23 A Pixel Sliding Into Third Just Under The Tag Of A Scroll As A Filer Calls “Safe!”

Posted on April 10, 2023 by Mike Glyer

(1) FRENCH SFF SCHOLAR COMING TO KANSAS. The Gunn Center for the Study of SF is welcoming 2023 Hall Center International Scholar, Simon Bréan. Professor Simon Bréan (U. of Paris-Sorbonne), a world-renowned a scholar and specialist in science fiction, will visit the University of Kansas in April 2023 as the Hall Center for the Humanities 2023 International Scholar and a guest of the Department of French, Francophone & Italian Studies, Center of Excellence, KU Libraries, and the Gunn Center for the Study of SF. Professor Bréan will be visiting from Wednesday April 26 to Thursday, April 27, 2023.

(2) ENJOY IT WHILE YOU CAN. “Harlan Coben’s Top Tip for Book Touring: Appreciate Crowds” in the New York Times.

On July 11, 2001, Harlan Coben was at home in Ridgewood, N.J., when his publisher called to share the happy news that his 10th novel, “Tell No One,” was a best seller. “That’s the first time I hit the New York Times list,” he said in a phone interview. “It was also the day my fourth and youngest child was born. Things changed a lot after that.”

Not only was the author swarmed by small people — the oldest Coben kid was 7 — he suddenly attracted crowds to bookstores. Gone was the awkwardness he immortalized in a 2014 Op-Ed about a slow afternoon at Waldenbooks: “During the first hour of my signing, a grand total of four people approached me. Two asked me where the bathroom was. The third explained his conspiracy theory linking the J.F.K. assassination with the decision by General Mills to add Crunch Berries to Cap’n Crunch breakfast cereal. The fourth asked me if we had a copy of the new Stephen King.”

Maybe this memory explains why Coben declined to issue a single substantive complaint about the toll of recent professional obligations.

(3) NERO FIDDLES, VULCAN BURNS. [Item by Mike Kennedy.] We may be living in some offshoot of the Star Trek alternate timeline where Nero destroys Vulcan.

Back in 2018 it was announced an exoplanet (“super-Earth” sized) had been discovered at 40 Eridani which was, of course, popularly referred to as Vulcan after Mr. Spock‘s home planet orbiting there in the Star Trek universe.

Well, reanalysis of the data has lead to the conclusion that, sadly, that announcement was in error. Though, the door isn’t completely closed as current data isn’t sensitive enough to rule out other, smaller, planets in the system.

So, fingers crossed — for Nero to be thwarted and Vulcan to be rediscovered in its rightful place. Or perhaps a different arrangement of one’s fingers is called for. “Sorry Trekkies: Bad news about the ‘real-life Planet Vulcan'” at Mashable.

… The trouble is, after a reanalysis, the new team found the discovery was likely a mistake. That’s right: They couldn’t just let Spock live long and prosper in a real world. They had to go and wipe out his home planet from existence.

“We apologize for that,” Burt told Mashable. “We’ll find other cool planets.”…

… Despite their findings, the search for Spock’s home can continue, Laliotis said. Though they may not have a starship Enterprise to seek it out, more sensitive instruments and detection methods in the near future may make it possible to find another smaller exoplanet in that star system — perhaps one that is more Earth-like — to rename Vulcan.

After all, if 40 Eri b’s detection were correct, it would be much too hot for life as we know it.

“There is still hope that there might be a Vulcan there,” she said. “This actually is maybe promising that there might be a better Vulcan there.”

(4) BE ON THE LOOKOUT. [Item by Mike Kennedy.] A fan costumed as Boba Fett had the transit police called on them during Anime Boston because onlookers thought he was carrying a real rifle. Fortunately, nothing severe came of it. “Police were called about a person with a rifle. It turned out to be a man in a Boba Fett costume” at CNN.

… Boston police had an intergalactic encounter after a report about a person carrying a long rifle led them to someone dressed up in a Boba Fett costume.

Transit police with the Massachusetts Bay Transportation Authority received a call about a person armed with a long rifle at the Back Bay train station on Friday around 6 pm ET, according to a tweet from the agency’s official account.

But the rifle in question wasn’t real at all, said police…

(5) AL JAFFEE (1921-2023). Mad Magazine cartoonist Al Jaffee died April 10 at the age of 102 reports SFGate.com.

Al Jaffee, Mad magazine’s award-winning cartoonist and ageless wise guy who delighted millions of kids with the sneaky fun of the Fold-In and the snark of “Snappy Answers to Stupid Questions,” has died. He was 102.

Jaffee died Monday in Manhattan from multiple organ failure, according to his granddaughter, Fani Thomson. He had retired at the age of 99.

…The [initial fold-in] idea was so popular that Mad editor Al Feldstein wanted a follow-up. Jaffee devised a picture of 1964 GOP presidential contenders Nelson Rockefeller and Barry Goldwater that, when collapsed, became an image of Richard Nixon.

“That one really set the tone for what the cleverness of the Fold-Ins has to be,” Jaffee told the Boston Phoenix in 2010. “It couldn’t just be bringing someone from the left to kiss someone on the right.”

…Jaffee received numerous awards, and in 2013 was inducted into the Will Eisner Hall of Fame, the ceremony taking place at San Diego Comic-Con International. In 2010, he contributed illustrations to Mary-Lou Weisman’s “Al Jaffee’s Mad Life: A Biography.” The following year, Chronicle Books published “The MAD Fold-In Collection: 1964-2010.”

The Hollywood Reporter notes that Jaffee began his comics career after graduating high school in 1940, and at age 20 he made his first sale to Will Eisner, who bought his parody of Superman called Inferior Man. He went on to work for soon-to-be Marvel legend Stan Lee at Timely Comics, a forerunner of Marvel Comics. He did his first work for Mad Magazine in 1955.

(6) NORMAN REYNOLDS (1934-2023). Production designer and art director Norman Reynolds died April 6, and Lucasfilm has a lengthy tribute.

Reynolds shared the 1978 Academy Award for Best Production Design with three colleagues for their work on the first Star Wars movie.

…Reynolds was an art director on Star Wars: A New Hope (1977). He worked closely with John Barry, the film’s overall production designer, to help establish the core design philosophy behind Star Wars architecture and construction. They joined art director Leslie Dilley and set decorator Roger Christian as winners of the Academy Award for Art Direction in 1978. For Star Wars: The Empire Strikes Back (1980), Reynolds was elevated into the production designer role as Barry pursued directing (sadly, he would pass away while working as a consultant on Empire)….

He won another Academy Award for Art Direction 1982, shared with two colleagues, for their work on Raiders of the Lost Ark.

…When Steven Spielberg partnered with Lucasfilm to make Raiders of the Lost Ark, Reynolds became production designer, helping establish the Indiana Jones style from the ground-up. This even included sculpting the iconic golden idol that Indy attempts to procure during the film’s memorable opening. Reynolds used an Incan fertility sculpture that he’d collected during his travels overseas….

Of course, Raiders wouldn’t be complete without Indy’s close call with a giant boulder as it rolls down a temple passage. “I didn’t know it was gonna look as good as it did until the day Norman Reynolds showed me that he had actually made a boulder that was something like 22 feet in circumference,” Steven Spielberg would explain. As Reynolds explained, it was Spielberg himself who kept asking for it to be bigger! Raiders would earn Reynolds his second Academy Award for Art Direction in 1982 alongside art director Leslie Dilley and set decorator Michael Ford….

(7) MICHAEL LERNER (1941-2023). Actor Michael Lerner has died at the age of 81. The Yahoo! profile mentions many genre roles.

…With an Academy Award nod under his belt [for Barton Fink], Lerner became a familiar face for moviegoers through the ’90s, with notable credits including “Newsies,” “Blank Check,” “No Escape” and “Celebrity.” In Roland Emmerich’s 1998 “Godzilla,” he played the overwhelmed, pompous New York leader deemed Mayor Ebert, a flagrant lampoon of premier film critic Roger Ebert. Lerner was styled to resemble the “At the Movies” co-host in the disaster blockbuster. (Ebert ended up panning the film with a 1.5 star review, though he praised Lerner for a “gamely played” performance.)

Lerner continued regular work after the turn of the century. He played the severe boss to James Caan’s grumpy publishing company exec in the 2003 holiday comedy “Elf,” as well as a mutant-weary U.S. Senator in the 2014 blockbuster “X-Men: Days of Future Past.”

(8) MEMORY LANE.

1888 – [Compiled by Cat Eldridge.]

Our Beginning is both that of Arthur Conan Doyle’s A Study in Scarlet and of the best known consulting detective to ever grace the pages of fiction, Sherlock Holmes.

The November 1887 issue of Beeton’s Christmas Annual published Arthur Conan Doyle’s A Study in Scarlet which showed us for the first time Sherlock Holmes and his friend Watson. Only eleven known copies of this issue are known to exist.

It would be published in book form in 1888 by Ward, Lock & Co.

It’s hard to believe there’s a single soul here who doesn’t know the story of these characters but I’m playing by our established rules, so no spoilers. So let’s go to our Beginning.

MR. SHERLOCK HOLMES

IN the year 1878 I took my degree of Doctor of Medicine of the University of London, and proceeded to Netley to go through the course prescribed for surgeons in the army. Having completed my studies there, I was duly attached to the 5th Northumberland Fusilier as assistant surgeon. The regiment was stationed in India at the time, and before I could join it the second Afghan f war had broken out. On landing at Bombay, I learned that my corps had advanced through the passes and was already deep in the enemy’s country. I followed, however, with many other officers who were in the same situation as myself, and succeeded in reaching Candahar in safety, where I found my regiment and at once entered upon my new duties.

The campaign brought honors and promotion to many, but for me it had nothing but misfortune and disaster. I was removed from my brigade and attached to the Berkshires, with whom I served at the fatal battle of Maiwand. There I was struck on the shoulder by a Jezail bullet, which shattered the bone and grazed the subclavian artery. I should have fallen into the hands of the murderous Ghazis had it not been for the devotion and courage shown by Murray, my orderly, who threw me across a pack-horse and succeeded in bringing me safely to the British lines.

Worn with pain, and weak from the prolonged hardships which I had undergone, I was removed, with a great train of wounded sufferers, to the base hospital at Peshawur. Here I rallied, and had already improved so far as to be able to walk about the wards, and even to bask a little upon the veranda, when I was struck down by enteric fever, that curse of our Indian possessions. For months my life was despaired of, and when at last I came to myself and became convalescent, I was so weak and emaciated that a medical board determined that not a day should be lost in sending me back to England. I was despatched, accordingly, in the troopship Orontes, and landed a month later on Portsmouth jetty with my health irretrievably ruined, but with permission from a paternal government to spend the next nine months in attempting to improve it.

I had neither kith nor kin in England, and was therefore as free as air—or as free as an income of eleven shillings and sixpence a day will permit a man to be. Under such circumstances, I naturally gravitated to London, that great cesspool into which all the loungers and idlers of the empire are irresistibly drained. There I stayed for some time at a private hotel in the Strand, leading a comfortless, meaningless existence, and spending such money as I had considerably more freely than I ought. So alarming did the state of my finances become, that I soon realized that I must either leave the metropolis and rusticate somewhere in the country, or that I must make a complete alteration in my style of living. Choosing the latter alternative, I began by making up my mind to leave the hotel and to take up my quarters in some less pretentious and less expensive domicile.

On the very day that I had come to this conclusion, I was standing at the Criterion bar, when some one tapped me on the shoulder, and turning round I recognized young Stamford, who had been a dresser under me at Bart’s. The sight of a friendly face in the great wilderness of London is a pleasant thing indeed to a lonely man. In old days Stamford had never been a particular crony of mine, but now I hailed him with enthusiasm, and he, in his turn, appeared to be delighted to see me. In the exuberance of my joy I asked him to lunch with me at the Holborn, and we started off together in a hansom.

“Whatever have you been doing with yourself, Watson?” he asked, in undisguised wonder, as we rattled through the crowded London streets.

“You are as thin as a lath and as brown as a nut.”

I gave him a short sketch of my adventures, and had hardly concluded it by the time that we reached our destination.

“Poor devil!” he said, commiseratingly, after he had listened to my misfortunes. “What are you up to now?”

“Looking for lodgings,” I answered. “Trying to solve the problem as to whether it is possible to get comfortable rooms at a reasonable price.”

“That’s a strange thing,” remarked my companion; “you are the second man to-day that has used that expression to me.

“And who was the first?” I asked.

“A fellow who is working at the chemical laboratory up at the hospital.

He was bemoaning himself this morning because he could not get some one to go halves with him in some nice rooms which he had found, and which were too much for his purse.”

“By Jove!” I cried; “if he really wants some one to share the rooms and the expense, I am the very man for him. I should prefer having a partner to being alone.”

Young Stamford looked rather strangely at me over his wineglass.

“You don’t know Sherlock Holmes yet,” he said; “perhaps you would not care for him as a constant companion.”

“Why, what is there against him?”

“Oh, I didn’t say there was anything against him. He is a little queer in his ideas—an enthusiast in some branches of science. As far as I know, he is a decent fellow enough.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born April 10, 1897 — Eric Knight. Decidedly better known for his 1940 Lassie Come-Home novel which introduced Lassie who I cannot stretch to be even genre adjacent for the soul of me, but he had one genre undertaking according to ISFDB, the Sam Small series. I’ve never heard of them, nor are they available in digital form though Lassie Come-Home of course is. Anyone read them? (Died 1943.)
Born April 10, 1921 — Chuck Connors. His first genre role was as Senator Robert Fraser in Captain Nemo and the Underwater City followed by being Tab Fielding in Soylent Green. He’s Captain McCloud in Virus, a Japanese horror film, and he had one-offs in The Adventures of Superman, The Six Million Dollar Man, Fantasy Island and a recurring role as Captain Janos Skorzenyn in Werewolf. (Died 1992.)
Born April 10, 1929 — Max von Sydow. He played Ernst Stavro Blofeld in the Never Say Never Again and Ming the Merciless in Flash Gordon. He shows up in the Exorcist II: The Heretic as Father Lankester Merrin while being King Osric in Conan the Barbarian. Dreamscape sees him being Doctor Paul Novotny while he’s Liet-Kynes the Imperial Planetologist in Dune. He was Judge Fargo in Judge Dredd (and yes I still like it), in Minority Report as Director Lamar Burgess, Sir Walter Loxley in Ridley Scott’s Robin Hood and finally in Star Wars: The Force Awakens as Lor San Tekka. (Died 2020.)
Born April 10, 1953 — David Langford, 70. And how long have you been reading Ansible? If he’s not noted for that singular enterprise, he should be noted for assisting in producing the second edition of the Encyclopedia of Science Fiction, not to mention hundreds of thousands of words as a principal editor of the third (online) edition of the publication, and some eighty thousand words of articles to the most excellent Encyclopedia of Fantasy as well. And let’s not forget his genre writing as well that earned him a Best Short Story Hugo at the Millennium Philcon for “Different Kinds of Darkness”. And he has won 28 other Hugos for his fan writing, for Ansible, and his work on the third edition of EoSF.
Born April 10, 1955 — Pat Murphy, 68. I think that her most brilliant work is The City, Not Long After which I’ve read myriad times. If you’ve not read this novel, do so now. The Max Merriwell series is excellent and Murphy’s ‘explanation’ of the authorial attributions is fascinating. And The Falling Woman by her is an amazing read as well. She’s reasonably well stocked at the usual suspects.
Born April 10, 1957 — John M. Ford, 1957 – 2006 Damn, he died far too young! Popular at At Minicon and other cons where he would be Dr. Mike and give silly answers to questions posed to him while wearing a lab coat before a whiteboard. His most interesting novel I think is The Last Hot Time, an urban fantasy set in Chicago that might have been part of Terri Windling’s Bordertown series but wasn’t. Possibly. (And no, the Suck Fairy hasn’t gotten near when I last read it.) The Dragon Waiting is also excellent and his Trek novels are among the best in that area of writing. He’s finally back into print after a very long time. (Died 2006.)
Born April 10, 1962 — James H. Burns. Every search I did in putting together this late Filer’s Birthday ended back here. That he was beloved here, I have no doubt. In OGH’s obituary for Burns in 2016 he said Burns’ pride was this trio of posts that paid tribute to the influence of his father — My Father, And The Brontosaurus, Sons of a Mesozoic Age, and World War II, and a Lexicon in Time. Burns also wrote for File 770 about memories of “growing up fannish,” such as the very popular Once, When We Were All Scientists, and CLANKY!. And his good friend Steve Vertlieb also has reminisced about Burns here. (Died 2016.)
Born April 10, 1992 — Daisy Ridley, 31. Obviously she played the role of Rey in The Force Awakens, The Last Jedi and The Rise of Skywalker. She will reprise her role as Rey in an yet untitled Star Wars film set that is after The Rise of Skywalker. She was also in Scrawl, a horror film as well as voicing Cotton Rabbit in Peter Rabbit. Though stretching to even call it genre adjacent even, she was Mary Debenham in Murder on The Orient Express.

(10) COMICS SECTION.

Heart of the City shows us an episode of what Filers might call SJW Credential Court TV. (Hint: this is cat humor.)

(11) STRONG SALES PITCH. Charlie Jane Anders makes some pretty wild promises in the “Here’s What I’ll Do If You Buy My New Book!” section of her latest Happy Dancing newsletter. Here’s just the first of many:

…But regardless of where and how you purchase Promises Stronger Than Darkness, here are all the things I will do for you, because I love you and appreciate your support.

I will ship you, by zeroeth class mail, a portable ambient sexifier, which for 24 hours after activation, will render every inanimate object in your vicinity thirty-nine percent sexier. Your drapes will billow sexily. The cracks in the sidewalk will wink salaciously. Newspaper articles about the impending mulchification of civilization will appear diaphanous. The uneaten crusts of your morning toast will salute you….

(12) JUST ADD CUSTOMERS. “German monks create world’s first powdered beer” – New Atlas has details.

A monastic brewery in East Germany says it’s created the first powdered beer. Just add water, and it’ll froth up, complete with a foamy head and full flavor. The result promises massive savings on transport, because it can be shipped at 10% of the weight.

Klosterbrauerei Neuzelle worked together with “technology partners” and used funding from BMWi to create its first powdered product, a dextrin-rich zero-alcohol beer which has been brewed using conventional methods, then “processed and prepared into a water-soluble beer powder/granulate.”…

(13) YOU NEVER KNOW. According to AP News, “’The Super Mario Bros. Movie’ is a box office smash”.

Audiences said let’s go to the movie theater for “ The Super Mario Bros. Movie ” this weekend. The animated offering from Universal and Illumination powered up with $204.6 million in its first five days in 4,343 North American theaters, including $146.4 million over the weekend, according to studio estimates on Sunday.

With an estimated $173 million in international earnings and a global total of $377 million, “Mario” broke records for video game adaptations (passing “Warcraft’s” $210 million) and animated films (“Frozen 2’s” $358 million).

Its global total makes it the biggest opening of 2023 and the second biggest three-day domestic animated opening (behind “Finding Dory”). It’s also a record for Illumination, the animation shop behind successful franchises like “Minions,” which has made over $5 billion from its 13 films….

(14) VIDEO OF THE DAY. [Item by N.] Animated fantasy series The Owl House received a final season that was truncated to only three hour-long episodes, despite the outcry of both the creator and its fanbase. In the face of that challenge the show has given viewers arguably its best episodes. The final episode has been uploaded to YouTube in full for free (as the previous two were), bringing The Owl House to a close after three years. “The Owl House Season 3 Final Episode”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Gary Farber, P. J. Evans, Daniel Dern, N., Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/6/23 Schoolhouse Roc

Posted on March 6, 2023 by Mike Glyer

(1) MORE CLASSIC WALT WILLIS. In time for Corflu Craic, David Langford has added The Harp Stateside by Walt Willis to the roster of free downloads at the Unofficial Trans-Atlantic Fan Fund site. If you enjoy it, a donation to TAFF is a fine way to express your appreciation. Available in several electronic formats.

This is Walt Willis’s classic account of his fandom-funded trip to Chicon II, the 1952 World SF Convention, his adventures there, and his subsequent travels in the USA. A shorter version – the first-published segment, taking Walt from home in Northern Ireland to the end of Chicon II – was published here in 2017 as The Harp at Chicon. Walt revised and substantially expanded this version, adding preliminary material, making internal changes and following up with many further chapters about his US travels after Chicon II: the result was The Harp Stateside, published in 1957. (The early version remains available as a TAFF ebook for anyone who might want to compare the texts.) The Harp Stateside is now available online at Fanac.org as part of the huge Willis collection Warhoon #28 and has been formatted for this edition by David Langford. A fragment of text missing from Warhoon has been restored, along with some 1952-1953 extras not included in past collected editions – among them a full transcript of our man’s (happily preserved) speech in a Chicon II debate on the value of fandom.

First published as an Ansible Editions ebook for the TAFF site in March 2023. Cover artwork by Atom (Arthur Thomson) for the 1957 edition. Over 55,000 words.

(2) THIS JOB IS NOT THAT EASY. Charlie Jane Anders tells readers “Writing Comic Books is HARD. Here’s Why” in her latest Happy Dancing newsletter. It includes lots of examples of artwork from Anders’ forthcoming Lethal Legion #1.

… So I started writing comics in earnest after I’d already been writing for television, which is another visual medium. But I still found that comics scripts have their own unique challenges, to do with the fact that there is an artist (or artists) who is/are interpreting your work, and you have to work closely with the art team to make sure your story is legible and entertaining.

A script for a TV episode or movie can include some pretty simple stage directions, which the director and actors can figure out how best to stage. (I’ve definitely included some fancy business in a TV script, and I’ve read some scripts that get pretty detailed about imagery. But oftentimes, the actors and directors will have a lot of say about the details of the staging and visuals.)

But when it comes to a comic script, you really have to think about every single panel and what’s important for the reader to see and understand, and how the action needs to flow. These days, in my scripts, I usually specify what element needs to be in the foreground of the image and what element needs to be in the background of the image, and wish pieces of visual information are really important for the reader to notice….

(3) UPDATE. The Library of America’s online program “Back to the Future Is Female!” has changed dates.

Our event previously announced for Tuesday, March 14, will now take place on Wednesday, March 15.

From Pulp Era pioneers to the radical innovators of the 1960s and ’70s, visionary women writers have been a transformative force in American science fiction. For Women’s History Month, acclaimed SF authors Chelsea Quinn Yarbro, Pamela Sargent, and Sheree Renée Thomas join Lisa Yaszek, editor of LOA’s The Future Is Female!, for a conversation about the writers who smashed the genre’s gender barrier to create worlds and works that remain revolutionary.

(4) BACK IN THE ZONE. Black Gate’s John O’Neill discusses the latest issue of Interzone in “Interzone 204 now on Sale”.

…Interzone has always been impressively illustrated and designed, and the new publisher proudly carries on that tradition. The issue is fully illustrated, in color, and the layout is as crisp and readable as always (if the print is sometimes a little small for my aging eyes).

The interior art doesn’t reach the standard set by Andy Cox — but that was a very high bar indeed, as Interzone routinely had the finest interior art on the market (Gardner Dozois called it the “handsomest SF magazine in the business”)….

(5) SHAWL ON BUTLER. BBC Radio’s “Witness History – Octavia E. Butler: Visionary black sci-fi writer” is available online.

In 1995, Octavia E Butler became the first author to receive a MacArthur “genius” award for science fiction writing.

From a young age she dreamed of writing books but faced many challenges including poverty and sexism and racism in the publishing industry.

She died aged 58 in 2006. Alex Collins speaks to her friend and fellow author Nisi Shawl.

(6) EVE HARVEY (1951-2023). British conrunner and fanzine fan Eve Harvey died yesterday on her 72nd birthday, apparently of a heart attack.

She discovered fandom in 1973, became a founding member of the Leeds University SF Society, was active in the British Science Fiction Association in the late 70s and early 80s and edited some issues of the group’s publicatons Matrix and Vector. As a conrunner she was Secretary for the 1979 Worldcon, Seacon, chaired Channelcon (Eastercon 33) in 1982 ran Rubicon, a late-summer relaxicon, and was one of the organizers of Precursor.

She was married to fellow fan John Harvey. Their publications included the fanzine Wallbanger (1978-1997).

She was the GUFF winner in 1985, and was named Past President of FWA at the 2002 Corflu.

(7) MEMORY LANE.

1979 – [Compiled by Cat Eldridge.]

Let’s talk about chirpsithtras. Well, without giving away spoilers which I hope you’ve noticed by now is something I do not do here in these Beginnings.

Larry Niven’s “The Schumann Computer” was first published in the most excellent Destinies in the January-February 1979 edition. (I love that magazine, all eleven issues.)

I wasn’t at all fond of anything that Niven wrote for longer work after the Seventies for the most part but he continued to write really great short fiction of which these and related stories would be collected in The Draco Tavern.

Ok, you know I generally like genre bar stories such as The Tales from The White Hart and these are great examples of the type. The barkeep is fully realized, the bar is one of the few truly SF ones ever done and the stories with the aliens perfectly described are truly fascinating.

Now let’s have our Beginning of the Draco Tavern…

Either the chirpsithtra are the ancient and present rulers of all the stars in the galaxy, or they are very great braggarts. It is difficult to refute what they say about themselves. We came to the stars in ships designed for us by chirpsithtra, and wherever we have gone the chirpsithtra have been powerful.

But they are not conquerors—not of Earth, anyway; they prefer the red dwarf suns—and they appear to like the company of other species. In a mellow mood a chirpsithtra will answer. Any question, at length. An intelligent question can make a man a millionaire. A stupid question can cost several fortunes. Sometimes only the chirpsithtra can tell which is which.

I asked a question once, and grew rich.

Afterward I built the Draco Tavern at Mount Forel Spaceport. I served chirpsithtra at no charge. The place paid for itself, because humans who like chirpsithtra company will pay more for their drinks. The electric current that gets a chirpsithtra bombed costs almost nothing, though the current delivery systems were expensive and took some fiddling before I got them working right.

I gave you two options for the image. The first is the original publication; the other is obviously the collection of the stories.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born March 6, 1917 — Will Eisner. He was one of the first cartoonists to work in the comic book industry, and The Spirit running from the early Forties to the early Fifties was noted for both its exceptional content and form. The Eisner Awards are named in his honor, given to recognize exceptional achievements each year in the medium. He was one of the first three inductees to the Will Eisner Comic Book Hall of Fame. Though I wouldn’t call A Contract with God and Other Tenement Stories genre, I do strongly recommend it. (Died 2005.)
Born March 6, 1918 — Marjii Ellers. Longtime L.A. fan who was active in the LASFS. Her offices in the LASFS included Registrar and Scribe. She was known for her costumes at cons. Indeed, she received a Lifetime Achievement Award in 1990 from the International Costumers’ Guild. An avid fanzine publisher and writer, some of the fanzines she edited were Masqueraders’ Guide, More Lives Than One, Nexterday, One Equal Temper, Thousands of Thursdays, and Judges’ Guide. (Died 1999.)
Born March 6, 1928 — William F. Nolan. Author of the long running Logan’s Run series (only the first was written with George Clayton Johnson). He started out in fandom in the Fifties publishing several zines including one dedicated to Bradbury. In May 2014, Nolan was presented with another Bram Stoker Award, for Superior Achievement in Nonfiction; this was for his collection about his late friend Ray Bradbury, called Nolan on Bradbury: Sixty Years of Writing about the Master of Science Fiction. He’s done far too much writing-wise for me to sum it him up. He was inducted into the First Fandom Hall of Fame. (Died 2021.)
Born March 6, 1937 — Edward L. Ferman, 86. He’s known best as the editor of F&SF from 1966 to 1991 when he won multiple Hugos. He was also recognized by a special World Fantasy Award for professional work in 1979 and by the World Fantasy Award for Life Achievement in 1998. He was inducted by the Science Fiction Hall of Fame in 2009. I discovered that in 1969 and 1970 he was also the editor of F&SF‘s sister publication Venture Science Fiction Magazine.
Born March 6, 1941 — Dorothy Hoobler, 82. Author with her husband, Thomas Hoobler, of the Samurai Detective series which is at least genre adjacent. More interestingly, they wrote a biography of Mary Shelley and her family called The Monsters: Mary Shelley and the Curse of Frankenstein which sounds absolutely fascinating. Note to ISFDB: no, it’s not a novel. Kindle has everything by them, alas Apple Books has only the biography.
Born March 6, 1942 — Christina Scull, 81. Tolkien researcher who’s married to fellow Tolkienist Wayne Hammond, with whom she’s co-authored all of her books. Their first book was J. R. R. Tolkien: Artist and Illustrator and I’ll single out just The J. R. R. Tolkien Companion and Guide and The Art of The Lord of the Rings as being worth your time to seek out.
Born March 6, 1957 — Ann VanderMeer, 66. Publisher and editor, and the second female editor of Weird Tales. As Fiction Editor of Weird Tales, she won a Hugo Award. In 2009 Weird Tales, edited by her and Stephen H. Segal, won a Hugo Award for Best Semiprozine. She is also the founder of The Silver Web magazine, a periodical devoted to experimental and avant-garde fantasy literature.
Born March 6, 1972 — K J Bishop, 51. Australian writer who I really like, author of The Etched City which was nominated for the Aurelias, the International Horror Guild Award and World Fantasy while winning the Ditmar Award. Impressive. She also won the latter for Best New Talent. She’s also written a double handful of short stories, many collected in the Ditmar-winning That Book Your Mad Ancestor Wrote.

(9) COMICS SECTION.

Bob the Angry Flower is still scheming to join “Blake’s 7”.

Blakes9https://t.co/YhpP9QolBL #bobtheangryflower #blakes7 pic.twitter.com/p9gK1rNBey
— Bob the Angry Flower (@BobTAngryFlower) March 6, 2023

(10) FREE READ. Chelsea Quinn Yarbro’s “Frog Pond” is Library of America’s “Story of the Week”. The 1971 work is one of those reprinted in The Future Is Female! More Classic Science Fiction Stories by Women

While catching frogs in the postapocalyptic California countryside, a fifteen-year-old girl encounters a stranger from the city.

. . . “That stuff is bad for you. It can give you burns if you’re not used to it.” That isn’t quite right. Some people can’t get used to it, but it never burned me, not even the first time. Mr. Thompson says that means selective mutations are adapting to the new demands of the environment. Mr. Thompson thinks that just because he’s a geneticist he knows everything.

Stan leaped away from the green stuff like it was about to bite him.

(11) A PIECE OF HISTORY. Francis Hamit wrote Virtual Reality and the Exploration of Cyberspace/Book and Disk when that was the cutting-edge technology. He says, “Hard to believe it’s been 30 years since this was published. 30 months to write but ‘in print’ only 13. It was a best seller. Anyone who wants a copy, signed no less, should get in touch with me. I have a few left.” Write francishamit(at)earthlink(dot)net.

(12) COPYRIGHT KARMA. “Artificial Intelligence Meets Its Worst Enemy: the U.S. Copyright Office” asserts Matt Ford in The New Republic.

…Kashtanova posted the notification on Instagram shortly thereafter to celebrate what she saw as a legal milestone. “I tried to make a case that we do own copyright when we make something using AI,” she wrote in the caption, noting that the artwork “hadn’t been altered in any other way” by her. The top left corner, where artist and writer credits are usually placed on American comics, lists her last name first and then “Midjourney” underneath it. “My friend lawyer, gave me this idea and I decided to make a precedent,” she added.

The Copyright Office somehow learned about her assertion and started a review. Kashtanova’s lawyers responded, the office said, by arguing that she had “authored every aspect of the work, with Midjourney serving merely as an assistive tool.” As an alternative, they also argued that portions of the work could be copyrighted “because the text was authored by Ms. Kashtanova and the Work is a copyrightable compilation due to her creative selection, coordination, and arrangement of the text and images.”

In a February 21 letter, the office told them that it was choosing the latter option. It rescinded her original copyright registration and issued a narrower amended one that did not cover the Midjourney-generated artwork. Instead, it was limited to the “text” and the “selection, coordination, and arrangement of text created by the author,” explicitly excluding “artwork generated by artificial intelligence.” The ruling appears to be the first of its kind by the federal government on how copyright applies to algorithmically created artworks.

The Copyright Office appears to have gotten it right. Silicon Valley is abuzz these days with the promise and potential of artificial intelligence. A.I. chatbots have been touted as potential replacements for doctors, lawyers, musicians, and even journalists like myself. Many of these chatbots or similar “generative A.I.” programs can be quite sophisticated, including ChatGPT, which I interviewed for this article….

(13) VIDEO OF THE DAY. Fandom Games latest “Honest Game Trailer” is about “Hi-Fi Rush”, which they say features a character with “the over-inflated ego of the child of a wannabe future Rockstar with the IQ of a musical instrument who through comical misadventures ends up with an MP3 player in his Iron Man core and discovers that he has the power to make the world move to his rhythm.”

[Thanks to Cat Eldridge, Mike Kennedy, Daniel Dern, John King Tarpinian, Francis Hamit, Olav Rokne, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Sinbad” Dern.]

Get Your First Look At Women Of Marvel #1

Posted on March 6, 2023 by Mike Glyer

The annual comic that spotlights women creators and characters returns on March 22 with the exciting Marvel Comics debut of six all-star talents.

The giant-sized anthology will continue the tradition of uplifting the characters and creators you know and love – and the ones you’re about to! Showcasing a range of diverse stories by seasoned veterans and up-and-coming talent, Women of Marvel #1 will be a one-stop preview of the incredible women creators set to take Marvel Comics by storm. The one-shot will mark the exciting Marvel Comics debut of talents such as Melissa Flores, Victoria Ying, Carola Borelli, Giulia Gualazzi, and the Gibbs Sisters, Shawnee Gibbs & Shawnelle Gibbs.

Here are the adventures that readers can look forward to:

Rebecca Roanhorse, award-winning novelist and writer behind the recent Phoenix Song: Echo series, breaks the fourth wall with She-Hulk to provide one-of-a-kind commentary in a brilliant opening story with rising star artist Carola Borelli.
Mighty Morphin Power Rangers scribe Melissa Flores and artist Stacey Lee (Silk) send best friend duo America Chavez and Kate Bishop on a pulse-punching rescue mission to save one of their own!
Critically acclaimed author and illustrator Victoria Ying (City of Secrets) and artist Jodi Nishijima (Spider-Gwen: Gwenverse) spin a wild web for Silk as a night out with Black Cat turns deadly as the two face off against the illusion mastermind, Mysterio!
The award-winning writing and producing team The Gibbs Sisters, Shawnee Gibbs & Shawnelle Gibbs join newcomer artist Giulia Gualazzi for a story about Photon and Ms. Marvel battling an old enemy in the Big Easy!
Plus an introduction by writer Charlie Jane Anders, creator interviews, essays, and more!

Following the jump check out the covers and interior artwork. Then head over to Marvel.com to hear from the creators themselves! Celebrate Women’s History Month Marvel Comics-style when Women of Marvel #1 hits stands on March 22.

[Based on a press release.]

Continue reading →

Pixel Scroll 2/21/23 Pick A Peck Of Feral Pixels

Posted on February 21, 2023 by Mike Glyer

(1) RIDING IT OUT. James Davis Nicoll points to stories involving an iconic bit of wishful thinking: “Take Cover: Five Cold War-Era Stories Featuring Fallout Shelters”.

Few things are as emblematic of modern society as the nuclear family; nothing is as crucial to the nuclear family as the nuclear fallout shelter. Without a shelter, atomic war may bring swift incineration or painful death from radiation. With a shelter, one can survive with one’s loved ones…at least until the air and food runs out or the radiation finds its way in.

Living as we do in an era of unparalleled international peace and cooperation, fallout shelters might seem a ludicrous expense. During the Cold War, when World War Three seemed a perpetual twenty minutes away, matters were quite different. Many SF authors found fallout shelters inspirational. Here are five examples….

(2) DAHL COMPLAINTS ECHOED AT HIGHEST LEVEL. [Item by SF Concatenation’s Jonathan Cowie.] There’s this which is causing a small kerfuffle over here in Brit Cit: “Roald Dahl: Rishi Sunak joins criticism of changes to author’s books” at BBC News. PS. Rishi Sunak is our latest Prime Minister — I mention in case you’d lost track…

Prime Minister Rishi Sunak has criticised changes to Roald Dahl books, after the removal of some references to things like characters’ appearance and weight sparked a fierce debate.

Dahl’s estate and publisher said works including The BFG and Charlie and the Chocolate Factory had been updated to be more suitable for modern audiences.

Some said they approved of the changes.

But Mr Sunak’s spokesman said works of fiction should be “preserved and not airbrushed”….

(3) DOUBLING DOWN. And who would have predicted this? “BBC Apologizes To J.K. Rowling For Second Time This Month After She Was Accused Of Transphobia” reports Deadline.

The BBC has apologized to JK Rowling for the second time in less than a month after she was accused of having transphobic views on a live current affairs show.

In a discussion about Harry Potter video game Hogwarts Legacy on BBC Radio Scotland’s Good Morning Scotland show, a transgender woman said she had boycotted the game because it was being used to “fund the anti-trans movement.”

Carrie Marshall, a writer and broadcaster, said: “This is having a measurable effect on trans people’s lives and potentially our safety too. I think that’s why so many trans people are concerned about this game.”

The BBC said it reviewed audience complaints about the discussion, which broadcast on February 10. In a statement, it said the exchange did not meet editorial standards.

“The debate got into the issue of gender identity and claims were made about JK Rowling’s views. We accept that the programme failed to challenge these claims and acknowledge that our contributors gave their opinion as fact,” the BBC said.

“This fell below the rigorous editorial standards we’ve applied to our broad coverage of trans and gender recognition stories across BBC Scotland’s news and current affairs output, and we apologise for that.”

The ruling came despite another gamer, Lee Rob, arguing in favor of purchasing Hogwarts Legacy, saying it was “possible to separate the artist from the art.”

A similar discussion about the game on Radio 4’s PM show also failed to meet BBC standards after an attack on Rowling from transgender gamer Stacey Henley went unchallenged. The corporation received 200 complaints about the show and apologized earlier this month….

(4) SOCIAL MEDIA GOES TO DEFCON FOUR. For a thorough breakdown of the Spoutible kefuffle, read Anne Marble’s article at Medium: “Is Spoutible Fighting With Romance Writers and Fans?”

… This may have started with romance author Jackie Barbosa. She had questions about why one of her posts was removed. She was accused of “bullying and harassment” and banned from Spoutible. Her posts were removed by the site (hmm), so she can’t use them to prove her innocence.

Romance and SFF author Olivia Waite also ran into similar problems — before being banned.

Susannah Nix, the author of Pint of Contention, was also banned. She described some of her concerns in this post and in this post.

Many others spoke forth on this, including SFF and romance reader Romancing the Nope, Zinnia Z, Alyssa, and author Beverley Kendall. Plus author Suzanne Brockmann in this post and author KJ Charles in this post.

Romance author (and lawyer) Courtney Milan got involved in the debate. She makes great points in her Twitter thread (one of several)….

(5) A BIG DEAL. “Magic: The Gathering Becomes a Billion-Dollar Brand for Toymaker Hasbro” and is celebrated in the New York Times.

…On Thursday, the company announced that Magic had become its first billion-dollar brand in terms of annual sales, surpassing other toy lines in its stable, like Transformers and G.I. Joe.

That milestone was achieved after 30 years of nurturing the game for longtime fans while finding ways to coax new players to pick it up. It was a “winning playbook,” as Chris Cocks, the chief executive of Hasbro, put it in an interview.

Since it was introduced in the mid-1990s, more than 50 million people — including the rapper Post Malone and the actor Joseph Gordon-Levitt — have played Magic in hobby shops and around kitchen tables around the world. The game casts players as wizards who derive their powers by picking cards from the decks they have built, drawing from an ever-expanding universe of cards that are bought, sold and traded in a thriving secondary market. Magic’s popularity has spawned a cottage industry of video games, comic books, a Caribbean cruise and an animated series in development for Netflix.

On Friday, Wizards of the Coast, the Hasbro unit that publishes the game, will kick off MagicCon in Philadelphia.

After the initial buzz when it first appeared, Magic flew under the radar for many years, said Gerrick Johnson, an analyst at BMO Capital Markets who covers the toy industry. “Now you get to see how big it is,” he added. “I don’t think there is any toy brand that is even half that size.”

But Hasbro faces challenges making Magic even bigger, particularly player fatigue brought on by the release of 39 new card sets last year, up from 15 in 2019, according to an analysis by Bank of America. New sets can start around $50….

(6) SET A THIEF… The New York Times says “This Tool Could Protect Artists From A.I.-Generated Art That Steals Their Style”.

…One artist noticed that the whimsical A.I. selfies that came out of the viral app Lensa had ghostly signatures on them, mimicking what the A.I. had learned from the data it trained on: artists who make portraits sign their work. “These databases were built without any consent, any permission from artists,” Mr. Rutkowski said.

Since the generators came out, Mr. Rutkowski said he has received far fewer requests from first-time authors who need covers for their fantasy novels. Meanwhile, Stability AI, the company behind Stable Diffusion, recently raised $101 million from investors and is now valued at over $1 billion.

“Artists are afraid of posting new art,” the computer science professor Ben Zhao said. Putting art online is how many artists advertise their services but now they have a “fear of feeding this monster that becomes more and more like them,” Professor Zhao said. “It shuts down their business model.”

That led Professor Zhao and a team of computer science researchers at the University of Chicago to design a tool called Glaze that aims to thwart A.I. models from learning a particular artist’s style. To design the tool, which they plan to make available for download, the researchers surveyed more than 1,100 artists and worked closely with Karla Ortiz, an illustrator and artist based in San Francisco….

(7) THE GOOD, THE BAD, AND THE FUNNY. Lucy A. Snyder discusses effective examples and others in “Building Worlds and Creating Mood and Atmosphere” at CrimeReads.

…Creating a deliberately amusing description via exaggeration can pair well with a threatening one, particularly if you’re writing horror comedy or action comedy.

There exists in this world a spider the size of a dinner plate, a foot wide if you include the legs. It’s called the Goliath Bird-Eating Spider, or the “Goliath Fucking Bird-Eating Spider” by those who have actually seen one. …

I don’t know how they catch the birds. I know the Goliath Fucking Bird-Eating Spider can’t fly because if it could, it would have a different name entirely. We would call it “sir” because it would be the dominant species on the planet. None of us would leave the house unless a Goliath Fucking Flying Bird-Eating Spider said it was okay.

— from This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It by David Wong

(8) MEMORY LANE.

1937 – [Compiled by Cat Eldridge.]

J.R.R. Tolkien’s The Hobbit: Or There and Back Again has I think one of the most perfect Beginnings I’ve ever had the pleasure to read. It tells the hobbits are creature of comfort, while hinting that one, a Baggins by name, will have an adventure.

The Hobbit was published eighty six years ago first in the UK by George Allen & Unwin. The cover which you see below was by Tolkien.

The first edition differs from latter editions as Tolkien made changes to it after writing the Lord of The Rings to bring into accomandation with those novels.

Need I see it is one of my favorite novels to read over and over?

And here is that wonderful Beginning…

AN UNEXPECTED PARTY

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.

It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats—the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill—The Hill, as all the people for many miles round called it—and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining-rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left-hand side (going in), for these were the only ones to have windows, deep-set round windows looking over his garden, and meadows beyond, sloping down to the river.

This hobbit was a very well-to-do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, and found himself doing and saying things altogether unexpected. He may have lost the neighbours’ respect, but he gained—well, you will see whether he gained anything in the end.

This is the presentation copy that was auctioned by Sotheby’s which is inscribed “Mr and Mrs Livesley | & Edgar | with best wishes | from | J.R.R. Tolkien.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born February 21, 1912 — Peter Schuyler Miller. He wrote pulp fiction starting in the Thirties, and is generally considered one of the more popular writers of the period. His work appeared in such magazines as Amazing Stories, Astounding, The Magazine of Fantasy and Science Fiction, Marvel Tales, Super Science Stories, and Weird Tales to name but a few of the publications he appeared in. He began book reviewing initially for Astounding Science Fiction and later for its successor, Analog. He was awarded a special Hugo Award for book reviewing. He had but two novels, Genus Homo, written with L. Sprague de Camp, and Alicia in Blunderland. (Died 1974.)
Born February 21, 1913 — Ross Rocklynne. The pen name used by Ross Louis Rocklin, an SF writer active in the Golden Age of the genre. He attended the first WorldCon in 1939. Though he was a regular contributor to several SF magazines including Astounding Stories, Fantastic Adventures and Planet Stories, he never achieved the success of fellow writers Isaac Asimov, L. Sprague de Camp and Robert A. Heinlein. ISFDB lists two novels for him, The Day of the Cloud and Pirates of the Time Trail. (Died 1988.)
Born February 21, 1935 — Richard A. Lupoff. His career started off with Xero, a Hugo winning fanzine he edited with his wife Pat and Bhob Stewart. A veritable who’s who of writers were published there. He also was a reviewer for Algol. To say he was prolific as a professional writer is an understatement as he’s known to have written at least fifty works, plus short fiction, and some non-fiction as well. I’m fond of Sacred Locomotive Flies and The Universal Holmes but your tolerance for his humor may vary. The usual digital suspects stock him deeply at quite reasonable prices. (Died 2020.)
Born February 21, 1937 — Gary Lockwood, 86. Best remembered for his roles as astronaut Frank Poole in 2001: A Space Odyssey and as Lieutenant Commander Gary Mitchell in the Trek episode “Where No Man Has Gone Before”. He’s also in The Magic Sword as Sir George which Mystery Science Theatre admitted was pretty good, a rare admission for them. He’s got a number of genre of one-offs including the Earth II pilot ,Mission Impossible, Night Gallery, Six Million Dollar Man and MacGyver.
Born February 21, 1946 — Anthony Daniels, 77. Obviously best known for playing C-3PO in the Star Wars film series. To my knowledge, he’s the only actor to have appeared in all of the productions in the series, no matter what they are. He has scant other genre creds but they are being in I Bought a Vampire Motorcycle as a Priest, voicing C-3PO in The Lego Movie and the same in Ralph Breaks the Internet. Did you know that Season 4, Episode 17 of The Muppet Show is listed as “The Stars of Star Wars” and C-3PO apparently appears on it?
Born February 21, 1949 — Frank Brunner, 74. Comics artist whose career started at such venues as Creepy, Web of Horror and Vampirella. Worked later mostly at Marvel Comics on such features as Howard the Duck where he did his artwork for his early features. He also did the art for the Chamber of Chills, Haunt of Horror, and Unknown Worlds of Science Fiction anthologies. In addition, he and Moorcock collaborated on an adaptation of the latter’s sword-and-sorcery hero Elric in Heavy Metal magazine.
Born February 21, 1961 — David D. Levine, 62. Winner of the Hugo Award at L.A. Con IV for the Best Short Story for his story “Tk’tk’tk” which you hear over here. He has the most excellent Adventures of Arabella Ashby series which currently is three novels strong. To date, he has had one collection titled Space Magic.

(10) COMICS SECTION.

Non Sequitur made me shiver. Though they only set out to make breakfast.

(11) AHH, THE CLASSICS! Last weekend’s Gallifrey One convention in LA made news in Radio Times: “Jodie Whittaker joined by classic companions at Doctor Who convention”.

… As well as a jam-packed roster of programmes, events and incredible costumes, the special convention also saw Jodie Whittaker take to the stage for her first-ever appearance at a dedicated Doctor Who convention.

It’s safe to say that the whole affair was very heartwarming, with Janet Fielding and Sophie Aldred joining the former Doctor on stage at the end of her panel talk….

This is one of the best things I’ve ever experienced in all my years attending Gally. #gally1 pic.twitter.com/tLRRKLgl5F
— The Capt Ace Adventures (@CaptAceDanger) February 19, 2023

(12) WHEN YOU WISH UPON A FARR. Charlie Jane Anders Happy Dancing newsletter shares “7 Hot Takes About Star Trek”.

3. The contradiction at the heart of Trek gives it a lot of its power.

Starfleet is simultaneously a militaristic organization loosely modeled on the U.S. Navy, and also a peaceful scientific institution whose members are encouraged to think for themselves and to take up artistic hobbies — as long as they only perform Shakespeare plays or music that someone from the mid-twentieth century would immediately recognize. Some of the most memorable scenes in TNG involve crewmembers who’ve disobeyed orders and get dressed down by Picard or some other officer. That moment when someone reaches the limits of Starfleet tolerance, and discovers that individualism and kindness aren’t always the order of the day, is always super fascinating. This dichotomy also powers a lot of the best Trek dilemmas, which boil down to whether to respond to some new, dangerous phenomenon with curiosity or aggression.

(13) STEAMPUNK DISNEY. Olivia Rutigliano remembers “That Time Disneyland Paris Built a Jules Verne-Themed Space Mountain Ride” at CrimeReads.

…Even with the design retraction and financial constraints, lead imagineer Tim Delaney oversaw the building of a masterpiece. Inside, and out, the ride was a sight to behold. The aesthetic of the whole area was beaux-arts steampunk, both ornate and mechanical: the exterior was shiny copper and steel, with glistening gears. Along the side of the pavilion, there was a giant golden canon, which would shoot the guests “into space” to start the ride. The cars would slingshot forwards and upwards before ducking into the pavilion, zooming around (and upside-down) through space and eventually towards a smiling moon, before hurtling back to earth. It had a full narrative, and its own original score. The coaster was named “Space Mountain: From the Earth to the Moon.” And, for a time, it alone solved the financial problems suffered by EuroDisney (then called “Disneyland Paris”)….

(14) THE STARS COME OUT. The Guardian presents a gallery of cosplay photos: “C-3POs, Wonder Women and a trio of Alices: the stars of cosplay – in pictures”.

(15) WHEN DRACULA KICKED THE HABIT. “Bela Lugosi – His Triumph and Testimony Overcoming Drug Addiction – With Gary D. Rhodes” on YouTube.

Author, film historian, and Bela Lugosi biographer Gary Don Rhodes introduces us to recently rediscovered (2023) footage of Bela Lugosi testifying on the horror of drug addiction in 1955. Bela Lugosi (October 20, 1882 – August 16, 1956), early in his Hollywood career in the 1930s, became addicted to narcotics to battle chronic pain in his legs, originating during his military service, and which had increased in severity over the years. For twenty years, use of morphine as a pain killer, and methadone to combat morphine addiction, with bouts of alcoholism, deteriorated his health and quality of life. In 1955, Lugosi, now in his early 70s, desperately sought help to shed these addictions. By court order in the State of California, Lugosi began treatment at The Metropolitan Hospital in Norwalk, California. The three-month treatment was successful, and Lugosi was “clean”. Lugosi was very keen and very candid about sharing his misfortunes with substance addiction, and was eager to warn the public and advocate for treatment at a time when the subject of drug addiction and treatment wasn’t openly discussed, but “swept under the rug”. We present recently rediscovered footage of Bela Lugosi testifying before a Senate Committee. He appears as a voluntary witness before Senator Price Daniels (D-Tex), a one-man Senate subcommittee, during a hearing on narcotics traffic in Los Angeles, November 16th, 1955. Said Bela Lugosi about his decades-long addiction, and especially the pain of withdrawal and rehabilitation, “…it was hell.”

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day by OGH as inspired by Cat Eldridge.]

Pixel Scroll 2/11/23 Do Pixels Prefer Coke Or Pepsi? No, It’s Scroll Soda For Them

Posted on February 11, 2023 by Mike Glyer

(1) ONE ARTIST, INDIVISBLE. Charlie Jane Anders’ latest Happy Dancing newsletter is about “J.K. Rowling and ‘Separating the Art from the Artist’”.

… And that’s the thing : JK Rowling is the public face of the “Wizarding World.” She owns it and exercises complete control over it, and it’s pretty much impossible to talk about Harry Potter or the Fantastic Beasts movies without referencing her. In fact, she’s gone to great lengths to make her art inseparable from herself. Other authors seem to fade into the background a little bit more, especially as their books and adaptations get more and more prominence. I know tons of people who obsess about Murderbot, but who don’t know that much about Martha Wells, for example. JK Rowling made a choice to center herself in the discussion of her work, starting with how her “rags to riches” story was used to market her novels….

(2) MARSCON. Cass Morris has a wise commentary on the outcome of the MarsCon kerfuffle: “All* Are Welcome (*terms and conditions may apply)”. (What Morris means by DARVO can be learned from “A guide to DARVO, the gaslighting response people give when they’re called out” at Metro News.)

… a MarsCon regular guest very mildly voiced a concern, on FB, over whether or not he was the right choice for a con that claimed to want to be inclusive.

This GOH, and others like him, do not respond well to such statements. When they hear “Some people choose not to be around you because they find you unpleasant,” they perceive it as an attack, and they determine that a rabidly vitriolic response is not only warranted but necessary. (Again, DARVO).

The GOH wasted no time, it seems, in calling in his flying monkeys to harass the person who voiced concern, swiftly turning the FB threads into an unqualified shitshow. MarsCon responded by shutting down all comments and, rather than addressing the concerns that had just been proved entirely valid, doubling-down on their support for their aggressive GOH.

A whole choice.

MarsCon then made the choice to post a new “Interim Online Policy” claiming that “MarsCon is as it has always been an apolitical Science Fiction and Fantasy Convention. It is the firm stance of MarsCon that personal politics should be left outside of the convention. It will not allow itself to used as a place for anyone to try and forward their personal political views.”

There’s more to the statement and the word “political” is doing some heavy lifting throughout….

(3) PREPPER. [Item by SF Concatenation’s Jonathan Cowie.] This is great fun from BBC Radio 4. Be prepared for the end of the world. “Prepper, Series 1, The Kit in Your Head”. Pearl Mackie plays one of the leads.

Trump. ISIS. The Courgette Crisis. Signs of civilisation’s fragility are all around. No wonder the Doomsday Clock just nudged closer to midnight. In this fearscape, more and more ordinary people are wondering how they’d cope if everything we take for granted (law and order, access to healthcare, iceberg lettuces in Sainsburys) was taken away.

(4) ENGLAND SWINGS SF. Martin Wisse asks “Is it possible to buy too much science fiction?” at Wis[s]e Words. The answer is, not if the book has been on your want list forever.

…Among that stack of paperbacks is the perfect example of what I mean: Judith Merril’s England Swings SF, a book I’ve spent literal decades looking for. A book I’ve known about, have read about for decades I yesterday finally got to hold in my hands. England Swings SF is an incredibly important book in the history of science fiction. A key work of the New Wave, a defining statement of what New Wave science fiction was all about. It’s Judith Merril’s defining work, the jewel in the crown of her work as an editor. You know how important and controversial it was just from the publisher writing its own introduction washing its hands of the whole thing.

Though it may seem strange now, the New Wave was revolutionary, was controversial because it set out to deliberately undo science fiction’s dogmas, both literally and politically. Worse, as it originated in the UK and its most important early writers were British like Moorcock, Ballard and Aldiss, it also upset the natural order of America as the centre of the SF universe. When England Swings SF was released in 1968, the controversy had been raging for almost half a decade between the upstarts and the SF establishment….

(5) AI: A CREATOR’S TOOL OR RIVAL? Jason Sanford has put together a new column on what AI generated art and writing programs might mean for artists and authors. The column includes some predictions on how all this might play out in the coming years. “Genre Grapevine on What AI Generated Art and Writing Might Mean for Artists and Authors” a public post on Patreon.

… So far OpenAI hasn’t been very open about the works their programs are trained on.

The same with Midjourney, whose founder David Holz recently said he didn’t seek consent from living artists or those with work still under copyright because it was essentially too hard to do that. And don’t think this is a small issue – in an interview with Forbes, Holt admitted Midjourney was trained on at least a hundred million images without consent.

Because these AIs were trained on works by living artists, this can result in the programs creating images based on their art. For example, Deb JJ Lee discovered that someone had crafted an AI model to create art similar to Lee’s own distinctive work. Worse, when Lee pushed back on their art being used in this way, they were accused of being a “gatekeeper.”

As Lee said, “I never hide how I draw. I teach classes and share *everything*, from my layer structure to my inspirations to Gradient mapping. At Lightbox this year I would show my original files to ppl who come to my table to demonstrate how I do everything. I’m the opposite of a gatekeeper.”

Despite that, Lee was essentially blamed by a number of supporters of AI programs for daring to question the use of their own art in the training of machine learning programs.

It’s almost like, as Alasdair Stuart said, “the entire system is powered by artists but devalues them in every way.”…

(6) GRANTING AI UNLIMITED RIGHTS? At Writer Beware, Victoria Strauss considers the AI implications in contractual language: “Findaway Voices, Machine Learning, and the New Rights Frontier”.

Audiobook creation service Findaway Voices has become a popular alternative to Audible’s ACX, especially in the wake of #Audiblegate (the controversy over ACX’s author-penalizing returns policies that has generated at least one lawsuit).

In the past few days, though, authors and narrators have been drawing attention to this paragraph from Findaway’s Digital Distribution Agreement, which grants Apple–a third party–a license to use the rights holder’s audiobook files for “machine learning”, aka AI training…

…Unsurprisingly, there are now multiple lawsuits. Microsoft, Github, and Open AI are being sued for copyright-related issues over Github’s AI-powered coding assistant, Copilot. A group of artists has filed a class action suit against Stability AI (owner of Stable Diffusion), Midjourney, and DeviantArt for copyright violation and unlawful competition. Getty Images is also suing Stability AI, alleging that it scraped millions of copyright-protected images from Getty’s database. On a different side of the issue, computer scientist Steven Thaler is suing to overturn the US Copyright Office’s determination that AI art can’t be copyrighted. There will no doubt be much more legal action to come….

(7) NED BEAUMAN INTERVIEW. “Ned Beauman: ‘After reading Terry Pratchett, it feels like something is missing from most fiction’” in the Guardian.

My favourite book growing up
I devoured The Colour of Magic and at least 20 other Terry Pratchett novels as a child and consequently have never got over the feeling that there’s something pretty fundamental missing from nearly all “grown-up” fiction (ie jokes).

The book that changed me as a teenager
We perhaps expect novelists to feel a reverent fascination with human consciousness, how miraculous it is, sacred, ineffable, unique etc. But if you read too much Greg Egan at an impressionable age, all of that gets absolutely napalmed. A book like Permutation City is dangerous (and mind-expanding) stuff.

(8) EUGENE LEE OBITUARY. The New York Times profiles a stage and TV figure whose work you may have been seeing for years: “Eugene Lee, Set Designer for Broadway and ‘S.N.L.,’ Dies at 83”. “He won Tony Awards for Wicked and other shows while also overseeing the sets for the late-night franchise’s fast-paced sketch comedy.”

For decades it was possible for Saturday night theatergoers in New York to get a double dose of Eugene Lee’s work, though it’s likely that few would have realized they were doing so. They might have taken in “Sweeney Todd,” “Ragtime,” “Wicked” or other Broadway shows whose striking sets were designed by Mr. Lee, then could arrive home in time to tune into “Saturday Night Live” — a show for which he served as production designer when it began in 1975, and on which he was still working this season….

(9) MEMORY LANE.

1971 – [Compiled by Cat Eldridge.]

I’m very, very fond of SF genre short stories as I like them because they are often distilled versions of longer takes. Larry Niven I think in his prime wrote some of the best genre short stories ever done.

He won Hugos for them — “Neutron Star”, “Inconstant Moon” and “The Hole Man” to be precise. A collection, Convergent Series, one of my favorite collections to read, won a Locus Award. Not bad at all.

Not so with this story, Niven’s “For A Foggy Night” which was first published in the All the Myriad Ways collection published by Ballantine Books in 1971.

Niven like the idea of alternative worlds and I believe wrote more than ones of these stories with another story I really like being “All Myriad Ways”. It’s wonderfully done story that I won’t spoil as I suppose it’s possible that someone here hasn’t read it yet but to say that it has a great narration, fascinating story and a conclusion that makes perfect sense.

And now the Beginning…

The bar was selling a lot of Irish coffee that night. I’d bought two myself. It was warm inside, almost too warm, except when someone pushed through the door. Then a puff of chill, damp fog would roll in.

Beyond the window was grey chaos. The fog picked up all the various city lights: yellow light leaking from inside the bar, passing automobile headlights, white light from1971 frosted street globes, and the rainbow colors of neon signs. The fog stirred all the lights together into a cold grey-white paste and leaked it back through the windows.

Bright spots drifted past at a pedestrian’s pace. Cars. I felt sorry for the drivers. Rolling through a grey formless limbo, running from street globe to invisible street globe, alert for the abrupt, dangerous red dot of a traffic light: an intersection; you couldn’t tell otherwise . . . I had friends in San Francisco; there were other places I could be. But it wasn’t my city, and I was damned if I’d drive tonight.

A lost night. I’d finished my drink. One more, and I’d cross the street to my hotel.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born February 11, 1908 — Tevis Clyde Smith. He’s a curious story indeed as he collaborated on three short stories with Robert E. Howard. Those stories are “Red Blades of Black Cathay”, “Diogenes of today” and “Eighttoes makes a play”. ISFDB suggests that he might have written other short stories and poetry. Anyone encounter these? (Died 1984.)
Born February 11, 1910 — L. T. C. Rolt. English writer whose enthusiasm for heritage railways is writ large in his 1948 Sleep No More collection of supernatural horror stories which tend to be set in rural railways. (Simon R. Green may be influenced by him in his Ghost Finders series which often uses these railways as a setting.) Some of these stories were adapted as radio dramas. Sleep No More is available from the usual digital suspects. (Died 1974.)
Born February 11, 1926 — Leslie Nielsen. I know the comic, bumbling fool who delighted generations of film goers. But his first starring role was as Commander John J. Adams in one of the finest SF films of all time Forbidden Planet. I am most decidedly not a fan of his later films but I think he’s brilliant here. (Died 2010.)
Born February 11, 1939 — Jane Yolen, 84. She loves dark chocolate. That I know as I just sent her some a few weeks ago. She wrote me into a novel as a character, an ethnomusicologist in One-Armed Queen to be precise in exchange for finding her a fairytale collection she wanted. Don’t remember now what it was other than it was very old and very rare. My favorite book by her is The Wild Hunt, and I love that she financed the production of Boiled in Lead’s Antler Dance which her son Adam Stemple was lead vocalist on. And yes she’s on the chocolate gifting list as well.
Born February 11, 1948 — Robert Reginald. He’s here because of two Phantom Detective novels he wrote late in his career which are mostly popcorn literature. (The Phantom Detective series started in 1936 so he used the Robert Wallace house name.) He has two series of some length, the Nova Europa Fantasy Saga and War of Two Worlds. Much of what he wrote is available from the usual digital sources. (Died 2013.)
Born February 11, 1950 — Alain Bergeron, 73. He received an Aurora Award for Best Short Story for “Les Crabes de Vénus regardent le ciel” published In Solaris number 73, and a Sideways Award for Alternate History for “Le huitième registre” (translated in English as “The Eighth Register” by Howard Scott).
Born February 11, 1953 — Wayne Hammond, 70. He’s married to fellow Tolkien scholar Christina Scull. Together they’ve done some of the finest work on him that’s been done including J. R. R. Tolkien: Artist and Illustrator, The Lord of the Rings: A Reader’s Companion, The Adventures of Tom Bombadil and Other Verses from the Red Book and The J. R. R. Tolkien Companion and Guide.

(11) COMICS SECTION.

Eek! imagines what would happen if Skywalker Sr. was analyzed by Ancestry.com.
The Argyle Sweater mines Harry Potter for a horrible pun. Which of course I had to share.

(12) INSCRIBED TO THE DEDICATEE. Macmillan and HBG just raised starting salaries to $45,000. So you could say eBay is asking a year’s salary for this dedication copy of Rocket Ship Galileo signed by Heinlein. (Well, two Heinleins, actually.)

The dedication copy of the author’s first published novel, signed and inscribed by Robert A. Heinlein in the year of publication “with best wishes to my nephew Lawrence Lewis ‘Buddy’ Heinlein [signed] Robert Heinlein Nov. 1947” with an arrow pointing to Buddy’s printed name on the dedication page. Additionally signed by Lawrence Lewis Heinlein as “L. L. Heinlein” on the front free endpaper. Lawrence was the son of Robert’s brother.

(13) IT’S A WRAP! [Item by SF Concatenation’s Jonathan Cowie.] This week’s Nature cover story has nothing on Boris Karloff. “How to make a mummy”.

The cover shows sarcophagi used to house the mummified remains of Ancient Egyptians in the Saqqara region of Egypt. Although the existence of mummies is well known, the details of how ancient embalmers practised their art have remained largely obscure. In this week’s issue, Maxime Rageot, Philipp Stockhammer and their colleagues draw on finds from an embalming workshop in Saqqara that dates to around 664–525 BC to reveal many of the details of the process. The researchers analysed 31 ceramic vessels found in the workshop. By combining biochemical analyses of the residues in the vessels with the inscriptions, such as “to be put on his head”, featured on many of them, they were able to establish which chemicals were used and how they were mixed, named and applied. The researchers also note that some of the embalming substances were imported from the Levant or even from south or southeast Asia, indicating that mummification might have helped to promote long-distance trade.

(14) FOOD: GHOSTLY OR GHASTLY? It’s Saturday, and today this sounded amusing enough to put in a Scroll: Ghostbusters: The Official Cookbook by Jenn Fujikawa and Erik Burnham.

Who you gonna call… to eat?! Featuring more than 50 recipes inspired by the beloved Ghostbusters 1984 film and continuing into present day with Ghostbusters: Afterlife, this cookbook celebrates the bold personalities of Egon, Venkman, Zeddemore, and Stantz, along with the spooks, spectres, and ghosts that tried to transform New York City to a Babylonian dystopia.

But they’re not alone — they’ve got company with a new generation of Ghostbusters like Phoebe, Trevor, Podcast, and Lucky that saved Summerville, Oklahoma from the second coming of Gozer! In fact, it’s Podcast’s, well, podcast that inspires this book! Now he and Ray are combing through the Ghostbusters archives and recording new episodes to bring the group’s favorite new and old foods to delicious life.

With luscious full-color photography and packed with the fun and spirit of the films, Ghostbusters: The Official Cookbook is a must-have for foodies and paranormal investigative fans alike.

(15) CLOUDS OF WITLESS. Sure, this couldn’t backfire: “There’s a Radical Plan to Cool the Earth With … Moon Dust” at Popular Mechanics.

A long time ago (in every sense of the phrase), a Mars-sized celestial object named “Theia” smacked into Earth and formed our moon. Now, 4.5 billion years later, scientists want to put that moon back to work by using its dust to cool down its fever-induced planetary neighbor.

Scientists from the University of Utah suggest that “ballistically eject[ing]” millions of pounds of lunar dust around Earth could help deflect the sun’s rays and cool down the planet. The idea follows similar solar geoengineering concepts like ejecting reflected sulfur dioxide (SO2) into the stratosphere to gain the same sun-reflecting benefits (but with less potential health concerns).

However, this research is decidedly more sci-fi as it would likely require lunar infrastructure, electromagnetic cannons, and even orbital space platforms. The results of the study were published in the journal PLOS Climate….

[Thanks to Chris Barkley, Andrew Porter, Steven French, SF Concatenation’s Jonathan Cowie, Jason Sanford, Michael J. Walsh, Michael Toman, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day by Cat Eldridge.]

Pixel Scroll 1/20/23 Scrolling About Pixels Is Like Stardancing About Naval Architecture

Posted on January 20, 2023 by Mike Glyer

(1) SHORT SFF REVIVAL. Charlie Jane Anders diagnoses the problem and then brings forward “Some Ideas for How to Save Short Fiction!”

Short fiction is once again in crisis. After an era when the Internet seemed to be helping a lot of short stories find a bigger audience, the same thing is now happening to short stories that are happening to a lot of other content: the invisible hand is raising a big middle finger. Among other things, Twitter is getting to be much less useful in helping to spread the word about short stories worth reading, and Amazon just announced that it’s ending its Kindle subscription program from magazines, depriving magazine publishers of a pretty significant slice of income….

Here’s a short example out of several ideas Anders pitches.

I’d love to see more short fiction turning up in incongruous contexts

This is something I talked about a lot in the introduction to my short story collection Even Greater Mistakes (shameless plug alert!). I am always happy to see short stories show up on coffee bag labels, in pamphlets on public transit, scrawled on bathroom walls, or in the middle of a publication that mostly includes serious non-fiction pieces about politics and culture. I feel like we could be doing more to leverage the ability of short stories to show up in surprising places and suck us in with their narrative power.

(2) MEDICAL UPDATE. Paul Di Filippo’s partner Deborah Newton wrote to friends that on January 19 Paul was hit by a large SUV.

The driver stopped, spoke to Paul and gave him her phone to call Newton.

I ran the three blocks to where the accident had occurred — the ambulance passed me as I ran. Luckily there was a witness whose moving car was facing the accident when it happened and had a video camera on the dashboard. He made arrangements with the police, who had already arrived, to share the video.

Those of you who have met Paul in the flesh will not be surprised that he dragged himself up after the huge hit, and even climbed by himself into the ambulance. The Dr. at the ER later called that “adrenaline”, but I believe Paul has a stronger energy and will than most of us mere mortals.

After extensive testing in the ER it was determined he sustained no head wounds or broken bones. However, writes Newton, “He is covered with bruises and has a large hematoma on his left thigh. His hip, where he believes he landed after the hit, is excruciatingly painful.”

He is back home, presently using a walker to get around.

(3) LIVE FROM 1968. Cora Buhlert returns to Galactic Journey as one of the contributors to a “Galactoscope” column, reviewing Swords of Lankhmar by Fritz Leiber — and also talking about some of the biggest protests her hometown has ever seen. There are also reviews of Picnic on Paradise by Joanna Russ, a Jack Vance book, an Andre Norton book and several others: “[January 20, 1968] Alyx and Company (January 1968 Galactoscope)”.

… However, with the sale of the Ziff-Davis magazines to Sol Cohen, the appearances of Fafhrd and Gray Mouser in the pages of Fantastic became scarce. It seemed the dynamic duo was homeless once again, unless they shacked up with Cele Goldsmith Lalli over at Modern Bride magazine, that is.

So imagine my joy when I spotted the brand-new Fafhrd and Gray Mouser adventure The Swords of Lankhmar in the spinner rack of my trusty import bookstore…

(4) 2024 NASFIC UPDATE. Sharon Sbarsky, the Pemmi-con/2023 NASFiC committee member in charge of NASFiC 2024 Site Selection, announced today that the Buffalo in 2024 bid has filed. She published the following extract from their letter of intent.

Upstate New York Science Fiction and Fantasy Alliance Inc. is pleased to present this letter of intent, along with Visit Buffalo Niagara, to host the 16th North American Science Fiction Convention in Buffalo, New York USA in 2024 .

Details of the bid

Proposed date: July 18-21, 2024

Proposed site: Hyatt Regency Buffalo Hotel and Convention Center & Buffalo Niagara Convention Center

Proposed Headquarter Hotel: Hyatt Regency Buffalo Hotel and Convention Center

Upstate New York Science Fiction and Fantasy Alliance, Inc. is a NYS registered not-for-profit corporation focused on encouraging and running fannish activities in New York State. Members of our bid committee include individuals who have experience working on Worldcon / NASFiC events, as well as others who have organized small conventions and other events across New York and Southern Ontario
https://buffalonasfic2024.org/

Sbarksy added: “Members of Pemmi-con will be able to vote in the Site Selection. Details will come at a later time. We hope to have electronic voting, similar to the Worldcon and NASFiC selections at Chicon 8. 180 days before the Start of Pemmi-Con is January 21, 2023, so the ballot is still open for additional bids.”

(5) GETTING UNSTUCK. Victoria Strauss of Writer Beware delivers another warning: “Bad Contract Alert: Webnovel”.

A bit over two years ago, I wrote about two companies, A&D Entertainment and EMP Entertainment, that appeared to have been deputized by serialized fiction app Webnovel to recruit authors to non-exclusive contracts. The contracts from both companies were (and continue to be) absolutely terrible.

EMP Entertainment no longer appears to be active (it has no website and I’ve heard nothing about it since 2020), but A&D is still going strong, and over the past two years I’ve been contacted by a lot of (mostly very young and inexperienced) writers who are confused about its complicated English-language contract, or have changed their minds about signing up and want to know how to get free (as with the contracts of so many serialized fiction apps, there’s no option for the author to terminate).

A&D recruits via a bait and switch. Writers are solicited by an editor or Author Liaison who claims to have discovered the writer’s work on Amazon or elsewhere, and invites them to publish on the Webnovel platform (the bait)….

(6) DON’T JUST ROLL THE DICE. [Item by Daniel Dern.] “5 Things SecOps Can Learn from Dungeons & Dragons” at Tech Beacon. Note, “SecOps” is tech shorthand for “Security Operations” (or possibly “Security Operators”)

… Anyone who has ever experienced a SOC 2 or ISO 27001 audit might see the parallels between a lengthy framework of rules and their arbiter. Still, D&D is significantly more fun than a cybersecurity audit. In fact, when it comes to security preparedness there are quite a few lessons that security operations (SecOps) teams that are responsible for the security of connected assets—including myriad Internet of Things (IoT) devices—can learn from D&D. And they might just have a bit of fun along the way.

Assemble Your Party

From wizards and warriors to clerics and rogues, there are a wide variety of classes in D&D—each with its own specializations. The key to an effective adventuring party is to combine them in a way that the strengths of one character can mitigate the weaknesses of another. Building a cybersecurity team is no different. Aside from all the specialized roles within cybersecurity, such as incident-response or threat-hunting teams, an effective approach to security preparedness requires cross-functional collaboration between IT teams, operational-technology (OT) teams, and other lines of business to better understand how to balance business objectives with security requirements….

(7) A THEORY ABOUT THE HOBBIT. Scott McLemee poses the questions in an “Interview with Robert T. Tally Jr. on historicizing ‘The Hobbit’” for Inside Higher Ed.

Q: You don’t historicize The Hobbit in the naïve or narrow sense of interpreting it as a fictionalized response to real-world events. Your approach owes a great deal to the American Marxist literary theorist Fredric Jameson—the subject of your first book. What does it mean to read Tolkien as a Jamesonian?

A: “Modernism” is a dirty word among many Tolkien enthusiasts, and perhaps for Tolkien himself, but I see his desire to “create a mythology for England” as a powerfully modern thing to attempt, more like Yeats or Joyce than most mere medievalism. Also, The Hobbit and The Lord of the Rings are clearly novelistic in form, even if they deal with “epic” or “romantic” ideas.

In his work on postmodernism, Fredric Jameson refers to the “attempt to think the present historically in an age that has forgotten how to think historically in the first place.” Coming from an entirely different direction politically, I think Tolkien was deeply concerned with the modern world’s inability to “think historically,” and thus his desire to connect elements of the medieval historical world with our own time, even if—or especially if—that meant using fantasy as a way of sort of tricking us into “realizing” history.

(8) MEMORY LANE.

2021 — [Compiled by Cat Eldridge.]

Cat Rambo’s You Sexy Thing was a novel that I nominated for a Hugo. Why so? Because it is damn good. It made my top ten novels of that year by having a fantastic story, great characters that for the most part I could care about and not one but two truly interesting settings, the first being the intelligent bioship You Sexy Thing, and the other being a restaurant situated near a defunct star gate.

Now unlike the restaurant in the Douglas Adams’ The Hitchhikers Guide to Galaxy, this one is not played for laughs and is real, working environment. I don’t know if Rambo has worked in such a place but she captures the feel of it very nicely as I have a very long time ago and it seems quite right.

Now before we get to the quote, I’m very, very pleased to note that the next novel in the series is indeed out relatively soon. Here are the details courtesy of the author:

Devil’s Gun, available this August, follows the adventures of intelligent bioship You Sexy Thing and its crew. While seeking a weapon against the pirate king Tubal Last and operating a pop-up restaurant near a failed star gate, Niko and her friends encounter a strange pair of adventurers who claim to have power over the gates that link the Known Universe. But following the two on an intergalactic treasure hunt will require going into one of the most dangerous places any of them have ever faced.

Of course it will be available from all the usual suspects in both print and epub formats.

Now I normally choose the quote, but this time I’m honored to say that Cat chose her favorite quote about food from You Sexy Thing:

[Niko] looked at Dabry, who stood ignoring them, caressing the eggplant with all four hands and his eyes half closed. “Sweet Momma Sky, should we leave so you can have your way with that eggplant or should I just let you take it to your bunk?”

His eyes closed entirely, expression blissful. “Baba ganoush,” he said. “Flat wheat bread dusted with cumin. Seared protein tinctured with lemon and garlic…”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born January 20, 1884 — A. Merritt. Early pulp writer whose career consisted of eight complete novels and a number of short stories. H. P. Lovecraft notes in a letter that he was a major influence upon his writings, and a number of authors including Michael Moorcock and Robert Bloch list him as being among their favorite authors. He’s available at the usual suspects. (Died 1943.)
Born January 20, 1920 — DeForest Kelley. Dr. Leonard “Bones” McCoy on the original Trek and a number of films that followed plus the animated series. Other genre appearances include voicing Viking 1 in The Brave Little Toaster Goes to Mars (his last acting work) and a 1955 episode of Science Fiction Theatre entitled “Y..O..R..D..” They’re his only ones — he didn’t do SF as he really preferred Westerns. (Died 1999.)
Born January 20, 1934 — Tom Baker, 89. The Fourth Doctor and still my favorite Doctor. My favorite story? The “Talons of Weng Chiang” with of course the delicious added delight of his companion Leela played by Lousie Jameson. Even the worst of the stories were redeemed by him and his jelly babies. And yes, he turns up briefly in the present era of Who rather delightfully. Before being the Doctor he had a turn as Sherlock Holmes In “The Hound of the Baskervilles”, and though not genre, he played Rasputin early in his career in “Nicholas and Alexandra”! Being a working actor, he shows up in a number of low budget films early on such as The Vault of Horror, The Golden Voyage of Sinbad,The Mutations, The Curse of King Tut’s Tomb and The Zany Adventures of Robin Hood. And weirdly enough, he’s Halvarth the Elf in a Czech-made Dungeons & Dragons film which has a score of ten percent among audience reviewers on Rotten Tomatoes.
Born January 20, 1946 — David Lynch, 77. Director of the first Dune movie. Went on to make Twin Peaks: Fire Walk with Me which is possibly one of the weirdest films ever made. (Well with Blue Velvet being a horror film also vying for top honors as well.) Oh and I know that I didn’t mention Eraserhead. You can talk about that film.
Born January 20, 1960 — Kij Johnson, 63. Faculty member, University of Kansas, English Department. She’s also worked for Tor, TSR and Dark Horse. Wow. Where was I? Oh about to mention her writings… if you not read her Japanese mythology based The Fox Woman, do so now as it’s superb. The sequel, Fudoki, is just as interesting. The Dream-Quest of Vellitt Boe is a novella taking a classic Lovecraftian tale and giving a nice twist. Finally I’ll recommend her short story collection, At the Mouth of the River of Bees: Stories. She has won a Best Novella Hugo for “The Man Who Bridged the Mist” had several other nominations. Much of her work is available at the usual suspects.
Born January 20, 1964 — Francesca Buller, 59. Performer and wife of Ben Browder, yes that’s relevant as she’s been four different characters on Farscape, to wit she played the characters of Minister Ahkna, Raxil, ro-NA and M’Lee. Minister Ahkn is likely the one you remember her as being. Farscape is her entire genre acting career.

(10) COMICS SECTION.

Get Fuzzy makes a noble pun about a bestselling horror writer.
Eek! deals with a young superhero’s fib.

(11) FRANKLY SPEAKING. In “When Monsters Make the Best Husbands”, a New York Times reviewer tells about two plays, one of genre interest.

The monster is nestled in a glacier when the villagers dig him out, frozen but not dead, because he was undead already. Tall, broad-shouldered, hulking in his platform boots, he is instantly recognizable, and once he thaws, proves unpretentious despite his Hollywood fame.

It is 1946 in a tiny European village, and he is the most endearing of monsters: awkward, uncertain, just wanting to help out. And in “Frankenstein’s Monster Is Drunk and the Sheep Have All Jumped the Fences,” a winsome cartwheel of a show that’s part of the Origin Theater Company’s 1st Irish festival, he finds lasting romance — with a local outcast who falls in love with him at first sight. Never mind that by his own account he is “constructed from the dismembered body parts of a number of different corpses”; their sex life is fabulous….

(12) BEGIN AGAIN. The Cromcast, a sword and sorcery podcast that started as a Conan readthrough, are rereading all the Conan stories again ten years after they launched. They started with “The Phoenix on the Sword”, the very first Conan story: “Season 18, Episode 1: The Phoenix on the Sword!”

“Know, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of…”

(13) HE-MAN. The For Eternia YouTube channel has a great interview with Tim Sheridan, one of the writers of Masters of the Universe Revelation/Revolution, about why the Filmation Masters of the Universe cartoon resonated with so many gay people: “The Power of Pride: Talking Importance of 1980’s He-Man on the LGBTQ+ Community with Tim Sheridan”.

(14) THE NATURE OF REALITY COUNTS. [Item by SF Concatenation’s Jonathan Cowie.] I know from being involved with SF² Concatenation that quite a few fans are interested in the interface between science and science fiction: after all, the term ‘science fiction’ contains ‘science’. Consequently, it should not be any surprise that all of the four YouTube Channels I invariably check out each week are SF and/or science related.

One of these is PBS Space-Time. It is ostensibly a physics channel (though often there’s astronomy and cosmology) and there’s nothing like at the start of the day having a mug of Yorkshire builders tea (sufficiently strong that the teaspoon stands up in it) along with a short episode of PBS Space Time: it is good to limber up with some physics before embarking on the serious biological and geoscience business of the day (tough as that is for Sheldon Cooper to take).

One aspect of the SF-science border is an exploration as to the true nature of reality. Are we living in a holographic universe? Are we living in a Matrix simulation? And if so is there a simulator?

This week’s PBS Space Time asks the question as to whether the Universe is simply, and purely, mathematical (not physical)? And if so, what of parallel Universes, dimensions and alternate Universes? Indeed, are there different levels to the multiverse?

Be assured, despite maths (or ‘sums’ as we environmental scientists call it) being in the title, there are no heavy mathematics in this short video, rather it is a somewhat deep philosophical discussion. Nonetheless, don’t worry if you find your mind being stretched: that’s what daily limbering up exercises are all about.

So, sit down with your mug of builders and enjoy this 16 minute slice of Space Time… “What If The Universe Is Math?”

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Cora Buhlert, Daniel Dern, Alan Baumler, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer.]

Barkley — So Glad You (Didn’t) Ask #72

Posted on January 8, 2023 by Mike Glyer

WORLDCON 80 – A PICTORIAL ESSAY

By Chris M. Barkley and Juli Marr.

AUGUST 30, 2022 – TRAVEL DAY

Wind Farm Outside Lafayette, Indiana. Photos by Juli Marr

My partner Juli and I set out on a beautiful morning for Chicago. One of our favorite sights is the immense Meadow Lake Wind Farm (which generates 801.25 megawatts of electricity) consisting of 301 turbines, just northwest of Lafayette, Indiana. I have always been in awe of the size and scope of this modern marvel of engineering.

We arrived at dusk and were treated to the enchanting vista of Chicago at night by the river…

SEPTEMBER 1ST

Since I was going to be dwelling in the hometown of the Blues Brothers, I thought it would be appropriate to be attired properly.

Galaxy ‘s Edge Editor Lezli Robyn and myself by Juli Marr

One of the first people Juli and I met at Chicon 8 was Galaxy’s Edge Editor and Arc Manor Assistant Publisher Robyn Lezli, who was a large display of books and magazines with her benevolent (and generous) boss, Shahid Mahmud.

On my way to the Press Office, Christopher Garcia threw a copy of Journey Planet (paperboy style) as we passed each other. Here is a photo of it in mid-flight…

One of the first things I unpacked for the Press Office was this item. When the staff assembled that first morning, I told them in NO UNCERTAIN TERMS that if they stepped out of line, I would not hesitate to blow the Illuminated Death Star Beach Ball up! Needless to say, it remained deflated during the duration of the convention.

SEPTEMBER 2

Myself and Oghenechowe Donald Ekpeki, taken by Lezli Robyn

After several delays (and escapades) involving the United States Department of State and airline hijinks, Nigeria’s rising literary star (and double Hugo Finalist), Oghenechowe Donald Ekpeki finally arrived at Chicon 8. I greeted him at the Galaxy’s Edge table in the Dealer’s Room with two facemasks and an envelope with some valuable personal papers. Needless to say, everyone was overjoyed to see him…

Myself, Laura and Navia Moorman, photo by Juli Marr

Also on hand were my daughter, Laura, her husband Charlie (not pictured, unfortunately) and my granddaughter, Navia. They were here to witness my (possible) Hugo Award acceptance speech on Sunday. I may have felt the sting of disappointment by not winning but I was so incredibly happy they were all there.

Chicago By Day…

Dan Berger, Juli Marr and Sushee Blat pondering

So here are my Press Office mates, Dan Berger, Juli Marr and Sooshe Blat Harkins, pondering where we should go for dinner along the Chicago Riverwalk. Rest assured, we did eat that evening…

Chicago After Dark…

SEPTEMBER 3RD

Day Three of Chicon 3, another beautiful morning.

On my way to the Press office, I made some time Saturday morning to stop by the Exhibit Hall and check out this year’s Hugo Award trophy. This magnificent award was handcrafted by the renowned Chicago artist and business entrepreneur Brian Keith Ellison of BKE Designs.

Ah, FINALLY, a photo from a Chicon 8 panel. Here are the panelists of “Movie Year in Review: A Curated Look at Genre Films (2021–2022)” moderated by yours truly. From left to right are: Matthew S. Rotundo, Daryll Mansel, Joshua Bilmes and Deirdre Crimmins. We had fun. You should have been there.

Oghenechovwe Donald Ekpeki and Seanan Maguire

I was checking up on how Mr. Ekpeki was getting along in the Dealer’s Room when up ZOOMED fellow Hugo Award Finalist Seanan Maguire on her scooter. They both knew of a photo opportunity when they saw it…

It’s Saturday Night so you know it’s time for another magnificent appearance by fandom’s favorite, and most regal, Masquerade Judge, John Hertz!

And here is a wide shot of all the Chicon 8 Masquerade contestants. I apologize for it being out of focus; I BLAME the three apparitions lighting up in the middle of the photo. I don’t recall who they are but let’s face it, they lit up the joint that evening.

SEPTEMBER 4TH

It’s THE BIG DAY! And that calls for a BIG BREAKFAST, courtesy of the Chicon 8 Staff Lounge. I hadn’t had a bowl of Rice Chex in AGES. (As a kid, I used to inhale whole boxes in a single sitting. Ah, those were the days…). Anyway, kudos to everyone who helped kept us fed during the convention.

Juli and I are very sneaky. We knew in advance that Sunday was Lezli Robyn’s birthday so we planned something a little special for her. The day before we left, we packed and wrapped her gift specially for her. We have both known for years that Lezli is a bit, uh, accident prone. After the fifth or sixth incident we started threatening to just roll her in bubble wrap, for her own safety and protection. Well at Chicon 8, we decided on this preemptive strike before disaster struck again. As you can see, a nice birthday card was placed on top of the package. And you can see Lezli’s reaction as she realized that bubble wrap was all that was left in the box. All for her. We were later informed by sources that she used the bubble wrap as a pillow (in an appropriate place, mind you) when she needed to nap. You’re welcome, Lezli, anytime.

After delivering Ms. Robyn’s gift, I stole a few minutes from my Press Office duties to have a novel by Catherynne M. Valente signed. We met before when she had a signing at Joseph Beth Booksellers in Cincinnati where I worked for many years. She remembered me and enthusiastically remarked that she had a great time and would love to return for a visit someday. I told her I would pass the word along.

As the day wore on, the more nervous I became. Since there wasn’t much going on that afternoon, I turned my attention to writing a Hugo Award acceptance speech and a concession speech (which was published on File 770 that very evening). Everyone wished me luck but deep down, I knew that I was long shot to actually win. (And, as it turned out, I was right, finishing second in the nomination count and fifth overall in the vote standings.)

O. Donald Ekpeki and myself, photo by Juli Marr

At the Chicon 8 Hugo Award Reception, Mr. Ekpeki and I were recessed to the nines!

Hugo Award Fan Writer Finalists, photo by Juli Marr

Your 2022 Hugo Award Finalists in the Fan Writing Category; from left to right, Jason Sanford, myself, Paul Weimer and Bitter Karella.

The Crowd gathers for the start of the Hugo Awards Ceremony.

My Date, My Love and My Partner, the lovely and vivacious Juli Marr.

My Fellow 2022 Hugo Award Finalist Steven H Silver and his partner, Elaine Silver.

My Fellow 2022 Hugo Award Finalist Chuck Serface.

Our 2022 Hugo Award Ceremony Hosts, Annalee Newitz and Charlie Jane Anders.

Olav Rokne and Myself at the After Party, photo by Juli Marr

Two Hugo Losers commiserating, Olav Rokne and myself (being subtly photobombed by Vincent Docherty) at the Chengdu Hugo Reception.

Laura Moorman and myself, photo by Juli Marr

My daughter Laura and I at the Glasgow Bid Party.

Laura Moorman with Denis Villeneuve and Eric Roth’s Hugo Award

My daughter Laura is seen here holding the 2022 Hugo Award for Best Dramatic Presentation – Long Form for Dune (Part 1). The award was offered for photos by Chicon 8 Advisor Dave McCarty, whom we thank profusely for the opportunity.

SEPTEMBER 5TH AND 6TH

John Hertz and Myself, photo by Juli Marr

And it’s all over but the shouting. Here John Hertz and I are watching the proceedings, counting down until the dead dog parties start…

Myself, Jonathan P. Brazee and Maurizio Manzieri, photo by Juli Marr

After Closing Ceremonies, Juli and I met author Col.Jonathan P. Brazee and Hugo Award Finalist (Best Professional Artist) Maurizio Manzieri outside the hotel on their way to an early dinner.

As we wind down a day after Chicon 8 has officially ended, we shared a final meal with Dan Berger, Terry Berger and Sooshe Blat Harkins, who were a tremendous help in the Chicon 8 Press Office.

A final portrait from Chicago of your humble correspondents, myself and Juli Marr. Until next time, Goodbye and Good Luck…

Pixel Scroll 11/25/22 As Ghu Is My Witness, I Thought Pixels Could Scroll

Posted on November 25, 2022 by Mike Glyer

(1) SFF WORKSHOP IN PAKISTAN. The first Salam Award Writers Workshop will be held March 6-10, 2023 in Lahore, Pakistan. Elizabeth Hand and Mary Anne Mohanraj are the lead instructors. Apply at the link – the deadline is December 31, 2022.

…Since 2017, The Salam Award has honored the best Pakistani and Pakistani-diaspora writing in the SFF genre. This workshop will exclusively focus on enhancing and furthering speculative fiction writing and authors.
Over the four days, participants will receive intensive instruction from award-winning writers and editors, participate in critique workshops of an existing manuscript, and craft exercises.

Applications are competitive as the seats are limited. If accepted, conference fees are PKR 40,000 and cover three meals, accommodation at LUMS, instruction costs, and all materials. Limited scholarships are available!

Highlights of the event include:

Clarion/Milford style workshop focused on Speculative Fiction genre writing
SFF craft lectures and talks
Participants will arrive on March 5th and depart on March 11^th…

(2) AN EXPERT EYE. Charlie Jane Anders’ picks for “The 9 best science fiction and fantasy novels of 2022” appeared last week in the Washington Post.

This was the year our dreams grew teeth. The best science fiction and fantasy books of 2022 managed to combine mournfulness and rage. In them, we’re seeing the first indication of how the pandemic and our recent political turmoil might change our stories, in the form of work that’s sharper, funnier and weirder….

The list includes –

‘How High We Go in the Dark,’ by Sequoia Nagamatsu

At first, “How High We Go” — a novel in interconnected stories about the devastation from a strange disease that comes from ancient corpses unfrozen in Antarctica — seems like a simple plague tale. But Nagamatsu’s ambitions reach higher and deeper, taking the story in some truly weird directions. Each of its narratives explores human grief in new ways, and each captures something about how technology and corporate interests can distort it. But throughout, human connection provides a saving grace.

(3) A TALE OF TWO TURKEYS. Walter Jon Williams shared his “best Thanksgiving story” yesterday on Facebook. Whew!

(4) CALLING FOR HELP. Chessiecon, held in Maryland, is a Thanksgiving weekend convention with a 45-year history that continues the tradition of DarkoverCon, emphasizing the work of women creators in sff literature and art.

It is having problems this year, in particular they expect to be hit with a contractual financial penalty for failing to fill their hotel room block. A GoFundMe — “Friends of ChessieCon Unite” — has been started to raise $11,000.

After several years of shutdown and a year of staff and volunteers battling health concerns, this intimate, esoteric fan convention has found itself seriously impacted. Though they have strived to power on, attrition caused by these health issues and a diminished volunteer base has left this year’s convention and its organizers falling short of meeting the convention’s needs and obligations. Most hard-hitting is the fact that this year they have not filled their contractually obligated hotel block. There is a stiff financial penalty levied against the convention by the hotel.

We very much would like to see Chessie and her crew survive these trying years to come back strong in 2023, but to do that, we must meet our obligations for this year. Can you help us?

(5) MAKE YOUR CORNER OF THE INTERNET A GARDEN. In “How to Weave the Artisan Web”, John Scalzi, inspired by a Pablo Defendini tweet, encourages people in sff to resume blogging. Includes lots of suggestions about what to do, but first he answers the question “Why?”

Everyone should start blogging again. Own your own site. Visit all your friends’ sites. Bring back the artisan, hand-crafted Web. Sure, it’s a little more work, but it’s worth it. You don’t even need to stop using social media! It’s a “yes, and” situation, not a “no, but” one.

… Now, why should we bring back that artisan, hand-crafted Web? Oh, I don’t know. Wouldn’t it be nice to have a site that’s not run by an amoral billionaire chaos engine, or algorithmically designed to keep you doomscrolling in a state of fear and anger, or is essentially spyware for governments and/or corporations? Wouldn’t it be nice not to have ads shoved in your face every time you open an app to see what your friends are up to? Wouldn’t it be nice to know that when your friends post something, you’ll actually see it without a social media platform deciding whether to shove it down your feed and pump that feed full of stuff you didn’t ask for?…

(6) SHINY. Witness History’s episode “How cat’s eyes were invented” is available at BBC Sounds.

In 1934, the late Percy Shaw almost crashed while driving home from the pub on a foggy night in West Yorkshire, in England.

He was saved when his headlights were reflected in the eyes of a cat and it gave him a brilliant idea.

He invented reflective studs for the road and called them cat’s eyes.

And wasn’t this invention behind Will Jenkins’ (aka Murray Leinster) subsequent invention of front-screen projection? Or is that just a trick of my memory? He wrote about it in an Analog science article a loonnng time ago. I see this much on the Murray Leinster official website:

Will F. Jenkins was an active inventor and most notably on December 20, 1955, patented the “Front Projection” filming method, and he sold the patent to Sherman Fairchild of Fairchild Cameras, who widely produced the method, and “Front Projection” was first used in the movie “2001: A Space Odyssey”

(7) MEMORY LANE.

1970 — [By Cat Eldridge.] Star Trek’s “Amok Time”

“Jim, when I requested to Spock that it was time for his routine check-up, your logical, unemotional first officer turned to me and said: ‘You will cease to pry into my personal matters, Doctor, or I will certainly break your neck!’.”

“Spock said that?” – McCoy and Kirk, about Spock

And now for a true classic episode of the first Trek series. Fifty-two years ago on this date “Amok Time” premiered across the pond in the United Kingdom (having first aired in the U.S. in 1967).

It followed what I thought was a good awful episode, “Operation — Annihilate!”, and was written by Theodore Sturgeon whose other Trek script was the stellar “Shore Leave”. I mean seriously, what a wonderful episode that was!

It had a number of things that made it unique. It is the only episode of Trek, and when I say Trek I always mean the original series, to show scenes on Vulcan. It was the first episode to show Ensign Pavel Chekov as the navigator, and it was the first episode to list DeForest Kelley as Dr. McCoy in the opening credits.

I’m going to assume that each and everyone here has seen it, right? Ok. You’re fans. So let’s not deal with the story at all.

It has two firsts that cannot be overlooked — Leonard Nimoy first used his signature Vulcan salute and “Long live prosper” in this episode. Ok, Sturgeon was a brilliant writer, wasn’t he?

Memory Alpha says “In Theodore Sturgeon’s original script, Kirk did not have to depend on T’Pau’s influence to justify the departure to Vulcan. He knew the officials on the other planet, and asked them to delay the ceremonies until he got Spock back from Vulcan. This planet (Altair VI in the episode itself) was named Fontana IV in the original script, as a tribute to writer and then-story editor D.C. Fontana.”

Finally a cat version of “Amok Time” was featured in Jenny Parks’ 2017 book Star Trek Cats. Really she did. She did the same for Picard and his crew as well.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born November 25, 1920 — Ricardo Montalbán. Khan Noonien Singh and the first Mr. Rourke. Armando and Grandpa Valentin Avellan as well. I’m picking those as four most memorable roles he’s played and they just happen to all be genre in nature. Oh, and is Khan Noonien Singh one of the few occurrences of a non-crew character carrying over from the original series into the films? I suspect not but I can’t think of who else who did. If there is, I’m sure one of you will tell me who else did. (Died 2009.)
Born November 25, 1926 — Poul Anderson. My favorite ones by him? Orion Shall Rise for the mix of a personal scale story with his usual grand political stories, and all of the Flandry and van Rijn stories. I also enjoy his Time Patrol stories as well, and the two Operation Luna tales are quite fun. Not to forget the ever so entertaining The Unicorn Trade that he wrote with his wife Karen. He was quite honored with seven Hugo Awards and three Nebula Awards. I am told by reliable sources that Lis will reviewing all of the Flandry and van Rijn stories for us. (Died 2001.)
Born November 25, 1926 — Jeffrey Hunter. Best known for his role as the first Captain Christopher Pike in the original pilot episode of Star Trek and the later use of that material in “The Menagerie” episode which won a Hugo at NyCon 3. Other genre work included Dimension 5, A Witch Without A Broom, Strange Portrait (never released, no print is known to exist), Alfred Hitchcock Hour, Journey into Fear and The Green Hornet. Hunter suffered an intracranial hemorrhage while walking down a three-stair set of steps at his home in Van Nuys, California. He died in-hospital despite brain surgery. (Died 1969.)
Born November 25, 1941 — Sandra Miesel, 81. She has described herself as “the world’s greatest expert” on Poul Anderson and Gordon R. Dickson. She’s written such works as Against Time’s Arrow: The High Crusade of Poul Anderson on Borgo Books and she’s written the front and back matter for many of their books. Oh, and she was recognized early as a serious fan being nominated thrice for Hugos for her writing in zines such as Yandro and Granfalloon. She co-authored The Pied Piper of Atheism: Philip Pullman and Children’s Fantasy with Catholic journalist and canon lawyer Pete Wer.
Born November 25, 1950 — Alexis Wright, 72. A Waanyi (Aboriginal Australian) writer known for winning the Miles Franklin Award for her novel Carpentaria which might well be genre. She has one definitely genre novel, The Swan Game.
Born November 25, 1951 — Charlaine Harris, 71. She is best known for the Southern Vampire series starring Sookie Stackhouse which was adapted as True Blood. I know I’ve read several of this series and enjoyed them. She has two other series, nether genre or genre adjacent, the Aurora Teagarden and Lily Bard series.
Born November 25, 1953 — Michael “Orange Mike” Lowrey, 69. A fan, free citizen of the ImagiNation, husband, daddy, union leader, Esperantist, wearer of orange garments, Quaker, feminist, Irishman, Mac user, Wobbly, Hordesman, Wikipedian. He’s been active in fanzines (Vojo de Vivo) and apas, the N3F, mailing lists, Usenet, social media. The 2020 TAFF delegate. Frequent Filer!
Born November 25, 1974 — Sarah Monette, 48. Under the pen name of Katherine Addison, she published The Goblin Emperor which garnered the Locus Award for Best Fantasy Novel and was nominated for the Nebula, Hugo and World Fantasy Awards. She won the Spectrum Award in 2003 for her short story “Three Letters from the Queen of Elfland”. Her first two novels Mélusine and The Virtu are quite wonderful and I highly recommend her Iskryne series that she co-wrote with Elizabeth Bear.

(9) SOMETIMES THEY DO GROW WEARY. [Item by Cat Eldridge.] Shouldn’t the writer of this article realize there’s a simple solution to this so-called fatigue? Don’t watch all these series. Certainly no one is forcing anyone to do so. “Guardians of the Galaxy Holiday Special Is Answer to Marvel Fatigue” in The Hollywood Reporter.

… As the MCU continues its rapid growth, both on the big-screen and on Disney+, keeping track of back-to-back movies and weekly series has become cumbersome for some audiences. While the notion of franchise fatigue when it comes to superhero movies is as much of a non-issue as it was a decade ago, with the films consistently accounting for the most ticket sales and highest box office each year, even amidst the pandemic, the number of releases leaves little breathing room to catch up before the next thing….

(10) ANTICIPATION. A famed genre filmmaker says Avatar 2 is something we should be looking forward to: “Guillermo del Toro Reviews ‘Avatar 2’ — Raves James Cameron Is a ‘Master at the Peak of His Powers’” at Yahoo!

Critics won’t weigh-in on James Cameron’s highly anticipated “Avatar” sequel for few more weeks. But if Guillermo del Toro is to be believed, then the boundary-pushing water adventure will surely dazzle audiences and the box office come December 16.

“A staggering achievement,” del Toro tweeted on Thursday. “[‘Avatar: The Way of Water’ is chockfull] of majestic Vistas and emotions at an epic, epic scale. A master at the peak of his powers…”

That’s big praise for the director behind “Titanic,” “Aliens,” and “The Terminator,” made even more meaningful by del Toro’s own cinematic chops. The Mexican filmmaker’s most recent project — a stop-motion “Pinocchio” for Netflix — is a frontrunner for Best Animated Feature at the 95th Academy Awards. Cameron and “Avatar 2” are similarly positioned in the Oscar race for Best Visual Effects….

(11) MUST COME DOWN. “Scientists Glimpse Incoming Asteroid Just Hours Before It Makes Impact” reports MSN.com.

For just the sixth time in recorded history, astronomers managed to catch a glimpse of an asteroid before it slammed into Earth.

On 19 November 2022, nearly four hours before impact, the Catalina Sky Survey discovered an asteroid named 2022 WJ1 on an inbound trajectory. A network of telescopes and scientists sprang into action, accurately calculating exactly when and where on the globe the asteroid would fall.

This is excellent news. 2022 WJ1 was too small to do any serious damage, but its detection shows that the world’s asteroid monitoring techniques are improving, giving us a better chance of protecting ourselves from falling space rocks – the big ones that might actually do some damage….

(12) BOGUSAURUS? “Christie’s Pulls T. Rex From Auction, Citing Need for ‘Further Study’” reports the New York Times. The exact problem seems to be that it is a too much of a model specimen.

…The T. rex, which the auction house called Shen, had been billed as the first skeleton of its species to appear at auction in Asia. A Christie’s news release touted the specimen as “museum standard” and “a world-class specimen.”

But questions about the fossil were raised in recent weeks, when a lawyer for the Black Hills Institute of Geological Research, a fossil company in South Dakota, reached out to Christie’s about similarities between Shen and another T. rex skeleton, named Stan, which Christie’s had sold in 2020 for a record $31.8 million.

Although Stan was auctioned off, the Black Hills Institute retained intellectual property rights on the specimen, allowing it to continue selling painted polyurethane casts of the skeleton, which are currently priced at $120,000 each.

Peter Larson, the company’s president, said in an interview that when he first saw a photo of Shen, the skeleton Christie’s was preparing to auction in Hong Kong, he noticed that the skull looked similar to Stan’s skull, including holes in the lower left jaw that Mr. Larson said were unique to Stan. Mr. Larson and his colleagues at Black Hills had examined the particularities of Stan’s bones over three decades after excavating the specimen starting in 1992.

Mr. Larson said that it appeared to him that the owner of Shen — who was not identified by Christie’s — had bought a cast of Stan from Black Hills to supplement the original bones….

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l Danehy-Oakes.]

Pixel Scroll 9/18/22 Scrolling Pixels In The Park

Posted on September 18, 2022 by Mike Glyer

(1) HE KEPT IT UNDER HIS HAT. Rob Wilkins, who assisted Terry Pratchett for many years, writes a long profile about him for the Guardian: “’I think I was good, though I could have been better’: Terry Pratchett and the writing of his life”. “After he was diagnosed with Alzheimer’s, the Discworld author began an autobiography. He never finished it, but seven years after his death, his long-time assistant has taken up the task.”

…Terry also had strong and, some might even say, puritanical ideas about how much money he should accept in advance of a book’s publication. If he couldn’t be confident that the advance would earn itself out inside three years and that the book would go into profit and yield royalties, he refused to accept it. At one point, for example, Transworld offered Terry £125,000 for a book. This was in the mid-1990s, when a generous offer for a book of its nature would have been in the region of £25,000, so that six-figure offer was an emphatic demonstration of confidence in Terry’s writing. Colin, naturally, was excited to tell Terry about it. The conversation they had was short and pointed. Colin then found himself ringing Transworld and saying: “I have conveyed your offer to Terry, and I’m afraid he is not at all happy with it … No, he says it’s far too much and he would like me to agree a deal with you for less.”…

(2) THE KICKOFF. Charlie Jane Anders is the new sf/fantasy book reviewer for The Washington Post. Here is her first column: “4 witchy books from the world of science fiction and fantasy”.

When Megan Giddings told her agent she wanted to write a novel about witches, he told her: “If anybody can make them feel new, it’s you.” In the acknowledgments of her new novel, “The Women Could Fly” (Amistad),Giddings says she didn’t entirely agree with him that witches feel like a tired subgenre; to her, there’s always room for another take.
Luckily for anyone who feels the same way, a wealth of novels about witches has come out recently — and many of them do feel brand new.
To be sure, many recent witch novels explore timeworn themes: Witches are distrusted and feared and must conceal themselves from the world. But Giddings and other authors also uncover fresh layers to the classic witch tales, exploring the complexity of anti-witch attitudes in an enriching and timely way….

(3) IT’S NOT EVEN THE THING I’M POINTING AT WHEN I SAY ‘FANZINE’. In “Fan v Pro v Fanzine”, Camestros Felapton ventures into the twisty little maze of passages all alike.

…But seriously, I think the current knot arises out of an unwillingness to redefine what a fanzine is. Functionally, fan artist and fan writer arose out of fanzine culture where fanzine didn’t need a definition. To a lesser degree the mess around semi-prozine arises there as well. There’s an intuitive sense of three grades of platforms were stuff happens: professional, fan and somewhere in between (a labour of love that aspires to be a going concern).
There are many available dimensions but none by themselves capture the essence of the fanzine distinction:

profit v non-profit
paywall v open access
corporate v non-corporate
size – number of people involved in the endeavour
fiction v non-fiction
hobby v “job”
weight class – a mix of size, influence and professional demeanour I guess
paying writers or not
paying staff or not
general vibe

¯\_(ツ)_/¯
commercial-corporate v. non-commericial-corporate gets closest to a distinction but not one that I could convert into a sensible set of rules.
Which means that I must circle back to the notion of self-identification as fan or pro. That also has tricky cases (a pro-writer who is a fan artists or vice versa) but if the point is to address the weight-class idea then maybe that is the least problematic pain point to accept. Put another way, if we see the “original sin” of John Scalzi’s* fan writer win not as blogs v print fanzines, not as style of genre question (clearly it was in the genre of fan writing), not as whether he is a real fan (clearly he is), but as a question of whether the voting is distorted because he had a large voting base in the Hugo Awards and major name recognition…then self-identification for the purpose of award eligibility gets at that issue….

(4) AND HE’D DO IT ALL OVER AGAIN. Meanwhile, John Scalzi’s ears are burning.

And yes, I'll take some small credit for that, one, because I was the one to break the two-decade streak, and two, in my acceptance speech I told people not to nominate me in the category again and instead to open up the award and spotlight to a wider range of voices. They have.
— John Scalzi (@scalzi) September 18, 2022

Finally, while I take some small credit, the credit really is small. The Hugo voting population was ready to open up the category; I was the immediate beneficiary. And even if I had not declined future nominations, I'm sure the voter pool would have spread nominations widely.
— John Scalzi (@scalzi) September 18, 2022

(5) HWA CELEBRATES LATINX HORROR AUTHORS. The latest entry in the Horror Writers Association blog’s “Latinx Heritage in Horror” series is an “Interview with LP Hernandez”.

What inspired you to start writing?
Reading fueled my love of writing. I was a constant Scholastic Book Fair customer, addicted to the smell of new Goosebumps or Fear Street books. Eventually, I progressed to King, McCammon, and Tolkien. I began writing stories at around nine or ten. I remember corralling my mother in the morning as she attempted to get ready for work, handing her what I knew was going to be a best seller and requesting she read it right there in front of me.

(6) RATED ARRRRH! Do people still do “Talk Like a Pirate Day”? If so, it’s tomorrow, September 19.

(7) UNTRUE GRIT. Brian Murphy shares his appreciation for the Bard books by Keith Taylor: “Under the Spell of Keith Taylor’s Bard Songs” at Goodman Games.

…A characteristic of good sword-and-sorcery is earthiness; even if not set in some ancient age of our own earth, sword-and-sorcery nevertheless is typically gritty, even grimy, in its realism. Joseph McCullough once described sword-and-sorcery with the terse, pithy, “fantasy with dirt.” That works for me.
Over this layer of grit, which serves to ground the reader somewhere recognizable and to spare overly tedious worldbuilding, the skilled sword-and-sorcery writer adds in the fantastic, in small doses. Weird monsters and dark sorcery that feels alien, and dangerous, and when it appears casts its spell upon the reader….

(8) HOUSES DIVIDED. The New York Times explores “How Russian Trolls Helped Keep the Women’s March Out of Lock Step”.

…For more than a century, Russia and the Soviet Union sought to weaken their adversaries in the West by inflaming racial and ethnic tensions. In the 1960s, K.G.B. officers based in the United States paid agents to paint swastikas on synagogues and desecrate Jewish cemeteries. They forged racist letters, supposedly from white supremacists, to African diplomats.
They did not invent these social divisions; America already had them. Ladislav Bittman, who worked for the secret police in Czechoslovakia before defecting to the United States, compared Soviet disinformation programs to an evil doctor who expertly diagnoses the patient’s vulnerabilities and exploits them, “prolongs his illness and speeds him to an early grave instead of curing him.”
A decade ago, Russia’s president, Vladimir V. Putin, oversaw a revival of these tactics, seeking to undermine democracies around the world from the shadows.
Social media now provided an easy way to feed ideas into American discourse, something that, for half a century, the K.G.B. had struggled to do. And the Russian government secretly funneled more than $300 million to political parties in more than two dozen countries in an effort to sway their policies in Moscow’s favor since 2014, according to a U.S. intelligence review made public last week.
What effect these intrusions had on American democracy is a question that will be with us for years. It may be unanswerable. Already, social media was amplifying Americans’ political impulses, leaving behind a trail of damaged communities. Already, trust in institutions was declining, and rage was flaring up in public life. These things would have been true without Russian interference.
But to trace the Russian intrusions over the months that followed that first Women’s March is to witness a persistent effort to make all of them worse….

(9) MORE TROLLS WITH OPINIONS. The homegrown trolls are also busy. “The Rings of Power Gets Review Bombed: Amazon Turns Off Ratings” – The Hollywood Reporter has the story.

Where’s a wizard to fight trolls when you need one?
The mega-budget fantasy series The Lord of the Rings: The Rings of Power is under fire from some of its viewers. A day after the first two episodes of Amazon’s billion-dollar baby debuted on Prime Video, the show’s average audience score on Rotten Tomatoes is a “rotten” 37 percent, and reviews on Amazon have been outright suspended.
Compare that score to TV critics giving the show a very fresh 83 percent average, and many of the reviews were highly enthusiastic (“It’s great: a gorgeously immersive and grandly ambitious spectacle, packed with stunning imagery and compelling plot threads,” wrote TV Line). The Hollywood Reporter dubbed the first two episodes a rather successful, promising start.
The scores come a couple weeks after Marvel’s She-Hulk was declared review bombed on the site, with 88 percent critics score and an initial 36 percent audience score.
How The Rings of Power is doing on Amazon’s own user review ecosystem is not yet clear because the company has taken the unusual step of suspending user ratings for the show. An Amazon source says reviews are being held 72 hours to help weed out trolls and to ensure each review is legitimate. The source later claimed Prime Video started the policy this summer on all its shows.
“Review bombing” is when a group of online users post numerous negative reviews for a product or service due to its perceived cultural or political issues rather than its actual quality….

(10) HENRY SILVA (1926-2022). [Item by Cora Buhlert.] Actor Henry Silva, whose genre rolls include The Manchurian Candidate (well, I think it’s genre), Killer Kane in Buck Rogers in the 25th Century and the voice of Bane in Batman: The Animated Series, died September 13 at the age of 95.

…“Henry Silva is one of those guys you most likely will recognize even if you don’t know his name,” onetime Crimespree magazine writer Dave Wahlman wrote in 2016. “His face is something straight out of central casting if you were looking for a villain. It alternates between the insipid glee of potential mayhem and looking emotionless and dead as a stone.”
…He went on to make dozens of movies in Europe, the majority of which were in the Italian “poliziotteschi” genre. “Funny thing,” he said in a 1971 interview, “over here they see me as a bad guy; in Europe, they see me as a hero.”…

(11) MEDIA BIRTHDAY.

1964 – [By Cat Eldridge.] There are series I refuse to rewatch lest the Suck Fairy with her steel toed boots stomps all over it. The Addams Family series which premiered on this evening fifty-eight years ago on ABC is definitely one of them. I unreservedly loved that series.

The Los Angeles Times in its obituary of David Levy explained how he came to create the series: “The idea for the series came to Levy when he was strolling with a friend down New York’s 5th Avenue and passed a display of Addams’ books. One, ‘Homebodies,’ showed the entire group of Addams characters in a family portrait on the cover. Levy was stopped in his tracks by the sight and told his friend: ‘There’s a hit series!’”

Now let’s talk about the characters here. Who wasn’t perfect? Be it John Astin as Gomez Addams or Carolyn Jones as his wife Morticia, they played their roles perfectly. And no, I’m certainly not forgetting Wednesday, their child. (Surely the name comes from the English folk poem, Wednesday’s child is full of woe), Uncle Fester or Thing. Not to mention Lurch played oh-so-well by Ted Cassidy.

It had pets, presaging to a great extent what Lio would have. Aristotle was Pugsley’s pet octopus and Fang was his pet jaguar. Addams Family had a lion called Kitty Kat and they piranhas, Tristan and Isolde. Zelda was their vulture. Morticia had a very large carnivorous plant named Cleopatra and Wednesday has a pet tarantula by the name of Homer.

It didn’t last nearly as long as I thought did — just two seasons totaling sixty-four episodes shot in glorious black and white.

Halloween with the New Addams Family aired eleven years after the series went off the air with new characters added in. Seven years after the series was cancelled, the animated version of The Addams Family aired for sixteen episodes. It’s notable for a young Jodie Foster voicing Pugsley Addams. Only Jackie Coogan and Ted Cassidy, who played Uncle Fester and Lurch from the series, returned in voice acting roles.

Gold Key Comics produced a comic book series in connection with the show, but it only lasted three issues.

It streams on Amazon and Paramount +. Of course Paramount + owns the Columbia catalog and Columbia produced it.

It has a near perfect ninety-eight percent rating among audience reviewers at Rotten Tomatoes.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born September 18, 1884 — Gertrude Barrows Bennett. She’s been called by many a pioneering author of genre fiction. She wrote a number of fantasies between in the late 1910s and early 1920s, and has been called “the woman who invented dark fantasy”. Her short story, “The Curious Experience of Thomas Dunbar” which was published under G.M. Barrows in Argosy is considered the first time that an American female writer published an SF story using her real name. (Go ahead, dispute it.) I’m pleased to say that the usual suspects are heavily stocked with her works. (Died 1948.)
Born September 18, 1917 — June Foray. Voice performer with such roles as Cindy Lou Who, Natasha Fatale and Rocky the Flying Squirrel. She also provided the voice of Lucifer the Cat from Disney’s Cinderella. She also did a lot of witches such as Looney Tunes’ Witch Hazel which you can hear over here. She was instrumental in the creation of the Academy Award for Best Animated Feature twenty years ago. OGH has a most touching remembrance here. (Died 2017.)
Born September 18, 1946 — Struan Rodger, 76. He was the Bishop in Stardust, and shows up in the A Discovery of Witches as John Dee. (Loved the novels, skipped the series as I always do.) He voiced the Three-Eyed Raven in The Game of Thrones’ “The Lion and The Rose” and “The Children”. More interestingly he’s got multiple roles in Doctor Who. First he’s The Voice of The Face of Boe in the Tenth Doctor stories, “New Earth” and “Gridlock”, next he’s Clayton in the Twelfth Doctor story, “The Women Who Lived” and finally he’s a voice again, that of Kasaavin in “Skyfall, Part One”, a Thirteenth Doctor story.
Born September 18, 1946 — Nicholas Clay. Here for playing Lancelot on Excalibur. He did two earlier horror films, The Damned and Terror of Frankenstein, and he was The Prince in Sleeping Beauty. For television work, he’s done The Adventures of Sherlock Holmes, The Hound of the Baskervilles, Zorro, The New Adventures of Robin Hood, Virtual Murder, Highlander and Merlin. (Died 2000.)
Born September 18, 1948 — Lynn Abbey, 74. She’s best known for co-creating and co-editing with Robert Lynn Asprin (whom she was married to for 13 years) the quite superb Thieves’ World series of shared-setting anthologies. (Now complete in twelve volumes.) Her Sanctuary novel set in the Thieves’ World universe is quite excellent. I’ve not kept up with her latter work, so y’all will have to tell me how it is. Most, if not all, of the Thieves’ World series is available from the usual digital suspects.
Born September 18, 1959 — Mark Romanek, 63. His first film was Static about a teenager who invents a device he claims can show picture of Heaven. Cult hit in the UK after Robyn Hitchcock prompted it. Never Let Me Go, a film released a decade ago postulated clones whose organs were harvested that made life extension possible in the UK. US reviewers thought it was fact leading it to having a text prologue explaining it was fiction.
Born September 18, 1963 — Gary Russell, 59. A very prolific director of audio narratives for Big Finish Productions, having done forty-five Doctor Who and related productions, which is to say the Sarah Jane and Bernice Summerfield lines as well. He’s written novels that feature Doctor Who and related characters. He’s written three nonfiction works, two Who related, no surprise there, and one called The Art of The Lord of the Rings.
Born September 18, 1984 — Caitlin Kittredge, 38. Known for her Nocturne City series of adult novels which I’d not heard of before this, and for The Iron Codex, a series of YA novels, but I think her best work is by far the Black London series. She’s penned a Witchblade series at Image Comics, and the excellent Coffin Hill series for Vertigo.

(13) COMICS SECTION.

Frank and Ernest aren’t aboard the UFO for very long.

(14) EDGE CASE. “R. Crumb Means Some Offense” is a profile of the iconic comix creator in the New York Times.

…Crumb used to attend comic conventions and book signings, but now he makes very few public appearances. He never really picked up French (he relies on Kominsky-Crumb for that), and his social circle is small. Crumb’s followed in the long line of artists and writers who have exiled themselves from America, but his life abroad feels far more circumscribed than most. He doesn’t even have a cellphone. (At one point, he looks at his wife’s and says earnestly, “It’s listening to us right now.”) He uses email but “I worry about it,” he says. “Any email you write goes into the N.S.A. computer banks.” He’s only voted once in his life, for Barack Obama in 2008. Yet even living thousands of miles from America, disconnected from its culture by so many moats of his own making, he is, like many of his expatriate predecessors, a dedicated and unflinching observer of home. It was his ability to capture the id of America — in all its decadence, hypocrisy and lecherousness — that established him as an artist; that ability is unmatched nearly six decades later. He’s been called an “equal opportunity offender”: For his entire career, he’s angered the left, the right and everyone in between. It’s why his work remains, more than that of perhaps any other artist today, a litmus test for how much we’re willing to put up with for the sake of art….

(15) CONSTANTINE NEWS. [Item by Mike Kennedy.] There can be only one. AKA The Law of Conservation of Constantines. “Keanu Reeves’ Constantine Sequel Means JJ Abrams’ Constantine Show is Dead, For Now” reports Gizmodo.

Just before the weekend started, Warner Bros. Discovery up and surprised everyone when they revealed that a sequel to their 2005 Constantine movie was in development. With Keanu Reeves and original director Francis Lawrence both set to return, it seemed like a pleasant shock…until one had to remember that way back in 2021, the corporation announced that JJ Abrams was working on a series for the Hellblazer. And like with much of what’s recently happened with HBO Max, the situation for Abrams’ show is now in a weird bind.
Per Variety, the new Constantine show, along with the Madame Xanadu series being headed up True Blood’s Angela Robinson, are both dead at the moment….

(16) SCREEN TIME. Gizmodo is also prepared to fill you in about the coming season of genre TV: “Fall 2022 TV Preview: All the Sci-Fi, Fantasy, and Horror Shows”.

Your TV brain might be completely hardwired into magical rings and lusty dragons these days, but there are so many more sci-fi, fantasy, and horror shows—both returning and new—coming to screens this season.
Scroll through for our handy calendar of all the geeky series that you need to know about, with the caveat that dates may be subject to change….

(17) LIFE LESSONS. His role in Tron is the ObSF reference, however, there’s so much more! “’Dealing with your mortality, it makes things more precious’: Hollywood legend Jeff Bridges on the gift of life after cancer” in the Guardian.

…So he’s someone who can quickly identify and make the most of a bright side. As I’m not someone like that, I ask him how he does it. How did he stay positive through two vicious illnesses? Bridges starts to tell an apparently unrelated story, the relevance of which only gradually becomes clear. “So I’m remembering the very last gift my father gave me, before he died,” he says. His father, Lloyd, was a successful TV actor who died in 1998. “Sue and I had this new house at the time,” Bridges continues, “huge grounds, and what I really wanted for my birthday was a neat little electric golf cart to get around the property. I know Dad’s bought something cool for me. I open a door. And there… It’s not the golf cart I wanted… It’s like a motorised, gasoline-operated, dump truck kind of a thing. In my mind I’m thinking, ‘Oh, shit. This is not what I want at all.’ But I say thank you to him. Then he dies. Suddenly I’m using this vehicle all the time. I’m constantly saying to myself, ‘This is so much better than a golf cart! It’s so much more powerful! There are so many things I can get done!’”…

(18) HOT STUFF. Get ready to serve breakfast on Halloween: “Dash Mini Waffle Maker — Halloween, Black and Orange”.

SPOOKY WAFFLES: The Dash Halloween Mini Waffle Maker 2-pack is perfect for making spooky waffles for fall and beyond. Plus make your favorite breakfast classics and get creative with waffled hash browns, cookies and more

(19) NASA RELIC. “A Busted Trailer Listed on a Government Auction Website Turned Out to Be a Space Fan’s Dream: a NASA Command Vehicle”. ArtNet News tellxs all about it.

For most people trawling government auctions, the listing would not have stood out: GSA Auctions, a division of the General Services Administration, was offering up a vehicle described simply as a “1989 Airstream Executive Air Coach,” with no minimum bid.
An online sleuth, however, was able to determine that the RV was probably once used in NASA’s Space Shuttle program. Acquired for just $21,000, the historic item was a major steal for any fan of space memorabilia….
The upshot? “This van was the official Convoy Command Vehicle for the Space Shuttle at Edwards,” Higgins wrote. “It directed all Shuttle recovery procedures once the spacecraft was on the ground! And it’s for sale currently at $10k.” (He also shared a YouTube video of the vehicle in action.)
Some 19 bidders competed for the former Convoy Command Vehicle, with interest leaping from $10,000 to over $20,000 in the final day….

Ok, I’m not going to be able to buy and restore this due to logistics so I figured I’d throw it up on Twitter. Long story short, I found the @NASA Convoy Command Vehicle for the Space Shuttle program up for auction, with almost zero indication of what it is (link at end of ????) https://t.co/dqy7xVxVGX pic.twitter.com/hzmcWPr9hg
— MacCallister Higgins (@macjshiggins) September 12, 2022

(20) VIDEO OF THE DAY. Alasdair Beckett-King parodies “Every ‘Not So Fast… I’ll Be Taking That’ Scene”.

When you’re a rogue archaeologist in search of a surprisingly cheap-looking idol. I’m really pushing the limits of what one man with four hats can do, here.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Cora Buhlert, Steven French, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]

2022 Hugo Awards

Posted on September 4, 2022 by Mike Glyer

The winners of the 2022 Hugo Awards, Lodestar Award for Best Young Adult Book, and Astounding Award for Best New Writer were announced on Sunday, September 4 at Chicon 8. (Detailed statistics for the nominating and final ballots are available in this PDF.)

The winners are:

BEST NOVEL

A Desolation Called Peace, by Arkady Martine (Tor)

BEST NOVELLA

A Psalm for the Wild-Built, by Becky Chambers (Tordotcom)

BEST NOVELETTE

“Bots of the Lost Ark”, by Suzanne Palmer (Clarkesworld, Jun 2021)

BEST SHORT STORY

“Where Oaken Hearts Do Gather”, by Sarah Pinsker (Uncanny Magazine, Mar/Apr 2021)

BEST SERIES

Wayward Children, by Seanan McGuire (Tordotcom)

BEST GRAPHIC STORY OR COMIC

Far Sector, written by N.K. Jemisin, art by Jamal Campbell (DC)

BEST RELATED WORK

Never Say You Can’t Survive, by Charlie Jane Anders (Tordotcom)

BEST DRAMATIC PRESENTATION, LONG FORM

Dune, screenplay by Jon Spaihts, Denis Villeneuve, and Eric Roth; directed by Denis Villeneuve; based on the novel Dune by Frank Herbert (Warner Bros / Legendary Entertainment)

BEST DRAMATIC PRESENTATION, SHORT FORM

The Expanse: Nemesis Games, written by Daniel Abraham, Ty Franck, and Naren Shankar; directed by Breck Eisner (Amazon Studios)

BEST EDITOR, SHORT FORM

Neil Clarke

BEST EDITOR, LONG FORM

Ruoxi Chen

BEST PROFESSIONAL ARTIST

Rovina Cai

BEST SEMIPROZINE

Uncanny Magazine, publishers and editors-in-chief Lynne M. Thomas and Michael Damian Thomas; managing/poetry editor Chimedum Ohaegbu; nonfiction editor Elsa Sjunneson; podcast producers Erika Ensign & Steven Schapansky

BEST FANZINE

Small Gods, Lee Moyer (Icon) and Seanan McGuire (Story)

BEST FANCAST

Our Opinions Are Correct, presented by Annalee Newitz and Charlie Jane Anders, produced by Veronica Simonetti

BEST FAN WRITER

Cora Buhlert

BEST FAN ARTIST

Lee Moyer

LODESTAR AWARD FOR BEST YOUNG ADULT BOOK

The Last Graduate, by Naomi Novik (Del Rey Books)

ASTOUNDING AWARD FOR BEST NEW WRITER

Shelley Parker-Chan

VOTING STATISTICS. There were 2235 valid final ballots (2230 electronic and 5 paper) received and counted from the members of Chicon 8. More information about the 2022 Hugo Awards, including detailed voting statistics is available on the Chicon website here .

ABOUT THE HUGO AWARDS. The Hugo Awards are the premier award in the science fiction genre, honoring science fiction literature and media as well as the genre’s fans. The Hugo Awards were first presented at the 1953 World Science Fiction Convention in Philadelphia (Philcon II), and they have continued to honor science fiction and fantasy notables for nearly 70 years.

The physical Hugo Award consists of a rocket mounted on a base that is designed specifically for that year’s awards. The base for the 2022 Hugo Award trophy was designed and created by Brian Keith Ellison, while the 2022 Lodestar Award was designed and created by Sara Felix. More information on this year’s designs can be found here.

A full list of past finalists and winners can be found on the official Hugo Awards website here.

[Based on a press release.]

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