of a car on the freeway. Is Space Mountain faster than that? Slower? Is it 100 miles per hour, like Bill Watkins has heard people telling each other?

Watkins contemplated the speed question for years in the early- to mid-1970s. He built his first Space Mountain at Walt Disney World in Florida. But it was bigger – a 300-ft. circle on two tracks. When the Disneyland Space Mountain opened in 1977, Watkins had completed what he always saw as a giant math problem.

Space Mountain is a gravity coaster. Unlike the Matterhorn, which relies on thrusters to help move its vehicles forward, Space Mountain simply starts up and goes down. Technically, it’s 75 seconds of free fall.

At its maximum speed (which can vary slightly depending on the combined weight of the riders) the car you’re riding in Space Mountain is traveling about 40 feet per second.

That’s 27.27 miles per hour.

That seems really slow.

But Watkins somehow made it just right. More than 250 million people have ridden Space Mountain since it opened. And while it’s unclear if it’s the best – Disneyland’s public relations department would only say that Space Mountain is, according to guests, “a top 10 attraction” – how many are better?

It is certainly arguable that Bill Watkins created the most popular roller coaster of all time.

“I seldom meet anyone who hasn’t ridden it,” he said.

(21) BEST PRO ARTIST RESOURCE. Rocket Stack Rank’s  “2018 Professional Artists” page is designed —

To help people make nominations for the 2018 Hugo Award for Best Professional Artist, we have set up a “lightbox” system to let fans quickly flip through the works of over 113 artists listed below and to set aside the ones they particularly liked.

Greg Hullender says —

This is aimed at helping people pick artists to nominate, based on covers for magazines and for books containing original novels or anthologies. We don’t have pictures for reprints.

Where possible, we have links to the artists’ portfolios, so readers can get a broader idea of any particular artist’s work. To simplify that a bit, for eligible artists who had just a few works published in 2017 we’ve padded their list of pictures with their art from earlier years. (They’re marked by date for the benefit of those who only want to see works published in 2017.)

(22) ROBOTECH RETURNS. Titan Comics will publish a new graphic novel based on the classic Robotech saga.

A mysterious ship crashes on a remote island… 10 years later, the ship’s ‘Robotechnology’ has helped humanity advance its own tech. But danger looms from the skies and an epic adventure is set to begin…

The world-famous, fan-favorite animated epic returns to comics with a classic transforming-jetfighters-versus-giant-aliens adventure! Written by Brian Wood (Star Wars, Briggs Land, X-Men), with art from Marco Turini (Assassin’s Creed) and colorist Marco Lesko! Return to the fan-favorite Macross Saga that began the classic Robotech franchise, as hotshot Veritech pilot Roy Fokker and skilled rookie Rick Hunter are pulled into an intergalactic war when the Earth is invaded by the insidious Zentraedi! Whether you’ve seen the classic cartoon to the point you can quote every episode, or whether you’ve never experienced Robotech before, this graphic novel collection is for you!

 

[Thanks to JJ, Martin Morse Wooster, Cat Eldridge, John King Tarpinian, Scott Edelman, Mike Kennedy, Chip Hitchcock, Cath, Andrew Porter, Will R., David K.M. Klaus, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day evilrooster.]

Pixel Scroll 2/7/18 In Space Nobody Can Hear Your Red Tesla’s GPS Scream “Recalculating!”

(1) ABIGAIL NUSSBAUM. Last year’s Best Fan Writer Hugo winner announced that she won’t accept a nomination this year.

Third, this is something that I was pretty sure I wanted to do last August, but I gave myself some time to consider it, and now I’m certain: I’d like it known that if I were to receive a nomination in the Best Fan Writer category for the 2018 Hugos, I would respectfully decline the nomination.

I’ve debated with myself about whether and how to make this announcement.  Not, to be very clear, because I’m uncertain about not wanting to be a nominee again.  Without sounding like I’m complaining–since it all turned out so wonderfully in the end–being a prospective and then actual Hugo nominee is one of the most stressful experiences I’ve ever had.  It certainly didn’t help that the period during which I became a viable candidate coincided so perfectly with the various puppies’ campaign against the awards, so that on top of the regular pressures of will I be nominated/will I win, I spent a lot of my time wondering whether my nomination would be scuttled by a fascist terror campaign (which is, in fact, what happened in 2015 and 2016).  By the time 2017 rolled around, I had been on the Hugo merry-go-round for four years, and it was pretty hard for me to enjoy the convention or the lead-up to the awards from wondering whether this was finally going to be my year.

So while I may one day want to be nominated for the Hugo again (and maybe in another category too, if I’m eligible), I have no interest in going through the whole rigmarole again so soon, and especially when you consider that there are several other great potential nominees whose crack at the Hugo was scuttled by puppy interference.  It seems like absolutely the right thing to stand back.

(2) GEORGE R.R. MARTIN. Martin, in his Hugo eligibility post, asks people not to nominate A Song of Ice and Fire for Best Series — but feel free to nominate “The Sons of the Dragon” for novella. (Following this excerpt, he has more to say about the Best Series category itself.)

The only writing I had published in 2017 was “The Sons of the Dragon,” which was published in THE BOOK OF SWORDS, Gardner Dozois’s massive anthology of original sword & sorcery stories. Like “The Rogue Prince” and “The Princess and the Queen” before it, “Sons” is more of my (fake) history of the Targaryen kings of Westeros. By length, it is a novella… but it’s not a traditional narrative. By design, it reads like history, not fiction; but since the history is entirely imaginative, it’s still fiction, even if dressed up as (fake) non-fiction.

It has been pointed out to me that the publication of “The Sons of the Dragon” makes the entirety of A SONG OF ICE AND FIRE eligible to be nominated as Best Series. I suppose that’s so. All I can say to that is: please don’t. If you like fake history and enjoyed “The Sons of the Dragon,” by all means nominate the story as a novella… but it’s really not part of A SONG OF ICE AND FIRE, and sneaking in the entire series by means of a technicality seems wrong to me.

(3) TRADEOFFS. I was interested to see Abigail Nussbaum and I had the identical thought about this piece of news.

(4) FULLER BRUSH-OFF MAN. Two showrunners have left the building: “Apple’s ‘Amazing Stories’ revival loses showrunner Bryan Fuller”.

Apple has yet to launch any of the original shows funded by its $1 billion war chest, but it’s already losing part of its production team. Hollywood Reporter has learned that showrunner Bryan Fuller (of Star Trek and American Gods fame) has left Steven Spielberg’s Amazing Stories revival for the tech giant. The departure was “amicable,” according to sources, and stemmed from creative differences. Reportedly, Fuller wanted to make a Black Mirror-style show that wasn’t what Apple intended.

Fuller wasn’t new to the Amazing Stories continuation. He’d been around since 2015, when the series was attached to NBC and Spielberg wasn’t involved. He’s had some relatively short stints lately: he was booted from American Gods after the production company wanted to reduce the per-episode fee, and left Star Trek: Discovery over cost and casting issues with CBS.

The Hollywood Reporter source story has added this update:

Hart Hanson, who had partnered with Bryan Fuller on Amazing Stories, has also exited the anthology as Apple and producers Universal Television are now searching for a showrunner.

(5) HOOKED. K.M. Alexander argues “Your Fave is Problematic—That’s Okay”.

My favorite character from A Song of Ice and Fire, George R. R. Martin’s fantasy epic, is Jaime Lannister, the heir to the Lannister family, Knight of the Seven Kingdoms, and an all-around terrible person. No, really. There are forum threads dedicated to his awfulness, and I don’t disagree with anything they say. He is awful; that’s not up for debate. But I don’t care; I still like him. There is something about his wit, his tenacity, his strange sense of honor, and his odd drive to do right by his family that draws me in as a reader. He’s my favorite.

In his Banquet Speech, William Faulkner observes good writing as “the human heart in conflict with itself.” I adore that line. As a character, Jamie embodies that for me. There is so much to loathe but a lot to like. It makes him complicated, and it makes him human. However, in some circles, my statement draws ire. How can I enjoy reading about someone so terrible? After all, he is someone who symbolizes the opposite of many values I hold dear. To those people, it doesn’t make sense; it feels two-faced and hypocritical.

These voices are nothing new. I remember hearing them as a kid from conservatives, and I’ve heard them as an adult from progressives. Recently they’ve become particularly pronounced on social media, shouting down and hunting those who dare explore life through the lens of problematic fiction. Over the last few years, I’ve seen several authors attacked—on social media, within articles, in reviews, and on blogs. Fans have gone after them for the problematic circumstances, events, and behavior of characters within their novels. It’s not surprising; it’s an extension of the same attitude we have seen play out in the social sphere. In addition to holding real-life humans accountable, fandom is now trying to hold fiction accountable….

(6) SIGNING OFF. The Geek Feminism Blog says they are “Bringing the blog to a close”. No specific reason given, but they did take a look back —

Alex Bayley and a bunch of their peers — myself included — started posting on this blog in 2009. We coalesced around feminist issues in scifi/fantasy fandom, open culture projects like Wikipedia, gaming, the sciences, the tech industry and open source software development, Internet culture, and so on. Alex gave a talk at Open Source Bridge 2014 about our history to that point, and our meta tag has some further background on what we were up to over those years.

(7) NEXT IN THE JURY BOX. A new Shadow Clarke juror greets the readers: “Introducing Samira Nadkarni”.

More than anything else, community as a space for discussion and critique forces an awareness of frameworks. A friend, Shabnam, once took a lot of time to point out to me that my excitement about a book that I believed destabilised gender and problematised caste in Indian contexts was, in fact, written to privilege the upper caste cis gaze. Her emphatic point at the time was that if someone mentions a gender and caste dystopia, I should look at whose interests are being played to, and that if the book couldn’t decenter the very idea of cis and caste-based constructs of gender, then this book was not innovative in its destabilisation at all. While this was applied to a specific book series, it was an excellent lesson to take away, learn from, and cross apply to future criticism: the fact that stepping away from standard representation itself is not enough until we think about who it privileges and what it says.

These are big questions for me, and I think also big questions more generally, about how inclusion can be kindness and violence all at once, and how navigating that critically can be fraught. For me in particular, I have strong feelings about postcolonial SFF writing in general (and this is primarily what I read in my spare time), and this also forces me to recognise how this is playing to a different set of privilege systems locally that can continue to foster violent hierarchies, or aren’t being dealt with or made visible enough yet. It’s complicated and I’m honestly not equipped to do it alone.

(8) TODAY IN HISTORY

  • February 7, 1940 — Walt Disney’s vision of Pinocchio debuted.

(9) COMICS SECTION.

  • Cath spotted a comic that perfectly fits out recent “Cats Sleep on SFF” theme in Georgia Dunn’s Breaking Cat News from 2016.

(10) SUPER BOWL BET. Here’s how the Boston Public Library paid off after losing its Super Bowl bet.

(11) FREE READS. Asimov’s has made four Locus-recommended stories available as free reads.

Congratulations to the authors of our stories on the Locus Recommended Reading List. We’ve posted the tales here for your enjoyment. If you’re voting in the Locus Poll and you haven’t read the stories or you’d like to refresh your memory please take a look at them now.

BEST NOVELETTE

The Discrete Charm of the Turing Machine, Greg Egan – Nov/Dec 2017
Wind Will Rove, Sarah Pinsker – Sept/Oct 2017

BEST SHORT STORY

Persephone of the Crows, Karen Joy Fowler – May/June 2017

An Evening with Severyn Grimes, Rich Larson – July/August 2017
Confessions of a Con Girl, Nick Wolven – Nov/Dec 2017

(12) BOARD MEETING. “Superdense wood is lightweight, but strong as steel” – Daniel Dern saw the story and asked, “How many existing sf/f ref’s does this conjure up? The first that comes to (my) mind is Howard Chaykin’s Ironwolf comic books… possibly also from Sean McMullen’s Moonworlds Saga, e.g. Voyage of the Shadowmoon.”

View the video

Newly fabricated superstrong lumber gives a whole new meaning to “hardwood.”

This ultracompact wood, described in the Feb. 8 Nature, is created by boiling a wood block in a water-based solution of sodium hydroxide and sodium sulfite. The chemicals partially strip the wood of substances called lignin and hemicellulose, which help give wood its structure and rigidity. Then the block gets squeezed between metal plates heated to 100° Celsius at a pressure of 5 megapascals — about 50 times the pressure of sea-level atmosphere. That squashes the gaps between the cell walls in the wood, shrinking the block to about 20 percent its original thickness and making it three times denser.

Researchers found that the densified wood could withstand being stretched or pulled 11.5 times harder than its natural counterpart without breaking. That makes it about as strong as steel, even though it’s more lightweight. Stainless steel pellets fired from an air gun and moving at 30 meters per second easily busted through a typical wooden plank, but got lodged in a stack of densified wood sheets with the same total thickness.

(13) ASIMOV LAUNCHED. From The Verge I Iearned — “The Falcon Heavy test flight included a copy of Isaac Asimov’s Foundation novels”.

SpaceX has just successfully launched its new Falcon Heavy rocket for the first time, and just before launch, the company revealed on its live stream that inside the rather unique cargo of a Tesla Roadster, the company had placed an “Arch” storage system containing Isaac Asimov’s Foundation book series.

An Arch is a “5D, laser optical quartz storage device” that is meant to be able to survive even in the harsh conditions of space, built by the Arch Mission Foundation. The foundation’s goal is to preserve libraries of human knowledge for interstellar travel (and to protect information in the event of calamity to Earth itself). It’s a goal that the group says was inspired by Asimov’s novels, which see mankind working to write an “Encyclopedia Galactica” to protect mankind against a coming dark age.

(14) IT’S OFFICIAL. Netflix has released Marvel’s Jessica Jones – Season 2 Official Trailer.

Jessica Jones is back as New York City’s tough-as-nails private investigator. Although this time, the case is even more personal than ever before. Fueled by a myriad of questions and lies, she will do whatever it takes to uncover the truth.

 

[Thanks to JJ, Chip Hitchcock, Todd Dashoff, Mark Hepworth, Cat Eldridge, John King Tarpinian, Martin Morse Wooster, Carl Slaughter, Cath, Kevin Mangan, Will R., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/26/17 Tyme Scrollfari, Inc. Scrollfaris Tu Any Pixel En The Fyle

(1) OFF THE TOP OF HER HEAD. In “Nattering Social Justice Cook: Celebrating Rainbow Hair”, Cat Rambo delves into the history and symbolism of the hairstyle.

A common adjective in many of the more conservative, alt-right, and other theater-of-outrage rants I’ve seen in the past couple of years is “rainbow-haired,” never in a positive sense. It’s usually paired with some form of “social justice warrior,” and often accompanied by an emotional catch-phrase or verbiage like “feels” or “drinking the tears.” There’s a lot of interesting stuff built into that particular fixation. So let’s dig around to find what’s contained in the phrase and its use in this pejorative sense….

Rainbow hair is grounded in a counter-cultural movement. It celebrates individuality and a certain DIY spirit (there is no shame in going to the salon for it, but I find it much more fun to do my own). It celebrates one’s appearance, draws the eye rather than shrinking away from it. It is something beautiful that those who don’t fit inside normal standards of beauty can have. It is playful, joyful, delightful at times.

Very recently it has spread like wildfire, and many of the people adopting it are millennials. This gives the anti-rainbow hair sentiment a double-whammy, providing an “oh these kids nowadays” moment while slamming anyone older for acting overly young. (Which implies that’s a bad thing, which isn’t a notion I agree with).

Here’s something that I think often makes conservative minds bristle: it confuses gender norms. In traditional thinking, men aren’t supposed to care about or celebrate their appearance in the way women are. But rainbow hair appears all over the gender spectrum. Pull in the strand of meaning associated with gay pride, and the objectionability quotient increases.

There’s a reason alt-right and other manifestations of conservative trollish rhetoric so often focuses on appearance, on fat-shaming or fuckability or even how a new Ken-doll wears their hair. It’s a reversion to the schoolyard insult, the way insecure children will be cruel to others in order to try to build their internal self-worth, a behavior many, but sadly not all, outgrow. Worthy of an essay in itself is the fact that it’s also behavior advantageous to advertisers: anxious consumers who want to fit in are willing to spend money in the effort.

(2) TURNOVER AT MAD. ComicsBeat knows the name of the next bullgoose loony: “Dept. of Funny Business: Bill Morrison is named new Executive Editor of Mad Magazine” .

Ending a suspenseful watch that lasted a few months, the white smoke has finally risen from DC Entertainment, signaling the election of a new pope of humor: Bill Morrison will be the new executive editor of Mad Magazine when it moves westward later this year.

…Well, every irreplaceable person seems irreplaceable until you find someone who will do the job differently but as well, and so it is with Morrison, an animation and comic veteran who has worked with the Bongo Comics line of Simpson Comics and many other hilarious things for years. He’s a great cartoonist himself and knows the score up and down and inside out.

(3) DORTMUND DOCKET. Detailed panel notes are the highlight of Tomas Cronholm’s report about “U-Con, Eurocon 2017”.

This was a fairly small Eurocon, with 375 attending members. The venue was some kind of school, with a big hall suitable for the main programme and some smaller rooms, a bar and a dealers’ area. Perfect for the size of the convention. Here are some reports from the programme items

(4) SPACE RELIC CONSERVATION. The Apollo XI spacecraft goes on the road: “Moonwalkers’ Apollo 11 Capsule Gets Needed Primping For Its Star Turn On Earth”

Until recently, the capsule sat in the main lobby of the National Air and Space Museum, where it had been since the museum opened in 1976. Conservator Lisa Young says that occasionally workers would open up its Plexiglas case to look it over or put in new lighting.

“But it never really went under a full examination or investigative analysis as to all of the certain materials on there, how stable they are,” says Young, who is working on the spacecraft now in a restoration hangar at the Smithsonian’s Steven F. Udvar-Hazy Center in Chantilly, Va., outside of Washington, D.C.

“Our big job as conservators right now is to figure out, if we are going to put it back on display permanently, what could be happening to it in 50 years,” says Young, who wants to prevent future deterioration.

(5) SKYFULL. SpaceX non-fiction double feature: “SpaceX completes launch and landing double bill”

Late on Friday, [SpaceX] used one of its refurbished Falcon 9 vehicles to put up a Bulgarian satellite from Florida.

Then on Sunday, SpaceX lofted another 10 spacecraft for telecommunications company Iridium. This time, the rocket flew out of California.

Both missions saw the Falcon first-stages come back to Earth under control to drone ships that had been positioned out on the ocean.

(6) AUTHORIAL PALETTE. There’s an overview of Ben Blatt’s research in this PRI article: “A journalist uses statistics to uncover authors’ ‘cinnamon words'”.

In the book, Blatt refers to these patterns as an author’s “stylistic fingerprint.” In one line of inquiry, he dusts for prints by calculating famous authors’ favorite words — the terms they use “at an extreme ratio” compared to other writers. He calls them “cinnamon words,” after an anecdote about the novelist Ray Bradbury.

“The motivation for looking at this was, I had read this book that just asked authors their favorite words, and Ray Bradbury said, ‘My favorite word is cinnamon because it reminds me of my grandmother’s pantry,’” Blatt says.

Sure enough, Bradbury’s fans can find the word cinnamon sprinkled throughout his writing, from descriptions of dusty roads and red-brown hills to the dark Egyptian tomb that “breathed out a sick exhalation of paprika, cinnamon and powdered camel dung.”

“So, he’s using it all the time,” Blatt says. “And building on that, I wanted to look at hundreds of other authors to see, were there other similar words that were jumping out of a writer’s inner voice.”

(7) FLUXBUN WARNING. The new PhotonFlux bar in Wellington, New Zealand will celebrate World UFO Day on July 2.

Years in the making Anton and Nina imaged what the future would be like. Will it be a post-apocalyptic survival or, a future where everybody wears the same thing and live in peace with robots in a bubble city.

Either way we want to take photos of it, gather evidence and travel there.

Photonflux is the place where possible future will be planned, discussed and changed.

The headquarters offers the revolutionary fluxbun, a fried dough filled with various flavours in a casual setting. For World UFO Day your filling will be in the hands of our creative chef.

However if you do not wish to be pleasantly surprised you can pick from our menu.

Chris Barlow gave it a thumbs up review on Google Plus.

One of a kind, a sci-fi themed bar in Wellington! Like stepping into another dimension – as you enter you’re immediately surrounded by eye-popping visuals straight out of the film set. Delicious “Flux buns” are teleported care of the in-house “galactic food truck”, complemented by an eclectic range of tap beer. A must see in Wellington.

(8) TRIVIAL TRIVIA

Theoretical physicist Stephen Hawking once hosted a reception for time travelers — but only advertised the event after it had ended. [Source: Huffington Post.]

(9) TODAY’S ANNIVERSARY BOOK

(10) LATE ADOPTER. In honor of the anniversary, John Scalzi tells how he found his way to Platform 9-3/4: “Harry Potter and the Initially Dismissive But Ultimately Appreciative Fan”.

But as it turns out neither Harry Potter nor J.K. Rowling were done with me. First, of course, it turned out that Harry Potter, Hermione Granger and Ron Weasley (and Rowling) weren’t Tears for Fears; they were the Beatles. And like the Beatles they weren’t just popular. They materially changed common culture — for a start, because they also changed the industry that they came out of, and the work of everyone in their field, who either responded to them or were influenced by them. Now, one may, like me, decide a phenomenon like that isn’t for you, but when literally(!) the world is changing to deal with and make room for that phenomenon, you still have to acknowledge that it’s there and work with it, or at least around it. Particularly when and if, like me, it comes out of the fields (in this case publishing and writing) you hope to be in, and in my case were eventually part of.

Second, I found another way in to Rowling’s wizarding world: through the movies, which were for me in a way that I, from that snippet of the second book, assumed the books were not. In retrospect this is not at all surprising — I was a professional film critic for several years, and I’ve written two books on film, and, as anyone who has ever read my novels can tell you, the storytelling structure of film is a huge influence on my storytelling in prose. My professional and creative interest in film helped that version of Harry Potter’s story speak to me.

(11) CIRCULAR REASONING SQUAD. In a post densely filled with animated GIFs, Sarah A. Hoyt responds to her critics on the right and what they had to say about her recent Sad Puppies-themed post for Mad Genius Club.

I did not feel guilty about a) not turning over Sad Puppies to someone else. Sad Puppies was Larry’s, then Brad’s, then Kate’s, and is now mine and next year will be mostly Amanda’s. We were in it from the beginning, and we have decided long ago that it would stay within the cabal, because none of us — all of us public figures to a degree or another — can afford to have something associated with our name taken down a crazy road without us having control over it. b) Not putting up a list for the Hugos — I was never going to put up a list. And I feel queasy about encouraging people to vote for an award that has been so thoroughly tainted. c) Not putting up a list for the Dragon. The Dragon is bigger than any of us. Some small names got in last year, but they were just because it was the first time. Right now I’m not big enough for the dragons, and I doubt any who covet it are either. d) I thought it was time to get out from between the fight of the Volksdeutshe expatriate and the guardians of chorfdom…

And she addresses specific criticisms about her latest Mad Genius Club post by saying she doesn’t understand why they’re down on her.

So, imagine my surprise when my post immediately attracted two commenters yelling at me for… well… actually I have no idea because most of it makes no sense. You guys can see the comments yourselves. There’s something about me looking down on people who don’t use the right oyster fork. You guys know my background and my question on this is… there’s a FORK? FOR OYSTERS? Why?

The other one apparently had something about me slandering other puppy-descended movements, which frankly… was news to me. First slander doesn’t mean what they think it means. Second, I’m fairly sure to slander them I’d have to mention them, and I don’t recall I have, except for Superversive, for whose anthology, Forbidden thoughts I wrote a short story. (It was as a press of that name needs to make it a rather more on-the-nose anthology than I’d have made it, but the point is I wasn’t the editor, the stories weren’t mine to choose, and it would be a funny world if my aesthetics were the only ones that counted, right? So, saying they have different tastes from me doesn’t count as a slander, right? particularly when I still wrote for them. Either that or I don’t know what slander means. Maybe I slandered them BY writing for them? I’m SOOOOOOO confused.)

(12) UNFRIENDLY FIRE. In addition to the comments there, Hoyt’s Mad Genius Club post about Sad Puppies also attracted some large bore artillery fire from Russell Newquist, “This Is What A Complete Leadership Failure Looks Like”, for the inactivity of SP5 in general, and her chastising Declan Finn for trying to jumpstart it last January.

Sarah Hoyt’s leadership of the Sad Puppies V campaign is a classic case study in leadership failure. If you ever want the absolute pitch perfect example of what not to do in a leadership position, look no further. This tale has everything: incompetence, insanity, bullying, harassment, technical difficulties, lack of vision, and just plain bitchiness. If I tried to create an example of bad leadership from scratch, I couldn’t make one this complete. If she were trying to destroy the Sad Puppies campaign and help the other side, she couldn’t have done a better job of it.

This, my friends, is a tail of abject, utter fail.

Sad Puppies V (SPV from here out) failed in literally every conceivable way, so this may take a bit. Bear with me….

(13) POLITICAL AUTOPSY. I spotted the Hoyt and Newquist links above in Camestros Felapton’s post “Sad Popcorn” where he tries to make sense of it all. If that’s possible.

(14) D&D HISTORY. Cecilia D’Anastasio tells Kotaku readers “Dungeons & Dragons Wouldn’t Be What It Is Today Without These Women”, though her very first illustration seems strangely out of synch with the rest of her case:

Almost every copy of the first Dungeons & Dragons adventure written by a woman is buried in a landfill in Lake Geneva, Wisconsin.

Those copies, published in 1980, were the masterwork of a game designer named Jean Wells, who worked for D&D’s first publisher, TSR. Wells designed Palace of the Silver Princess to her tastes, and with no regard for TSR’s mandate to make the game more kid-friendly. At one point in the module, players encounter a beautiful young woman hanging from the ceiling, naked, by her own hair. “Nine ugly men can be seen poking their swords lightly into her flesh, all the while taunting her in an unknown language,” the module reads. In-game, this scene turns out to be a simple magical illusion—but the accompanying illustration included in the module that TSR shipped to hobby shops nationally was not.

“A little bit of bondage here, a little torture there, worked its way into the Palace of the Silver Princess module,” Stephen Sullivan, a close friend of Wells and the adventure’s editor, told me. After it was properly reviewed—post-production—TSR’s executives went ballistic. Seventy-two hours after Palace of the Silver Princess was released, it was retracted.

“It was what Jean wanted it to be,” Sullivan said of the module. (Wells passed away in 2012.) “It was her baby. And for another place and another time, it probably would have been just perfect,” Sullivan said. Those retracted modules, now dubbed the “orange versions,” are buried somewhere under Lake Geneva’s flat, Midwestern landscape. It was soon rewritten by D&D designer Tom Moldvay and redistributed with Wells’ name relegated to the second credit.

(15) TOP NOVELS. Edmonton’s Hugo Award Book Club has been burning the midnight oil: here’s their discussion of two more nominees.

Second-Book Syndrome

Perhaps the book suffers from being the second in a trilogy. As such, it can’t have the originality and vigor of a first book and also can’t have as epic a conclusion as a third book.

Jemisin’s strength as a writer and deft social commentary make this a worthwhile read. Questions of race, class and gender are explored thoughtfully and with nuance. The characters speak with their own voices, and grow.

Alabaster’s slow decline as he tries to pass along knowledge to Essun, and Essun’s growing control of her magic could have been nothing more than a Hero’s Journey ™ like that of Obi-Wan and Luke. But Jemisin’s more nuanced character building elevates this relationship to something more touching and poignant.  Again, she raises the readers’ expectations as they progress through the book.

 The End Is Nigh Again

One of the recurring themes in “big” science fiction is the impending end of the world. In Death’s End, the end of the world is nigh on no fewer than six occasions, only to be averted suddenly through deux et machina each time.  The frequency of these calamities within the book, and how precipitously they are forgotten devalues them, and left our book group struggling to care.

The character of Cheng Xin is one of the weakest parts of the book, as none of us were really able to understand her motivations or her personality. She’s faced with conflict after conflict throughout the book, and presented with a wide variety of moral dilemmas, but through it all she remains a cypher.

In the previous two books the author wrote from several points of view other than the main character.

Death’s End focuses almost solely on Cheng Xin, with just a brief portion from Tianming’s perspective. This leaves other interesting characters — like Luo Ji and Wade — on the sidelines. The omission of their perspectives is a missed opportunity that points to the lack of depth in the book.

(16) HUGO QUIP. No reviews in this post this post by Camestros Felapton, but there’s a lively bon mot:

Best Series – the category that somehow manages to combine elements of both the protestant work ethic and Catholic guilt in one package.

(17) DARK TOWER. A new featurette from The Dark Tower – The Legacy of the Gunslinger.

There are other worlds than these. Stephen King’s The Dark Tower, the ambitious and expansive story from one of the world’s most celebrated authors, makes its launch to the big screen. The last Gunslinger, Roland Deschain (Idris Elba), has been locked in an eternal battle with Walter O’Dim, also known as the Man in Black (Matthew McConaughey), determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.

 

[Thanks to Chip Hitchcock, Cat Eldridge, JJ, Greg Hullender, Nigel, Cat Rambo, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 5/4/17 Her Pixels Scrolled Up Forever

(1) SUN GOES POSTAL. Daniel Dern, who has an eye for science fictional and related kinds of cool postage stamps, points to plans for this year’s “Total Eclipse of the Sun to be commemorated on a Forever Stamp”.  On June 20, the US Postal Service will issue a pair of stamps capable of a unique special effect:

In the first U.S. stamp application of thermochromic ink, the Total Solar Eclipse stamps will reveal a second image. Using the body heat of your thumb or fingers and rubbing the eclipse image will reveal an underlying image of the Moon (Espenak also took the photograph of the Full Moon). The image reverts back to the eclipse once it cools.

Thermochromic inks are vulnerable to UV light and should be kept out of direct sunlight as much as possible to preserve this special effect. To help ensure longevity, the Postal Service will be offering a special envelope to hold and protect the stamp pane for a nominal fee.

The back of the stamp pane [ a sheet, looks like of 8 stamps] provides a map of the August 21 eclipse path and times it may appear in some locations.

Tens of millions of people in the United States hope to view this rare event, which has not been seen on the U.S. mainland since 1979. The eclipse will travel a narrow path across the entire country for the first time since 1918. The path will run west to east from Oregon to South Carolina and will include portions of 14 states.

The June 20, 1:30 p.m. MT First-Day-of-Issue ceremony will take place at the Art Museum of the University of Wyoming (UW) in Laramie. The University is celebrating the summer solstice on June 20. Prior to the event, visitors are encouraged to arrive at 11:30 a.m. to witness a unique architectural feature where a single beam of sunlight shines on a silver dollar embedded in the floor, which occurs at noon on the summer solstice in the UW Art Museum’s Rotunda Gallery.

(2) BEAM UP MY MAIL. Dern says the eclipse stamp promises to be as cool as Canada’s “Star Trek – Transporter” stamp series, which he was able to get while there last summer.

A tribute to the high-tech world of Star Trek, this stamp uses lenticular printing, a method that makes images appear in motion when viewed from different angles. A homage to the show’s most famous technology – the transporter – and one of its most popular episodes, “The City on the Edge of Forever,” they bring the beloved series to the “miniature screen.”

Stamp designer Kosta Tsetsekas, of Vancouver-based Signals Design Group, saw lenticular as an opportunity to recognize the show’s futuristic vision and the special effects that brought it to life.

“I felt that lenticular, developed in the 1940s, had a bit of a low-tech feel that really mirrored the TV special effects used in the original Star Trek series. Thanks to newer technology, it is now possible to show a lot more motion.”

The set also includes one of Spock and Kirk passing through the Guardian of Forever in the “City on the Edge of Forever” episode.

(3) TAKE NOTE. SCORE: A Film Music Documentary features interviews with nearly 60 composers, directors, orchestrators, studio musicians, producers, recording artists, studio executives, In theaters June 26.

This documentary brings Hollywood’s premier composers together to give viewers a privileged look inside the musical challenges and creative secrecy of the world’s most widely known music genre: the film score.

CAST: Hans Zimmer, Danny Elfman, John Williams, Trent Reznor, James Cameron, Randy Newman, Quincy Jones, Junkie XL, Howard Shore, Alexandre Desplat, Steve Jablonsky, Brian Tyler

 

(4) HOW RUDE. At McSweeney’s, Kaya York gives examples of what it would look like “If People Talked About Other Things the Way They Talked About Gender Identity”. Here are two:

Subatomic particles: “Now they’re saying they discovered ‘tetraquarks’ and ‘pentaquarks’. How many combinations of quarks are there? I can’t even keep up these days. What ever happened to just talking about good old atoms?”

Cats: “A Manx is not a cat. Cats are defined as having tails. Maybe it’s a koala.”

(5) SFFH JOURNAL. Download Fantastika Journal issue 1 free. Dozens of articles and reviews, including an editorial by John Clute.

From their website:

“Fantastika” – a term appropriated from a range of Slavonic languages by John Clute – embraces the genres of fantasy, science fiction, and horror, but can also include alternative histories, gothic, steampunk, young adult dystopian fiction, or any other radically imaginative narrative space. The goal of Fantastika Journal and its annual conference is to bring together academics and independent researchers who share an interest in this diverse range of fields with the aim of opening up new dialogues, productive controversies and collaborations. We invite articles examining all mediums and disciplines which concern the Fantastika genres.

(6) GAME OF VAULTS. When you’ve got a license to print money, you buy more printing presses. Entertainment Weekly reports: “Game of Thrones forever: HBO developing 4 different spinoffs”.

HBO is doubling down — no, quadrupling down — on its epic quest to replace Game of Thrones.

The pay TV network is determined to find a way to continue the most popular series in the company’s history and has taken the highly unusual step of developing four different ideas from different writers. The move represents a potentially massive expansion of the popular fantasy universe created by author George R.R. Martin. If greenlit, the eventual show or shows would also mark the first time HBO has ever made a follow-up series to one of its hits….

The prequel or spinoff development battle royale is a bit like how Disney handles their Marvel and Star Wars brands rather than how a TV network tends to deal with a retiring series (Thrones is expected to conclude with its eighth-and-final season next year.) But GoT is no ordinary show — it’s an international blockbuster that delivers major revenue for HBO via subscriptions (last season averaged 23.3 million viewers in the U.S. alone), home video and merchandise licensing. Plus, there’s all those Emmys to consider (GoT set records for the most Emmys ever won in the prime-time ceremony).

(7) ANOTHER NIMOY HEARD FROM. Julie Nimoy has made a movie about her dad, too, Remembering Leonard Nimoy.

Leonard Nimoy grew up in Boston’s old West End, before urban renewal razed much of the once-ethnic neighborhood. As a kid, the future actor was mesmerized by “The Hunchback of Notre Dame,” the 1939 film based on Victor Hugo’s novel.

“I remember being touched by the humanity trapped inside the Hunchback,” Nimoy says in a voice-over in “Remembering Leonard Nimoy,” a new hourlong documentary that premieres at 9?p.m. Thursday on WGBH 2. For Nimoy, Charles Laughton’s portrayal of Quasimodo was entirely relatable: “That alienation was something I learned in Boston.”

Nimoy was many things — a fine art photographer, a philanthropist, a great-grandfather, the director of “Three Men and a Baby.” But he was known universally — and we do mean universally — as Spock from “Star Trek,” the half-human, all-logic officer in the long-running science fiction franchise. After Nimoy died in early 2015, an asteroid between Jupiter and Mars was named after him.

“Remembering Leonard Nimoy” shares the same orbit as “For the Love of Spock,” the recent feature-length documentary directed by Nimoy’s son, Adam. The newer film is produced and directed by Adam’s sister Julie and her husband, David Knight. Adam Nimoy appears on-camera (as he does in his own film) and gets an adviser’s credit, so there was evidently no familial dispute about telling the famous father’s story.

(8) GORDON OBIT. Actor Don Gordon (1926-2017) died April 24. He worked a lot – seems there was hardly a series in the Fifties or Sixties he wasn’t cast in at some point. His genre roles include appearances on Space Patrol, The Twilight Zone (two episodes – “The Self-Improvement of Salvadore Ross”: (1964) and “The Four of US Are Dying” (1960)), The Outer Limits, Voyage to the Bottom of the Sea, The Wild, Wild West, The Invaders, The Bionic Woman, The Powers of Matthew Star, Knight Rider and movies including The Final Conflict, The Beast Within, and The Exorcist III.

(9) DALBY OBIT. Editor, scholar and bookseller Richard Dalby (1949-2017) passed away May 4 at the age of 68.

He edited a succession of well-chosen and pioneering anthologies, including the Virago volumes of women’s ghost stories, the Mammoth Books of ghost stories, the Jamesian collection Ghosts & Scholars (with Rosemary Pardoe) and several popular books of Christmas ghost stories and thrillers. Other noted volumes include The Sorceress in Stained-Glass (1971), Dracula’s Brood (1989) and Tales of Witchcraft (1991), all highly respected and now much sought-after.

(10) TODAY’S DAY

Star Wars Day

“May the Fourth be with you” was first used by Margaret Thatcher’s political party to congratulate her on her election on May 4th, 1979, and the saying quickly caught on. However, the first celebration of May 4th took place much later, at the Toronto Underground Cinema in 2001. This first official Star Wars Day’s festivities included a costume contest and a movie marathon. Fans’ favorite parodies of the franchise were also enjoyed, as were some of the most popular mash-ups and remixes. Since then, Star Wars Day has gained popularity and is celebrated by Star Wars Fans worldwide.

(11) EXCEPT IN WISCONSIN. The school district has announced a “no costume” policy going forward: “Wisconsin High School Evacuated After Student Arrives in Stormtrooper Costume for Star Wars Day”

A student celebrating Star Wars Day prompted the brief evacuation of a Wisconsin high school on Thursday morning because they were wearing a Stormtrooper costume, officials said, describing it as a mix-up.

Capt. Jody Crocker, of Wisconsin’s Ashwaubenon Department of Public Safety, tells PEOPLE it happened this way:

Someone driving adjacent to Ashwaubenon High School saw a masked person entering with a large duffel bag and what appeared to to be a bullet-proof vest — but what was actually a costume of a Stormtrooper, a fictional soldier in the Star Wars franchise….

The school was evacuated for about an hour and the students were safely returned, Crocker says.

(12) DARTH WELCOME HERE. Ironically, a Tennessee hospital is perfectly fine having Darth Vader on the premises. But then, he’s not in costume. That’s just his name.

Meanwhile, ABC News chose May the Fourth to reveal Darth Vader is a 39-year-old man living in Tennessee, United States. Darthvader Williamson, that is….

Ms Knowles explained that she compromised with Darthvader’s dad, who wanted to use the full title Lord Darth Vader. She agreed to the shorter version because she “hadn’t seen the movie” and “didn’t know the character”.

Chip Hitchcock sent the link with a comment, “I’d say someone who names their boy after a major villain is more than a ‘serious geek’, even if it’s not naming him Sue.”

(13) PIXEL POWER. Satellites go where no man has gone before: counting albatrosses on inaccessible island steeps. The BBC tells how in “Albatrosses counted from space”.

The US government has only recently permitted such keen resolution to be distributed outside of the military and intelligence sectors.

WorldView-3 can see the nesting birds as they sit on eggs to incubate them or as they guard newly hatched chicks.

With a body length of over a metre, the adult albatrosses only show up as two or three pixels, but their white plumage makes them stand out against the surrounding vegetation. The BAS team literally counts the dots.

(14) INTERNET ABOVE THE SKY. Deployment will begin in two years — “Elon Musk’s SpaceX plans to send the first of its 4,425 super-fast internet satellites into space in 2019”.

“SpaceX intends to launch the system onboard our Falcon 9 rocket, leveraging significant launch cost savings afforded by the first stage reusability now demonstrated with the vehicle,” the executive said.

The 4,425 satellites will operate in 83 orbital planes at altitudes ranging from 1,110 KM to 1,325 KM.

SpaceX argues that the U.S. lags behind other developed nations in broadband speed and price competitiveness, while many rural areas are not serviced by traditional internet providers. The company’s satellites will provide a “mesh network” in space that will be able to deliver high broadband speeds without the need for cables.

(15) FIFTIES SF NOVEL TO STAGE. London’s Br\dge Theatre lists among its future projects a production of The Black Cloud, a new play by Sam Holcroft, from the 1957 novel by Fred Hoyle. “One of the greatest works of science fiction ever written,” according to Richard Dawkins.

The New York Times reports

The London Theater Company is a new commercial venture by Nicholas Hytner and Nick Starr, who previously ran the National Theater in London together; Mr. Hytner was director, overseeing artistic programming, while Mr. Starr served as executive director.

The company’s first season will take place in the new Bridge Theater, the name of which was also announced on Wednesday. The 900-seat venue, on the south side of the Thames, near Tower Bridge, is the first commercial theater of its scale to be built in London in 80 years, according to the company.

(16) SUPERNATURAL AFTERLIFE. Teresa Wickersham covered an on-stage interview with Jim Beaver for SciFi4Me.com “Planet Comicon 2017: Idjits, Death and No Bobby in Season 12 of SUPERNATURAL”.

Jim said that he just looks at the script and guesses how to play it. Usually someone will tell him if he gets it wrong. Writers create and the actor visually and orally interprets what they have created. Ninety-nine percent of what you love is the writer. “I’m happy to be here and take his (Kripke’s) money.”

Jim Beaver’s favorite episode is “Weekend at Bobby’s”, which was Jensen Ackles’ first directing experience. He said Jensen did a fine job. It was exhausting, being on screen ninety percent of the time. He said that you wouldn’t be an actor if you didn’t want to have people pay attention to you. “Look at me.” It’s not about the art at first. Probably only “Daniel Day Lewis is playing Rousseau in his kindergarten.”

One of the audience members said his sister cried when he died. “You should have seen my accountant.”

(17) HELP WANTED. Now’s your chance to get paid for something you’re already doing for free – reading horrible content on Facebook. The Guardian has the story — “Facebook is hiring moderators. But is the job too gruesome to handle?”

Ever wanted to work for Facebook? Mark Zuckerberg has just announced 3,000 new jobs. The catch? You’ll have to review objectionable content on the platform, which has recently hosted live-streamed footage of murder, suicide and rape.

In his announcement, Zuckerberg revealed that the company already has 4,500 people around the world working in its “community operations team” and that the new hires help improve the review process, which has come under fire for both inappropriately censoring content and failing to remove extreme content quickly enough. Just last week the company left footage of a Thai man killing his 11-month-old daughter on Facebook Live on the platform for a whole day.

Instead of scrutinizing content before it’s uploaded, Facebook relies on users of the social network to report inappropriate content. Moderators then review reported posts – hundreds every shift – and remove them if they fall foul of Facebook’s community standards. Facebook does not allow nudity (including female, but not male, nipples), hate speech or glorified violence.

I looked around and didn’t find these jobs being offered yet.

(18) EXTRA SENSE. Blindsight in the real world:

It ranks among the most curious phenomena in cognitive neuroscience. A handful of people in the world have “blindsight”: they are blind, but their non-conscious brain can still sense their surroundings.

Milina Cunning, from Wishaw in Scotland, lost her sight in her 20s, and later realised she had this blindsight ability. She has been studied extensively by researchers.

“If I was to throw a ping pong ball at Milina’s head, she would probably raise her arm and duck out of the way, even before she had any awareness of it,” says Jody Culham, a scientist who has scanned Cunning’s brain.

(19) SAY MR. SANDMAN. Neil Gaiman converses in his sleep: “Neil Gaiman On Returning To ‘Sandman,’ Talking In His Sleep And The Power Of Comics”

On creating a dysfunctional family for Sandman and his siblings (also known as “The Endless”)

A lot of it went back to when I started writing Sandman. Back in 1987 I began to write it. I was thinking that there really just weren’t any comics out there with families in [them] — and I love family dynamics. I love the way that families work or don’t work, I love the ways families behave, I love the way that families interact, and it seemed like that would be a really fun kind of thing to put in.

When I came over to America to do signings, people would say to me, “We love the Endless; we love Sandman and his family, they’re a wonderful dysfunctional family.” It wasn’t a phrase I had ever heard before, and I said, “Hang, on. Explain to me, what is a dysfunctional family?” And people would explain, and after a while, I realized that what Americans called a “dysfunctional family” is what we in England call “a family,” having never encountered any of these functional ones.

(20) FIRST PAST THE POLE. Racing molecules: “Microscopic Cars Square Off In Big Race”

This car race involved years of training, feats of engineering, high-profile sponsorships, competitors from around the world and a racetrack made of gold.

But the high-octane competition, described as a cross between physics and motor-sports, is invisible to the naked eye. In fact, the track itself is only a fraction of the width of a human hair, and the cars themselves are each comprised of a single molecule.

The Nanocar Race, which happened over the weekend at Le centre national de la recherché scientific in Toulouse, France, was billed as the “first-ever race of molecule-cars.”

(21) ALL FROCKED UP. The next Marvel TV series is off to a rough start: “‘Marvel’s Inhumans’ Costumes Draw Jeers: ‘Discount Halloween Store,’ ‘Walmart’”.

Entertainment Weekly released a first look at “Marvel’s Inhumans,” the studio’s latest foray into television, and it’s not going over so well.

The interview with showrunner Scott Buck doesn’t reveal much more than what we already knew about the show, but it does provide the first official picture of the group known as the Inhuman Royal Family, which will star in ABC’s eight-episode show.

The show follows the family, which features — from left to right — Gorgon (Eme Ikwuakor), Karnak (Ken Leung), Black Bolt (Anson Mount), Medusa (Serinda Swan), Crystal (Isabelle Cornish), and Maximus (Iwan Rheon). Each are Inhumans, or superpowered humans descended from aliens and possess sometimes catastrophic abilities.

The main criticism of the photo on the internet, which you can check out above, seems to focus on the costumes, which look cheap. Some people compared them to things you’d find in a Halloween store or a Hot Topic.

(22) JUST PUCKER UP. Atlas Obscura celebrates a working relic of history — the “Pneumatic System of the New York Public Library”

Put into operation in New York in 1897 by the American Pneumatic Service Company, the 27-mile system connected 22 post offices in Manhattan and the General Post office in Brooklyn. The pipes ran between 4 to 12 feet underground, and in some places the tubes ran along the subway tunnels of the 4, 5 and 6 lines. At the height of its operation it carried around 95,000 letters a day, or 1/3 of all the mail being routed throughout New York city….

But there is one wonderful New York location where the pneumatic tubes have proven quicker and more nimble then their modern-day electronic substitutes; the stacks of the NY Humanities and Social Sciences library. When one hands their paper slip to the librarian, they slip it into a small pneumatic tube and send it flying down past seven floors of books deep underground. The request is received, the book located, and it is sent up on an ever-turning oval ferris wheel of books.

[Thanks to Carl Slaughter, rcade, JJ, Cat Eldridge, David K.M.Klaus, Martin Morse Wooster, Andrew Porter, Daniel Dern, stuckinhistory, John King Tarpinian, and Chris Rose for some of these stories. Title credit goes to File 770 contributing editor of the day Rob.]

Eight Pieces of Science

By Carl Slaughter:

(1) 3-D printer robot constructs building. “MIT researchers create a robot that can 3-D-print a building in hours”.

The future of construction just got a little bit more real. Researchers at MIT have created a mobile robot that can 3-D-print an entire building in a matter of hours — a technology that could be used in disaster zones, on inhospitable planets or even in our proverbial backyards.

Though the platform described in the journal Science Robotics is still in early stages, it could offer a revolutionary tool for the construction industry and inspire more architects to rethink the relationship of buildings to people and the environment.

(2) Time travel is “mathematically possible.”  It’s all in the curve. “Building a real-life TARDIS is mathematically possible, say physicists”.

Tippett and colleague David Tsang from the University of Maryland have used Einstein’s theory of general relativity to come up with their mathematical model for time travel. They claim that the division of space into three dimensions, with time in a separate dimension by itself, is incorrect. Their model instead conceptualizes space-time as a continuum, whereby different directions are connected within the curved fabric of the universe.

Tippett reminds us that time is curved in the same way that space is: “The time direction of the space-time surface also shows curvature. There is evidence showing the closer to a black hole we get, time moves slower. My model of a time machine uses the curved space-time — to bend time into a circle for the passengers, not in a straight line. That circle takes us back in time.”

(3) NASA is running out of spacesuits.  (This better be a hoax.) “NASA Is Running Out of Space Suits”.

NASA seems to be running out of space suits for astronauts, according to a new report by the space agency‘s auditor, NASA’s Office of Inspector General (OIG)…..

(4) Mystery excuse. Elon Musk we know, but what’s the National Reconnaissance Office? “SpaceX delays launch of secretive satellite for U.S. Intelligence agency”.

Elon Musk’s SpaceX has pushed back its launch of a mysterious satellite for the U.S. intelligence community because of a sensor issue.

(5) “Our laser beam is better than your laser beam.” “Straight Out of ‘Star Wars’: This ‘Death Star’ Laser Actually Works”.

 If it has a beam and if it can destroy an enemy spaceship, it’s a laser.  And a laser is a laser is a laser.  But it seems there’s always one more laser that operates differently than the others.  “Yes, but our laser uses energy transmission.”  “Yes, but our laser uses directed energy.”  “Yes, but our laser uses X-rays.”  “Yes, but our laser is more destructive than your laser.”  “Yes, but out laser is portable.”  And now, “Yes, but out laser uses convergence.”  If your laser can destroy a terrorist bomb without detonating the bomb, then you’ve got something.  Me, I’ll settle for a laser in a doctor’s office if it can eliminate the mole on my face so I don’t cut it open when I shave.

(6) Why Living On The Starship Enterprise Would Actually Be Awful.

(7) Scientist celebrities. “‘Genius’ director Ron Howard reveals why he’s on a mission to turn scientists into celebrities”.

Ron Howard’s new television series “Genius” continues the filmmaker’s decades-long love affair with science.

“Look at what Silicon Valley has meant to our economy and our ongoing influence around the world. … What we don’t want to do is cede that position to other countries, other nations, other cultures,” Howard told Business Insider.

Howard was born in 1954, was around for the first moon landings, the rise of personal computing, and the advent of the internet — but he’s also seen the missed opportunities.

“We could have had the [Large] Hadron Collider. But 15 years ago we decided not to fund that. So I’ve always lamented the fact that we didn’t stay in that pole position on that front of exploration,” he said.

(8) Fortune magazine interviews Bill Nye. “‘Science Guy’ Bill Nye’s New Mission”.

How big a danger is fake science and science denial?
Science denial is a big concern right now. Carl Sagan wrote about this 40 years ago—that if you had a society that is increasingly dependent on technology and you have fewer and fewer people who know how it all works, that’s a formula for a disaster. If we have people who refuse to get vaccinated, they become petri dishes for mutating germs. Soon we are going to have 9 or 10 billion people in the world, and those people are going to have to eat, they are going to have to get along, and they all are going to want clean water. And that depends on science—depends on technology that’s derived from science. So if you have people who don’t accept the process by which we create all this wonderful stuff, you’re going to have trouble.

Pixel Scroll 3/30/17 Do Not Taunt Happy Fun Scroll

(1) WAX TREK. The Orange County Register’s Keith Sharon should get a Pulitzer Prize for the first line of his article “$80,000 later, why this trio gave up their ‘Star Trek’ wax figures, Enterprise replica”:

Mr. Spock’s head cooled in a wooden crate for 10 years before someone noticed something was wrong.

Equally good is the rest of the article — about the fate of the wax Star Trek crew since the defunct Movieland Wax Museum sold its exhibits in 2006.

Steve and Lori had 24 hours to decide whether they wanted to pay about $40,000 for Kirk, Spock, Sulu, Uhura, Dr. McCoy, Chekov and Scott. Or they could buy just one, or just a few.

They went to Don Jose’s restaurant and had margaritas over dinner. They knew other people wanted to buy the individuals in the crew. One guy wanted to put Spock in a bar. Another guy wanted to put Captain Kirk in his house. So they decided to buy them all, to keep the crew together. They made it their mission to save the crew of the Enterprise.

“Let’s protect them,” Steve told Lori.

“We took them home and put them in our dining room,” Lori said.

That’s when it got weird. Steve couldn’t stand the life-like eyes looking at him all the time.

“We put paper bags over their heads,” Steve said.

 

Steve Greenthal puts on the head of his Captain Kirk wax figure at the Fullerton Airport before donating them to the Hollywood Sci-Fi Museum on Saturday, March 25, 2017. The figures were purchased when the Movieland Wax Museum went out of business. (Photo by Nick Agro, Orange County Register/SCNG)

(2) NOT ENOUGH HAMMER. Ursula K. Le Guin reviews Neil Gaiman’s Norse Mythology for The Guardian and finds it very well-written but wanting in some ways:

Gaiman plays down the extreme strangeness of some of the material and defuses its bleakness by a degree of self-satire. There is a good deal of humour in the stories, the kind most children like – seeing a braggart take a pratfall, watching the cunning little fellow outwit the big dumb bully. Gaiman handles this splendidly. Yet I wonder if he tries too hard to tame something intractably feral, to domesticate a troll.

… What finally left me feeling dissatisfied is, paradoxically, the pleasant, ingratiating way in which he tells it. These gods are not only mortal, they’re a bit banal. They talk a great deal, in a conversational tone that descends sometimes to smart-ass repartee. This chattiness will be familiar to an audience accustomed to animated film and graphic narrative, which have grown heavy with dialogue, and in which disrespect is generally treated as a virtue. But it trivialises, and I felt sometimes that this vigorous, robust, good-natured version of the mythos gives us everything but the very essence of it, the heart.

(3) FROM BUFFY TO BATGIRL. Joss Whedon is in talks to do a Batgirl movie says The Hollywood Reporter.

Whedon is in negotiations to write, direct and produce a Batgirl stand-alone movie for Warner Bros., adding another heroine to the studio’s DC cinematic universe.

Warner Bros. Pictures president Toby Emmerich will oversee the project, along with Jon Berg and Geoff Johns….

Batgirl will be the second female superhero stand-alone in Warner Bros. DCU (Wonder Woman will hit theaters on June 2). Whedon has long been credited as a pioneering voice for female-focused genre fare, having created the hit TV show Buffy the Vampire Slayer two decades ago.

(4) DIETZ ESTATE SALE. Over 300 sf/f collectible books and other items from Frank Dietz’ are for sale on eBay. Dietz passed away in 2013.

He was chairman of the first 14 Lunacons, and was Fan Guest of Honor at the 2007 Lunacon. His activities as “Station Luna,” an effort to record the proceedings of many World SF Conventions, continued for many years. He recorded events at the 1951 Worldcon in New Orleans.

(5) WOTF IN TOWN. Ron Collins reports on Day 2 of the annual Writers of the Future Workshop.

“It’s a little overwhelming,” Andrew Peery told me during a break after the opening session. He meant it in a good way. Peery, from North Carolina, is the 4th quarter first prize winner. The group had just walked through the Author Services Hall of Writers and been given a presentation of past judges throughout the contest’s history. People here have asked me how things have changed in the 18 years since my last visit. One thing that’s different is that the list of judges has gotten a little longer and a little more prominent. It’s very cool to think about.

One thing that hasn’t changed, however, is the purpose of the workshop.

“Our goal in this workshop is to help you train yourself to be a professional writer,” Dave Farland said in his opening remarks. He and Tim [Powers] then covered several topics, focusing on things like how to develop writerly habits, how stories are structured, and how to create and use suspense. And that was just before lunch. Along the way the two of them did a little brotherly bickering about the speed with this things should be done. “If you’re here, we already know you’re good,” Dave said. “But now we want to help you think about producing that good work more quickly.” Tim, followed that up with: “My first drafts take forever and are never any good.” Then he explained why that was just fine by him. I’ve seen that before, but, yeah, it holds up on second viewing! It’s always great to see how creativity is different for two such high-caliber artists.

Other authors have written about Day 1 and Day 3.

(6) EGYPT IN SF. Tim Powers was recently interviewed by Rachel Connor and described his preparation.

Rachel: I was first introduced to your work when I read The Anubis Gates, a historical fiction with time-travel, Victorian corruption and ancient Egyptian folklore. Can you tell us a little about your approach to historical fiction? What is it about a certain period of time that intrigues you?

Tim: A novel for me generally starts with something I stumble across in recreational non-fiction reading. I’ll notice some peculiarity — like Edison working on a phone to talk to dead people with, or Albert Einstein going to a séance — and I’ll start to wonder if a story might not be built around what I’m reading.

If I come across another oddity or two — like Edison’s last breath being preserved in a test tube in a museum in Michigan, or Einstein turning out to have had a secret daughter who disappears from history in 1902 — I’ll decide that this isn’t recreational reading after all, but research for a book.

For The Anubis Gates, it was a note in one of Lord Byron’s letters. He said that several people had recognized him in London at a particular date in 1810, when at that time he was in fact in Turkey, very sick with a fever.

I wondered how he might have a doppelganger, and started reading all about Byron, and his doctor in Turkey, and London at the time, looking for clues

(7) EVERY JOT AND TITTLE. Tom Easton and Michael Burstein’s collaborative short story Sofer Pete” has been published in Nature

The visitors were crowded against one wall of bookcases, facing a large table on which was stretched a long piece of parchment. An inkwell filled with black ink sat off to the side. A hand holding a traditional goose-quill pen moved over the parchment, leaving rows of Hebrew characters behind it more quickly than a human hand ever could.

Because the hand did not belong to a human. The gleaming metal hand belonged to a humanoid robot seated on the other side of the table. Its name was Pete.

(8) THANKS DAD! Most people know Joe Hill’s father is Stephen King. Here’s what happened when young Joe turned to him for advice….

(9) “EVERY WINDOW’S A SEAT”. How much will people pay to be in space for a few minutes? “Jeff Bezos just revealed a mock-up of the spacecraft his rocket company will use to take tourists into space”.

Each launch will rocket a handful of wealthy tourists more than 62 miles (100 kilometers) above Earth on a roughly 11-minute trip.

Near the top of a high arc, the rocket will detach from the space capsule, which will fall toward the ground, granting passengers about four minutes of weightlessness and letting them take in an incredible view of the fringes of our planet’s outer atmosphere.

(10) GHOSTESS WITH THE MOSTEST. The BBC says the animated Ghost in the Shell was good, but the live-action is better.

The Japanese anime Ghost in the Shell isn’t just one of the most acclaimed science-fiction cartoons ever made, it’s one of the most acclaimed science-fiction films, full stop. Conceptually and visually breathtaking, Mamoru Oshii’s cyberpunk detective flick bridged the gap between analogue blockbusters and digital ones, between Blade Runner and The Terminator, with their cyborgs and androids, and The Matrix and Avatar, with their body-swaps and virtual realities. The makers of The Matrix, in particular, were happy to acknowledge that they were following in Oshii’s future-noir footsteps.

The question is, then, is it worth bothering with a belated live-action version? Considering that the cartoon is now a cult classic, and that several other films have taken its innovations and run with them, can a mega-budget Hollywood remake have anything of its own to offer? The answer to both questions is a definite yes.

(11) RELAUNCH. First reuse of a SpaceX recoverable boosterNPR reports:

SpaceX launched a communications satellite from the Kennedy Space Center in Florida using a rocket stage that has already been to space and back. SpaceX is betting that this kind of recycling will lower its costs and revolutionize space flight.

(12) NOT FIVE? At the B&N Sci-FI & Fantasy Blog, Corinna Lawson shares the four rules that tell her “How to Know When It’s Okay to Read a Series out of Order”.

  1. When the character arcs are resolved by book’s end

In Sins of Empire, there are three leads, and all set out on emotional journeys that are fully resolved by book’s end.

Meanwhile, ASoIaF readers are still waiting to see what happens via-à-vis Jamie Lannister’s redemption arc, whether the Khaleesi will ever seize her birthright, if Tyrion’s suffering will amount to anything, or if Jon Snow will ever stop flailing about and realize who and what he is.

In Bujold’s The Warrior’s Apprentice, a young man who dreams of being a soldier finds more than he bargained for, and, at the end, his journey has a resolution, despite a fair dozen books that follow.

But Bishop’s Others, series, well, readers have been waiting for four books to see what happens with Simon and Meg, and though their patience is rewarded, it took four other books to get there.

(13) REVIEW HAIKU. Aaron Pound begins with a 17-syllable plot summary, then goes on to tell why he loved Kelly Sue DeConnick’s graphic story Pretty Deadly, Vol. 1: The Shrike.

Full review: I must confess that I obtained this book almost solely because it was written by Kelly Sue DeConnick, and at this point I am pretty much willing to at least take a look at anything she writes. Pretty Deadly not only met the high expectations I have for work from DeConnick, it exceeded them. This is, quite bluntly, mythic storytelling that manages to be both epic in scale and simultaneously intensely personal. Told via a combination of tight and brilliant writing from DeConnick and stunningly beautiful and evocative artwork from Emma Rios, this story presents a violent and visceral enigma shrouded in mystery wrapped up in magic, gunfights, and swordplay.

(14) THREE SHALL BE THE NUMBER THOU SHALT COUNT. This is a public service announcement from N.K. Jemisin.

(15) KORSHAK COLLECTION. An exhibit from “The Korshak Collection: Illustrations of Imaginative Literature” will be on display April 10-May 16 at the Albin O Kuhn Library and Gallery on the University of Maryland Baltimore County campus. The collection, now owned by Stephen Korshak, was started by his father Erle Korshak, past Worldcon chair and founder of the imprint Shasta Publishers, and has its own impressive website.

Truly a vision of the fantastic, this exhibition is an amazing exploration of both illustrative art and the evolution of the visual landscape of science fiction and fantasy literature. Featuring work by both American and European artists and spanning more than a century, these vivid illustrations bring to life adventures, beings, and worlds conjured in novels such as Don Quixote, Alice’s Adventures in Wonderland and Tarzan, and pulp magazines including Amazing Stories, Weird Tales, Fantastic Adventures, and Wonder Stories. Accomplishing far more than simply guiding readers in their explorations of new and sometimes bizarre realms, the range and impact of these illustrations is far-reaching.

The exhibition will also include books, pulp magazines, and other items drawn from UMBC’s Rosenfeld Collection, revealing how the illustrations in the Korshak Collection were meant to appear when encountered as artifacts of material culture.

(16) BEYOND ORWELL. The 2084 Kickstarter has funded. The collection —

features 11 stories from leading science fiction writers who were all asked the same question – what will our world look like 67 years from now? The anthology features new and exclusive stories from:

Jeff Noon, Christopher Priest, James Smythe, Lavie Tidhar, Aliya Whiteley, David Hutchinson, Cassandra Khaw, Desirina Boskovich, Anne Charnock, Ian Hocking, and Oliver Langmead.

(17) BOOKS WERE SOLD. This is John Scalzi’s executive summary of The Collapsing Empire’s first week:

So, in sum: Top selling science fiction hardcover in the US, second-best-selling audio book in the US, my highest debut on the USA Today bestseller list, and a TV deal.

That’s a pretty good week, y’all.

Fuller details at the post.

(18) JURY CALL. The Shadow Clarke Jury continues to review its Clarke Award picks.

I put this novel on my shadow shortlist after reading the opening chapters on Amazon, because I was fascinated by the premise: the seemingly inexplicable overnight irruption of masses of full-grown trees into our familiar world. I said, when I explained my choices, that I was intrigued because it reminded me somewhat of John Wyndham’s The Day of the Triffids, in which the world is transformed, first by meteors, which cause mass blindness, and then by the apparently coordinated escape of the triffids, seizing the opportunities afforded by this new blindness. I was curious to see how much The Trees might be in conversation with Triffids more than half a century on.

De Abaitua wrote one of the most complex and difficult novels from 2015, If Then, and I still find myself wondering about it at random times. I was so taken by that strange novel about an algorithmic society in decay—a novel that feels so uneven on the surface, yet so complete in substance—I couldn’t articulate my thoughts well enough to write a decent review. Since then, The Destructives has been on my “most anticipateds” list. Placed on a Clarke award shortlist only once before, for The Red Men in 2008, de Abaitua was unaccountably left off the list for If Then in 2016. The Destructives is the latest piece in this abstract thematic series and, given its scope, it seems primed to make up for last year’s Clarke snub.

Any work of fiction is a formal exercise in the controlled release and withholding of information. What is withheld and for how long is a key element in how we read the work and even how we classify it. To give an obvious example, in a detective story in the classical mode it is essential that the identity of the killer is withheld until the last page, the structure of the novel is therefore dictated by the need to steadily release information that leads towards this conclusion without actually pre-empting it. How successful the novel is depends upon the skill with which this information is managed. If too much is given away so that readers can guess whodunnit too early, the work is adjudged a failure; similarly, if too little is revealed so that the denouement comes out of the blue, it is seen as a cheat and again the work fails.

In a recent article for the Guardian, ‘How to build a feminist utopia’, Naomi Alderman briefly sets out some pragmatic measures for helping pave the way to a world in which genitals, hormones and gender identification don’t matter because ‘everyone gets to be both vulnerable and tough, aggressive and nurturing, effortlessly confident and inclusively consensus-building, compassionate and dominant’. Among suggestions such as trying to establish equal parenting as the norm and teaching boys to be able to express their emotions, she also proposes teaching every girl self-defence at school from the age of five to sixteen. In effect, this is what happens in The Power when it becomes apparent that a generation of teenage girls across the world have developed the capacity to emit electric shocks. The only difference is that this doesn’t just allow the girls to defend themselves against male violence but instead enables them to become the aggressors.

(19) STATUARY GRIPE. Copied to Twitter, a grumpy letter to the editor from a “Disgusted of Tunbridge Wells” type about a proposed Terry Pratchett statue.

(20) TV IS COMING. HBO’s latest series promo, Game of Thrones Season 7: Long Walk.

[Thanks to John King Tarpinian, rcade, Rob Thornton, Cat Eldridge, Mark-kitteh, David K.M.Klaus, Andrew Porter, Chip Hitchcock, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]